Ithā Sajā
Ithā Sajā is an ode to dusk, dawn and what’s in between. Or, Ithā Sajā is a collection of piano recordings I made in my Berlin studio
wal-Leil [by the night] is inspired by conversations with my friends Hend Alkahwaji and Wejdan Nassif during theatre rehearsals. wal-Leili [by the night II] is an imagined conversation with my friend Raman Khalaf. An homage to the jurjina rhythm found in folk music of northern Iraq and Mesopotamia. In wan-Najmi [by the star], one phrase repeats over and over with …
A Requiem For Prime Time TV
A Colourful Storm's Fleetway Tapes series follows classic entries from Time Is Away, Vladimir Ivkovic, Felix K, Young Sparks and others with a heart-stopping selection put together by Berlin-based film journo Florence Scott-Anderton, a fathoms-deep, laser-focused mix that doesn't come around often, engulfing high-art/low-culture TV samples with a series of cues excavated from film - think of it as a sort of Blockbuster Video nostalgia-tinted answer to Time Is Away's flawless thematic mixes.
Acid Heath
Cambridge-based improv collective Concrete Gazebo present their latest collection of open-hearted, quantum splice-downs, via Goldsmiths University label NX Records.
"Acid Heath" documents the ebb and flow of a collective in flux; online and in-the-flesh improv sessions form the raw material to be welded into new and fantastic forms by the group's hive-mind. Instruments falling into the pot this time around include a heavily effected Harmonic Art Handpan, the Yamaha PortaSound PSS-50, live-trigge…
Ancient Future
Ancient Future is a stop on an ongoing quest of sample creation, manipulation, recombination, and morphological transformation through the modular synthesizer. Densely interconnected sound matter moves between islands of respite in a sea of incomprehensibility, grasping but not yet arriving. The ancient future is a place. It is the meeting point between the light piercing through the dark, fragmented state of our present reality. This album is an attempt to materialize this place in sonic form.
The Closest Thing to Silence
In August 2022 the Australia-based, French born new age musician and electronic music composer Ariel Kalma was invited to participate in BBC Radio 3’s Late Junction series of special collaborations. The program pairs artists who have not previously worked together to create new music cooperatively. Kalma was quick to suggest working with two musicians whom he had never met – International Anthem recording artists Jeremiah Chiu & Marta Sofia Honer, whose critically-acclaimed duo debut Recordings …
When The Moon Is New
"There are fewer great guitar trio records than you'd suspect. Guitar duo sessions are far more abundant, and these three players have all done their share of those. But the dynamics of a trio are more-fickle. And when creating collaborative non-hierarchical music, maintaining a balance between three distinct voices is not easy. It requires rapt attention, a fearless approach to entering the unknown, and very good ears to do it successfully.
Clearly, Connors, Vallera, and Sharp display mastery o…
Eel Asp Flaps Feet
"Fifty years after I first encountered the music of Orchid Spangiafora, it is a pleasure to be listening to new work by this most bonny of modern sound manipulators. Like Flee Pasts Ape Elf, which we reissued in expanded form in 2013, Eel Asp Flays Feet (the title of which is an anagram of the earlier set) is an assemblage of immaculate invention. It manages to produce a unique splotch of confusing analog surrealism in an increasingly digital world, and Robert Carey (aka Orchid himself) deigned …
Brownian
Brainhack Musicbox presents a Kyiv-based project operating somewhere between post–free jazz and free improvisation, approached through an abstract electronic lens. Performed by a quintet of experienced improvisers, the material navigates dense yet transparent arrangements, deliberately avoiding the conventional “wall of sound” in favour of clarity, contrast and internal detail.
