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L'Oriole is the meeting point between violinist and composer Clara Lévy and sound artist Stéphane Clor. Combining violin, violoncello piccolo and a unique orchestra of resonators and transducers, the duo explores birdsong, resonance and the transformative power of sound. Acoustic instruments are projected into cymbals, drum skins, aluminium cans and other resonant objects, creating rich layers of colour, texture and spatial depth. Inspired by the work of Olivier Messiaen and his fascination with…
"There is a familiar species of experience. I believe it is nearly universal. Here’s the brief: we have not seen a person in a long time, someone with whom we were once close. For no good reason – no falling out, no unpleasantries at all – our paths have not crossed. Then, in an instant, we are together, thrown or brought or drawn. Circumstance has landed us proximate and here we are, face to face. Within seconds, we recognize the person. I mean really recognize them. Not just their external app…
"Autumn has always brought me bright thoughts and fruitful encounters. Barry and I, although we had known each other for many years — and although I had grown “into adulthood” musically through the influence of masters like him — had never had the chance to play and record together. Finally, October 2025 gave me this wonderful gift: an extraordinary meeting. Coming face to face with a champion of free improvisation placed me in a position where I had to draw upon all the creativity available — a…
Recorded by Karl Winand and Markus Massinger at artacts – Festival for Jazz and Improvised Music, Alte Gerberei, St. Johann in Tirol, Austria. Mixed and mastered by John Butcher
Sophie Agnel - pianoJohn Butcher - saxophonesPascal Niggenkemper - double bassStåle Liavik Solberg - drums
Chinese tradition tells the story of how one day, the Emperor decided to decorate the walls of his new palace. He summoned two of the most famous painters of the time and gave them two months to complete the paintings on the walls. One of the painters immediately got to work and spent two months diligently and meticulously sketching, applying colors, correcting, and perfecting his painting. The second painter arrived a day before the deadline and painted his painting in a single gesture, without…
Nice Music presents, from the artist well-known in drastic DIY thrills circles as People Skills, the debut release under the endonym S.B.A. (or Samael B. Aaens). Shotput through a career of recordings for prestigious underground pillars - Siltbreeze, Blackest Ever Black, Kashual Plastik, Altered States Tapes, Regional Bears and I Dischi Del Barone, yet for the first time ever, S.B.A. touches home, unleashing a series of recordings using his distant glowing beacon 'Heresy Museum' as the pivot poi…
"After six minutes, time flips into reverse. The sounds of Ramsgate start running backwards. Cackles of seagulls are sucked back into tiny throats, while the distant yelps of school playtime turn giddy and abrupt, doubtless punctuating games of backward hopscotch. Central to the piece is the steady tick of the steam-age turret clock at St George’s Church, which was installed almost two centuries ago. When ticking runs forward, it seems to gift a divine guarantee to the formidable flow of time; a…
"Impassable moments lingering in the present,” utters Beth Robertson, the soft spoken voice cresting over a jostle of harmonics, creaks and knocks. “Existing just after us but before her. Everything lingers.” It’s inevitable that a record inspired by gigantic mounds of waste should be rich in the residue of the past, yet it’s striking to hear these atmospheres crackle with future-facing anticipation. Out of the sounds salvaged and recycled from previous performances at Tokoro Studio, we hear all…
During numerous sessions in their own Inkiek studio in Unna/Germany and a residency in Montoriol/France in 2025, Klangwart have created their new work „Wildnis“ („wilderness“), inviting Sébastien Del Grande to add tenor and alto saxophone, drums, marimba and other various percussion instruments to their electronic textures. Catalan composer and performer Ivan Chin aka Ivan Telefunken also participated in the recording sessions by contributing to a Catalan version of Swiss group Grauzone's famous…
A blackbird at dawn inspired a living score: Natalia Beylis’ work, ‘Around Here, The Birds Plant The Trees’, is a 52-minute longform journey about land stewardship grown from the sounds and textures of a single field in Leitrim, Ireland. This recording of 'Around Here, The Birds Plant The Trees' captures the piece as it existed on Friday 12 December 2025. I mention a specific date, because the score for this work is constantly shifting and provides a new variation each time it is played, echoing…
