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Matthew P Hopkins has established himself as a formidable presence in the experimental circuit courtesy of a diverse range of projects including Naked on the Vague's debased rock, Half High's blurred dreams and Four Door's take on techno. Penultimate Press is proud to reissue Hopkins' second solo effort originally issued as a micro edition self released cdr. 'Vent' proposes a Frankenstein assemblage of the awry ambience heard on the recently acclaimed 'Nocturnes' lp merged with a more extreme t…
Impasse is a sideways journey into the archives of London based artist Luke Younger, aka Helm. Originally conceived six years ago in the wake of a Birds of Delay tour, an edited version of Impasse saw the light of day as a mini cdr on the low point label in 2008. This expanded re-issue has the two original tracks remastered along with two other pieces from the same sessions that remained unmixed and unreleased until a couple of years ago. Impasse is somewhat of an anomaly in the Helm canon when …
Refraction without the appearance of colour.' Virilio is the sound project of Dimitris ‘KU' Papadatos and Corinna 'Cosi' Triantafyllidis. The duo launched their experimentations in 2008 initially recording their Skype improv sessions under the moniker Cassettine & KU. The Virilio project, launched in 2010 and it has been their main common vehicle in covering their sonar explorations and experiences in electroacoustic music and subtractive synthesis. They have performed in various occasions from …
Slipping Control derives from the text piece “Tztztztzt Î Í Í…” wrote last year by Ben Vida (and published as a book by Shelter Press). Composed to act as a score, a sound piece and as raw data for electronic control source, “Tztztztzt Î Í Í…” became the intrinsic element that tied some different pieces of art made by Ben Vida and presented at the eponymous show at AVA Gallery (NY, USA) in april 2013. 'I was interested in the rhythm of speaking, interested in using the voice to create rhythmic p…
Two great korean artists working with feedback, turntables, opened hard drives... What they call infernal objects. A stream of noise accidents. A molten, scalding stream of sound. Looking back, I see it's only been about seven years since, via the recordings issued on Manual, I first became aware of the improvising scene in Seoul; seems like longer, maybe I'm forgetting something. But the musicians involved were clearly up to something new and exciting, carving out a distinct area that often inv…
Limited edition repress of this great single by the Notts duo who're now garnering well-deserved attention for their manic blend of punk'tude, crude beats, frazzled electronics and insightful yet acerbic wordplay. 325 only, in clear vinyl and different amended sleeves to the now sold out first pressing.
Well talk about your long gestations for a project. Secluded in Jersey City, by Secluded Bronte was recorded live on WFMU in November of 2002. And we spoke about releasing this on Pogus pretty quickly after that. So to take twelve years to release a CD is a pretty long time. But it was most certainly worth the wait. This trio features Jonathan and Adam Bohman with the added experimental irreverence of Richard Thomas. The Bohman Brothers are known for their unique live performances mixing theatre…
Hidden Tapes is composed from old cassette tapes, with addition of some other sources from movies soundtracks and classical or liturgical music extracts which were retrieved in closets. These sound documents were accelerated or slowed down, layered and transformed with analog devices. No digital effect, no plugin. Computer was only used for editing and mixing. Composed on 2013. About Marc Baron : Between 2000 and 2010, Marc Baron was an improviser on saxophone. He made concerts and performances …
The idea for the Kaleidoscope works came from the composers' memories of playing with the prismatic toy of the same name as a child. The toy, of course, consists of colored beads in a tube of mirrors, whose reflections generate complex symmetrical patterns that change dramatically in density and texture as the tube is turned. With these pieces the aim was to emulate such dynamic spatial activity through sound, distributing fragmentary materials in space and immersing the listener in a rich and e…
A stunning construction and a fantastic recording, seemingly endless layers of depth and ways to listen. A composition using field recordings by Toshiya Tsunoda and Manfred Werder, recorded in Japan in 2013. A bit past the 40-minute mark, there's a clear fade-out of the activity above and a shift into a different zone--perhaps it's simply going from the Miura Peninsula into Tokyo (the detour?). A strong, somewhat harsh electrical buzz is the main element, sounding like an exposed wire-box on…
Object Subject To Change' is Henrik Rylander's fourth album for iDEAL but the first since 2009. Rylander is king of hypnotizing, focused feedback drone with razorsharp noise and monotonous pulse. Music that feels as comfortable in academic worlds as in filthy basements. Henrik Rylander was the drummer of the provocative, sweaty and chaotic garage rock band Union Carbide Productions (1987-1993). After a few years focusing on his visual art (photography) he started experimenting in sound and espec…
Dedales is the second LP from Opera Mort following a debut for the inhouse label of the sadly defunct Parisian record shop Bimbo Tower. The project is an ongoing collaboration between Jo Tanz and Laurent Gerard, two figures from France's contemporary avant garde underground; Jo with his Tanzprocesz label and Laurent with his Élg project (Élg's Mil Pluton' album appeared on Alter in 2012). They also form two thirds of the trio Reines D'Angleterre with the legendary French artist Ghedalia Ta…
If I were to look at the ideas promoted by the Experimental Studio against Ma e Instrumenty's practices, I would refer to the concept of music which is - for certain reasons - 'impossible' studio electronic productions, preparing instruments, using and editing tapes - all those practices once broadened the perspectives of the art of sound. However, the 'unreachable' sound combinations produced by Ma e Instrumenty could also be considered as an attempt to overcome the 'impossibility' in music. Ho…
In all respects, Andrzej Biezan (1945-83) was an original and creative composer. His main means of expression were intuitive creation based on general assumptions and well balanced improvisation respecting proportions typical of traditional narrative.According to Biezan's approach, music that is written down is 'music about music'. True creation is only possible in the present moment - neither in the past nor in the future. It is an activity performed in real time. Any reference to the r…
**Singular 35 minute piece of analog modular composition** "Thomas Ankersmit is a musician and installation artist based in Berlin. Since 2006 his main instrument, both live and in the studio, has been the Serge analogue modular synthesizer. Acoustic phenomena such as sound reflections, infrasonic vibration, otoacoustic emissions, and highly directional projections of sound have been an important part of his work since the early 2000's. In the winter of 2011-2012 Ankersmit was invited by …
Re-issue of Japanese tribal/industrial pioneers, released back in 1989 on Musica Maxima Magnetica. Originally recorded and mixed in London, Napoli and Tokyo 1988, now remastered with additional bonus track. Comes as 6-side digipack.
2014 repress. Recollection GRM is one more label within the Editions Mego family of labels. Its aim is to make available on vinyl the vast archives of Groupe De Recherches Musicales (GRM). Being released in batches of two every three months, it will present both known and lesser-known works. All releases will be re-cut at Dubplates & Mastering and packaged in new artwork by Stephen O'Malley, featuring bi-lingual (French/English) texts. Some of these pioneering works have been out-of-print …
2014 Repress. Third release on the newly minted eMego offshoot Recollection GRM, two pieces realized by Bernard Parmegiani in 1970. The former is full of negative space and low, coiling drones. For listeners whose only exposure to GRM came in the form of the first two installments in the Recollection GRM catalog, this material will come across as much less frenetic and more cinematic, particularly the beautiful, cosmic landscapes that make up the middle portion of the A-side. "Dedans-Deho…
Psych-out acid noise reak extravaganza! Star dust, inhalation and electric fire evidence in the wake of smoke and strobes! Material extracted from Gerritt on the west coast and meticulously deranged by John Wiese.