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*in restock* "Arthur's epic minimalist orchestral composition conducted by the late Julius Eastman. Stunningly beautiful, mercurial, and moving. The transcendental, ephemeral soundscape originally intended for theatrical performance. First released in 1983 on Chatham Square. The Audika release replicates the original artwork with remastered audio." 'Almost medievally pure music in which tone combinations of two or three notes tuned to modal/raga scales are played by various instrumental groups.…
Keyboardist in some of the most talented french progressive bands Heldon, Magma & Weidorje, Patrick Gauthier recorded his debut album « Bebe Godzilla » with an impressive cast of guest musicians including Richard Pinhas (guitar, moog, mix), Christian Vander (drums), Bernard Paganotti (electric bass), François Auger (drums) & Didier Batard (electric bass) just to name a few. The result is an outstanding mixture of electronics, powerful zeuhl, and jazz-rock dominated by synthesizers. First time vi…
** Record Store Day 2016 Exclusive, few copies soon available, pressed on color vinyl and sold in bundle** Suicide is the classic proto-punk duo composed of Alan Vega and Martin Rev. Their first single, 1978's Cheree, was originally released in England just months after their landmark self-titled LP. The A-side, a sparkling remix of the group's first proper song, features the brilliant juxtaposition of Vega's yearning voice and Rev's swirling synth textures. Non-album track "I Remember" is an…
** few copies in restock, dont sleep** Masterpiece, already sold out at source! Originally recorded and released in 1988, Nurse With Wound's ambient opus was years ahead of its time, a groundbreaking set of atmospheric sound patterns designed for ritual ceremonies. Hailed as a masterpiece on release, it soon became a firm favorite of NWW fans and topped the world ambient chart for over three months! This edition has been expanded to a four-LP set containing the original three LPs plus a 40…
2014 repress. The Flower Travellin' Band's first musical outing, Challenge, was released in 1970 and was essentially a series of covers of Cream, Hendrix, Big Brother andJefferson Airplane material. However, Satori appeared a year later and forever changed the way the group would be perceived, both in Japan and in the musical world at large. Possessing the vision to select Akira "Joe" Yamanaka as their vocalist, the Flower Travellin' boys elevated themselves above other Japanese bands of the tim…
A double duo of two keyboards (Giovanni Di Domenico and Pak Yan Lau) and two percussionists (Joao Lobo and Matthieu Calleja). While I know I’m not the onl one out there with an abiding and unreasonable love of the sound of a distorted Fender Rhodes, I’m probably in smaller company with my long-term affection from that early ECM release from Keith Jarrett and Jack DeJohnette, “Ruta & Daitya” (the former’s last venture into electronics?). Going doubles down on the instrumentation while summoning u…
Michael Biberstein actively worked on this project until he passed way. There are many notes, sketches, drawings and watercolor renderings, supporting with detail the overall layout of the work ahead. He had a sample of the ceiling analyzed to determine what type of acrylic paint would be most appropriate. Because of the importance of this Church's restoration project, Mike concluded that professional restorers would be assisting him throughout the process and had already chosen a couple. As mos…
“Mogul de Jade”, the CD which joined the two Lobos for the first time – Lobo Norberto and Lobo João –, with a music that puzzled the label maniacs, couldn’t be an isolated act. The guitarist and the drummer are back with an album promising to be even more problematic, for store owners and record colectors, in what concerns the task to put it on the shelves. There’s more than one way to listen to “Oba Loba”: as a folk work going beyond the codes of this music idiom, “weird folk” included, or as a…
Rabbit Eclipse is the second fulllength recording from the legendary Ksiezyc following on from their self titled debut from 1996. The Moon never went away. The 2013 the Penultimate Press reissue of Ksiezyc’s timeless debut exposed the band to a large new audience resulting in a return to live performance and the subsequent development of new material. Rabbit Eclipse was recorded in Warsaw throughout May to September 2015 within the idyllic Palladian palace Krolikarnia (The Rabbit House). All o…
