Experimental / All styles

Six-CD box issued alongside David Tibet's exhibition at Dox Gallery in Prague: the six installation musics played in its six rooms plus an overview of Current 93, with six colour cards of his paintings. None of this music appears on the vinyl or cassette.

Elizabeth Vogler sings in Occitan and other South-West dialects to harmonium alone in the church of Lescun, in the Pyrénées: six songs between ancient folk and experimental music, first time on vinyl, 100 copies.

The 2005 album of the Montreal ensemble, back for its 21st anniversary: six songs of protest and love for strings, guitars, piano and group voices, recorded at Hotel2Tango with Howard Bilerman.

Accordion and alto saxophone: ten short pieces in moment form by Tizia Zimmermann and Chris Pitsiokos, recorded in Berlin and Zürich in 2024.

Saxophone and laptop: the first record of Chris Pitsiokos’s project on four-channel audio, rhythms from irrational numbers and shifting polarity. Each copy with original artwork.

A one-man studio album: Chris Pitsiokos on saxophones, harmonica, bass, electronic drums, voice and electronics, with Rick Eye and Jason Nazary on some tracks.

Two side-long pieces for piano and trumpet, with Raimo Sinnemäki: the last part of Juho Toivonen’s trilogy for Discreet Music.

All seven Paragraphs of Cardew's The Great Learning by the Scratch Orchestra Strasbourg under Didier Aschour, an orchestra born from an open call and two years of shared practice: 4CD box with a 116-page booklet.

Merzbow at pocket size: two two-minute parts of harsh noise recorded at Munemihouse in March 2026, cut into a 5" lathe disc in a folded cover sealed with a hand-numbered sticker. Fifty copies, a goat on the sleeve.

CZN, the trio of Valentina Magaletti, gong maker João Pais Filipe and Leon Marks, in two long pieces of drums, handmade gongs and cymbals recorded at Abbey Road: the first release on Orator.

First reissue of the Norwegian percussionist's debut, recorded in 1981 at Henie Onstad Kunstsenter: vibraphone, marimba, bells and synths over environmental recordings, between Midori Takada and Fourth World.

The Ex's 1998 album recorded by Steve Albini at Electrical Audio, their first for Touch and Go: eleven songs of interlocking guitars and stark drums, on vinyl for the first time with a booklet.

The Ex's 1995 album of 32 instrumental miniatures with Han Bennink, Ab Baars, Wolter Wierbos, Tristan Honsinger and Michael Vatcher: small-ensemble improvisation, on vinyl for the first time.

The final recordings of Antonio Infantino, made months before his death in 2018. Twenty-one tracks captured live, with no overdubs or post-production: voice, drum and the circling pulse of Lucanian tarantism, from the Beat poet who rebuilt the trance music of Basilicata into a songbook of his own.

*2026 stock* Released in April 1986, Victorialand finds Cocteau Twins creating a world of extraordinary delicacy and atmosphere. Built around Elizabeth Fraser’s otherworldly vocals and Robin Guthrie’s shimmering guitar textures, the album floats free of conventional rock rhythms, inviting listeners into a landscape shaped by sound, silence and feeling. Recorded by Fraser and Guthrie as a duo, Victorialand takes a more spacious, restrained path than the band’s earlier work. Its nine tracks unfold…

*100 copies limited edition* Recorded on April 7, 2025 at Studio H in Beijing. Mix, mastering, recording and cover design by Jason Kahn. Many thanks to Zhu Wenbo and Yan Jun for all their work in making my tour through China and this recording possible.

Skullflower's 1989 Broken Flag debut, the birth of British drone-noise-metal, back on vinyl for the first time in over thirty years, with Matthew Bower, Stuart Dennison, Stefan Jaworzyn and Stephen Thrower.

Cabaret Voltaire's 1987 album, co-produced with Adrian Sherwood: the turn to synth-pop and mechanistic funk, remastered from the original tapes by Denis Blackham and back on Mute.

The 1993 RRRecords session, the heaviest Skullflower record of the first decade: Matthew Bower, Stuart Dennison and Russell Smith in five long pieces of droning, chaotic dissonance.

Carl Ludwig Hübsch (voice, tuba) and Ignaz Schick (sampler, turntables) between abstracted song, sound poetry, noise improvisation and radio play, from sessions in Cologne and at Morphine Raum in Berlin.