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Soave present a reissue of Roberto Musci and Giovanni Venosta's A Noise, A Sound, originally released in 1992. The third episode of the alchemical association between Roberto Musci and Giovanni Venosta, reprinted for the first time. This work seems to be even more enigmatic than the previous ones. The "plunderphonics" style of the compositional process, significant to allowing a technical experimentalism of inexhaustible variety of materials used (compendium of sounds, harmonies, ethnic timbres)…
Since launching in 2009, Oren Ambarchi’s
Black Truffle has been making quiet waves in the underground,
its growing catalog unfurling the unexpected aural connections
which only appear when a label is led by an artist’s ear and
heart. Initially orbiting around Ambarchi’s own output, and that
of the community which immediately surrounds him, the imprint
has increasingly endeavoured to establish cross-generational
links, issuing and reissuing stunnin…
The folks over at The Institute for Danish Sound Archaeology have been blowing our minds for the last couple of years. There output is slow and careful, quickly become one of our favourite catalogs emerging today. First they brought us the incredible reissue of Knud Viktor’s two LPs from the early 1970s, Ambiances / Images, then a short while back we were graced by the conception breaking Danish Tape Amateurs. Now they return with another marvel from the forgotten realms of Danish underground mu…
**Last copies**Long-awaited second pressing of Erkki Kurenniemi's key recordings and sonic experiments made between 1963-1975. One of the great unsung pioneers of the electronic age, Mr. Erkki Kurenniemi. The tracks released here - produced during 1963-1975 - include Kurenniemi's focal works and previously unreleased raw material composed as solo works - as well as works in collaboration with Kari Hakala, Jukka Ruohomäki, Otto Donner and Eino Ruutsalo.
"Erkki Kurenniemi, a brilliant, eccentric …
LP version. Silk-screened sleeve. Italian sound artist Giulio Aldinucci drops his second album on KarlRecords, Disappearing In A Mirror, is again a truly masterfully composed and sound-designed ambient masterpiece and a more than worthy follow-up to the critically acclaimed Borders And Ruins, (KR 040LP, 2017), which made it onto several year's best lists for 2017. Over the course of four solo albums on labels like Dronarivm plus EPs and collaborative albums (with Ian Hawgood (HOMEN 094CD, 2018))…
KarlRecords presents a repress of Borders And Ruins (2017), Giulio Aldinucci's ambient masterpiece of sublime beauty and sacral majesty which made it onto several best-of lists of 2017. Giulio Aldinucci is an Italian sound artist working in the fields of experimental electroacoustic music, field recording and ambient soundscape. Born 1981 in Siena, his catalog comprises four solo albums on labels like Dronarivm (Chihei Hatakeyama, Aidan Baker), Time Released Sound or Home Normal ((HOMEN 067CD, 2…
Ekin Fil ontinues her quietly complex dream-pop oeuvre on Maps. For many years
now, this Istanbul musician has been writing mysterious and haunting
songs, rich in heavy-reverb effects and an introspective torpor. With
each successive album, her songwriting has blossomed through broader
instrumentation and more intricate melodic phrasing, though the somber
atmospherics and ghostly manifestations remain a judicious constant.
