Lilith Variations
*2026 stock. 50 copies limited edition* Drumless kick pedal & crank plug nc contact mic through pignose amp. tracked live & direct to tascam dr-03 linear pcm handheld recorder summer 2024. linear-edited & assembled to cassette 4-track in the early winter months of 2024 - yakima, wa usa. mastered by Grant Richardson @ Hex Audio labs
Relapsi
*2026 stock. 50 copies limited edition* RMSS is a Finnish noise project that draws inspiration from the heavier side of mental heath issues. The Relapsi compositions navigate a raw and visceral soundworld - through the dimly lit, bleak & icy corridors of the furthest depths and darkest recesses of the mind ...
- originally self-released in 2023 by Finland based noise composer - RMSS. Little known about this enigmatic Finnish artist - other than the fact that those highly sought after self releas…
Four Tapestries
*2026 stock. 50 copies limited edition* Nothing in the everyday dies because everything is dead already: the repetitive buried under its own repetition, hidden beneath the surface. Is carrying chaos within oneself sufficient to give birth to a star?
Feral Tape
*2026 stock. 50 copies limited edition* Effectively over a decade long trajectory…originally released in 2013 as a digital-only edition… Now a newly reworked edition - Mastered by Grant Richardson at Hex Audio Labs
from Paul, circa 2019 “….Three noisey unreleased tracks from 2013. Digital Only fundraiser EP to help finance future releases. Feral Parts 1 & 2 were directly recorded to tape and transfered from tape to digital. These tracks were originally intended for a fanzine, but in the end I be…
Double Beat Sequencer Vol.2
Double Beat Sequencer Vol.2 continues Merzbow’s deep dive into a particularly vicious corner of his archive: mid‑2010s sessions built around a relentless “double beat” framework, then buried under signature torrents of noise. Where Vol.1 sketched the template - rigid sequencer patterns hammered into shape and then abused - this instalment feels even more single‑minded. A handful of cycling pulses become the spine for entire pieces, driven by a strict, mechanical insistence that Masami Akita trea…
Double Beat Sequencer Vol.1
Double Beat Sequencer Vol.1 finds Merzbow threading a hard, skeletal pulse through the heart of his noise, treating rhythm less as a scaffold for genre than as another engine of excess. Across these tracks, fixed and cycling beats - the “double” sequences of the title - form blunt, looping structures that Masami Akita subjects to his typical barrage of distortion, feedback, metallic scree and feral electronics. The result is not noise suddenly tamed, but rhythm subjected to the same merciless tr…
Geometry of Murder: Extra Capsular Extraction Inversions
On Geometry of Murder: Extra Capsular Extraction Inversions, Earth x Black Noi$e stretch the 1991 debut into an even slower, more vaporised continuum, where Carlson’s primordial drones are rerouted through modern electronics into a smeared, time‑dilated echo of the original.
Repetitive Music vol. 1
On Repetitive Music vol. 1, Misha Panfilov strips things back to synth and piano, threading slow‑turning patterns and hushed harmonies through Tallinn and its outskirts like illuminated loops traced in winter air.
This Heat
"There's an irony inherent in the term 'postpunk.' Many of the groups that define the genre (think Pere Ubu or Cabaret Voltaire) existed for several years before punk. But these outfits had little hope of finding an audience until punk stirred up an appetite for the extreme, while also spawning a new breed of independent labels that could support challenging music. " This Heat are a prime example. Formed in early 1976 by drummer Charles Hayward, guitarist Charles Bullen and 'non-musician' Garet…
Ste Cy
Ste Cy, the latest studio offering from the trio of Jac Berrocal, Vincent Epplay, and Timo van Luijk, ripens like a forbidden fruit—born of an improvised instrumental session captured in the secluded hush of Kulta Saha by Timo van Luijk.These raw recordings were later reshaped into 12 songs by Vincent Epplay at Studio Villejuif in Paris. And over it all drifts the poetry of Jac Berrocal - sensual and incendiary, seeping into the music like spice into flesh.
