Don't Hold Onto The Clouds
Don't Hold Onto The Clouds is the fourth release on Kutiman's own record label Siyal following Space Cassava (2015), the White Monkey 7" (SYL 003EP, 2017), and 6AM
(SYL 002CD/LP, 2016). In the era of the brand, Kutiman is an anomaly. A
musician who's a video artist, a producer, an animator, and also the
unwilling star of one of Israel's most successful recent documentaries,
every one of his records contrasts with whatever it was that came
before. But that's fundamental to his appeal: no one…
'Split'
Highly synergistic split from Eleh and Caterina Barbieri featuring two sides of similar audio dimensions. These two electronic sound poems slowly unfurl rich timbre and harmonics with an austere stillness that is, somehow, ever-changing. It hardly matters whose side is whose.
Dimensions
"Sealed, original copies of this wonderful 1986 private-press home-studio Electronic Music outing, direct from the artist. While reissues and contemporary efforts unquestionably dominate the the current landscape of recorded music, among its more fascinating and rarely mentioned objects, are warehouse finds. These records, due to lack of demand upon their initial release, have lingered for decades on shelves and pallets, in closets and under beds, waiting for a new generation of sonic explorers…
Immersions
Rod Modell returns as Deepchord for his first solo release on Astral Industries since inaugurating the label with his sought-after ‘Lanterns’ EP. Consisting of two stunning long-form pieces split on one side each, 'Immersions' captures the emotive, halcyon sound that Rod has long become synonymous with. Opening with glistening ambient textures, ‘Immersion I’ grows into an 18-minute piece of deep rolling dub techno. On the other side ‘Immersion II’ paints pristine soundscapes of soft, lapping wav…
Elektronische Musik Elektronische + Phonetische Kompositionen (4
2017 "upgrade" of this early Creel Pone title; this replica edition includes all of the material from Reinhold Weber's two Corona-label LPs, "Elektronische Musik" & "Elektronische + Phonetische Kompositionen" - Creel Pones #009 & #099, respectively - along with everything from his two later Sound Star Ton LPs (again) "Elektronische Musik" & "Computermusik", all on four separate discs. Those who have already acquired the first two titles in earlier sweeps can simply purchase the CP 009-099.2 pack…
Pop Surgery
Following the release of lo-fi electronic masterpiece I Don't Remember Now / I Don't Want To Talk About It and his brilliant follow-up Plaster Falling, Cincinnati-based artist John Bender began assembling his third and last album, Pop Surgery, in late 1982. While all of Bender's work draws from intimate home recordings – featuring the artist alone with various keyboards, analogue sequencers and tape delays – Pop Surgery remains the one that perhaps best distills his arrant deconstruction of the …
Applied Autonomy
The great Robert Lippok (To Rococo Rot) returns with his first solo album in seven years, Applied Autonomy for Olaf Bender's Raster. A survey of what he’s been up to, as much as a statement of intent for here and now, Applied Autonomy reprises the fine balance of tuff-edged minimalism, spatial illusion and melodic delicacy that emerged with Redsuperstructure [2011], but ratcheting its effect with a renewed vigour for a frankly epic impact.As the title makes explicit, Robert’s 3rd solo album is c…
Le Robot, Symphonie Rouge, Symphonie Jaune
2018 edition. As I understand it, in the short history of Creel Pone thus far, there have been a few candidates for replication that were refused simply on the grounds that the music within fell outside of the “Core” EAI - or "Era of Interest" - represented by the series: 1948 - 1981; those dates on the foil-seal. Why these specific dates, you ask? Well, on October 5th, 1948, the ORTF broadcast Pierre Schaeffer’s “Cinq Etudes de Bruits,” hailed by many as the birth-date of Musique Concrète and s…
Elektron Musik Studion, Dokumentation 1-4
2018 repress. Issued privately by Stockholm’s "Elektron Musik Studion” (EMS)
between 1966 & 1973, the four “Dokumentation” LPs were something of a
seasonal report card of the studio’s charter output, “internally”
issuing key early works. Composers Ralph Lundsten
& Leo Nilsen - whose side-length “Aloha Arita” & “Kalejdoskop”
have only been issued in severely excerpted form in the interim, -
Karl-Birger Blomdahl, Bengt Emil Johnson, Jan W. Morthenson, Arne
Mellnäs, Lars-Gunnar Bodin, and Sv…
Electro/Acoustic, The Referee Has Vanished, Zaat
Lovely set of tape-music by composer Jack Tamul, issued in 1980
by Spectrum - not the Wergo sub-label, but the same Bear Mountain-area
powerhouse that released William Hoskins’ “Galactic Fantasy” &
William Strickland’s “An Electronic Visit to the Zoo” the year prior -
“recorded at the Jacksonville Museum of Arts & Sciences."Starting with a series of pieces incorporating acoustic
materials: “Genesis” is a choir piece peppered with synthesizer &
tape-manipulation; “Lament for Gettysburg” is …
Keyboard Music
