We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
CD reissue of Volcano The Bear's 2006 LP, the first release on their own Volucan label: theatrical improvisation, musique concrète and ethno-folk. Four-panel gatefold sleeve, limited to 444 copies.
CD reissue of Volcano The Bear's first mini-album, issued by Pickled Egg in 1999, with two bonus tracks from a 2006 lathe-cut 8" on Alt.Vinyl. Oversized gatefold cover, limited to 444 copies.
Eight Untitled pieces by Francisco López made in 2011 from field recordings gathered around the world, from Tokyo and the Amazon to Bogotá and Lima: short snapshots and processed collages of animals, objects and weather. Limited to 444.
A later album by the French avant-garde trio DDAA, active since 1977: six restrained, elaborate '(a)tonal songs & noises', 51 minutes, with Christine Coënon on voices. Oversized A5 gatefold cover, limited to 444 copies.
Dariusz Wojtaś (Hati) recorded Tibetan bowls, field recordings and vintage reverb units in Toruń; Z'ev processed and mixed them in London into two long, shifting metallic drone pieces. A5 gatefold cover, limited to 350.
Unknown versions and unpublished tracks from Column One's early years, remastered by Robert Schalinski, in an oversized cardboard sleeve with 8 postcards and liner notes by Till Kniola. Limited to 500 copies.
Early Column One: the remastered Dream Box Experience LP (1994), alternative versions from the This Is My Dream 7" and an unpublished track, in an oversized sleeve with 6 postcards and liner notes by Till Kniola. Limited to 500.
Solo percussion by Sven-Åke Johansson, recorded at his SÅJ Studio in Berlin in March 2010: fifteen short pieces named after Swedish surnames, rolls, cymbals and a towel flicking on the drum skin.
Percussionists Burkhard Beins and Sven-Åke Johansson with harpist Rhodri Davies, recorded at Sowieso in Berlin in 2013 and 2015: acoustic sounds that come close to electronics, plus a harp solo by Davies.
Berlin trio improvisation recorded in June 2015 by Liz Allbee on trumpet and seashell, Annette Krebs on electric guitar and electronics and Sven-Åke Johansson on percussion, with notes by Thomas Millroth.
First vinyl by Long Swan Tongues, the improvised drone duo of Alex Wilson (Gnod, Ghold) and Edd Sanders (Kalkin, Red River Dialect): two long, thunderous pieces for four-stringed instruments on 180g vinyl, mastered by Miles Whittaker.
Cocteau Twins' third album from 1984, the first with Simon Raymonde alongside Elizabeth Fraser and Robin Guthrie, reissued by 4AD on 180g vinyl with new masters from high definition transfers of the original analogue tapes.
Edition of 100 copies. Zach Cooper’s Hi Viz Cantaloupe feels true to the unlikely image in its name. It’s sticky, not-too-sweet, and has pronounced qualities that make it feel realer-than-real. Fans of Cooper’s previous work as ½ of King Garbage, as well as his co-creation credits with the likes of Leon Bridges, Kirby, and Moses Sumney, will be glad to get an even closer look at who he is. This short record pulls off bringing us into his world, a world some of us will find all-too familiar.
Hi V…
First reissue of the private press album recorded in 1980 by Puerto Rico's The MD's: ten raw, catchy songs between punk, proto-hardcore and new wave with a prominent Minimoog, plus an insert of previously unseen photos and notes.
First reissue and first vinyl edition of the 1995 album on which Rita Marley sings songs by Ignacio Scola and Gregorio Paniagua, sophisticated experimental pop rooted in soul and Jamaican music, with a side of remixes by Suso Sáiz.
On its latest album „Music For Air“, the Berlin-based interdisciplinary duo GAMUT INC explores new possibilities of the computer-controlled pipe organ — from hypervirtuoso excess to nuanced automation and rhythms beyond the fixed grid. Composed and recorded during a two-week residency in Toulouse, the pieces move between harmony and noise, conjuring a euphorically intoxicating maelstrom of overlapping, accelerating sound.
For over ten years, Brussels-originals ladr ache have dipped their toes and vocal chords in all matter of musical mischief as only they know how. With éclats z, their latest recorded offering, new canons arise that belong to no place or genre. Between the layers of chant, other voices turn up in old tongues and secret languages, gliding alongside pipes and electronic warps, pulsing in time with the granularity of choice. Recorded over two years in different times and spaces, the living textures …
*218 copies limited edition* An LP split between old friends of the weirdo American Underground converges on this 180 gram slab of adventurous out-sounds blurring the boundaries of genre. The duo of Max Nordile and Justin Clifford Rhody deliver high energy bursts of noisy free jazz and a live, slow-burning piece (titled Semi-Rural) that rings reminiscent of Lol Coxhill and Loren Connors carrying out a ritual invocation far from the red carpets of Hollywood. Prior to this album the duo had only r…
*40 copies limited edition* We’re living through a difficult period to be publishing creative music (which is really the least of our problems!) And the 7” format seems to have taken an exceptionally hard blow, with apparently little interest from pressing plants in making the format affordable again. But at Physical we’re thoroughly convinced that the little record is a perfect platform for big ideas, and we plan to stay a believer despite financial hardship and almost zero commercial viability…