Minor-key, tear-stained notes of piano, organ, and guitar veer alon…
"Mellow Toes comes as the second excerpt from my Schnarcharchiv (snoring-collection). This growing collection contains audio-recordings of sleeping humans, friends, and animals in all places and states of rest, sleep and nap, captured during night- and daytime since 2009. It all started during my daily afternoon-naps when I observed my own body getting hyper-sound-sensitive on its way to sleep. In these situations my chest, my arms, my toes turned out to become my biggest ears. It made me search…
The Brussels-based Razen make experimental and minimal music with unconventional instruments, focusing on tuning, intonation and the use of intervals. Their The Night Receptionist album sees them working again with performance artist and poet, videographer and self-portrait painter Bryan Lewis Saunders. Recorded during a two-week residency at QO2 in Brussels in 2016, The Night Receptionist employs a just intonation system based on the tonality diamond of Harry Partch. The instruments of choice w…
Holuzam is a new label from Prícncipe Discos co-founders José Moura and Márcio Matos. The second release on the label is a sublime disco missive from Macau, China, recorded between 1989 and 1993, bubbling up from a blindspot to offer a stunning package of sounds lesser, or even never, heard beyond private archives or Portugal’s borders... Dwart has been the vessel for journalist and musician António Duarte and his sometime musical partner, Manuela Duarte, since 1985. They played gigs at home in…
“Belzebu” was originally released in 1983 and it had absolutely no context in the Portuguese music scene. Telectu duly complain about that in the xerox presentation included with the album, but their idea was never to make things easy anyway. Jorge Lima Barreto (JLB) was very active in the avant-garde and jazz scenes (he recorded a ground-breaking AnarBand LP in 1977 together with Rui Reininho, later to assume lead vocals in the pop band GNR) and his uncompromising attitude and leftist leaning d…
Jim O’Rourke returns with his first physical solo album since 2015’s Simple Songs, following a relatively steady supply of download-only releases via his Steamroom Bandcamp (over 20 of them since 2015) and collaborations with John Duncan, Keiji Haino, Oren Ambarchi, Peter Brötzmann, Merzbow, Fennesz and others in the interim. Anyone familiar with his exceptional Steamroom output will have an inkling of what to expect here; this is Jim O’Rourke at his most meditative, absorbing and quietly subver…
Charlemagne Palestine first started using electronic instruments in his music in the late 1960s. Palestine on the release: "Electronic instruments were very rare and exotic in the 1960s.There were Moogs around New York but they were only in universities who preciously guarded them from us young composers. So after all this time visiting The Moog Sound Lab is like a dream come true for me... to have so many oscillators all singing together is a truly beautiful experience. I am so glad I am still …
Charlemagne Palestine first started using electronic instruments in his music in the late 1960s. Palestine on the release: "Electronic instruments were very rare and exotic in the 1960s.There were Moogs around New York but they were only in universities who preciously guarded them from us young composers. So after all this time visiting The Moog Sound Lab is like a dream come true for me... to have so many oscillators all singing together is a truly beautiful experience. I am so glad I am still …
Chris Watson, originally the keyboard player of Cabaret Voltaire, then a sound recordist for Tyne Tees Television and founder member of The Hafler Trio, is now perhaps best known for his BAFTA-winning location recording for David Attenborough, Birdwatch, Tweet Of The Day, and range of BBC Radio programs. Here, Chris creates an all new sound journey in honor of Bob Moog via a series of his own location recordings, subtlety processed through The Moog Sound Lab's System 55. Almost a return to the p…
LP version. Mika Vainio visited the Moog Sound-Lab in April 2015. He made one his last known solo studio recordings in the form of two vinyl-sized, side-long pieces entitled Lydspor, Danish for "soundtrack". Mika worked almost exclusively with the lab's Moog Modular System 55. This UK sound-lab instrument is the sole prototype model (containing several golden filters) of Moog's sold-out reverse-engineered edition (only 55 units) recreating the 1970s classic. On completion of his sessions Mika an…
LP version. Hieroglyphic Being, aka Jamal Moss, visited the Moog Sound Lab towards the end of 2016. Testing the lab through his prismatic rhythmic cubism meets synth expressionism methodology. 21st century Afro-futurism to the max. Both parties expressed their satisfaction with the encounter. Eldon Tyrell on the recordings: "I believe Bob Moog was (in the late 20th century) creating his modular system 55 synthesiser for artists yet to come... artists like Jamal Moss."Moog Recordings Library is n…
Another exclusive and elusive release from Stephan Mathieu, a collection of rare and unreleased tracks, Trace is only available as a 2CD - printed in 150 copies only - which includes an instant download of the material. Remastered at Schwebung Mastering in 2018. Design by Caro Mikalef for Cabina. Few copies in stock.
G.I. Gurdjieff was an Armenian and Greek philosopher, spiritual teacher, and musician, whose teachings of The Fourth Way influenced thousands worldwide and created communities that still exist to this day. His goal was to teach humans to reach a higher consciousness out of the "waking sleep" he considered most to be living in. Music was an important part of his teachings and these brilliant harmonium improvisations were recorded in 1949 in Paris, just a short time before his death. Droning and e…
Scored for Maurice Béjart's choreography to the 'Orphée Ballet', based on the Greek god Orpheus, this is one of Pierre Henry's finest works of musique concrète, the genre in which Henry was an early innovator and to which he devoted his career. After years working for the French national radio (RTF) and honing his studio chops on radio spots and editing/composition, Henry formed his own studio in 1958 and began working on modern dance and ballet and soundtrack work. Incorporating percussion, ind…