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As per François J. Bonnet liner notes - Laurel Halo's Octavia, a piece for piano and electronics, explores the relationship between melodic motifs and textures in a singular way, intermittent moments of melody, harmony and sound materials connecting and disconnecting, to indicate a series of nets or webs, swaying in and out of one another. These sonic nets gently float, spin and merge, and the effect is one of gently floating over an abyss. The work is inspired by the “spiderweb city” of the sam…
*200 copies limited edition* "Among the musicians I have appreciated the most in recent years, a special place is undoubtedly reserved for Lars Bröndum and David Lee Myers. From 2015 onwards, I had the pleasure of playing their songs on the radio transmission The Recognition Test frequently, and inviting them to participate in numerous compilations published by the Unexplained Sounds network. Over time, I realized that, albeit in different ways and forms, their music could integrate and compleme…
*300 copies limited edition* Sado Vision was a very obsure, S/M & fetishist industrial project from Italy. Clearly inspired by erotic transgressions they attracted the attention of admirers of the most radical and provocative industrial sound. Leded by the Milanese Luca Leuca (aka Leucon) and the unidentified Reverend K, Sado-Vision transformed the concept of studio recording, giving life to real performances in which create musical compositions. Thanks to the crazy attitude of Anjela Water, who…
*200 copies limited edition* After a first release in 2019 on IIKKI ("All Other Voices Gone, Only Yours Remains"), a second one in 2020 on Laaps ("We Were The Hum Of Dreams"), Craig Tattersall (The Humble Bee) and Jason Corder (Offthesky) come back with a third stunning out-of-time beauty, paired with the Mikael Siirilä photography works.
** Lucky restock, totally sold out at source ** Lovely reissue of the mindblowing 2nd Nord LP, originally . L.S.D. features rough hewn sheets of ominous yet trippy pulsating textural electronics with an obvious debt to the stark teutonic soundworlds of Kluster and (especially) Seesselberg. Any glimmers of transcendence are immediately offset by a deadzone ambience that reeks of Maurizio Bianchi. Hiroshi Oikawa's solo explorations of the galactic void seem considerably more enticing to these set …
2024 Stock. ** 1000 hand-numbered copies, it comes with 4-page booklet ** Mechthild Von Leusch (aka Werkbund) this album should be viewed not as a collection of tracks, but as a mood album segmented into nearly a dozen pieces. It opens with a sombre spoken piece in German which evolves into a soaring harmonic 'vocal' piece, presumably using a Mellotron or similar, called "Legenden Des Windes". This is by far the least interesting piece on the entire album. Next comes "Rungholter Tanz 12", the fi…
2024 Stock. ** 888 hand-numbered copies, it comes with 4-page booklet ** Australian composer born in Germany, John Watermann (1935-2002) composed a special kind of electro-acoustic music infused with a post-industrial aesthetic. His style is characterized by the shortness of tracks, obsessive loops, media samples, treated field recordings and a pervading feeling of menace. His aesthetic blends Cold War freezing climate, claustrophobic movies like Eraserhead, post-Auschwitz memorabilia (he was te…
2024 stock. Jon Appleton, Sydney Alonso, and Cameron Jones set out to create a new digital synthesizer at Dartmouth College’s Thayer School of Engineering in 1972. They considered the computer-controlled synthesizer superior to analog because of its “ability to create, by digital means alone, time-variant timbres which make all natural sounds interesting to our ears.” This 1976 recording presents the results of their effort—four different compositions, one each by Jon Appleton, Lars-Gunnar Bodin…
The last album from the master in the building-up of mystery, probably the most eerie piece he ever created. One of those albums that one can be dragged into as if there were really other worlds of that obscure nature and we could enter them for a while. You might even feel you don’t want to come back to safety and normality after being there…But who is really Werkbund? One might think Asmus Tietchens in disguise, but he's vehemently denied so.
