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Conversation No. 1/ Collecting Rocks from the Places We’ve Been is a solo for bass clarinet which can be performed as a duo, trio, or maybe someday with many, many bass clarinets, or in collaboration with other artists. Katie Porter is interested in creating systems of music that she can exist in together, for herself and others, music that collapses and expands on itself, where we are free to choose the phrases, iterations, and lean into the occurrences of overlapping tones, vibrations, multi-…
"In late 2022 I became a father and lost my own father in quick succession. This music represents a conversation between my selves who met at that nexus of birth and death, sharing what they felt about the past, the present, and the future. The pieces are very intentionally set in different seasons and sonic environments so as to welcome the listener to this metaphysical meeting point for musical ideas and emotions."
"I had the privilege of meeting Wadada Leo Smith after a show, ‘Everyone thinks the trumpet is made out of brass — it’s really made out of air.' This recording is my exploration of that concept."
I recorded Open Space with in a single continuous take: my cello, an amp, and a distortion pedal. I was watching a film that was a static shot across a very large canyon, the light slowly shifting. I hope it offers the listener room to breathe and dream.
See You When I Get There is Amy Cimini’s first solo viola album. While playing in noise bands and experimental projects for over 25 years, she has developed a sonic palette for the amplified viola that combines overtone-rich distortion with percussive techniques nestled in reverb and delay effects meant to fill large acoustical spaces. Overall, this record embraces noise abstraction as much as a tuneful directness, that evokes Cimini’s fellow experimental string players, historical protest musi…
On their debut release, Foster shifts fluidly between tongue slaps, overblown tones, and powerful tenor saxophone screams, while Crawford alternates between non-idiomatic splatter, frenzied banjo maneuvers, and dense, elusive bursts of tangled noise. Meanwhile, Sullivan crafts a metallic clatter that establishes its own expansive sonic territory.
** Special bundle, Black Vinyl ** For the first time, Elevator Bath presents two complementary masterworks of contemporary sound art in an exclusive bundle offer. Felicity Mangan's debut vinyl String Figures and label founder Colin Andrew Sheffield's latest opus Serenade represent the full spectrum of electroacoustic innovation—from quasi-bioacoustic environmental hybrids to plunderphonic archaeological excavations.
While Mangan maps the liminal frequencies where wetland ecosystems meet electrom…
*22 copies limited edition* To paraphrase Éliane Radigue's famous double 7" record, the two discs you hold in your hands are designed to be listened to either separately or simultaneously, synchronously or asynchronously. Similarly, the sides of these two discs can be played at any speed and in either direction. It is also permissible to scratch the record, block the arm to form a loop, intervene freely... The only limit is that set by your turntable.
For those who enjoy listening to music diff…
*2025 stock. 200 copies limited edition* And the cloud passes overhead. A drone crosses, reminding us of the whole summer outside. You just have to look up. Over the wall, can’t you see the courtyard and the hill covered with pines, at the base of which lie ancient barns that have better withstood the test of time than the castle. The fountain’s jet still makes its noise in the basin, under the gray stone watchtower. From here, the path always leads to Grand’rive under the damp cover of the beec…
*17 copies limited edition* Tristesse Apotropaïque is the mesmerizing new sonic statement from the trio Apparet! (Jeanne Gorisse / Julien Goussina / Marina Levallois), released via the adventurous nanopublisher MMLI. Recorded live in Lorfou just before the winter solstice, this unique project brings together Gorisse’s double bass, Goussina’s piano, and Levallois’ imaginative synthesizer and effects setup, born from a spontaneous, joyful musical encounter that channels playful experimentation and…
*97 copies limited edition* Free immersion is a practice that consists of freediving as low as possible and then climbing back up by gripping the rope that serves as a guide. No help, no artifice, everything happens with the strength of the arms. The fall into the depths is dizzying and the feeling of freedom, total.
4+1 pieces of double bass played with a bow, without artifice, recorded almost in one go. This record is deliberately abrasive without being aggressive, and reserves surprises of so…
*2025 stock. 49 copies limited edition* MMLI is proud to present Ermitage de la Fumée Violette, the newest sonic exploration by French composer Céleste Gatier. Renowned for her delicate approach to electronic and electroacoustic music, Gatier draws inspiration from her wide-ranging experiences, including extensive research in Japan, blending fragility, immersive intimacy, and the unexpected.
Conceived as a refuge for peace, Ermitage de la Fumée Violette envelops listeners in vibrating tapestries…
*2025 stock. 43 copies limited edition* MMLI proudly presents Lore, the latest sonic offering from Cigve, an artist whose work folds shadowed textures, forgotten myths, and fractured harmonies into an immersive listening experience.
Both austere and deeply emotive, Lore moves between spectral ambience, brittle dissonance, and moments of fragile melodic clarity. The work feels as though it has been unearthed from an ancient archive, where memory and invention blur. Each track evokes the sensati…
*2025 stock. 62 copies limited edition* This winter we received an email asking us if we were interested to publish this. We immediately decided to publish that. Below is the text we received about this and that:
« In the years 2021-22, PBK and DSM began to conceptualize a split release on cassette tape with the title, “ZIZ”. With each side acting as a mirror to the other, PBK and DSM skillfully reflect on each other’s audio creations. The parallelism extends beyond the music itself. Both sides …
*100 copies limited edition* Documenting a scene? Or creating one? Here is an attempt to present a audio snapshot of whats stirring in the experimental Malmö underground in 2025. Four lengthy tracks from some of the most interesting artists residing in the city.
On side A of this compilation Slug Mass brings us a weeping free jazz ballad that serves as an excellent example of their ongoing mission to reclaim the original definition of the term "post rock", in other words "using rock instrumentat…
Over the past decade, saxophonist Makoto Kawashima has consistently established himself as one of the most compelling improvisers in contemporary music. His unique approach to solo performance aligns him with the tradition of groundbreaking Japanese saxophonists like Kaoru Abe, Tamio Shiraishi, and Masayushi Urabe. Operating at the fringes of improvised music, Kawashima's artistry unveils a delicate essence, placing equal focus on silence and minute detail alongside intense expressions of tone a…
Lao Dan's innovative approach to music seamlessly intertwines elements of rock, free jazz, and noise with textures of Chinese folk music, creating a unique tapestry characterized by improvisational and aesthetic tension. His fearless transgression of genres, infusing Chinese folk-tinged free jazz with the raw energy of punk, results in a compelling and dynamic listening experience.
Paula Sanchez is a musician working with sound in the intersection of experimental music, improvisation and performance art. Putting the body and materials to the limit, in the destruction, composition/decomposition of a mutable sound space. In the pure presence, of an embodied sound that invents relations as it makes its way into nothingness.
This album is the result of performative experimentations with cello and cellophane, and erotic encounters of transparent asphyxiation.
Vagabondage comes from my idle wandering through the city and my inner relationship with it - where the unexpected takes me – I take it - desire driven. Assuming the discourse between the ruins of my memory and my present idleness, I seek to let the events influence my choices in a way they unfold from this relation between my personal history and reflected in my music through my interaction with the city.
This album was recorded in three different places of Lisbon: SMUP, Desterro and Casa do Co…