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The new transmission from Turin's My Cat Is An Alien, Maurizio and Roberto Opalio's long-running cosmic project, issued in a hand-numbered limited edition of 99 copies on their own Opax Records imprint. Two long-form pieces built around what the Opalios describe as a genuine creative breakthrough: applying their established practice of spontaneous composition in reverse, working by subtraction once the "apogee of real-time creation" had been reached, in service of an idea of infinity passing thr…
Originally released by Time Capsule in 2021 and long out of print, Stories From Another Time 1982-1988 returns in an upgraded edition following years of demand and rising collector prices on the secondhand market. Widely regarded as a modern cult classic, Mário Rui Silva's visionary recordings blend acoustic folk, cinematic soul, spiritual jazz and saudade-filled Lusophone rhythm into a deeply timeless and universal work that transcends genre and geography.
This new edition features half-speed m…
Earthball are an avant/noise/rock wrecking ball of a band from Nanaimo, Canada. Rooted in total improvisation, free expression, and a deeply psychedelic sensibility, EarthBall operate on pure instinct. They hurtle onwards in a combustion of spontaneous composition, shooting from the hip, as they fall out of the sky ablaze. The group encompass Isabel Ford (vocals, bass), John Brennan (drums, percussion), Jeremy Van Wyke (vocals, guitar, trumpet), Kellan Maclaughlin (guitar, talkbox), and Liam Mur…
The music on Horse Lords’ Demand to Be Taken to Heaven Alive! feels both impossibly detailed and eminently human. The album’s twelve pieces are layered and interwoven, tonally and rhythmically complex––moiré-like patterns of interaction and tessellation that play out for both mind and body, full of sonic warrens with an inescapable groove. An electrifying leap forward for the band’s shared language, Demand to Be Taken to Heaven Alive! aims to liberate the listener into a spiritual, ecstatic, and…
*2026 stock* Music primarily for saxophone and electronic sounds with an intermission for electronic sounds and AI text to speech synthesis. High quality audio, in stereo, divided into two sections, as this music was initially intended to be released on a cassette tape
The equipment used on this record are the following: Selmer Series III Soprano, Make Noise 0-Coast, Koma Electronics Field Kit and Field Kit FX, Ableton, Keith McMillen Qunexus, Landscape Stereo Field, AKG C411, Critter and Guitar…
*2026 stock* Named one of 23 artists who are “changing the sound of classical music” by the Washington Post, Ben Roidl-Ward has been praised for his “dazzling technique” (The Sydney Morning Herald), “breathless virtuosity” (Bandcamp Daily), and “astounding flexibility and range” (The Double Reed). He is the Assistant Professor of Bassoon at the University of Illinois Urbana-Champaign and also holds positions as Principal Bassoonist of the Chicago Sinfonietta, the Illinois Symphony, and the Champ…
1985 composition with the perfect fusion of turn of the Century Romantic music with Minimalism, released by Nonesuch on the "Meet The Composer Orchestra Residency Series" contemporary music series in the same year.
Rare original edition on Lovely Music of the first installment of the 1978 revolutionary and extraordinarily beautiful electronic opera for television Private Parts, released in 1978, an essential masterpiece. Yellow cover version.
Rare original edition on Lovely Music of the 1979 unsurpassed psychedelic electronic avant-garde masterpiece, one of the greatest experimental records ever made and absolutely essential.
Original edition on Lovely Music of the third installment of the 1978 revolutionary and extraordinarily beautiful electronic opera for television Private Parts, released in 1981, an essential masterpiece.
condition (record/cover): VG (some surface noise) / VG (general wear)
Released October 1968. Ten Bach pieces, each recorded note-by-note on an eight-track machine because the Moog modular was monophonic. Roughly 1,100 working hours of overdubbing. Carlos and Benjamin Folkman played the parts; Rachel Elkind produced from the West 88th Street brownstone studio she shared with Carlos.
The album reached Billboard 200 #10, topped the Classical chart from 1969 to 1972, sold a million by 1974, went p…
1972 Italian edition on CBS of the complete beautiful and ground-breaking electronic soundtrack (different from the original soundtrack including the orchestral pieces) to one of the greatest films ever made, A Clockwork Orange.
Great 1972 double album on Columbia of expermental electronic ambient music fusing field recordings and Moog by the composer previously know for the landmark switched-on renditions of classical masterworks.
Rare first edition of 500 copies with bonus disc of the experimental genius' 1995 collaboration with Jim O'Rourke and David Grubbs' band, released by Table Of The Elements in folded poster sleeve.
Very rare and undeservedly obscure album with two absolutely fantastic experimental pieces for live instruments, demonic loud-whisper vocals, and analog electronic processing (Moog), realized and privately released on the composer's Discant Records in 1971. Echoes of Robert Ashley and Robert Haigh's Sema in this essential masterpiece. With inserts.
1982 LP on Opus One with two experimental compositions date 1981, an unusual sound exploration for "52 original instruments" and a dissonant concerto for piano and ensemble.
Rare 2010 release on Die Schachtel of a previously unreleased composition for synthesizer and instruments with tape, one of the solo masterpieces from the early 1970's by the MEV member. With insert.
Rare original edition on the tiny Italian label Fore of one of the MEV member's 1970's (this from 1976) solo masterpieces for voice, synthesizer, instrument and tape, which include some of the most personal and beautiful experimental music ever made, released in 1980. Essential.