Music From Mathematics
Originally released in 1960 and 1962 on two unique formats with over-lapping tracklists, the seminal Music From Mathematics Showcase Project marked the phonographic introduction of computer generated music for the first time in the public arena. Almost exclusively created at Bell Laboratories using an electronic to sound transducer and a state of the art IBM 7090 (complete with a gargantuan 32KB of disposable memory!) Music From Mathematics featured multiple random-not-random sound assaults prec…
Rules
2012 Reissue. Ektro Records proudly presents the pioneer of Finnish electronic and experimental music - Mr. Erkki Kurenniemi. The tracks released here - produced during 1963-1975 - include Kurenniemi's focal works and previously unreleased raw material composed as solo works - as well as works in collaboration with Kari Hakala, Jukka Ruohomäki, Otto Donner and Eino Ruutsalo. Kurenniemi's impulsive attitude towards his art - including electronic music, films, media art, instrument design - is per…
La Poupée Vivante
Four mouvements of electro-acoustic and vocal poetry projecting luminous shadows of a decadent fin de siècle. Performed by Timo van Luijk, Frédérique Bruyas and Arlette Aubin. Edition of 300 copies with printed inner sleeve.
Traces Ephemeres
Beautiful album from Andrew Chalk and Timo van Luijk, from pastoral snaphots to some oriental dreams. Eclectic ensemble of 18 instrumental arrangements invoking an epic and existential soundtrack determined by the power of momentary destiny and reflective sentiment. Guest appearences by Jean-Noel Rebilly and Tom James Scott
Introjection
The collaboration between Israeli electronic musician Shay Nassi and German media artist Nicolas Wiese began in 2008, with the exchange of some raw recordings of feedbacks and everyday objects, via internet. During the following years, several compositional sketches have been sent back and forth and so have been refined step by step, in multiple sonic layering and construction processes. The result is a 45-minute-long collection of dense, dynamic, ambiguos and twisted atmospheric pieces which ca…
1979 - 1981 Recuerdo espectral de un viejo decorado electrico
A selected compilation from Javier Hernando’s cassette archives which were recorded in the band’s practice space during their two years of existence between ’79 and ’81. We consider this material of vital interest as a document of Barcelona’s underground scene in the late 70′s, which coexisted with the newly born punk and industrial cultures which youth groups were avidly importing from the UK. The sounds featured on this album deconstruct genres, blending elements such as tape collage, raw guit…
Xuan
Ennio Mazzon is a sound artist who works in the field of experimental electronica. His background in engineering and his interest for maths, physics and programming languages are conveyed into the development of infrastructures of digital tools that he uses for audio processing and live improvisation. He is the founder of the label Ripples and he is part of the project Zbeen.
Lemuria
The hidden meanings are those that are at the origin of things. In an interview to Blow Up magazine in 2010, Venetian sound artist Enrico Coniglio, commenting on his aesthetic approach to the soundscape (it is the result of the aggregation of clusters of elements that have reason for existence in relation to their own specific function), marked off the traces for a path that some time later would take him to collaborate with the photographer and field recordist Giovanni Lami, from Ravenna, in …
White Metal
“White Metal” is a new piece by Michael Pisaro, realised by the composer and Miguel Prado. “When I first heard that Michael was thinking of working on a project with the name “White Metal”, I contacted him, excited to know more about it. At first we talked about general aspects of the piece, without knowing the route it would take, beyond a couple of conceptual premises. At some point, Michael suggested that this project be included in his “Grey Series” a series of noise-oriented scores he was …
I am the Center: private issue new age music in America, 1950-90
One of the best things about Seattle label Light in the Attic’s new new age compilation I Am the Center is that it doesn’t try and pretend that new age music was something that it’s not. Look at the album’s cover illustration and you’ll see an angel-like creature carrying an orb of yellow light through the clouds; open the gatefold and you’ll see what appears to be a bird made of stars launching itself out of the ocean. Press play and be delivered into over two hours of mind-numbingly mellow mus…
frequencies (a / fragments)
