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Experimental /

Memories of Perversion
Waswaas wanders further down the path of analogue and modular darkness, casting out his first album, Memories of Perversion.  The 11 tracks traverse a range of electronic moods, tinged with moments of liturgical voicing, dissonant canonistic sequences and arcade-style sequencing.  This is music for the wormhole interior.
Meltdown of Planet Earth
Tip! France is a trio from the Occitane region in France. The trio consists of Jeremie Sauvage on electric bass, Mathieu Tilly on drums, and Yann Gourdon on amplified hurdy-gurdy.  The sound of "Meltdown Earth" is akin to the aural experiments done by Tony Conrad and Faust with their "Outside the Dream Syndicate" LP released in the mid-70's.  It's long form drone music that has more in common with the DIY brunt of Cromagnon (ESP-Disk) than a more academic monocle stance of museum minimalism. Thi…
Canto Fermo (LP)
After thirteen years from their last album "Brevi Momenti di Presenza", Italian cult band Anatrofobia comes back with a new release, the seventh one in their 30-year long career.  With some news this time. Starting from the line-up that alongside founders Luca Cartolari and Andrea Biondello, includes Cristina Trotto Gatta (already in Masche) who with her voice magically manages to enrich the sound of a traditionally instrumental band, and the punk soul and instruments of Paolo Cantù.
Sources (LP)
Guitar and electronics. A collaboration between Richard Pinhas and his son Duncan Pinhas, to celebrate Richard 50 year career and his 70th birthday Richard Pinhas, the founder of '70s legends "Heldon ", is one of France's best known experimental musicians and is a key figure in the development of rock music fusing with electronic music.  Richard Pinhas: Guitar (s) Duncan Pinhas : Analog synthesizers, Guitar, Field Recordings Arthur Narcy: Drums
Quentin Compson (LP)
* produced and mixed by Stephen O'Malley * Richard Pinhas, the founder of 70s legends Heldon, is one of France's best known experimental musicians and is a key figure in the development of rock music fusing with electronic music. Stephen O'Malley is a musician, producer and composer from Seattle, Washington.
Retrogress
Tip! Recorded in Ravenna and Brussels, 2021 credits released September 8, 2021  Mastered by Francesco Covarino
Casual Collisions
Casual Collisions is a collaborative album by two of the most prominent voices in experimental sound, Aaron Dilloway and Jeph Jerman. Recorded in 2013 and originally self-released on CDR by Jerman in a small edition, New Forces and White Centipede Noise are pleased to make these recordings widely available for the first time. Across four tracks the unique voices of these artists meld seamlessly together. Jerman’s tactile, physical sounds are wrapped up in Dilloway’s magnetic wizardry. Damaged el…
Thought Is The Enemy
Krishnamurti is the duo project of Italian sound artists Giovanni Lami and Lorenzo Abattoir, who aim to create a new type of soundscape using the Indian drone instrument called the shruti box.  Originally from Ravenna, Giovanni Lami has since the 2010s been known for diverse activities including his work in artist-in-residence programs, festival appearances, and exhibitions. In recent years he's released numerous recordings, especially from cassette labels. Lorenzo Abattoir, who lives in Torino,…
Piacenza
Recorded live at Conservatorio Nicolini, Piacenza, Italy, May 22. 2015 during "Musiche Nuove a Piacenza" Festival. Limited edition 980 handmade and individually hand numbered copy in papersleeve, with 21,50 x 21,50 miniposter © 2015
White Smoke
Unusual instrumentation and interaction from the trio of percussionist Mike Goyvaerts (Canaries on the Pole), saxophonist Jeffey Morgan (releases on Headlight, Konnex) and EMS synthesist Willy Van Buggenhout. Buggenhout and Goyvaerts are known for their electroacoustic duo Hotzeniebotsze, while Goyvaerts is also a long-term member of Fred Van Hove's W.I.M. (Workshop of Improvising Music). The trio use great technical skills and a unique approach to playing that mixes conventional and alien sound…
Vent
In a rain forest of moments. the eye hears what the ear sees. through each moment of Karin Johansson’s and Finn Loxbo’s music runs the firm conviction that all points and layers of sound – in true democratic spirit, carry the same weight. Or lightness. as precise as scattered bird calls may be crucial to the totality and the outcome of the drama as a whole, as cautiously do they take care of the phrased line by being extremely exact with the gaps and the charged rest, where that very thing appea…
Meditation
