We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Gazelle Twin were originally invited as part of the Supersonic Festival 2015 curation of the Moog Sound Lab satellite sessions at Birmingham City University. The Twin returned to the lab during its residency later that year at London's Ace Hotel for a consecutive six-day session in August, invited artists Moog'd, wined, dined, slept, and dreamt in room 236. On tap 24/7 -- the entire Moog Sound Lab, along with a Brion Gysin's Dream Machine and a small library of associated books and user manuals.…
Another Life is the debut album from Amnesia Scanner, the Berlin-based music duo, performing arts group, experience design studio, and production house, created by Finnish-born Ville Haimala and Martti Kalliala. Founded in 2014, Amnesia Scanner's approach is informed by a unique perspective on technology and the way it mediates contemporary experience. System vulnerabilities, information overload, and sensory excess inform their work, which has found a home in both clubs and galleries. Building …
Swedish producer Toxe's new EP Blinks is a fractal bloom of candied melodies and minor laments set in a sweep of frenetic rhythmic scenes. Developed throughout last year, Blinks journals a period of inward flux. Meditative glimpses of soaring synthetic landscapes are woven across Blinks in brief snatches. Awash in horrific and gripping fluorescent hues, these environments are augmented by a comically mischievous patchwork of voices and saccharine rasps that clamor for attention, hinting at Toxe'…
Eartheater (aka Queens based artist Alexandra Drewchin) distills foley-filled digital production, a three-octave vocal range, and classical composition into works suspended between obsessively detailed sonic tapestries and almost recklessly romantic and gestural electronica. IRISIRI, Eartheater's third full-length record, lays out a shifting network of abstract song craft, laced with sudden structural upheavals, and collisions of mutated tropes from numerous sonic vocabularies. Modular synth sta…
Penultimate, 5th Stage of The Caretaker’s ‘Everywhere At The End of Time’ series charting severe levels of musical/mental deterioration and sensory detachment through four extended, smudged and hallucinatory side-long pieces. As we near the end, ‘Stage 5’ sees our protagonist enter a near-permanent state of confusion and horror. Mirroring the endemic deterioration of dementia’s latter phases, were pulled through the most extreme entanglements in the series so far; repetition and ruptures, barely…
New edition pressed up on white vinyl in a run of 200 copies. Mono No Aware is the first compilation to be released on PAN, collating unreleased ambient tracks from both new and existing PAN artists. Featuring Jeff Witscher, Helm, TCF, Yves Tumor, M.E.S.H., Pan Daijing, HVAD, Kareem Lotfy, ADR, Mya Gomez, Sky H1, James K, Oli XL, Bill Kouligas, Flora Yin-Wong, Malibu, and AYYA, the compilation moves through more traditional notions of what is called "ambient", to incorporating wider variations t…
**2018 Re-Press. One of the standout albums of the year, available again on vinyl** The enigmatic Tennessee-raised, Turin-based Yves Tumor presents Serpent Music, a poignant album recorded between Miami, Leipzig, Los Angeles and Berlin over three years. Evolved from a diverse and prolific creative history under an expansive plethora of covert aliases via various forward-thinking labels, Yves Tumor emerges as his most personal and matured incarnation to date. With involvement across various artis…
***Expanded CD Edition - includes 5 extra tracks not featured on the vinyl edition of this album. 300 copies only. This is a special non-profit publication for historical, scientific and educational purposes** Not so long ago, Italy’s remarkable movement of musical minimalism remained almost entirely unknown. Stretching from the 1970’s through the late 80’s, it rarely sounded like anything else - taking a remarkable range of cultural influences and ideas into its midst - a body of creative hybri…
Gerald Biggs developed Filthy Grin as a living sound journal to document explorations in the sonification of sculpture and body movement. Currently located in Montreal, over the past decade he has self-released a series of cassettes, performed as a member of Pigeon Religion, collaborated with various artists (J.S. Aurelius, James Fella, etc.) as a sound engineer, in live performances, and through sound design. Saturn In The Mirror collects two long appreciated pieces from many, many years ago, c…
Two long-form pieces forgoing melody and rhythm in favour of pure texture. René Aquarius works in a register adjacent to Thomas Köner's darker drone music: a metallic sheen distributed across slowly shifting masses, gestures held to the minimum, every sonic event magnified by the quietness around it. The result is unmistakably dark ambient, but built with restraint rather than gothic excess, the focus turned to the ghostly imagery that emerges from sustained low-density listening.
