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For Hind Rajab is a deeply personal and meditative exploration of sound, memory, and sonic embodiment. Across the album’s intimate unfolding, Khoury draws on extended techniques, silence, and subtle timbral shifts to create a landscape where each gesture resonates with emotional and cultural depth. Inspired by and dedicated to Hind Rajab, the work weaves contemplative lyricism with bold experimentation, revealing the violin as an instrument of both introspective nuance and radical presence. The …
This 2013 meeting of baritone saxophonist Daunik Lazro, bassist Joëlle Léandre, and drummer Paul Lovens is a deep dive into spontaneous creation at the highest level of free improvisation, uniting three of Europe’s most adventurous and seasoned improvisers. Drawing on decades of individual and collaborative experience within the global improvised music scene, the album explores extended dialogues across timbre, texture, and breath, where Lazro’s rich, expressive saxophone language meets Léandre’…
This album is a mix of sounds from paper printers, recorded at two printing houses in Santiago, Chile, in March 2025, and improvisations played with these sounds at the Disonaureo studio in Santiago, Chile, in July 2025.
Rörane showcases an adventurous blend of free improvisation and jazz-rooted exploration from Swedish experimental ensemble stalwarts. Recorded with bassist Nina de Heney, pianist Karin Johansson, and drummer Henrik Wartel, the project melds deep spontaneous interplay with Bothén’s decades-spanning creative voice in avant-improvised music. A boundary-pushing sonic journey that reflects both the collective’s empathic interplay and their shared drive toward expansive musical expression.
In The Infinite Garden, composer Dario Calderone joins Aurélie Nyirabikali, Naomi Sato and Gareth Davis in live exchange with Amstelpark’s weather, wildlife and human traffic, turning a cloudy January day into a shared, porous instrument for expanded listening.
Tyondai Braxton’s Splayed Werks (his first full-length since the 2022 Telekinesis sessions) opens a new chapter: over 70 minutes of electronics and detailed sound design spread across 15 tracks, most under five minutes, favoring shorter forms over his previous long-format work. The album merges recent compositions with pieces written across the last decade—reworked, remastered by Matt Colton, and sequenced into a single continuous statement that reads less like a compilation and more like a real…
“Saudade” is the new solo album by Ramon Moro — a journey for trumpet, flugelhorn and analog effects.Eight compositions move through melancholy, memory and light, blending contemporary jazz, ambient textures and refined sound research. The album opens with See You Soon, a brief poetic prelude that sets an intimate, cinematic tone. From Atena, Eirene and Afrodite — tributes to the archetypal feminine — to Tatreez, inspired by the Palestinian embroidery tradition, the record shapes a suspended and…
*Dubbed on new ferro tapes* Wonderful collaboration between guitar-duo Yngel and author Rasmus Daugbjerg. A chest filled with stories, sounds and songs. About trolls, kings, moons and wolves. About care and disgust, loss and friendship.
*30 copies limited edition* Horrid horns loops'n'drones. A long-awaited debut album by the legendary Dislessnessful, who only now finally has a full-length work released as an 80-minute long tape by Nazlo Records. Pro-dubbed hi-quality red tapes and 2-sided printed j-card, limited to 30 copies only.
*30 copies limited edition. 2026 stock* Recorded in a village in Imereti, Georgia 2024–2025. Performed on talharpa, wind chimes, flute, whistle, resonators, and field recordings.
*2013 release. 2026 stock* Duo of Jim Sauter from Borbetomagus and Kid Millions from the Boadoms and Oneida ! "The sound of saxophone turning into an extreme noise and brutal raging percussion! Such is the latest noise jazz from NYC!" - JOJO Hiroshige / Hijokaidan. "Jim's sax playing is impulsively domineering in Borbetomagus, which is based on a usually percussion-less trio formation of two saxophones and one guitar; and I was really curious to hear what would happen when it encountered a drumm…
*2015 release. 2026 stock* English living legend percussionist, Roger Turner plays in Tokyo lin 2015 and this is one of the live performance in Fukaya city, Saitama prefecture. Roger percussion solo, Otomo electric guitar added and Japanese free jazz patriarch, Sato added, then becomes intense and has musical speed.
*2016 release, 2026 stock* Guitarist/ daxophone player Kazuhisa Utsubashi and modular-synth player Richard Scott — as the title says, an improvised duo that is an “astonishing presence”! Raw, intense improvisation, yet the beautiful tonal textures created by chance and the humorous sequences are uniquely theirs. The contrast between noisy, high-pressure sections and calm, tranquil passages is also well worth hearing.
On State Music, Laurent Güdel turns his fascination with classic electronic studios into a political instrument, folding EMS, KSYME, Radio Belgrade and Columbia CMC into a critical sound‑essay on funding, soft power and the uneasy bond between DIY dreams and state apparatus.
Tip. After fifteen years of silence, the legendary but rarely heard project Mana ERG returns with their latest album, Concealed Under a Strange Tongue. Written entirely by founder and composer Bruno De Angelis, this twelve-track collection is not to be considered a comeback, but rather a belated farewell to the band's devoted fans and supporters and a thank you to all those musicians who, over the years, added their touch to the project.
Dedicated to the memory of Deborah Roberts, a distinguishe…
On Geometric Reason, Sissy Spacek reroute their long‑running extremism into a jagged strain of musique concrète, splicing voice, electronics and acoustic shards into a volatile collage charged by fire‑displacement, Japanese connections and their enduring taste for rupture.
On Electric Garden, Sissy Spacek and Smegma blur into a single, unstable organism, trading identities inside a live electro‑acoustic tangle where tape, junk percussion, turntables and guitar debris drift through The Pink House like sentient interference.
On Annihilation of Samsara, Attila Csihar, Balázs Pándi and John Wiese converge as a single, shifting organism, dissolving borders between extreme metal, free improvisation and noise into a dense, unstable ritual where sound behaves more like weather than music.
MMMD returns with Absens, a commanding new album that expands their deep monolithic sound into a darker, more intimate terrain: across nine tracks, the record fuses subterranean low frequencies, complex inter‑modulations and brooding textures with distant threads of folk, all rendered through custom‑made instruments and meticulous sound design. Absens is an exploration of absence and presence, where physical weight meets spectral intimacy — MMMD assemble these elements into an immersive work tha…
Finnish multi-instrumentalist Simo Hakalisto makes mosaic music of strings, bowls, bells, reeds, wind, water, and obscure electronics, threaded in subtle currents of color and texture. The title of his latest, Toinen Luonto (Finnish for “second nature”), alludes equally to Shakali’s earthen, tactile soundworld and Hakalisto’s deepening comfort with his craft.
The album’s eight songs feel coaxed as much as composed, a web of resonances set in motion and allowed to simmer, build, or billow. Vibrat…