Deluxe 2CD edition collecting expanded & remastered versions of the ‘Dark Drippings’ and ‘A Darker Shade Of Fat’ releases, two projects assembled by M. S. Waldron using his archive of NWW live recordings. The former is mainly a collection of unusual live excerpts and rehearsal outtakes, while the latter uses the live recordings as raw material to create new tracks. 12 minutes of new material has been integrated into ‘Dark Fat’, and an entire, new 20-minute track has been added to ‘A Darker Shade…
*90 copies limited edition* "28/4/23" captures the atmospheric live performance of Swedish composer Mats Erlandsson at Fylkingen, Stockholm on the 28th of April, 2023. With exceptional delicacy, Erlandsson guides the audience through his signature electro-gothic soundscape of continuous tension; 40 minutes of processed field recordings, zither, feedback and Serge modular synthesizer.
*2024 stock* Produced in 1974 by Joachim-Ernst Berendt, this synthesis of Hermann Hesse’s writing with Peter Michael Hamel’s music, of spirituality and art, of sitar and church organ, of meditative sounds and jazz rhythms, of silence and passion remains unique today and in the meanwhile it has obtained a legendary reputation. Further releases of the formation Between from the 1970s are re-released as cds on the Intuition label: "Einstieg - Re-Entry", "And the Waters Opened", "Silence Beyond Time…
2024 stock. Sounds of New Music is a collection of 18 compositions from the 1920s to the mid-1950s representing attempts at a "new means of musical expression." Some use familiar instruments in new ways, while others experiment with new instruments; the formats of the compositions range from structured musical scores written for orchestra to electronically altered music using tape-recording devices. Composers include Edgard Varèse, Henry Cowell, and John Cage, whose "Dance" is played on a transf…
2024 stock. While some of the sounds on this album could be the noise produced by various electric equipment (fax machine buzz, phone busy tones etc.) this album is actually to provide “a standard by which record playing equipment can be checked for frequency response, and distortion, without equipment other than an oscilloscope and volume indicator.” Recorded and annotated by Peter Bartok. Liner notes include detailed information about each track (frequency) and method of testing.
2024 stock. Released in 1976, Rhythmania and Other Electronic Musical Compositions spotlights the sounds of a specially assembled Moog Synthesizer (a type of analog synthesizer). The variety is impressive: from birdcalls and the sounds of machines in a factory to waltzes. Pieces such as “Cosmic Dance of Shiva” and “Hear the Clock Tick” are “composed of natural sounds recorded through a microphone,” rather than generated electronically like the “Triptych” fugues. This album also highlights electr…
2024 stock. This 1980 recording explores combinations of acoustic instruments and recording technologies. The increasing cost of large ensembles performing new works led composers to experiment with inexpensive alternatives. Barton Smith creates his own orchestra mixing recordings and acoustic instruments with everyday items such as swivel chairs and glass bottles. Liner notes include descriptions of how each track was composed, the composer's biographical information, and suggestions for how ea…
2024 stock. This 1982 recording builds on Barton Smith's previous Reelizations release, incorporating acoustic and electronic instruments with tape-recording technology into a unique one-person orchestra. The ability to create and perform music with the use of new technology and without large and expensive orchestras made sharing creations easier, especially for accompaniment in film, radio, and television. Liner notes include descriptions of how each track was composed, instrumentation, and sug…
2024 stock. "Ingenious use of echo, artificial reverberation and electronic alterations gives the music in this category a weird, spooky futuristic, 'out of this world' quality, well-suited to super-natural happenings of any kind. Piano, drums and electronic instruments are used to achieve the strange atmosphere and spatial sounds." Vaclav Nelhybel crafts a supernatural world, describing nebulae, meteors, star clusters and craters on Mars with sounds natural and manipulated to tell the story of …
*200 copies limited edition* Grubenwehr Freiburg has been amassing an impressive array of releases by highly regarded artists from the noise/industrial scene in a rather short time. This latest addition to their roster, by Italian genre pioneer M.B. (aka Maurizio Bianchi), comes as a co-release with attenuation circuit. The 75-minute CD is accompanied by an oversized 7” artwork insert, which neatly showcases the fact that M.B. is not only a prolific sound artist, but also has something to offer …
Sophomore release from Toronto dream-duo Joseph Shabason and Ben Gunning, this time a more cosmopolitan affair, mapping fragmented cityscapes from bent electronics and late-night FM jazz transmissions. The boys are back in town. After recording their debut in a remote cottage in Northern Ontario, the duo relocated their jams to Shabason’s Toronto studio where they gained unlimited access to a virtual cornucopia of analog and digital gear and had the time to really push those instruments to the b…