Vital
In March 2006, Idea Fire Company made their first appearances in Europe. Core members Karla Borecky and Scott Foust linked up with Frans de Waard and hit selected hot spots in The Netherlands, Belgium, and Germany. Adding de Waard (Beequeen, Shifts, Kapotte Muziek, Freiband, etc) was a brave gamble that paid off handsomely. Armed with only a tiny digital keyboard (Borecky), a radio/cassette boombox and small echo unit (Foust), and a sawed off MS 20 (de Waard), the trio captivated audiences large…
Image Over Image
Seriously classy rewired-techno from lowlands synth Miss, Christelle Gualdi aka Stellar Om Source. Harking back to vintage Drexciya, Population One, Mad Mike, all four tracks are constructed with a fluid, fast flowing efficiency, no moment is wasted and always urging into the the next with instinctive sense of narrative and attuned groove. A-side 'New Look' is highly sophisticated body futurist music and 'Club 5-7' displays a remarkably deft grasp of hi-tech machine funk. Flipside's 'Heatwave' c…
Between Strangers
'Between Strangers' is Sohrab's first physical follow-up to his widely received debut LP, 'A Hidden Place' (2010), and burrows further into that same lonely, displaced headspace. There is a dramatic melancholy and underlying rage to both pieces which can't be ignored, making for deeply compelling listening. The A-side in particular uses lo-fi recording of "Voice of a burnt generation" attributed enigmatically to "Hani", recorded in the Eissenhutenstadt refugee camp, Germany to great effect, plac…
Willow
Latest entry in Touch's bitesize Touch Sevens series, with typically lush cover design and photography by Jon Wozencroft. This one comes from NZ native Paul Douglas aka Rosy Parlane, and was recorded in Auckland back in 2008-9. 'Willow' is a blast, its radiant widescreen drones and shimmering surfaces - which corrode and curdle over the duration - calling to mind the work of labelmate BJ Nilsen. 'Morning' is more reserved, elegiac even; rotary organ tones and delicate processing conspire …
Italian Records 1980-1984: The 7'' Singles Collection
Back in stock...The Italian Records 1980-1984: The 7” Single Collection is the Italian musical event of the year!!! This 5CD box set features all of the original 7”s released between 1980-1984 (plus 2 bonus tracks) on Italian Records, the label that gave birth to some of the most innovative sounds on the Italian New Wave scene. The box set also features an amazing 112-page book that recounts in great detail the history of Italian Records and the various bands contained herewithin! Curated …
The Schulze-Schickert Session
Beautiful, previously unreleased private home recording of kosmische drifts starring Schulze alongside his roadie and noted early Krautrock guitarist. Glossy gatefold vinyl with liner notes and photos** "For the first time ever, from the vaults of Klaus Schulze, comes The Schulze-Schickert Session, a rare and previously unreleased private session featuring echo-guitar pioneer, Günter Schickert. Recorded on 26 September 1975 in Klaus Schulze’s home Studio in Hambuehren, Germany, Schulze ca…
Zuckerzeit
2018 repress. Originally released in 1974, Zuckerzeit marked a turning point for these seminal German space rockers. Recorded shortly after Cluster move away from the metropolis of Berlin, it sees some of the abrasiveness of their earlier material slightly diffusing. With the addition of proto drum machines and the producing talents of Michael Rother, their sound here - while remaining firmly in anchored in experimental territory - has more pop sensibility. Newly packaged with the CD of the alb…
Conversion
In collaboration with Danish ensemble Scenatet, Jacob Kirkegaard's two pieces "Labyrinthitis" and "Church" are here interpreted by classical instruments. The intention of this transformation into an instrumental score is to explore the musical dimension and potential of the sounds that were used in creating the original works. "Church" from 4 Rooms (TONE 026CD) originally consists of ambient recordings of an abandoned church inside the radioactive zone in Chernobyl. "Labyrinthitis" from Lab…
IPEM - Institute for Psychoacoustics and Electronic Music
Subtitled "50 years of electronic and electroacoustic music at the Ghent University" this beautiful box commemorate IPEM’s 50th anniversary, with a lavishly illustrated 88 page book (all text in Dutch and English) with two CDs featuring Lucien Goethals, Didier Gazelle, Louis De Meester, David Van de Woestijne, Stefan Beyst, Helmut Lachenmann, Boudewijn Buckinx, Karel Goeyvaerts, Emmanuel Van Weerst, Peter Beyls, Raoul De Smet, Frank Nuyts, Ricardo Mandolini, Peter Schuback, Stephen Montague and …
Punk Authority
Following the devastating one-two punch of Man with Potential and Pro Style for Type Records, Pete Swanson returns to his deformed warehouse techno sound with Punk Authority. After leaving cornerstone US noise duo Yellow Swans, Swanson made it his mission to pull apart the techno genre by the seams. This four track stomper for Software Recording Co. is by far his most damaged solo offering to date. With a sly nod to Police Academy, 'Punk Authority' launches into a barrage of debauched, regr…