LP includes recto/verso insert with ly…
Dreaming With The Lights On
Tip! You’re approaching the region where gravity feels tampered with; “Dreaming With The Lights On” is to drift into a zone where bodies and objects appear to have slipped into a dream’s editing room and reassembled themselves according to priorities still unfamiliar. The music begins long before the sound does—inside a suspended brightness, a sky that hums with the possibility of transformation. The listener’s mind becomes a surface onto which impossible gestures imprint themselves: limbs blend…
Syrena:re
Syrena:re is a concept programme by Ania Karpowicz and Dominik Strycharski for two flutists and tape. It reinvents and recycles musical motifs released on vinyl by the iconic Syrena Rekord label in pre-war Warsaw. The tape features poignant voices of synagogue cantors, fragments of popular songs, and blended sounds of the Shmul Weinberg orchestra. By using extended techniques and a variety of flutes representing diverse timbres, the artists combine the work of memory with unconstrained improvisa…
Live Bahdu
Legendary saxophonist Don Dietrich and his powerhouse cellist daughter Camille Dietrich collide in Live Bahdu, a fierce musical union that music critic Byron Coley hails as “sheer wailing sonic pleasure.” Don, an untamed force who has spent over forty years shaping the explosive core of Borbetomagus, unleashes a volatile, lung-shaking roar, an unyielding take no prisoners wall of sound. Camille answers with her own ferocity, channeling raw, electric intensity through the disciplined edge of her …
Keep Telling Yourself That
“Keep Telling Yourself That” is the debut album of the New York City-based experimental bass-violin duo of Jennifer Gersten and Maggie Cox. It is a collection of improvised songs testifying to a frisky, impish, no-holds-barred imagination for acoustic string playing. Bassist Maggie Cox exploits her titanic expressive and dynamic range on an instrument outfitted with gut strings, and violinist Jennifer Gersten transforms a beater violin through object preparations into an engine of ghastly twangs…
Open Space
The (improvised) music is inspired (and structured) by the iconic book of Georges Perec from 1974 titled Espèces d’espaces. We designed a musical story following the chronology and the emotional evolution of the book. Music, too, generally needs a ‘void’ to move. It demands openness and, as such, is an invitation.
The eerie glow of jellyfish
LDL brings together soprano saxophone, amplified spinet and analog synthesizer in a finely balanced exchange of precision and volatility. Drawing from deep roots in European free improvisation and contemporary music, their music unfolds as a dense, hyper-attentive dialogue where structure and spontaneity are in constant negotiation
We Are. Profoundly. Predisposed. To Drowning.
The music of this trio is an ongoing conversation between three women about life as it unfolds between artistic practice and daily routines. Compassioned conversations about being someone’s mother, someone’s daughter, someone’s partner, someone’s friend seamlessly float into the musical sphere, where words and emotions are transformed into pitches, harmonies, rhythms and artistic gestures.
Three strong artists from the creative music scene of northern Europe has formed a trio that feeds from the…
Murmur
I am fascinated by the coordination and elegance of a flock of birds flying, forming beautiful murmurations, constantly changing, seemingly without effort. This communal act provides protection through the sheer number of birds and their changing position; it is an exchange of information amongst them and it has a clear collective ending when the flock decides to fly back to the ground. In Murmur, I want to explore how a large ensemble can make use of these instincts of communal movement, coordi…
Grazing (Two Live Cello Solos)
This solo release captures Hannah Marshall at her most immediate and expressive, presenting improvisations that pulse with presence and physicality. Her playing radiates warmth and curiosity, offering thoughtfully shaped improvisations that feel both spontaneous and deeply grounded.
A Far Within
A shimmering meeting of three fearless voices, this new recording invites cellist Isidora Edwards, violinist Biliana Voutchkova and Hardanger-d’amore virtuoso Zosha Warpeha into a luminous space of spontaneous creation. Intuitive improvisation and rare timbres intertwine to explore liminal sound-worlds where silence breathes and time suspends. The result: an immersive sonic journey that defies genre, yet feels deeply human and unbound.