Allison de Groot & Rich Ruth
Clawhammer banjo meets synthesizers, loops and pedal steel: Allison de Groot and Nashville's Rich Ruth turn a planned solo record into a shared album of cosmic, tender instrumental music.
Te Oro o te Ao
New Zealand sound artist Rachel Shearer listens to the Earth through Māori and Western practice: field recordings, electronics and voice on her first full album, a deluxe 45 RPM gatefold from Thin Wrist.
Anima Pepsi + The Days Pass Quickly (2LP Bundle)
The two new Blume LPs together: David Tudor's Anima Pepsi, composed for the Pepsi Pavilion at Expo '70, and Lea Bertucci's The Days Pass Quickly Immersed in the Shadow of Eternity, written for Norbert Rodenkirchen's flutes.
Idir
Roger Doyle's third solo album on Allchival: new fixed electronic works, software piano improvisations and voice, a response to Finnegans Wake and music from Operating Theatre's 1986 The Pentagonal Dream, read by Olwen Fouéré.
Minnets Långa Kedjor
First recorded work by Swedish drone composer Mats Erlandsson and double bassist Gus Loxbo, friends for 25 years: free improvisation, electroacoustic drone and doom, reshaped in the studio through digital processing and tape work.
The Days Pass Quickly Immersed in the Shadow of Eternity
Commissioned by ZKM Karlsruhe, Lea Bertucci's work for flutist Norbert Rodenkirchen sets his Renaissance, Medieval and Neolithic flutes inside electronic process: an electroacoustic piece that sounds like an ensemble reaching across centuries.
Book of Carols
Sarah Davachi's commissions and longform pieces from 2023 to 2026, for The Broad, MoMA, Sonic Acts, Ghost Ensemble and NO HAY BANDA: six works across six CDs in a rigid slipcase, companion to The Will of Tongues.
Schattenstimme
The starting point is E. T. A. Hoffmann's The Sandman: a world where perception and reality drift apart, and the question of identity remains unresolved. Recognition, in Hoffmann, is never quite secure. The doppelgänger is less a figure than a condition, the point at which the self can no longer vouch for itself.The first record, Lichtstimme begins in an open, almost weightless sonic world. Something still appears untouched. The music carries a sense of proximity, clarity and trust. But this sen…
Live at Fever 20181229
Boris and Michio Kurihara reunited at Tokyo's Fever club on 29 December 2018, playing nearly all of Rainbow plus Boris pieces, Kurihara solo songs and covers. Live sound by Soichiro Nakamura of White Heaven, on 2LP in a gatefold sleeve.
Rainbow
Boris and Michio Kurihara of Ghost and White Heaven first joined forces on Rainbow in 2006. Drag City now issues it on vinyl for its 20th anniversary: heavy psych, droning jams and short pop songs, in a tip-on sleeve with a vellum lyric insert.
Mayday Royale
Remarkably, Tim Depraetere is releasing his debut solo LP only now. It feels like he’s been one of the strongholders of the Belgian underground for years. Which he is, really. We were introduced to his work when he was a member of Maan – the duo that only did one LP (on Kraak) and had a very strong live reputation. After that, he’s been around with, among others, Camargue, Tina, and as a collaborator with Annelies Monseré. And since a few years, also as Goldscammer. Thus far, Tim has released a …
Heavy Handed
Joanna Mattrey on viola, Camila Nebbia on tenor sax, Camilo Ángeles on flute and Violeta García on cello, recorded live at Jazzwerkstatt Bern in 2024: strings, winds and breath in a shifting collective language.
Abhaile
Compositions by Finola Merivale for field recordings and electronics, with Catherine Sikora's tenor saxophone moving through shifting sonic environments between stark minimalism and dense, evocative layers.
Rêver, murmurer, dire
Solo recording by French trombonist Christiane Bopp, who uses voice, mutes, bass drum and objects to turn the instrument into a field of whispers, drones, fractured melodies and sudden eruptions.
May
Pianist Irene Aranda's trio with saxophonist Don Malfon and vocalist Ami Yamasaki, whose echolocation vocal practice meets Malfon's extended saxophone techniques in an absorbing improvised language.
3 X 1
Third album by Glass Triangle, Zeena Parkins on electric harp, Mette Rasmussen on alto saxophone and voice and Ryan Sawyer on drums: a studio session moving from delicate passages to dense, kinetic interplay.
Translúcidas Criaturas Pulsantes
Colombian reed player María Valencia, on alto saxophone and clarinet, and Argentine cornetist Leonel Kaplan in an intimate improvised duo recorded in Belgrade in 2025, patient and full of textural invention.
The Mortgage Burn
Weston Olencki's compositions for the Quebec percussion trio Bascaille: tuned fiddles, homemade zithers, watershed debris, speaker cones and an upright piano in two long pieces of friction, resonance and lopsided pulse.
Selva Oscura
Solo cello and voice by Julia Biłat, recorded live near Berlin: splintered harmonics, rough bow textures and resonant drones in improvised compositions that move like a passage through shadow.
Rosenberg Museum
Four CDs from Jon Rose's Rosenberg Museum, the decades-long project around the violin: homemade and hacked string instruments, true and invented violin stories, and 37 tracks from the museum now housed in central Australia.