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Rare original edition on F.L.V.M./Frigico of the eccentric and excellent sole album of experimental art rock inspired by Faust by obscure French underground band released in 1978. NWW list.
Rare original UK edition on EG of the experimental / new age zither player's debut album produced by Brian Eno released as the third volume in the Ambient series in 1980.
Rare 1981 album on d'Avantage with the eccentric experimental improvisations by Pierre Bastien and Bernard Pruvost, never re-issued on either LP or CD. NWW list.
On The Crystal Suite, Paul Schütze channels J. G. Ballard’s The Crystal World into slow‑burn electronics and guitar haze, rendering time‑sick landscapes where matter ossifies, light fractures, and contemporary collapse glows with eerie, faceted calm.
*Edition of 100* On Quiet Panic, Mark Schaub sculpts a slow‑burn tension where stillness never quite settles, his compositions hovering between ambience and unease, finely honed and given extra dimensional depth by Andrea Marutti’s mastering.
On Pianoise, Emmanuel Lalande turns the piano inside out: specially retuned instruments become broadband noise generators, and composition becomes subtraction, where the notes you don’t play carve harmonic negative space as vivid as the ones you do.
On The Habit, Go Hirano gathers decades of home and studio recordings into a single, slow‑glowing arc: spare piano, pianica and small percussion drifting through room tone and outdoor air, turning everyday imperfections into a warmly enchanted, lifelong diary.
1978 re-issue on Tapioca of one of the masterpieces originally on Pôle Records (Besombes/Rizet, Henri Roger, Pataphonie, Mahogany Brain, Verto... all on the NWW list), a beautiful otherworldly album of cosmic electronic folk and pulsing synthesizer soundscapes from 1975.
Very rare original edition on Celluloid of the third album from 1984 by of the most original and unclassifiable musicians of French experimental music, an unsettling masterpiece of musique concrète, sound poetry and experimental folk. NWW list.
1998 EP on Syntactic released in an edition of 100 numbered copies in silk-screened black PVC sleeve with edited versions of tracks from the CD re-issue of the 1980 LP.
Rare 2015 one-sided LP on Holidays Records with a single long 1996 piece by of the most original and unclassifiable musicians of French experimental music, released in an edition of 200 hand-numbered and personalised copies not-for-sale.
Do you remember when albums used to be fourteen tracks long, with clear song structures and a sense of narrative development? No? Neither do we. And that is exactly why Artetetra is thrilled to welcome Orange Car Crash in their roster with their new album Fake Man. Shaped by years of circulation across psych, jazz, punk, and experimental scenes, featuring collaborations with projects like Lay Llamas, Mamuthones and Snüff, Andrea Davì’s Orange Car Crash operates less as a solo project and more as…
Invited in September 2011 by sound engineer Philippe Teissier du Cros, double bassist Bruno Chevillon spent two days improvising alone in the Lutheran Protestant Church of Bon Secours in Paris. The building is as much a protagonist as the player — its acoustics shaping every bow stroke, every silence.
Twelve tracks traverse extremes: commanding attacks that send sonorities boomeranging through the nave, hushed melodic arcs, raucous physical confrontations with the instrument's body, and the exis…
A solo improvisation and composition by Lionel Garcin (on soprano saxophone) inspired by listening to natural environments and built on exploring the harmonic possibilities of the instrument.
On Elyria Sound, Michael A. Muller reduces his language to one guitar, one room, one storm‑lit reel of tape, turning newly invented tunings into a hushed cycle of lullabies and laments that hold both the comfort of home and the certainty of its passing.
On Voice, Sofia Jernberg compresses a lifetime of radical vocal exploration into a stark solo document, treating the larynx as full‑spectrum instrument - from split tones and pitchless friction to fragile lyric shards that hang in charged silence.
On Io Pur Respiro, pianist Elias Stemeseder and bassist Thomas Morgan sculpt a live duo language where Gesualdo, 1930s standards and original pieces blur into a quietly radiant continuum, guided by an unerring sense of melody, space and equilibrium.
And I sing again. This time I won’t whisper, because this time it’s for you. I hear about you on the radio, and I’ve seen the pictures of the boss and his henchmen— Hatred and determination in their eyes. Their actions leave no doubt: to them, you are garbage. The history that came before echoes faintly. And here, routine carries on. On the radio, a broadcast of your silence. 'A Broadcast of Your Silence' came about almost by accident, after several failed attempts to write for solo do…