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It’s past being a commonplace—it’s probably in The Simpsons, etc. —there’s the one dancer at a show who doesn’t care. They aren’t necessarily older than everyone else, but that’s what comes to mind. Whether they are high or not is made irrelevant by their dancing, which is both highly personal and in Haight tradition. The kind of eye contact that’s made about the dancer changes, with the age of the showgoers, from an entertained not quite derision that helps build a faith in the non-dancing ways…
"Flam" kicks off with a cinematic drone, followed by what sounds like water torture droplets, and a cacophony of clocks, and music boxes from childhood, and maybe something underwater. Something like a title arrives on the aural screen as GTD get down to the kind of business we love them for: that querying conversation between Steve Gunn’s guitar and John Truscinski’s drums and percussion, though here they venture into new territory, as Steve explains— “This 'Flam' session was open and experimen…
Soft Focus is a collaboration of Jimi Tenor , Lary7 and Mia Theodoratus. The album was recorded in NYC, at Lary7's legendary all-analogue studio Plastikville. Lary7 is a collector of historical synthesizers and percussion instruments that are extensively used in the making of this album. Mia Theodoratus lays down a hypnotic harp foundation on the compositions and Jimi Tenor caps them with exotic flute melodies. Soft Focus is evocative of the early Moondog albums. This record is for the hardcore …
1992 compilation of European and Japanese noise bands released by Freudwerk/Artware in and edition of 300 hand-numbered copies with hand-painted cover. With booklet.
Very rare 1981 cassette compilation with visual inserts released by Trax in 1981 with contributions by Bladder Flask and by M.B., M.A. Phillips, Spirocheta Pergoli, Vittore Baroni and Those Little Aliens among others. Complete with all inserts
Rare 2025 multicolored LP+CD re-issue on Minimalkombinat in an edition of 111 numbered copies with special cover and inserts of the seminal esiteric/industrial album from 1983 featuring Richard and Philip Rupenus.
Recorded in a water-closet. Berlin, 2026. Cut up, mixed and mastered in a closet. Paris, 2026. Cover art by Pakhom, design and layout by Agendathnethaim.
Original and sole vinyl edition on Nurse With Wound's United Dairies of the loveliest album by any of Richard Ruenus' projects, an edition of 1000 copies released in 1988.
The “Sympathetic Resonance” LP by Momen is released on Unheard Of Hope and marks the debut of the London-based duo. Momen consists of Iván Muela (piano, guitar, electronics) and Nat Philipps (saxophone, electronics); in eight movements they explore a field of tension between restraint and catharsis. Sonic reference points range from Bach and Ryuichi Sakamoto to experiences in post-punk bands, giving the pieces an unusual blend of classical melodic lines, jazzy improvisation, and electronically s…
The identity of Deep Drive comes in large part from the way Peter Zummo moves through the world. Using his smartphone, he records daily fragments: of daydreams and conversations, signage and slogans, moments that that strike him as insightful, odd, amusing, thereby creating a sonic collage of rhythms, melodies and voices. His deep baritone is imbued with laconic humour, and Deep Drive"s track titles riff off his messaging. "Prepare For Docking" refers to the Staten Island ferry and the spectacle…
The writer Max Sebald often pondered over the nature of human memory, specifically, how our thoughts and desires - and their results - overlap and mutate over time. In A Place in the Country, he writes of the significance of what see as “similarities, overlaps and coincidences”. Are they the “delusions” of the self and senses, or manifestations of “an order underlying the chaos of human relationships, [...] which lies beyond our comprehension”?
Song of the Night Mists, the new album by post-clas…
Yuki Nakagawa’s musical roots lie in the improvisation and noise scenes of the Kansai region in Japan. After performing with electric bass and effects, he transitioned to the cello as a self-taught musician, developing a unique sonic language over more than 15 years. His practice spans composition, performance, and direction, as well as collaborations with dance, theater, and contemporary visual art. As one half of the duo project Kakuhan(with Koshiro Hino), he has performed at festivals in Japa…