Kelan Phil Cohran's ('Kelan' is an honorific meaning 'holy scripture' bestowed on him by Chinese Muslims during a visit to China) Meditation was recorded at Atiba Johnson's Chicago studio in 1996, but has circulated only privately until now, with its long-awaited official release on Katalyst. And in waiting for it to arrive, we have perhaps been given what we need to appreciate it as it unfolds. The two players on the session are Kelan Phil Cohran (harp, frankiphone, cornet, zither) and Malik Co…
Streugebilde
If you weren’t paying attention, you might think this is a collection of solo ruminations by German pianist Georg Graewe. Listen closer, however, and you’ll discern contributions from harpist Sara Kowal and Viennese turntablist dieb13. Across 15 short improvisations – most of them just two or three minutes long – Graewe’s is the dominant voice. Kowal’s rippling harp tends to blend in with Graewe’s right-hand excursions, adding an extra layer of detail, while dieb13 contributes tactile electronic…
Like One Long Dream
A powerful collision of musical personalities -- American saxophonist (and Dutch resident) John Dikeman invited avantgarde trumpeter Jaimie Branch, bassist Luke Stewart (Irreversible Entanglements) and drummer Aleksandar Skorić to form a new band project. This quartet presents its own definition of contemporary improvised jazz; with no distinct leader and with tight and supportive interplay, they demonstrate the independent musical voice of each own. Album cover by Jaimie Branch. Personnel: John…
Disrupted Songs
* Edition of 100 * Disrupted Songs is meeting between two musicians with vast experience and different backgrounds, grounded on mutual listening and sensitive balance. Choosing to work on the energy triggered by a clash of imaginative minds who have made research and free improvisation the central point of their action, the duo does not previously set any rule. Simon Balestrazzi (electronic and electroacoustic musician) and Paolo Sanna (percussionist) create their own music in real time, buildin…
A Heart From Your Shadow
Michael Beharie (New York) and Teddy Rankin-Parker (Chicago) first met more than 10 years ago while attending Oberlin College. Since graduating, Beharie and Rankin-Parker each veered into markedly different avenues. In addition to a consistent output of solo releases on NYC-label Astro Nautico, Beharie also recently joined up with the ever-confounding New York ensemble Zs (Northern Spy, The Social Registry, Troubleman Unlimited), recently performed on albums by Laurel Halo, Greg Fox & Colin Self…
The Abrahadabra Letters 1984 - 1988 (Book)
From 1984 to 1988 Anthony Blokdijk frequently visited Threshold House in London and corresponded with John Balance of Coil about playing live, releasing music and personal affairs. This book collects scans of Balance's original letters, including idiosyncratic decorative flourishes and provides insight into his colourful world. Also included two articles on Coil from Blokdijk's Abrahadabra magazine, and an interview with Coil he conducted for the Dutch magazine Opscene. Translations included. Fo…
Creak-whoosh (Estonian, Ingrian and Votian song re-imagined in Australia by Olev Muska and Mihkel Tartu) (LP)
This is so singular. "Creak-whoosh" is a brilliantly unusual Aussie re-imagining of Estonian choral music sung by the children of Estonian refugees and juxtaposed with off-world synthesizer drones and chunky '80s beatbox rhythms. Released in 1988, it sounds like Arvo Pärt, Ryuichi Sakamoto/YMO and Visible Cloaks playing concurrently = a complete one-off.  We've never heard anything quite like this before. Sydney-based musicians Olev Muska and Mihkel Tartu wanted to find a way to rework Finno-Ugr…
See It Alone
Sorry For Laughing is a project by Gordon H. Whitlow who is also a member of legendary US avantgarde collective Biota, formerly Mnemonists or Mnemonist Orchestra. Their music is a mixture of modern classical, experimental sounds, noise, industrial, avant-garde, songwriting and free jazz. Their releases were published by their own self-produced label Dys between 1981 and 1986. By 1985 the group had split off into separate groups for visual and audio work. From that time, Mnemonists operated only …
Cargo Cult Revival
* Recorded live and in real-time (without overdubbing) at OAO studio, Brooklyn, New York, March 1982 * Tom Cora made his musical debut as drummer on a local US television program. In the mid 1970s he played guitar for a Washington, D.C. jazz club house band. He took up the cello while an undergraduate at the University of Virginia and studied with cellist Pablo Casals' student Luis Garcia-Renart and later with vibraphonist Karl Berger. During this time he formed his own group, The Moose Skowron …