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2015 repress. Remastered CD edition of Tazartès' Transports, autodidact and outsider composer Ghédalia Tazartès' 1980 second LP. This album probably represents the most original example of the artist's poetical and personal approach to sound organization. The tracks for Tazartès' Transports, recorded in 1977 at Tazartès' own studio in Paris, are blends of stream-of-consciousness rippling electro rhythms, outer-national singing styles, collaged field recordings, tape loops, and chants. The …
Portuguese multi-instrumentalist David Maranha has made no secret of his appreciation for Tony Conrad’s music over the years, and so it’s not so much of a shocker that this duo encounter with Sweden-born, Philadelphia-based cellist Helena Espvall renews that association. After all, the pairing enables him to explore the productive clash of bowed, amplified strings, a friction that’s at the heart of Conrad’s sound. But this music doesn’t really behave much like Conrad’s mathematically der…
"At this point, it can justifiably be said that Keiji Haino, Jim O'Rourke and Oren Ambarchi have become one of the leading groups in experimental music. This, their sixth release, presents the entire second set of the trio's March 2013 concert at SuperDeluxe (the first set is available on Black Truffle as Only Wanting to Melt Beautifully Away Is It a Lack of Contentment That Stirs Affection for Those Things Said to Be as of Yet Unseen). While the first set of the evening saw the trio branch…
The first installment in Unrock's new string wringer Saraswati Series presents two of today's most extraordinary guitar maniacs captured on location. While Bill Orcutt, "Re-inventor of the Blues," falls from abstraction into acoustic hardcore serenade on his wooden 4-string guitar, the Kali-inspired Sir Richard Bishop improvises elegantly and calmly through a feverish 17-minute variation of "Zurvan." Limited edition of 700 numbered copies. 180 gram vinyl, ncludes a solid cardboard info s…
Hauntologically pop, fragile and with a twisted psychedelic Beach Boys side, this album shows an undeniable songwriting craft. Esa Shield's androgynous voice together with the use of guitars, keys and analogue electronics tends to weave "wrong" notes and submarine harmonies into songs that range from psych-folk ("Shelley Duvall") to dark ambient ("Jenkins Other") and super catchy space-age pop ("Monde Capricorn"). Now and then a nostalgic and contradictory bout of fever unexpectedly appear…
"River Run Thee" is the third installment in Matana Roberts’ visionary Coin Coin series. The album follows 2011’s "Gens de couleur libres" and 2013’s "Mississippi Moonchile", both genre-exploding ensemble works showered with widespread critical acclaim.With Chapter Three Roberts presents a solo work, building a hallucinatory and hypnotic soundworld from layered streams of sung and spoken vocals, pure and processed saxophone, drones, noise, sampler/fx pedals and field recordings. Coinciding with …
Restocked, very last copies...Initiated by Charbel Haber, Orchestra Omar is now the very first guitar ensemble to emerge from the Middle East. though the core of the ensemble is Lebanese, the line-up (7 guitar players + 1 electric bass) includes Egypt's Maurice Louca and Turkey's Umut Caglar. this is their very 1st album, consisting of three tracks loosely based on Omar Khorshid's music." ep
Umut Caglar is the founder of Konstrukt and a key figure of Turkey's exciting contemporary underground music scene. His first solo LP is spacey but at the same time traditional. On the last track of the LP he's joined by the sublime voice of Kurdish singer Gulseven, who reads passages (in Ottoman) from a sacred poem by the ancient Persian/Turkish poet Noksani.
Restocked again, very last copies, hurry up....Awesome one! This one is very easy to describe: among all qbico and a-star records combined together (around 150/200 LP), this is among the three most powerful ones. imagine a cross betw Kluster and Taj Mahal Travellers with a Middle East feel (musicians are from Egypt, Turkey and Lebanon); their 1st record, rec. live in Beirut. the sound that you hear at the end of the second clip it's not a monster's breath. THE ticket to the ride.