The duo of Camila Nebbia and Chris Corsano brings together two fiercely creative voices from the international improvised music scene. Nebbia’s searching tenor saxophone lines meet Corsano’s explosive, highly textural percussion in a set of spontaneous exchanges of raw expression. Their music moves fluidly between delicate detail and surging intensity, driven by deep listening and fearless experimentation. The result is a striking dialogue where every gesture reshapes the sonic landscape in real…
The new release by Ochibonoame captures the trio’s raw and searching approach. With Makoto Kawashima on alto saxophone, Louis Inage on bass, and Naoto Yamagishi on drums and percussion, the group navigates the volatile terrain of silence and eruptive energy. Their music unfolds as an intuitive dialogue, where fragility and abrasive sonic bursts collide in real time. The result is a deeply visceral document of spontaneous creation, rooted in the underground spirit of Japan’s improvised music scen…
The trio of Luciana Bass, Ezequiel Jaime, and Federico Isasti brings together three distinctive voices from Argentina's adventurous improvised music scene. Centered on Bass’s expressive sonic palette, their music is both volatile yet deeply attentive, fueled by Jaime’s exploratory playing and Isasti’s highly responsive drumming. They move freely between sparse textures and intricate collective energy. This release documents a trio deeply attuned to one another, forging form and intensity in the …
On Distractions for Trumpet & Ajaeng two radically distinct instrumental traditions converge in a study of texture, fragility, and focus. Kelley’s whisper-quiet trumpet tones and microscopic bursts of air intertwine with Kim’s bowed ajaeng, its coarse, resonant grain stretching and splintering in real time. The result is a taut, immersive dialogue that transforms subtle gestures into seismic events and invites listeners into a heightened space of deep listening and unpredictable detail.
On War Poem, Chris Connelly turns antique tape machines into artillery: a single, accidental loop blooms into side‑long, grief‑stricken immersion, where scorched industrial sonics and stark anti‑war outrage fuse into something brutally intense and unnervingly beautiful.
Julio Lopez presents their cartological mapping of lineage, diaspora, appropriation, spirit and song in their illuminating debut album, Cloud Unknowing. Released quietly on bandcamp in the early parts of 2025, we are honored to give the album its due recognition a year and change later. Julio excavates, uncovers, and retraces centuries old songs, asking how one can "hold a feeling in the sound and then letting go." The arrangements on Cloud Unknowing put us in close proximity to Julio - the h…
Yara Asmar’s new album, “everyone I love is sleeping and I love them so so much”, presents 11 pieces recorded over the past year between the small town of Alfred in upstate New York and Beirut. These sometimes fragile and tentative sound sketches reflect the times as Yara steps out, as if onto ice, into a new life on a new continent. She works with unfamiliar instruments, new materials and new sounds to build on her intimate style; homemade mechanical music boxes and a personal archive of family…
*50 copies limited edition* Mia Windsor is an experimental musician currently undertaking a practice-led PhD centred on Muta, a material-driven feedback instrument she has developed through ongoing processes of building and improvisation. The instrument operates by resonating physical materials and feeding their signals back into themselves and into each other through spectral processing, producing a system in which sound emerges from the interaction between objects, circuits, and environment. A…
*50 copies limited edition* Chaparral is a collection of field recordings, drones recorded on trumpet and trombone, feedback from a metal sheet and mixer, and various samples, including heartbeat, bells, and pencil on paper. The three pieces came together over the course of December 2025 to March 2026, drawing from improvised material and found sounds, combined to gradually create a sense of structure.
The work is concerned with Nev Wendell’s relationship to the city she lives in at this point i…
*70 copies limited edition* Joa Joys (Joaquín Ledesma) is a visual artist and musician born in Santa Fe, Argentina, based in Buenos Aires. Since 2015, he has released solo and collaborative works on labels across Argentina, Japan, Belgium, and France — and now with Discrepant — while also composing for documentaries and installations. His music often approaches sound as a habitable space, closely intertwined with a visual sensibility, creating cinematic soundscapes that oscillate between everyda…