Across an extended duration, the music unfolds through a shifting interplay of textures, gestures and melodic fragments…
Don't Let Me Be A Burden
*2026 stock* "In Uptown Bogland things sound great 'cardboard humans fall to pieces' was top-forty and the money was rolling in I should not have trusted dad I knew his weakness for the horse god but I am Dan Koelacanth I am a simple man I do not use spell check auto-correct I don't monitor levels or worry about excessive treble this CD from the Krim Kram label may bring trouble to your door so tool-up ready don't let the unexpected topple your sanity be caring generous loving do not be swayed b…
Precedes
*2026 stock* A new collaboration between Ross Scott-Buccleuch (Diurnal Burdens) and Andy Jarvis, Precedes has its origins in the series of blank tape compilations released by Ross on his tape label Steep Gloss. After being invited to contribute to volume 3 of the Blank Tape Compilations in mid-2021, Andy became engrossed in the process of working with blank tapes. When you strip everything away, what's left? Having somewhat unfinished business in the blank tape realm himself (now that the compil…
NEST
*2026 stock* "NEST is a Mass for the Tenant, not a Mass in the traditional sense, but I see the piece as a Mass for the tenants of the past and the present. NEST is also a critical response to the theme of home in Éamon de Valera's 1943 radio address, 'On Language and the Irish Nation'. With a libretto by Eimear Walshe, the line, "they come to make a ruin", repeats throughout the piece like a congregational response. A line that traverses periods and regions, it conjures different scenarios, fro…
Most Of The World Is Empty Space
"Two longer live works of the now-patented blend of sound collage, crude tape mangling and music concrete sound events executed in a somewhat slapstick manner, where everything is balanced so thin that it can fall apart at any point. First piece recorded in Vilnius, Lithuania, literally days before the world shut down. For quite some time, I thought this might be my last live show ever. I felt sad over this but at the same time the piece has a clear sound where buzzing concrete sound events evol…
Play Drums
*2026 stock* Following 'Passenger' (tsss tapes, 2023), Ted Byrnes & Jeph Jerman Play Drums is a further exploration of percussive collaboration. Recorded in much the same way (iterative file exchange), Play Drums is quite literal in its title. It is entirely acoustic, with both participants playing a conventional drum set, albeit *all* parts of it. The recording is dedicated to Tim Barnes, close friend and constant source of inspiration to both Ted and Jeph.
A Merchant's Nightmare
After outings on Altered States, Kashual Plastik and Freuyd & Verdrusz, Berlin three piece Primitive Structures find a home on Krim Kram for this suite of nine fresh spontaneous compositions.
Both band name and album title hint at a sense of humor and self-mockery that's not always associated with the trio's German passports or with experimental/Avantgarde music in general. Meanwhile, the music itself could at parts be understood as indeed very serious exploration of decrepit and barren, post-in…
SIC
On SIC, Nurse With Wound and Aranos construct a cold, roaring ambient symphony from metallic percussion, numbing drones and disembodied voices. Long unavailable on vinyl, this edition restores a quietly menacing work where sound sculpture and slow-moving ritual converge, suspended between dread, dream and industrial weather.
Quiet scenes fromTokyo
Debut solo album by the cellist and composer, half of the duo Live Footage: sixteen miniatures for cello and Roland Space Echo cut in a Tokyo apartment facing a freeway, extended technique standing in for portamento, filters and noise. Mastered by Rashad Becker. LP on Faitiche.
39 / Part VII - IX
Tip! "Whether we experience music as abstract or concrete depends largely on our sensitivity to the richness of perception. Common opinion – often reductive – draws a sharp distinction: music is abstract when it does not “speak,” when it seems diffuse, branching into multiple, elusive directions. It is concrete when it “tells” a story, when its sounds and structures feel familiar, graspable. Yet this distinction quickly dissolves. From a scientific or cognitive perspective, structure itself is i…
Curve Totem
'Physique is Neil Quigley (Kilkenny, IRL) and Sam Scranton (Chicago, IL). Together they make music by any and all means. Truly, no sound or technique is off limits as they assemble compositions that combine rich, warm sonic atmospheres with musical objects of objectively bad taste. Curve Totem, for release on 4/2/2021, is their debut album as a duo. Their magpie approach to composition builds novel musical landscapes from homemade instruments, Text-To-Speech and AI voices, lap steel guitar, Able…
Lesson No. 1
After cutting his teeth in the late '70s No Wave scene with bands Theoretical Girls and The Static, Glenn Branca made his first solo statement, Lesson No. 1, in 1980. The inaugural release on legendary post-punk / dance label 99 Records, Lesson No. 1 unveils Branca's visionary guitar concepts with two monstrous, side-long compositions that helped forge NYC's downtown art-punk sound and acted as a massive influence on countless young groups, including Sonic Youth and Swans.
The title track is eas…
Walking On Rubber Eggshells
"Was it a dream or a memory? The images are hard to grasp in your mind. You can recall the surroundings, though it feels like you have never been here. Jamais vu, you read about it somewhere. There is a table and on the table food, almost all eaten. Saliva grows soft in your mouth as you stare at this last piece on the plate. It seems to stare back at you. Are you alone? Or are there others? You see men of retirement age, who spend their time watching, with hands clasped behind their backs, offe…