Handy, double-pack reproduction offering a pair of Compilations on the Greek Music Box label, the first comprised of key Magnetic Tape & Spectral Computer Music pieces by Iannis Xenakis, Dimitris Kamarotos, Xaris Xanthoudakis, & Vasilis Riziotis, the latter of, essentially, Dark Ambient & assorted "Wave" & "Age" fare by Vangelis Katsoulis, Lena Platonos, "Antitheseis" alum Michael Grigoriou, & Minas Alexiades, each on its own disc inside a "Gatefold" booklet. Released pretty much back-to-back - …
Radiophonic Tape Compositions
Replica edition of this impossible-to-find, internal compilation of
early-mid-80s Australian Tape Collage & Digital Assemblage, issued
privately by Sydney Classical radio station 2MBS & consisting of
five extended pieces; one each by Composers Peter Mumme, Peter Schaefer,
Robert Douglas, Jon Rose, & Michael Hannan. There is a fair
deal of the Fairlight's timbral & formal palette across the album's
otherwise conceptually disparate offerings; understandable given
the era & geographic associ…
Soliloque I, Soliloque IV, Match, Antifonia
Nicolae Brînduș was born in Bucharest in 1935 and swiftly
matriculated through his studies in Piano & Composition at
the National University of Music before embarking on the life-changing
seminars at the Internationale Ferienkurse für Neue Musik, Darmstadt
throughout the late 60s & early 70s; even working at Ircam for a
spell in the mid-1980s. How this formative music, composed & recorded largely during his
Darmstadt phase, has remained so relatively unknown is insane to me; it
has all of…
Ciclul „Cosmofonie”
The second title in Creel Pone's 23x survey of Romanian Early
Electronic Music, offering both pieces from the lone Electrecord LP by
Composer Dinu Petrescu, along with a composition from one of the many
Corul Madrigal offerings, here conducted by Marin Constantin. "Space Doina", or possibly "Doina Space (1978)", "music
for symphony orchestra, mixed choir, children's choir, synthesizer,
magnetic tape and electronic modulation" starts off with a gaseous drone
of distant reverberance, seguei…
Groupe De Recherches Musicales
This is the last of the 199.x titles, a great diversion
into those that were endlessly divisive amongst the C.P. cabal; so much
so that common ground had to be carved out & explored... I'd heard legend of this internal-issue-only "White Label" GRM
compilation, from trusted source "Ravi" Ben, of La Dame Blanche fame,
but had never heard nor seen a copy until one literally landed in my lap
at a soirée recently. Largely consisting of alternative & revised
versions of prime 1973-era GRM pieces…
Maté/Vallancien
One thing I've learned as I've grown and progressed
through music is that there is an incredible wealth of largely
unheralded & seldom-heard music buried deep in the expansive Saravah
catalogue, largely due to the street-level largesse of in-house
engineer Daniel Vallencien, who aside from engineering a large portion
of the canonic BYG catalogue - Don Cherry, Anthony Braxton, Musica
Elettronica Viva, Sonny Sharrock, Sunny Murray, etc. - was crucial in
the development of the label's sound …
Magnetic Fields
Reproduction of this obscure 1977 Private Press stunner
by Extradition, Company Caine, & Phyl Vinnecombe sideman & early
18th Century Quartet member Stephen Dunstan, a key part of Australia's
Electronic Music history alongside Val Stephen, Bruce Clarke, Keith
Humble, Felix Werder, & Ian Bonighton. Steve was a tragic figure; operating across multiple disciplines
before disappearing under suspicious circumstances in the mid-80s while
out retrieving a Moog Modular system, Dunstan was both a c…
Electronic Music
**Edition of 500 copies. No represses** An astounding, epic journey into the more obscure areas of early electronic music, Phillip Werren’s Electronic Music is a wellspring of contemporary composition across four LPs. Originally released in 1971 in an edition of 100 copies, this impossibly rare piece of early Canadian electronic music has finally been reissued on vinyl in an exact replica box with a silk-screened cover.Electronic Music was recorded at Simon Fraser University (Vancouver), McGill …
Radiance
**few copies back in stock, very last around** It hardly needs to be said that the context of experimental music is defined by incredibly ambitious efforts. But there’s ambitious, and then there’s ambitious. The German composer and musician, Stephan Mathieu, might have taken the cake. Back in 2016, he began issuing his sprawling Radiance project, the culmination of a decade of work, in the end amounting to twelve thematically linked album length pieces, built around the concepts of stasis, unfol…
Ingaza
Staalplaat presents a double LP reissue of Muslimgauze's Ingaza, originally released in 1999 (the year of his death) as part of the Box Of Silk And Dogs set. Those not familiar with Bryn Jones's style will listen slack-jawed at the sheer anticipatory nature of his sound collages. He was a cult artist, politically motivated for the Arab-Palestinian cause and a seminal experimenter with ethnic samples' and minimal and electronic rhythms. The atmospheres retain their original charm, full and gloomy…