Bestiario vol.2
Here’s a new 7″ from the ‘Bestiario’ series by Italian percussionist Enrico Malatesta. Bestiario is a series of short compositions for solo acoustic percussion, recorded live with no overdubs or editing. Using extremely dense micro-structures, broken rhythms and fast tempi on a very reduced percussion set, those pieces are meant to explore a multi-directional sonic dimension, while keeping a high level of tension.
7″ record, black vinyl (cut at dubplates & mastering, berlin), printed labels …
Seashard
Originally created as a saleable nicknack for an Angst Hase Pfeffer Nase tour of solo guitar shredding but since the destination was Miami, Florida, home of booty bass and sick beats, something which facilitated rump-shaking and toe-tapping seemed more applicable. Two side-long pieces which combine all of the best things known to man: feedback loops, hyperstatic drum machines, digital rot, and frightfully decrepit fairground machinery.
Chris Cooper is the most reliable member of AHPN, as well as…
The Rising
Call Back The Giants first surprised and delighted the listening world in 2010, with their warmly-recieved eponymous debut album. Since that time, the duo of Tim Goss and Chloe Mutter have been locked in perfect isolation, teasing every nuance of their sound into sharp focus. The Rising presents the results of their toil, exposing Call Back The Giants as true masters of cryptic intent. Homespun keyboard minimalism, wavering teenage laments, and foreboding pronouncements of doom, synthesize into …
Hearing metal 3'
In contrast to the melange of its ‘successor,’ Hearing Metal 3 has moments of separation wherein Stuart and Pisaro can be discretely heard. For this piece, Stuart revisits the textures of ricefall (2), delicately and not-so-delicately pouring grains onto surfaces. When combined with Pisaro’s tones, the resonances explore a full territory uncharted by ricefall (2). However, there are still moments of Pisaro/Stuart mixing, like when Stuart’s “sixteen suspended cymbals” bow against Pisaro’s s…
Chronoradial
In the world of sound library and production music French Avant-garde composer Patrice Sciortino is both unique and universal. His astounding late 1960s and early 1970s recordings for the prestigious Musique Pour L’Image and PSI labels receive their first serious reissue and reappraisal here. Cellos growl and twist with an air evocative of Bernard Hermann, choirs hiss and howl like Alessandro Alessandroni’s ‘I Cantori Moderni’ and the whole thing is as dexterous and playful as Ennio Morric…
Alienology: Selected Works 1998-2008
Stunning collection of works from 1998 to 2008, MY CAT IS AN ALIEN's first decade of adventure in outer space and modern music. All ultra-rare and long-out-of-print material from space brothers Maurizio and Roberto Opalio finally available for the first time in digital format, including a previously unreleased gem entitled 'Where The Lines Go To Sleep' (2004).Starting from MY CAT IS AN ALIEN's 1999 first milestone 'Landscapes Of An Electric City' (originally spread throughout the world by Thurst…
What Space Is Made For
The monumental set 'What Space Is Made For' has been recorded in their secret base on the Western Alps, and unlike MCIAA's previous works, it's mostly made of short pieces and songs. In addition to their (un)usual instrumentation (electric and acoustic guitars, space toys, percussion), MCIAA have self-made, modified, and assembled / disassembled primitive electronic equipment. So the result may sound their most 'experimental' as well as their most 'accessible' work to date. An alternate edit of …
Avventure Lontane
Mostly known for his intense drone performances and as bass/guitarplayer for the ultrasonic noise trio MIR, Papiro seems to slip into a different persona when left unattended with a bunch of old Synthesizers and the privilege of overdub. The nine tracks show Papiro’s affinity for melodies and complex arrangements and will please followers of early seventies electronica like Walter Carlos (A Clockwork Orange), Cluster or Bruce Haack. The LP comes in a silkscreened glow-in-the-dark cover.