Horology
2013 release ** "On Horology we hear Lars Åkerlund, Jean-Louis Huhta and Zbigniew Karkowski plugging their wangs into the Buchla 200 synth at the EMS Studio in Stockholm, and producing thereby an almighty dollop of powerhouse analogue wallop, an extremely thickened and scaly drone, like something torn from the back of an alligator. It first stuns you into surrender with over 20 minutes of unholy, grisly noise – a distorted pounding chaos of white noise and writhing agonised moans that follows th…
Polish Radio Experimental Studio : Pres Scores
Original and new realizations of five of Polish Radio Experimental Studio’s seven published scores. Pieces by Andrzej Dobrowolski (Music for Magnetic Tape and Piano Solo; Music for Magnetic Tape No.1), Bogusław Schaeffer (Symphony: Electronic Music), Włodzimierz Kotonski (Aela; Study for One Cymbal Stroke), and Krzysztof Penderecki (Psalmus) “performed” by Eugeniusz Rudnik and Bohdan Mazurek and by Lionel Marchetti, Thomas Lehn, Philip Zoubek and Wolfram, Arszyn and Piotr Kurek, Mar…
Passagen
Finally restocked, last copies around...Unmissable!!! Almost complete discography of P16.D4 collecting the classic recordings from 1982 til 1991 plus some unreleased recordings and a dvd of video footage never available before. "P16.D4 might not be an overly obscure name for those knowledgeable of the nascent industrial/experimental/noise scene of the early 1980s, but P16.D4 has not been as venerated as many contemporaries either. Monotype has jumped upon the opportunity to give this project th…
Music for Wilder Mann
It's been a while since his last album, after many successful soundtrack works it's time for a new record, not connected to the movie world but still close to the visual media.On this new project Teho establish an unusual relation with the incredible photographic book by Charles Fréger: Wilder Mann, The Image Of The Savage.This album carries a profoundly moving feeling mixing strings, guitars and electronics, poignancy is the most evident feeling here. This music erases the space between our sa…
Connected
Presenting a new collaboration featuring Oren Ambarchi on guitar, the electronics of Robin Fox, and both performing on various other instruments. The music on this album came about as the result of the two being asked to co-compose the soundtrack for a new production by renowned Australian contemporary dance company Chunky Move for their Connected production. 'Chunky Move's artistic director Gideon Obarzanek was drawn to the organic and deeply musical qualities of Ambarchi's work and the digital…
Cassette Memories Volume 3: South of the Border
"South of the Border is the third installment of my Cassette Memories album series. All field recordings were taped in Mexico, a country I've had a special fondness for since I was a little child. My first memory was watching photographs and Super-8 films my father shot in Mexico City from his time there during the 1968 Summer Olympics, where he competed as a member of the Japanese national hockey team. It made me realize there is a place completely different from Japan, and I started dreaming a…
Noise Art
An album of unreleased music made by Jeff Keen, one of the UK's great avant garde artists. This is music found on cassettes in his studio after his death. It was made by Jeff (throughout the 1980s) using field recordings from his local amusement arcade: radio, TV, films, an Atari, a ZX Spectrum, a delay unit and a WASP synth. This is the first Jeff Keen album ever issued. Jeff Keen is one of the great undiscovered artists of our times. A missing link between the Dadaists, Cocteau, Warhol, …
The Wires Cracked
The recordings for The Wires Cracked were completed in a frenzied two week period in October of 2012. I had mentioned in discussing a previous album's construction that I prefer to forget how I build any particular electro-acoustic amalgam. This is so that I don't get to precious with them, so that I could refine them further, so that the sounds themselves speak beyond their aggregate parts. With the album being relatively fresh in my mind, I can still recall various components to "The Wi…
You'll Be Safe Forever
CD version. You'll Be Safe Forever marks the first release from Locust in 12 years. Mark Van Hoen, who made a string of influential releases as Locust on R&S records in the 1990s, all but retired the alias at the end of that decade. In May 2012, Van Hoen was invited to perform a live set on WFMU radio. In order to make the set more spontaneous and add a further dimension, he asked friend and fellow musician Louis Sherman to collaborate. While improvising new material in Sherman's Brooklyn …
Parallel / Grayscale
Parallel/Grayscale is the first collaborative work between Italian guitarist and composer Giuseppe Ielasi and French-Swiss composer and electroacoustic musician Kassel Jaeger. It is comprised of two different improvisation sessions. The first one took place in Paris, in October of 2011. The second happened in Oreno, in June of 2012, after the first concert Ielasi and Jaeger performed together. The first session was a pure analog device improvisation, whereas the second one was more laptop-o…