A Sort Of Radiance
Matthew Mullane is a Chicago multi-instrumentalist performing under the guise of Fabric.Here we have a fine suite of compositions which embark on a voyage through darkness of night and the brightness of day. Washed out dark colors and static pulses sweep across your stereo painting a portrait of intense yearning and determination. Recorded over the course of a year, Matthew has constructed a multi dimensional organism of sound that has perplexing depth and astounding detail. The album reveals n…
Flashback Repository
remastered issue of an obscure tape from the mysterious outer limits collective (wingdings / explorers / matrix metals / foxy baby / yoga / 90210 / etc). limited to 425 copies in pro-printed duo-tone sleeves with a 5-page essay booklet.the flashback repository is a storehouse of collective waste consciousness from all beings of the universe, i.e. all unfiltered myth & material of the human/alien/animal mind, laying dormant in a hidden dimension resembling a disposal area or transfer station some…
Your Crate Has Changed
Mordant Music and Ekoplekz reconvene their eMMplekz duo with the incisive observations and blue dub noise of 'Your Crate Has Changed'. The Baron continues to gain confidence as the dark interpreter of a twisted English psyche, making hilarious and cuttingly bleak commentary on everything from syrups to the postal service, sh*t pubs and wi-fi, all set to some of Nick Edwards' craftiest electro-dub backings.
(no thing-ness)
"(no thing-ness)" comes hot on the heels of Brian Pyle’s latest highly acclaimed Ensemble Economique album on the Not Not Fun label. While "The Fever Logic L.P." saw him head diving into a sort of ambient goth pop this brand new 12“ appears to be more influenced by industrial, almost EBM-ish textures. The atmosphere seems more aggressive with an almost militaristic touch, and titles like "New Banking System" hint at the source of this anger. Combined with Pyle’s cinematic tension this makes for …
Rubisco
Following Fiume Nero (2014), the young Italian composer has moved from the raw primordial chaos that characterized his first work to develop a reflection on how a hypothetical absence of humans and biological life could modify industrialized and civilized spaces. Using field recordings, obscure samples, and FM synthesis, Epiro draws his abstract landscapes as a series of overexposed and imprecise pictures made by concrete and organic architectures, amorphous rhythmic patterns, and repetitive seq…
Silicon Ear
Following his compelling comment on the modern-day culture of call centres, Disruptive Muzak -- awarded Album of the Year 2016 by Boomkat -- Sam Kidel turns his analytical artistry towards the ominous gatekeepers of online communication with a rave-inspired rebel spirit to match his scientific methodology. 'Chamber music meets free-party-scene warehouse-invasion' First exhibited at EBM(T) in Tokyo, 'Live @ Google Data Center' trespasses in Google's data center in Council Bluffs, Iowa to perform …
Tunnels
Digitalis root out yet another dazzling label debut, this one a beautiful second LP of romantic synth-boogie from Kansas City's Brandon Knocke aka Discoverer. Operating within the realm comfortably inhabited by Hype Williams, Laurel Halo, Morgan Geist or Glass Candy, 'Tunnels' is all about the enigma of electronic desire. Whether that's unrequited robot love, utopian yearnings or something more esoteric is for you to ascertain. These eight communiques are just dripping with electronic emotion, f…
Versions
"David Daniell and Douglas McCombs's first collaborative LP, Sycamore (THR 216CD/LP), was assembled from seven hours of in-studio improvisations. Daniell and McCombs sifted through the material looking for their favorite moments, then combined, cross faded, mixed, and matched those moments into something that made sense to them as a long player. For their new release, the double LP Versions, they gave the same seven hours of material to noted recording engineer and producer Bundy K. Brown (ex-To…
Prosthetics
** Limited edition of 300 copies, housed in a black anti-static inner sleeve, with a silver stencil artwork ** The long-awaited debut release by yung new producer Croww for The Death of Rave, somewhere between a mixtape, imagined soundtrack and demonstrative showreel pieced together from a Slipknot sample pack used by the band’s Craig Jones on their landmark debut album and highly recommended if you're into Autechre, Rabit or Total Freedom. The severely gurned and kerned result is the Prosthetic…
UKMerge/Strict
Hand-stamped 180g white label Inga Copeland furnishes new imprint All Bone with two grubby sound system tools produced by John T. Gast ov Henny Moan fame. It follows her \'Don\'t Look Back, That\'s Not Where You\'re Going\' 12\" with a more rugged, minimal UK dancehall sound iced by those knowing vocals. Top side stars the barely-hinged, pitching snares and dread digi dub of \'UKMERGE\' gilded with drowsy utterances, whilst flipside they tilt the tempo to a bouncing blend of mutant Dubstep and b…
