We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Special 15% discount on all available VOD Records items until Monday at midnight!

Electronic /

Kaze ga Kanjō o Hakobu. Subete ga Kawarudarou
“Kaze ga kanjō o hakobu. Subete ga kawarudarou” is Tokyo-based musician Fuantei’s debut and first album for 901 Editions. The music describes ephemeral, everyday moments that evoke deep and suspended emotional states. A frivolous and trivial time fragment made memory, the embrace and realisation of change, the reverberating lights of a habitual sunset. 風が感情を運ぶ。すべてが変わるだろうKaze ga kanjō o hakobu. Subete ga kawarudarou.The wind carries emotions. Everything will change.
Un Fiocco di Neve
“Un Fiocco Di Neve” (Italian word for snowflake) is one of the possible crystallisations of an ongoing project called Nucleazione (Nucleation), started in 2017 and consisting of the accumulation of over 200 sound files and silences pulled together and randomly overlapped with no control. The five compositions of this album originate from a series of auto-generative methods, which I found brought me to new listening experiences in the process of composing. I trace my steps back to a decentered, l…
MLMC Live At Punctum
“MLMC Live at Punctum” marks the return of media artist, performer and experimental musician Aloïs Yang to 901 Editions after his immersive sound explorations on “Micro Loop Macro Cycle” (2018). “Micro Loop Macro Cycle” is made up of installation, performance, video, and digital releases that investigate environmental cycles through the studies of various states of water. It invites participants to consider their profound relationship to the element of water through technology, and the combined …
Superscience
901 Editions is proud to announce the latest release by Japan’s Minamo, the duo formed by Tetsuro Yasunaga and Keiichi Sugimoto. "Superscience" follows their recent collaboration with Moskitoo "Superstition", released by 12k in April, 2020. The work was recorded at Ochiai Soup in Tokyo on May 11th of 2019 as part of the label’s showcase 9+1=0. This live format, which embodies the notion of imperfection, irony riddled in its name, has been presented in Rome, Milan, and London. These showcases com…
Ma 間 (Limited Edition)
** Limited Edition of 50. Glass mastered CD. 6-panel digisleeve (uncoated 300gms cardboard). Colours: 3 Pantone. Debossed insert card by Tipografia Pesatori (Milan). Designed by Mote Studio. ** Fabio Perletta and Luigi Turra’s "Ma" marks their first collaboration. The project began with Turra inviting Perletta to re-work his piece "Texture.Vitra" (Koyuki, 2008), a sound study featuring recordings collected at various architectural spaces designed by Japanese architect Tadao Ando. The resulting t…
Ma 間
Fabio Perletta and Luigi Turra’s "Ma" marks their first collaboration. The project began with Turra inviting Perletta to re-work his piece "Texture.Vitra" (Koyuki, 2008), a sound study featuring recordings collected at various architectural spaces designed by Japanese architect Tadao Ando. The resulting three pieces were crafted in an attempt to perform an active dialogue between Tadao Ando’s aesthetic principles and sonic practice. 

