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Experimental /

Enough
First vinyl by Long Swan Tongues, the improvised drone duo of Alex Wilson (Gnod, Ghold) and Edd Sanders (Kalkin, Red River Dialect): two long, thunderous pieces for four-stringed instruments on 180g vinyl, mastered by Miles Whittaker.
House with a Curse
Scottish composers Andrew Wasylyk and Tommy Perman are back with a new collaborative soundtrack album, 'House With A Curse'.
Treasure
Cocteau Twins' third album from 1984, the first with Simon Raymonde alongside Elizabeth Fraser and Robin Guthrie, reissued by 4AD on 180g vinyl with new masters from high definition transfers of the original analogue tapes.
Hi Viz Cantaloupe
Edition of 100 copies. Zach Cooper’s Hi Viz Cantaloupe feels true to the unlikely image in its name. It’s sticky, not-too-sweet, and has pronounced qualities that make it feel realer-than-real. Fans of Cooper’s previous work as ½ of King Garbage, as well as his co-creation credits with the likes of Leon Bridges, Kirby, and Moses Sumney, will be glad to get an even closer look at who he is. This short record pulls off bringing us into his world, a world some of us will find all-too familiar. Hi V…
Brain Damage
First reissue of the private press album recorded in 1980 by Puerto Rico's The MD's: ten raw, catchy songs between punk, proto-hardcore and new wave with a prominent Minimoog, plus an insert of previously unseen photos and notes.
Spectacles for Tribuffalos
First reissue and first vinyl edition of the 1995 album on which Rita Marley sings songs by Ignacio Scola and Gregorio Paniagua, sophisticated experimental pop rooted in soul and Jamaican music, with a side of remixes by Suso Sáiz.
Music For Air
On its latest album „Music For Air“, the Berlin-based interdisciplinary duo GAMUT INC explores new possibilities of the computer-controlled pipe organ — from hypervirtuoso excess to nuanced automation and rhythms beyond the fixed grid. Composed and recorded during a two-week residency in Toulouse, the pieces move between harmony and noise, conjuring a euphorically intoxicating maelstrom of overlapping, accelerating sound.
éclats Z
For over ten years, Brussels-originals ladr ache have dipped their toes and vocal chords in all matter of musical mischief as only they know how. With éclats z, their latest recorded offering, new canons arise that belong to no place or genre. Between the layers of chant, other voices turn up in old tongues and secret languages, gliding alongside pipes and electronic warps, pulsing in time with the granularity of choice. Recorded over two years in different times and spaces, the living textures …
split
*218 copies limited edition* An LP split between old friends of the weirdo American Underground converges on this 180 gram slab of adventurous out-sounds blurring the boundaries of genre. The duo of Max Nordile and Justin Clifford Rhody deliver high energy bursts of noisy free jazz and a live, slow-burning piece (titled Semi-Rural) that rings reminiscent of Lol Coxhill and Loren Connors carrying out a ritual invocation far from the red carpets of Hollywood. Prior to this album the duo had only r…
split
*40 copies limited edition* We’re living through a difficult period to be publishing creative music (which is really the least of our problems!) And the 7” format seems to have taken an exceptionally hard blow, with apparently little interest from pressing plants in making the format affordable again. But at Physical we’re thoroughly convinced that the little record is a perfect platform for big ideas, and we plan to stay a believer despite financial hardship and almost zero commercial viability…
Freakshow - Lullabies And Nightmares
*200 copies limited edition. 5 different cover designs—all outer and inner sleeves are unique // Two 30x30 cm inserts + 4-page lyric sheet + A4 "History of Ashburn County"* Ashburn County is a French-American project that emerged in Louisiana in 2011. Coming out of the mind of Leroy Delbert Quebedeaux, these songs and soundscapes have been telling the stories of the inhabitants of this imaginary county set in the remote rural parts of the Deep South. Inspired by literature and cinema, this music…
Unit of Heart
*300 copies limited edition* A quiet intensity permeates Chantal Michelle’s music, like a veiled flame. Even at its most spare and delicate, an undulating tension unsettles the ear through wavering microtonal interference and uncanny spatial juxtaposition. She takes seriously the mandate of the composer to foster new relationships between various types of sounds, bringing together disparate field recordings, instrumental stems, and the sounds of circuitry in unheard configurations. Resolution is…
Indifferent Rocks Are Rearranged Into A Dam
Originally presented as a quadraphonic fixed media piece.  Designed by Philip Marshall. Covert artwork by Owen Schuh. Indifferent Rocks Are Rearranged into a Dam takes various - and sometimes competing - understandings of “Interval”, “isolation” and “distance” as its point of conceptual and compositional departure. Taking its title from a line in Elaine Scarry’s book The Body in Pain, Indifferent Rocks… explores different forms of detachment and abstraction present both in the piece’s making, as…
Pipe Dreams II / III
Mary Jane Leach's Pipe Dreams II and III, recorded on the organs of Miry Concertzaal, Gent (2023) and Kunst-Station Sankt Peter, Cologne (2024): beating tones and antiphonal clouds of sound, following the 1989 original issued by Blume.