Retro-2038
COH is the moniker used by Ivan Pavlov from Russia for more than a decade. COH is also the Russian word for 'sleep'. Yet, do not be deceived - RETRO-2038 is much more of a deep space than a deep sleep. The second COH release on Editions Mego is a true delight to behold, inviting as it does its exploration of electronic sound in minimalism, futuristic pop and the uncharted territories inbetween. Ranging from digital updates of Giorgio Moroder's pulse experiments to menacing lingering LF tones, wi…
Breaking Day
"Breaking Day is the second full-length album from Cleared, the Chicago-based duo of Steven Hess and Michael Vallera. While their self-titled debut album found the duo exploring themes of stasis and texture, Breaking Day represents a huge development in the scope and overall style of the project. Where previous material had been slowly assembled from dozens of individual recordings and experiments, this new collection of songs was born from the raw documentation of Cleared's live performance in …
reaching for indigo
A moment that fell down in the life of Haley Fohr on January 22, 2016 — now in album form! Redefining and realizing the goals that were set to allow Haley become Circuit des Yeux and Circuit des Yeux to become Haley.
Plays Paradise Artificial
Another year on the HITD calendar, another stunning new solo release with Brian Case Plays Paradise Artificial. This third album somehow manages to compile and condense the best bits of its predecessors, and the magnificent viridian, glacial universe developed by Case since the beginning of his solo ventures is brought to the forefront.The Chicago artist centres his elusive, dehumanised compositions around two simple, minimal elements. Using just vocals and synths, he has created a simultaneousl…
Tom Carter/Pat Murano
The brilliant Pat Murano (NNCK member who has brought out a staggering amount of high quality electronic darkness under his Decimus alias in recent years) has sent us two new LPs on his Kelippah imprint this week, which is nice. As usual with this label they’re very limited (only 300 each) and come housed in beautiful screenprinted card sleeves. This one here is a collaboration between Murano and Charalambides’ own death-defier Tom Carter.On the grooves we have two lengthy jams. Put your needle …
Aakash
Aakash marks the debut recording of the Portland, Oregon-based trio of Matt Carlson (Golden Retriever), Michael Stirling (a disciple of the late Hindustani master Pandit Pran Nath and a student of Terry Riley), and Doug Theriault. Derived from live improvisational performances, the record finds Carlson's rich analog synthesizers joined by real-time processing of Stirling's lilting voice and Theriault's idiosyncratic guitar work and electronics. Dipping into a kind of liminal void, Aakash isn't j…
...it's eternity, Ester
Rubix cube electronica from Sheffield unit Carers and featuring artwork by EVOL main man Roc Jiménez. Over the course of twelve minutes or so, the sounds meander between noisy interludes of musique concrète to more drooping eyelids drone passages. Great start to what promises to be a label to watch.
Toxic City Music
NYC based artist Evan Caminiti breathes life into the Dust Editions imprint with the release of Toxic City Music. Caminiti has explored electro-acoustic music since the mid 2000's, the latest transmission being 2015's Meridian. While that album was Caminiti’s first to omit electric guitar, he has now returned to the instrument. Here it is buried it in an electronic mist and melted down, it's sonic fabric reshaped. Toxic City Music was inspired by the psychic and physical toxicity of life in lat…
Dream Memory
"Guitarist Ken Camden returns for his third solo album, continuing his explorations to seek out new techniques and sounds from the electric guitar. By utilizing both a steel slide and e-bow technique, Camden has moved into micro-tonal territory to bridge the textural gap between guitar and synthesizer while examining their inherent differences. The palette is further broadened by introducing an organic vocal sampling machine described as a Vocaltron. Much like a Mellotron, vocal samples (contri…
Dayglo Port
Carl Calm ist the solo project by Chicago citizen Eric Lanham of Caboladies. “Dayglo Port“ was recorded and mixed over two days in the tiny back bedroom of The Fact House (a house Chris and Eric of Caboladies used to live and host shows in Lexington, KY) in the fall with the windows wide open and gear eliminating any floor space. In contrast to Caboladies’ extensive jam-heavy explorations “Dayglo Port“ favors a more introspective and rural atmosphere recalling the mood of seminal home electronic…