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Limited and numbered edition, featuring original artwork and a newly designed, beautifully crafted collector’s sleeve with new liner notes by Bradford Bailey, and pressed on 180g vinyl. One of the most quietly radical entries in Deutsche Grammophon's legendary Avantgarde series - the run of albums issued between 1968 and 1971 that did more than almost any other label project to document the experimental music of its moment - returns to vinyl. Recorded in London in 1971, the Scratch Orchestra's r…
On The Mild Temper, Kevin Drumm stretches his language of drones, electronics and micro‑acoustics across six hours, fashioning vast, slow‑shifting fields of frequency where restraint becomes a kind of pressure and detail blooms only if you stay. Mastered by Jim O'Rourke.
One of the most important sound sources in history, a relic of a bygone era. Minamata is an industrial noise avant-garde band formed in France in 1984, with the methyl mercury pollution incident that occurred in 1953 on the coast of Minamata City, Kumamoto Prefecture, Kyushu Island, Japan, as its theme.
In 1985, the band became a trio, and their compositional skills and overall quality improved, resulting in the creation of Methylmercure. During this period, the noise scenes in developed countr…
“Tremula Luce” is Tommaso Pandolfi's debut album under his own name, out on Window Seat. The Venice-based composer and visual artist follows fifteen years of activity as Furtherset with a new record inspired by the last pages of María Zambrano's “Claros del bosque” and her metaphysical, intimate visions of skies. Unfolding as both a continuation and a rearticulation of his sonic language, circling melodies and time-suspending ambiences here take shape anew. The album opens as a vast, melancholic…
Danish experimental rock band Echo, Bravo presents "Glasfisk", a powerful new album that explores the space between chaos and clarity. Blending raw energy, poetic lyricism in danish, and adventurous improvisation, the record showcases the band's distinctive sound at its most focused and compelling.Across eight immersive tracks, "Glasfisk" moves effortlessly between intimate moments and explosive sonic landscapes, drawing listeners into a world where melody, noise, and emotion collide. Bold, unpr…
Mausoleum is the latest release by David Jackman, following the eight-part David Jackman / Organum Electronics Subscription Series issued by Die Stadt between 2023 and 2025. While continuing concerns explored throughout the Subscription Series, Mausoleum also recalls aspects of earlier Organum recordings such as Horii and Rasa. The spatial placement of sound, use of low frequencies, and distinctive sense of duration remain central to the work.
The recording is built from recurring elements inclu…
*2026 stock* This album presents the project Stahlstuhl in its typical line-up: a chair performer plus a laptop musician. This was the first concert held by the duo, in December 2012. Guitar player, singer and computer science enthusiast, Olavo Vianna acts here as a chairs’ guru. His performance is the result of a long study on the timbrical possibilities of school chairs. As shown in this recording, such an ordinary object has all the potential for becoming a full scale musical instrument. The …
*2026 stock* Alessio Santini works with sounds and images. After playing guitars in obscure black and doom metal bands during nineties, and working on several electronic music IDM projects, he started a path of research on granular sound processing and audio-video interaction, from fifteen years now.
Kenter is an electric guitar + acoustic drums (both heavily manipulated), record. Big, raw, digitally distorted guitars are processed, re-processed, then processed again, leading to massive noise, t…
Tip! *2026 stock* Summer 2016, the artist chose to isolate himself within the very quiet and intriguing Mechanical & Acoustic Research Lab LMA-CNRS’ anechoic room (France) in order to explore his own inner silence, during some deep personal difficult times. During this art residency in the laboratory, Bayle recorded 2 hours of silence in this 17dB room. inside of which sounds don’t reverberate, as they are absorbed by walls’ geometric and repetitive structure. This sonic isolation makes this roo…
*2026 stock* The pieces that make up this collection were composed with the Gendyn algorithm – GENerative DYNamics. The Gendyn algorithm is an example of nonstandard sound synthesis techniques, relying on random walks guided by probability distribution functions to define the character of complex timbres as well as musical form. Sound is generated ex-nihilo – from nothing – through mathematical expressions that are characterized by initial conditions defined by the composer, setting in motion th…
Tip! The Durutti Column are proud to revisit “Vini Reilly”, a release originally issued in 1989—a heartfelt homage to the legendary sound and creative imagination of Vini Reilly. The record distills atmosphere, elegance, and emotional clarity into music that feels both timeless and deeply personal.
Across “Vini Reilly,” the album captures the essence of Vini’s distinctive musical language: shimmering guitar textures, luminous melodic shapes, and a sense of space that invites the listener to slow…
*25 copies limited edition* De mutanten processie 3: combines two live shows, first one at Grambacht Mechelen, second one at modular synth riot #9 Opek Leuven. C62 tapes pinkshell,DIY inkjet printed cover on thick paper, includes bonus track not available as download.
Audion 87 arrives like a lovingly overstuffed mixtape passed between devotees, its 44 A4 pages packed with rabbit holes for anyone who still hears “progressive” as a verb, not a museum tag. At its core sit two major anchor features. The first is a deep excavation of choice German label classics, taking April and Schneeball as portals into a republic of small imprints, marginal bands and radical self‑organisation. Rather than recycling the usual Krautrock canon, the piece digs into catalogue corn…
On Variation for Light Waves, Linnea Talp deepens her dialogue with the pipe organ, stretching it toward breathy extremes where foggy harmonies, brittle overtones and glints of electronics hover like weather systems suspended between memory and illumination.
On Early Hits, Juuso Paaso Tulevat Käsitteet builds a private, lo‑fi cosmos from Villa Sarkia and Vallila backrooms, folding years of solitary tracking into songs where homespun electronics, ghosted melodies and stray saxophone lines coexist like half-remembered futures.
On Antologica 1977 - 1990, Filippo Testa emerges from the Turin electronic underground as a quietly radical miniaturist, tracing thirteen years of music where chamber instrumentation, liturgical stillness and SMET‑forged electronics converge into a lucid, introspective panorama.
First CD re-issue on Spalax from 1988 of the debut album by one of the weirdest and most radical groups linked to krautrock, the free improvising duo of Paul and Limpe Fuchs.
*300 copies limited edition* Words have never been my strongest point. I have many ideas in my head, often too many. I can talk a lot about them, but putting them on paper is not really me. I rather just work on my ideas. ‘cause whatever your thoughts are, as soon as it is out there and people start to listen it becomes theirs. What I might have thought up before, and have as concept behind the music, might not be how someone else listens to it. And that’s okay. If we keep in mind that my music …
Tip! Jim O'Rourke and Jos Smolders teamed up again after their first collaboration, Additive Inverse from 2021. Over a period of three years, both artists worked in sessions of a day, each in their own studio.The result is sometimes like a warm cloud of sounds, suddenly breaking up into a rhythmic, irregular pattern, after which it dives into introverted mindsets. The music is in constant flux. The project followed the same workflow, but this time Jim took the lead and kicked off with a salvo of…