Ad Fontes
*300 copies limited edition* The first Af Ursin album in a decade, this release features extraordinary Belgian vocalist and performer Bénédicte Davin. Ad Fontes is a personal response to the fractured reality of our time. Created in the wake of visible social decay, manipulation, and institutional control, the album serves as a sonic mirror to an era defined by corruption and systemic failure. Instead of preaching political manifestos or claiming to have answers, this work is an intimate persona…
L'Inversion Des Pôles
*200 copies limited edition* "“L’inversion des pôles” holds two tracks, “Anaphores” on the A side and “Syncopes” on the B side, both composed by Comelade and Saintlos. Comelade plays grand piano, vertical piano, Farfisa organ, an Emenee plastic guitar and a Roland RD 300 SX keyboard, with “Syncopes” adding an EMS-AKS synthesizer and a Koma Elektronik FT201. Saintlos contributes a Korg MS10, an Arturia MiniBrute, a Nord Lead X2, a Yamaha RX11 drum machine, an ARP Odyssey and a Poly D clone Minimo…
Double On Time
*300 copies limited edition* For the past 30 years, Toronto's Picastro has been evolving an intense and idiosyncratic variant of indie rock songcraft, embracing unique instrumentation, unsettling dissonance, and an ultra-personal approach to form and dynamics. The vision of vocalist, composer, and multi-instrumentalist Liz Hysen has anchored the project's sound throughout these three decades, even amidst a diverse cast of collaborators that have come, gone, and sometimes returned. Among these co…
kitsune no yomeiri
*300 copies limited edition* Kitsune No Yomeiri, which translates to the fox’s wedding, is an endearing expression used to describe sunshowers. Dawson returned home from a recent tour of Japan with a collection of field recordings documenting the spring rain he encountered throughout his travels. These curious sounds, stretching from peaceful shrines to clattering city streets, underpin the material. Dawson also credits the wonderful folks he met on that tour with profoundly shaping the directio…
Bugs
*100 copies limited edition* Inspired by macro photography, field recordings and the hidden world of insects, "Bugs" explores the fragile boundary between nature and electronics. Built through instinctive improvisations with analog synthesizers, acoustic instruments, drum machines and environmental recordings, the album unfolds as a collection of immersive sonic landscapes suspended between twilight and darkness. Rather than describing the natural world, "Bugs" magnifies it, transforming tiny mo…
Dusty Colors
*300 copies limited edition* Roberto Musci, born in Milan in 1956, studied guitar, music and electronic instruments. From 1974 to 1985 he traveled the world studying African, Indian, Arab and Oriental music recording ethnic music “in the field,” studying and collecting ethnic musical instruments from all parts of the world. His self-produced debut album, “The Loa of Music,” is a seminal work of staggering originality and extraordinary beauty in which field recordings, musique concrète, electroni…