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Experimental /

Live At Hinoeuma (LP)
Picture-disc in an edition of 400 copies released by RRRecords in 2004.
Oumagatoki (LP)
2004 collaboration between the two Kings of Noise released as a 10"LP on Hypnagogia in an edition of 400 copies.
Force Majeure 87")
2008 7" on splatter vinyl released by Dot Dot Dot Music in an edition of 250 copies.
Regelmasken (LP)
2010 split LP released on Kommissar Hjuler's Domestic Violence Recordings in an edition of 177 hand-numbered copies with paste-on cover.
Dedication (LP)
1992 compilation of European and Japanese noise bands released by Freudwerk/Artware in and edition of 300 hand-numbered copies with hand-painted cover. With booklet.
81/44 (LP)
2014 collaboration released by Art Into Life in an edition of 150 copies with unique hand-decorated transparent acrylic sheet.
One Day I Was So Sad That The Corners Of My Mouth Met & Everybody Thought I Was Whistling (CD)
2001 first CD re-issue on Sonaria of the astonishing and beautiful dadaist collage / musique concrète album from 1981.
Technodeath (tape)
Very rare 1981 cassette compilation with visual inserts released by Trax in 1981 with contributions by Bladder Flask and by M.B., M.A. Phillips, Spirocheta Pergoli, Vittore Baroni and Those Little Aliens among others. Complete with all inserts
Ligeliahorn (LP)
Rare 2025 multicolored LP+CD re-issue on Minimalkombinat in an edition of 111 numbered copies with special cover and inserts of the seminal esiteric/industrial album from 1983 featuring Richard and Philip Rupenus.
Septem Diebus
Recorded in a water-closet. Berlin, 2026. Cut up, mixed and mastered in a closet. Paris, 2026. Cover art by Pakhom, design and layout by Agendathnethaim.
Shekinah (LP)
Original and sole vinyl edition on Nurse With Wound's United Dairies of the loveliest album by any of Richard Ruenus' projects, an edition of 1000 copies released in 1988.
Sympathetic Resonance
The “Sympathetic Resonance” LP by Momen is released on Unheard Of Hope and marks the debut of the London-based duo. Momen consists of Iván Muela (piano, guitar, electronics) and Nat Philipps (saxophone, electronics); in eight movements they explore a field of tension between restraint and catharsis. Sonic reference points range from Bach and Ryuichi Sakamoto to experiences in post-punk bands, giving the pieces an unusual blend of classical melodic lines, jazzy improvisation, and electronically s…
Deep Drive 2+
The identity of Deep Drive comes in large part from the way Peter Zummo moves through the world. Using his smartphone, he records daily fragments: of daydreams and conversations, signage and slogans, moments that that strike him as insightful, odd, amusing, thereby creating a sonic collage of rhythms, melodies and voices. His deep baritone is imbued with laconic humour, and Deep Drive"s track titles riff off his messaging. "Prepare For Docking" refers to the Staten Island ferry and the spectacle…
Song of the Night Mists
The writer Max Sebald often pondered over the nature of human memory, specifically, how our thoughts and desires - and their results - overlap and mutate over time. In A Place in the Country, he writes of the significance of what see as “similarities, overlaps and coincidences”. Are they the “delusions” of the self and senses, or manifestations of “an order underlying the chaos of human relationships, [...] which lies beyond our comprehension”? Song of the Night Mists, the new album by post-clas…
Stills and Remains
Yuki Nakagawa’s musical roots lie in the improvisation and noise scenes of the Kansai region in Japan. After performing with electric bass and effects, he transitioned to the cello as a self-taught musician, developing a unique sonic language over more than 15 years. His practice spans composition, performance, and direction, as well as collaborations with dance, theater, and contemporary visual art. As one half of the duo project Kakuhan(with Koshiro Hino), he has performed at festivals in Japa…
Forgetting You is Like Breathing Water
2026 stock Forgetting You Is Like Breathing Water, the self-titled debut from the duo of trumpeter Will Evans and guitarist, synthesist, producer and multi-instrumentalist Theo Trump, arrives like a vault revelation. It feels like a decades-old yet newly unearthed masterwork of gorgeous ambient improvisation, the sort of thing scholars live to research and shepherd into deluxe reissue. The patient, crystalline chords that swell and resonate like a series of confessions; the textured brass murmur…
Logrende tunger
Tip! “Logrende tunger” documents the first meeting between accordionist Kalle Moberg and saxophonist Kei Matsumaru — both extraordinary instrumentalists who pay great attention to the purely sonic qualities of their instruments, but also share a profoundly complimentary understanding of harmony and form. The duo was introduced by mutual friend and colleague Jim O’Rourke, whose inner ear suggested that the two might create something special together. And indeed, the recording O’Rourke made of the…
Audiopinturas: Estructuras Verbales Para Voz (1972)
The work of Jorge Eduardo Eielson (Lima 1924 - Milán 2006) in the fields of visual and sound poetry has been conspicuously absent from the international anthologies pertaining to these disciplines. One of the reasons of this absence may be the limited circulation of this side of his broad and complex output as a poet and visual artist. In the past few years, though, this aspect of his work has become better known, and can now be seen, in its own right, as a valuable contribution to the developme…
Some Attributes Of A Living System
The first album under the Mnemonists name, released in 1980 in 500 copies on the Colorado collective's own Dys label: 22 'Fragments' of improvisation between modern classical, noise, industrial and free jazz, by the circle that became Biota. Reissued on CD by Klanggalerie.
Padesip
Each composition on Padesip, the debut project from Brussels-based electronic artist Gijs Milius, splices together disparate ways of seeing and hearing. Though most of the songs are between 2 and 3 minutes long, they feel rich, embodied, and surprising, full of left turns and tiny moments of tension that you want to comb through the composition to hear again. Listening to these curious and tactile compositions feels a bit like using a viewfinder toy to flip between images of lakes, canyons, and …