Matthew P. Hopkins second full length release for Penultimate Press presents a curious and compelling listen which harnesses his deeply personal and paranoid vision into the ultimate beauty/horror object. Over the last decade Hopkins has distinguished himself as master of multiple musical forms including bent song, freeform concrete, improvised electronics and techno. Under his own name he has produced a most singular take on abstracted voice, feedback, field recordings and found sounds. With Bl…
Lituus is from Chicago, IL; less is known of Black William. Somehow, on this split of hypnotically minimal synth pieces, that seems appropriate. Black William’s side takes a simple repeated figure and expands it (by hand) into an expansive buzzing drone. Lituus likewise programs a sequence that remains in constant change throughout the piece’s duration. Both sides combine programmed sequences with planned change, but also include a certain level of machine/human interaction. Certain parameters a…
Samuel Rodgers (co-curator of Consumer Waste) pairs up with sound artist Jack Harris on two explorations of minimal performance and sound creation. Working in a semi-urban ambience—open windows, barking dogs, distant sirens—the duo suggest both a specific location and a generic one. Their previous work has explored tensions between analogue and digital processes; here, sounds remain mainly non-instrumental in source: amplified object manipulation, cable hum, and different types of feedback intru…
Two sets of music by Chik White, an alias of Darcy Spidle, whose Nova Scotia-based Divorce Records has been slinging LPs of sonic bemusement since 1999. Jaw Works is made up of solo jaw harp performances, wringing mesmerizing detail from variations in rhythm and tempo, while achieving a wide variety of barely believable, almost synthesized-sounding timbres. Behind A Dead Tree On The Shore also features the jaw harp, albeit in concert with the North Atlantic Ocean, which inspired the more minimal…
Upon seeing Ryan Jewell’s patient, rigorous and riveting performance at Chicago’s very first Neon Marshmallow festival, we were fascinated by his meticulous sonic explorations falling somewhere in-between percussion, minimalism and electronic composition. Several years on, Jewell, still based in Columbus, OH, has continued to build an impressive resume as a co-conspirator with all sorts of people. Populated by acoustic textures, percussion-based sonic events, and unconventionally performed sound…
The third entry in Ben Owen‘s Birds and Water series of recordings. As with Birds and Water, 1 (NTR018), these two sidelong electronic drones reflect Owen’s typically rigorous compositional choices. They display remarkably disparate, rich textures and are extremely immersive, especially when played loud and/or on headphones. Owen once again displays an ability to invite multiple levels of reaction to deceptively complex timbres, ranging from meditative to oppressive.
“The third release of record…
Vancouver-based composer Joda Clement has been widely praised for qualities in his work that could be described as natural: unassuming complexity that elegantly reduces, and an indifference to overt emotional direction. I hope you like the universe brilliantly continues this path, as Clement blends field recordings, shifting synth textures, and instrumental performance. These pieces vividly suggest both exterior and interior environments and the boundaries between them, like peering through laye…
Although living in separate European countries, Akama (electronics) and Duplant (organ, electronics) have forged a strong musical bond on a handful of collaborative releases, often with titles related to nothingness, which, in turn, mirrors the minimal, contemplative drone pieces contained therein. As its own titling suggests, immobilité (“immobility”) extends their musical concerns, and distills them in an extraordinarily rich way. More textural than event-based, these pieces are exquisitely pa…
Kahn (American, living in Zurich) and Olive (Canadian, living in Japan) recorded these pieces while on tour in Japan in May 2014. This release features two unhurried explorations for radio, synthesizer, and mixing board (Kahn) and magnetic pickups (Olive). “Fukuoka,” presents a series of gradual unfurlings; pockets of pockmarked, dented and torn glass clusters, tumbling upon and over each other, perhaps briefly interlocking by way of some fragile barb, only to instantaneously break loose. “Osaka…
Space Collective 2 Live commemorates Portuguese musician Rafael Toral’s first U.S. tour in several years. Since the 1990s, Toral has been primarily known for his guitar work, but has since been working on the Space Program project, within which he has probed visceral and personal components of electronic music performance, and how they relate to the performer’s experience, not to the resultant product.
These recordings, taken from a live set at All Tomorrow’s Parties in 2012, find Toral perform…