Much needed vinyl reissue of a legendary minimal electronic classic by this enigmatic Italian band "Definitely ahead of their time, A.T.R.O.X. were one of the first bands to move beyond the new wave styles and introduce strong electronic elements. Not too far from works of contemporary groups such as Tuxedo Moon and Minimal Compact. The Night's Remains was originally released in 1982 on the Trinciato Forte Records label.Back in print on LP for the first time in 30+ years thanks to the fine folks…
At Last!! This long overdue, and well deserved reissue if finally here in stock! An amazing 4xCD box set including the complete Ghédalia Tazartès recordings previously issued on CD by Alga Marghen. This edition is presented in a newly designed slipcase box including 4 CDs in elegant slim digipak sleeves. Diasporas is the CD edition of Tazartès' 1979 first album, also including "Ferme ta gueule, Zarathustra" (previously issued as side A of Granny Awards (ALGA 036LP)). Tazartès' Transports is th…
Recent digipack CD reissue "This collective of jazz improv weirdoes banded together for a one-off in 1986 to riff on the deep vibe of all things French and cinematic. Backing vocalist Toni Marshall, Zorn, Beresford, and Toop created a virtual and highly experimental film noir soundtrack to a movie that perhaps existed in the mind of Jean-Luc Godard in the 1950s, but was never made. David Toop is clearly the sonic architect here, haunting the proceedings with his deep use of effects, subdued perc…
Awesome new release by the extended Lisboa ensemble lead by Ernesto Rodrigues and his crowd of talented collaborators (Guilherme Rodrigues on cello, Miguel Mira on double bass, Rogerio Silva on trumpet, Eduardo Chagas on trombone, Bruno Parrinha on alto clarinet, Nuno Torres on alto saxophone, Pedro Sousa on tenor and baritone saxophones, Abdul Moimeme on prepared electric guitar, Carlos Santos and Ricardo Guerreiro on computers, Monsieur Trinite', Nuno Morao and Jose Oliveira on percussio…
Recorded at Tcha3 studio, 12th October, Lisbon. Ernesto Rodrigues: viola, Louis Laurain: trumpet, Bruno Parrinha: clarinet and alto clarinet, Guilherme Rodrigues cello, Carlos Santos: electronics and objects
One main focus of Peter Ablingers music is on the features of human perception. In his words, "human beings are creatures that think of simultaneous things as things happening one after another. This separation of simultaneity to consecutiveness is mental thought… Listening is the perceptive function most likely to be capable of simultaneity." But the composer is not interested in the linguistic character of music which emerges on the background of syntactic and structural principles. The alter…
music that allows sounds to sound: to die away, completely, into silence sounds thought from their end: not moving forward, but drawing back. this creates space, expanse, a delicate serenity: silence - and what it shelters - becomes audible. this is singing with the ears: barely more than silence. a singing which not only makes, but becomes space: a space for worlds. phrases are also sounds: unfolded, laid out as a path. sound paths that come into being first when followed, invariably trail…
JF: The 24 words are the titles of the individual pieces, and they are at the same time the entire text. They are also a list that shows how the piece gets from a beginning to an end. It is, in a sense, a cycle not simply a collection of pieces - a cycle which begins, makes a journey and ends at a different place. TA: If I had to categorize this list of words, it seems to me they are addressed to quite different areas. Herzeleid (Heartbreak) for example, sounds old-fashioned, Einsamkeitsmangel …
Four text scores composed by Ryoko Akama (VCS3 synthesizer), Bruno Duplant (percussion, tone generator) and Dominic Lash (double bass, clarinet & laptop). The pieces are all text scores, carefully and exquisitely realised by three of the most interesting musicians to emerge on the experimental music scene in the last few years. The musicians combine in a fruitful and intimate exchange, producing a delicate and fragile web of sounds. Four beautifully evolving and carefully paced works.."-Another …
Four realisations of John Lely's simple but brilliant composition 'The Harmonics of Real Strings', which is basically a very slow glissando along the full length of one bowed string. Anton Lukoszevieze plays one realisation on each string of the cello, following the harmonic transformations as they occur and producing an extraordinary example of 'the virtuosity of restraint'. John Lely originally composed the piece in 2006, and it was recorded in April 2014. "When I'm composing I'm learning, ask…
"I Am the Last of All the Field That Fell: A Channel" is perhaps the most uncategorizable album in Current 93's catalog. Though it employs a vast array of musics, it strategically integrates them in new ways and dynamically adds elements of improvisational jazz to the mix. Founder and frontman David Tibet's present lineup includes regular collaborators -- James Blackshaw, Andrew Liles, Ossian Brown, Antony Hegarty, and Nick Cave -- as well as new ones: Comus' vocalist Bobbie Watson, the Groundho…