Frequencies is an ongoing process focusing on basic sound generation systems. For this edition, frequencies (a / fragments) the system consists of a series of custom made devices in which computer-controlled solenoids activate a variety of tuning forks. The resulting sound fragments, when articulated in conjunction with synthetic sine waves, create frictions between the acoustic and electronic elements. The tuning fork, producing a sound closest to a pure sinewave, provides a historical linkage …
Nonagon knives
CIP is pleased to present the debut pro-pressed solo CD by Jason Soliday, one of Chicago's finest sound creators - manipulators - disentigrators. I've known Jason for coming up on 13 years- -his gunshop duo was one of the first live noise performances I saw when I moved to Chicago, and over the years I've witnessed many of his projects. In the last few years, though, I feel Jason really hit a stride with his home-built - customized analog synths, and this disc reflects his sensibilities: sharp e…
A vacant lot to be in
Jason Zeh is a hands-down master of cassette tape and cassette playback devices. Using magnets, metal, plastic, car stereo tape adapters, cassette players without tape, cassette tape loops, modified tape decks, and sand paper (among other devices), Zeh creates two tracks that swim through hiss, grit, and wavering, fractured soundwaves to create some of the most engaging audio I've had the pleasure to hear. This recording reflects not only Zeh's dedication to mastering and refining his source mat…
Fait a la machine
40+ min of heavy machinery pounding, hissing, and vibrating, plus a bonus 63 minute CDR of the dronier side of machines at work. If you enjoy artists like Vivenza, Matt Heckert, early Esplendor Geometrico, or Chop Shop, this might be right up your alley. "Unlike a lot of recordings of natural and dissonant phenomena, Fait a la Machine works just as well as a piece of music as it does an audio documentation of the world surrounding us. It makes that leap from interesting to enjoyable in a way…
Corporate Laughter
Debut CD from one of Chicago's finest modular synth manipulators, Neil Jendon. One of the first things that struck me about Neil's work, when I saw him live, was his pacing. Neil would subtly build levels and layers of various oscillations, frequencies, and tones so deftly that by the time he was sending a hailstorm of electronic chaos out of the PA like buckshot, you almost had no recollection of how he got there without you being aware of it. 'Corporate laughter' reflects many of Jendon's fant…
Drowning / Untitled #185
Back in stock in very limited quantity. 'Francisco Lopez is perhaps best known for his dynamic studio and live performances that sway between crushing silence and dynamic, shifting volume swells. Over the course of 25 years, Lopez has developed and honed a refined audio lexicon. Michael Gendreau entered the experimental sound community in the early 1980s with his project Crawling With Tarts. As a solo artist, Gendreau caught everyone s attention with the 2002 release of his CD 55 pas de la ligne…
Thunderbird Hotel
A 7 inch split Balinese Beast release along with Thomas Beck and Guy Saldanha. Offset Cover, limited edition of 200. Mastered By Rashad Becker.
Automatic Music, Volume II
Automatic Music: Volume II' is the mesmerising follow-up to John Chantler's self-released first volume, originally released in 2011, the same year as his 'The Luminous Ground' LP was charted in The Wire's annual top 50. Two extended pieces for synthesiser/organ yield contrasting results on each side. First, 'For Nuno' is the more melodic of the two, with melting, kinetic modular scree and wheezing organ motifs seemingly attempting to untangle a conundrum which only gets more perplexing across it…
Moved by magnets
Stunning release from Cristian Vogel and SØS Gunver Ryberg as SGR^CAV for The Tapeworm. The label informs us that "Their compositions encourage the listener to observe and explore the resonances of a powerful musical awareness" and 'Moved By Magnets' exhibits a keen sense of spatial perception, tone and presence which entirely justifies that claim. Over four pieces they explore diffuse, free-formed spaces charged with a slow-moving, chaotic sort of energy ranging from the shuddering metallic res…
Infinite Hum
Intense, squally noise drones from Dublin's Where Is This, his first for The Tapeworm. To date Mark Ward aka 'Where Is This' has released a slew of his own recordings on his Bored Bear label, along with countless others by the likes of Black Orgasm, Piss Gag, Female Harikiri and other such friendly-monikered miscreants. His 'Inifinite Hum' opens The Tapeworm's 2014 catalogue with a bracing 20 minute blast of viscous, vicious white noise licking up high peaks of blizzard-like distortion in hypnot…