Acid Birds III
Acid Birds was formed in 2004 in Brooklyn, NY by Andrew Barker (drums & percussion), Jaime Fennelly (harmonium & electronics) and Charles Waters (alto saxophone & bass clarinet). NY-based Barker & Waters are both founding members of Gold Sparkle Band, and Fennelly is 1/3 of Peeesseye, and recently embarked on his new solo project Mind Over Mirrors. 'Red Beak, Yellow Eye' opens up the record with wild drumming, electronic screeches and raging alto sax, building to a rapid waterfall of incre…
Transparent Winter
Transparent Winter follows on from the debut release on the always excellent Time-Lag label and releases on the equally great PSF, Opax and A Silent Place. Painting Petals On Planet Ghost is the trio of Ramona Ponzini with Roberto & Maurizio Opalio (aka My Cat Is An Alien). Here they return for a new full length vinyl release on Blackest Rainbow. PPOPG create some wonderfully fragile and unusual experiments that fall somewhere between folk, psychedelia and drone. Ramono Ponzini sings in Ja…
KMH: Piano Music in the Continuous Mode
Lubomyr Melnyk's debut album from 1978, KMH, is an unheralded touchstone of minimalism. Performing solo on piano with a speed that suggests multiple pianos playing together in harmony, Melnyk nearly brings out the full sound of the instrument all at once. His music is lush and maximal yet it possesses the restrained, slowly evolving nature found in music by artists like Steve Reich and Terry Riley. Melnyk developed his unique approach to minimalism while working with dancer/choreographer …
Geelriandre / Arthesis
Realised on the ARP Synthesizer in 1972. Piano: Gérard Fremy. Recorded at the Stedelijk Museum, Amsterdam, December 1979. Arthesis was realized on the Moog Synthesizer at the University of Iowa in 1973. Originally released on Fringes Recordings in 2003, the cd sold out immediately. Finally available again on Senufo Editions. Eliane Radigue's steady-state, pulse and drone oriented works for synthesizer had cast a wider and wider influence over younger improvisers over the years, especially those …
Mort aux vaches
CD, 3-panel micro-wave carboard cover, pyrography on the front side and hand-stamped inside, ltd. 500ex. Produced and recorded for Dwars@vpro by Berry Kamer, Amsterdam, October 27, 2008.
Microtub
A wonderful microtonal play.In microtub, ideas of microtonal tuba music are put into action by the three improvisors Robin Hayward, Martin Taxt and Kristoffer Lo. A unique timbre is created when the sound of the three tubas merge together. SOFA is proud to present this groundbreaking piece of music. Robin Hayward developed the first fully microtonal tuba together with the tuba manufacturer B&S in 2009. After exploring the possibilities in just intonation on the regular tuba, he found it necessa…
Vessel
'when I was young, at night, if the wind was blowing in the direction of our house I could hear the slow beating of the ships' engines.' Vessel was conceived for and presented as a site-specific, multi-channel sound installation in Diapason Gallery, Brooklyn, in October 2008. The composition consists of recordings of cargo ships on the river Waal in the vicinity of Zaltbommel, a small town in the heart of The Netherlands. For my parents. Thanks to Jan Tiggelman (boatsman) and Michael J. …
Seches Abstände
Five dense movements from abstract composer, Ralf Wehowsky, co-founder of the great Wahrnehmungen & Selektion labels. Recorded in 2008.
Twenty Ten
Following 2008's critically acclaimed double-CD Filaments & Voids, Twenty Ten sees Kirschner's use of real-world instruments become even more accomplished while still remaining steeped in conceptual outlines, meticulously married with computerized processes that emphasize the natural instruments' flaws. Like most of Kirschner's work, he starts the listener off easily, introducing the instrument or set of instruments for a particular piece with relative pragmatism. However, things don't re…
As Pleat
Fourcolor is the solo project of Keiichi Sugimoto (Minamo, Filfla) and should be well known to the 12k audience with his two previous releases, Air Curtain (2004) and Letter of Sounds (2006) both highly regarded and now out of print, which established him as one of the label's leading roster figures. As Pleat takes the familiar sound of Fourcolor and explores some subtle new sonic territory. It's as tonal and warm as always but he expands on his style by including more fractured, accidental…
In A Place Of Such Graceful Shapes
"In the fading days of autumn in 2010, Taylor Deupree and Marcus Fischer, having become acquainted only earlier that year, set out on the sort of cross-country collaboration typically executed via technology and the web. However, having made a few rough sketches, they became disenchanted by the Internet and the machines between them, and quickly realized that the only way forward was via a plane ticket. Marcus left Portland for New York in February of 2011. The two met face-to-face for th…
Terra
Julian Lynch grew up in Ridgewood, NJ, where, as a youth, he learned to play clarinet and guitar. In high school, he performed in bands alongside future members of Real Estate, Titus Andronicus, and Family Portrait. During a year spent studying in Scotland, Julian collaborated with Gary Caruth of Sad City. While working for Smithsonian Folkways Recordings in Washington, D.C., he played drums with the band Hairizona. Julian moved to Madison, WI, in Fall 2008 to begin a Master's program in Ethnomu…