Originally released by Ghent's Dauw tape label in 2016 and quickly sold out, here reissued on CD with two new interpretations added. The original is a pair of eighteen-minute pieces: Dwaal layers orchestral washes against radio static and erratic noise, while Wold spreads sparse piano notes over a bed of fine hiss, supported by wind and bird recordings from Vriescheloo. The reissue adds remixes by Benoît Pioulard (organ and guitar) and Nicola Ratti (synth sputters and rhythm).
Second album by DNMF, the duo formed between Machinefabriek and the Dutch droning free-jazz combo Dead Neanderthals. Across some forty minutes Smelter develops a highly dynamic amalgam of metal, drone and dark ambient, the heaviness of the Neanderthals' instrumental mass folded into Zuydervelt's electroacoustic processing. The result moves between glacial expansive stasis and dense ferrous noise, holding the two registers in productive friction without resolving them into either.
**Original LP from the 80s, few copies in stock. Copies are unplayed and new, covers might have some wear here and there due to long storage** The vision of electronic music’s rise - musique concrète and synthesis, during the post-war period, has historically favoured the lens of innovators in Europe and The United States, particularly those associated with the studios like those connected to Princeton and Columbia Universities, Groupe de Recherche Musicales, The San Francisco Tape Music Center,…
Cinema Perdu turns the spaces of Amsterdam Centraal Station - the roofs, the three access tunnels, the IJ-passage - into compositional material. The everyday sonic vocabulary remains constant (announcements, suitcases, conversation) but is reshaped by the changing acoustics of each space. The pieces are built in a Cagean attitude: not romantic vignettes of the station nor pure documentation, but interpretations of how each architecture stages its own atmosphere.
Mental Experience present a reissue of Todo Ubu, a record of dark minimal synth electronics and experimental sounds by the mysterious project Los Iniciados, originally released in 1983. Highly influenced by The Residents, they were related to legendary Spanish synth-pop band Aviador Dro. This is their rare and sought-after second album, originally released in 1983 on the DRO label as the soundtrack to a puppet stage play, based on Alfred Jarry's Ubu Roi (1896). Presented with remastered sound wi…
Originally released in 1982 on the DRO label, La Marca De Anubis was the debut album by Los Iniciados, an obscure project related to legendary Spanish synth-pop band Aviador Dro. Always shrouded in mystery, Los Iniciados decided to hide their identities behind masks. The only visible and confirmed member was Arco Iris (Aviador Dro member Marta Cervera). According to rumors, behind the other nicknames were Biovac N (Servando Carballar, founder of Aviador Dro and DRO label head) and members of Spa…
Espacial Discos present a reissue of Aviador Dro's second album, Tesis,
originally released in 1983. In 1983, Aviador Dro, the legendary
Spanish synth-pop band, are at the height of their powers: their own DRO
record label is working full time, they share management with famous
Spanish new wave bands like Alaska y Los Pegamoides, Los Nikis,
their songs are heavily played on the radio and they play numerous gigs
all across Spain. 1983 was also when the band decide to create their
most ambi…
Espacial Discos present a reissue of Aviador Dro's first, self-released album, Alas Sobre El Mundo,
originally released in 1982. Legendary Spanish synth-pop band Aviador
Dro was formed in Madrid in the late 1970s, influenced by bands like Devo, Kraftwerk, and Cabaret Voltaire
as well as by science fiction and movements like punk, futurism,
anarchism, and Dada. Dressed in matching space-age uniforms, the group
created a particular synth-pop sound, which they defined as "tecno-pop".
Signed t…
Second album in Haarvöl's trilogy, picking up where Bombinate left off. Where the earlier work announced its sonic intention (bombinate, to hum), Peripherad Debris turns toward the conceptual periphery and to remnants of what has already been said: away from the centre, toward the outer turbulence where residual materials remain most stimulating. The album moves between quasi-ambient stillness and dense mass-sound nearly turning to noise, holding all positions in the same hesitant qualifier.
A remix/recycle project by Preliminary Saturation (Steffan de Turck and Wouter Jaspers) built entirely from Jos Smolders's Textures and Mobiles (CONV, 2004), an album originally derived from a strictly limited palette of DTMF and CCITT telephone tones and pure interfering sine waves. The duo reprocesses Smolders's source material and folds in their own additions across tape, contact microphones, field recording and synthesis. A recursive electroacoustic exercise within a closed lineage.