The album unfolds as a temporal, environmental experience of …
Music for Xavier Veilhan
Jonathan Fitoussi is a French composer that explores an electronic music versed in futuristic tones that evokes the vision of the future as it was perceived in the 60s or 70s, mixed with the perception of a unique, utopic world, yet to be reached, yet to be build. After his last album Plein Soleil on the label, he offers here a limited run of 300 copies for his new release, contained in a transparent sleeve with postcard."Rayons" illustrates Les Rayons (Sarus), 2016, a sculpture by Xavier Veilha…
Nocturnal Earthworm Stew
* 2021 Stock* Nocturnal Earthworm Stew is a glorious experiment in electronic music, capturing the vitality and early curiosity of the 1970s. An earlier press statement called it "Serious headphone music made under the influence of Stockhausen, John Cage, Ornette Coleman, Stravinsky, Frank Zappa, Weather Report, Charles Ives and others." The influence of prog and space rock is pronounced, and contributions from Canadian prog legends Nash the Slash and Martin Deller (of FM) solidify Nocturnal's p…
Odeyalo
* Edition of 200 12" Turquoise Colored Vinyl. Hand-numbered. * "Odeyalo" is a Russian word that means "blanket". This blanket is made from many rags. It's hard to tell where one ends and the other begins, but the main thing is that you can cover yourself with this blanket. Foresteppe is the musical project by Egor Klochikhin, artist and history teacher from Russia. Foresteppe's music is a constant experiment with the sounds of tape cassettes, acoustic instruments, field recordings and electronic…
Last Chance
** Edition of 500. The record has been remastered and is pressed on 180-gram black vinyl. Lyric insert sheet. ** Minimal Wave is are excited to announce the reissue of a rare self-released record by Plugpoint Music called 'Last Chance'. Plugpoint Music was the minimal synth project of Reiner Ossmann, who recorded the 12 songs on this album in his home studio in Germany in 1987 and released them as an edition of 200 copies. This gem of a record was never properly distributed and so essentially di…
Ficciones Del Tropico
**Much needed repress. 180 gram vinyl with printed innersleeve** Born in Maracaibo, Venezuela, Alexander Molero is no stranger to the exotic idealism that westerners have towards South America. A move to Barcelona a few years ago gave him new notions of how the Amazon was imagined by the west. The inspiration for this record came from the book by Anton Goering "Vom tropischen Tieflande bis zum ewigen Schnee" and was also influenced by the writings of Victor Segalen and the visions of Werner Herz…
No​-​Go
Eric Random is a British pioneer of post punk electronica. Born in 1961 Eric soon joined the Buzzcocks’ road crew. At the age of 17 he became a third of a group called The Tiller Boys, the other two being Pete Shelley and Francis Cookson. They played their live debut in 1978, supporting Joy Division at Manchester’s Factory club. For Pete Shelley The Buzzcocks were his main concern, so The Tiller Boys soon fell apart. Eric founded Free Agents with Cookson and soon met Richard Kirk and Stephen Mal…
Preparing For Power
Bourbonese Qualk were an experimental music group from England who where active from 1979 until 2003. The group were always obsessively and uncompromisingly focused on controlling their work – they ran their own record label, recording studio, tour organisation and music venue (the legendary ‘Ambulance Station’) – they refused to integrate into the commercial music racket turning down publishing deals from major labels – stubbornly opting for total independence. Bourbonese Qualk were also known …
Menial Disorders
The Industrial / experimental project Alien Brains was founded by Nigel Jacklin in 1979 while he was still at school in Oundle, near Peterborough, in the UK. Menial Disorders was their first release on Deleted Records. The cassette album includes recordings made in the school physics department using sound generators and a ‘loopotron’ which had been lent to Nigel by one of Billy Bragg’s bandmates (Billy Bragg’s Punk band, Riff Raff, were based in Oundle at the time) as well as their first live a…
Synopsis Seriation
'Synopsis Seriation,' Hecker's latest release with Editions Mego, draws upon current research in machine listening and music information retrieval, where the 'ghosts in the machine' are unsupervised, engineered operators designed to extract auditory features from a signal. The album advances a general research programme Hecker initiated through various projects. In 'A Script for Machine Synthesis' (EMEGO 226, 2017), the third chapter in the trilogy of text-sound pieces in collaboration with Reza…
L'Étoile Au Front
Klanggalerie presents L'Étoile Au Front ‎by Étant Donnés. Etant Donnes is a French duo named after Marcel Duchamp's last major work. The group consists of brothers Marc and Eric Hurtado, born in Morocco and working mainly as performance artists and musicians. L'Etoile du Front was the band's third album, dating back to 1982 and originally issued on French Bain Total label.
Spume & Recollection
Punctual like a Swiss watch, Driftmachine presents a new album that once again astounds and delights. We know their trademark: solid mechanical percussions, forceful bass and melodies systematically built around circular patterns. "Spume & Recollection" is the sixth Umor Rex album by the Berlin duo, and what better way to celebrate the label's 15th anniversary than with a new record from the masters of labyrinthine cables and patches. Regarding "Nocturnes" (UR 2014), their debut album, we descri…
Lux
Wavey, dystopian industrial-electronic tripscapes from NON and Hyperdub affiliate and multi-disciplinary artist Venus Ex Machina. F*ck Cyberpunk 2077, this is cyberpunk 2021. She's made an AI opera, been involved in various art projects and composed for film, now Venus Ex Machina has deployed her debut full-length - a sprawling dystopia of decaying industrial beatscapes, squealing noise, drones and disorienting sound design. "Lux" isn't just a collection of odds and ends, it's a narrative univer…
KENTHMATA
Easily one of the best records we’ve heard all year, Evagoras Karageorgis’s KENTHMATA - the debut LP by Moneda - is an entirely singular rethinking of minimalism, challenging the ancient traditions of the composer’s Cypriot roots. Recorded between 1987 and 1988, and remaining unreleased ever since, it’s a truly stunning expanse of percussive tonality, and an absolute revelation that can’t be missed.
Tropical
You could think of the collection of tracks here as a library record of sorts, and each track inhabits its own universe. Tropical fits various moods and situations, and it could soundtrack any number of activities at home or on a dancefloor - whether real, imaginary, or hallucinated. Strangely enough, it sounds like it could have been constructed from obscure Italian library breaks, when instead every instrument has been played and panned, several times over, across magnetic tape. The genesis of…