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“Wonderful World” is the first single release to be taken from the acclaimed Nine Horses album "Snow Borne Sorrow". It features a previously unreleased composition, ‘When Monday Comes Around’, along with a radio edit of “Wonderful World”.
The new cd with Norwegian composer Eivind Buene and his composition, asymmetrical music. This is Sofa first release with a written score, but it doesn't mean that improvisation is abandoned. On the contrary, asymmetrical music focuses on the meeting point between composition and improvisation. The two soloists, Ivar Grydeland guitar and Ingar Zach Ð percussion, are improvising as a duo but also on another level, with the written score. The members of the Ensemble featured on this disc are also v…
A selection of pieces by the great musical pioneer Robert ashley performed by the Dutch Ensemble MAE. Some of the works were especially written for the Ensemble in the last few years, and have never been recorded before, namely the title work 'Tap Dancing in the Sand' featuring ashley's voice and 'Hidden Similarites'. Other works presented on the CD are 'Outcome Inevitable', 'in memoriam Esteban Gomez' and 'She was a Visitor'.
Upbeat was drawn from concerts the quartet had performed in Austria, Germany, Switzerland, France and Spain in November 1997. It contained composed material from each of the group members, plus improvised pieces.
Legendary east block vocalist. Here is 17 tracks of experimental child songs mixed with traditional folky style that are calm and relaxing. Beautiful voice as always.
Recording of a file-card composition, performed on flute, viola, guitar, turntables, sound effects, percussion & voice. "Creates a mysterious world of erotic perversion, drawing inspiration from the writings of Jean Genet, and features an unusual collection of some of SF's most interesting musicians: David Abel, Barbara Chaffe, Mike Patton, David Shea, David Slusser, Trey Spruance & William Winant.
The fabulous "La nuit est au courant", documenting a rare tour by an extraordinary quartet featuring enfants terribles Jac Berrocal (trumpet) and Jacques Thollot (drums), with bassists Francis Marmande and Hubertus Biermann. Long out of print
Brighter Death Now, one of the foremost purveyors of dark/death industrial music over the last 10 years, are all set to go again with the addition of another chapter to this electronic necronomicon known as Great Death (parts I-III). Those brave enough to order the final part of this beastly triptych will know what to expect now, since another item that followed it was a questionnaire by which we wished for the customers to vote for the five best tracks of the entire Great Death trilogy. The res…
Astreja is a rare, almost unique example of a group of composers – famous in their own right - impovising together, creating music that none of them could write (produce) by him – or herself. Astreja – a group consisting of the leading composers of academic avantgarde from the then Soviet Union improvising with rarely used Russian, Caucasian and Central-Asian folk instruments. - was founded in 1975 by Vyacheslav Artiomov, Sofia Gubaidulina and Victor Suslin. This is the original round-up. Later…
Goebbels Heart is a kind of compilation disc, pulling together portions of early-'80s recordings by this duo originally released on the small German label Riskant. At this point in his career, Goebbels (who would later release more atmospheric and experimental albums on ECM) seems to be very much under the influence of composers such as Carla Bley, including the utilization of European workers' songs (Hans Eisler here). Goebbels plays mostly keyboards, both acoustic and electric, while Harth (ye…
Reissue of the Rift 1983 DBL LP. Locus Solus was made up of small groups of Zorn's closest contemporaries at the time: Christian Marclay, Peter Blegvad, Arto Lindsay, Anton Fier, Wayne Horvitz, Ikue Mori, M.E. Miller. Subtitled "In search of improvised song form," this is supremely disorienting sonic chatter, but still quite listenable; watching this one waft though your speaker cones can't help but give you a feeling of superiority towards the human race's numerous inferior forms.
This original installment of the FilmWorks Series presents three scores ranging from punk-rockabilly (featuring the nasty guitars of Bob Quine, Marc Ribot and Arto Lindsay); a jazzy Bernard Herrmann fantasy; to a quirky classical/improv/world music amalgam for Raul Ruiz's bizarre film The Golden Boat. Out of print for several years these classic recordings are made available here with the original cover art intact. This is the place where it all began.
The groundbreaking UK band Nucleus were one of the very first jazz/rock fusion groups, forming in 1969 and releasing their first album in 1970. During their lifetime, the band recorded 13 albums for labels like Vertigo and Capitol, among others. The band was founded by trumpeter Ian Carr. He recruited musicians for the band in the autumn of 1969. The timing was perfect: the world was ready for Nucleus and other early bands who were combining the energy and excitement of rock with jazz instrument…
There are few sound artists out there that rival the diverse and extensive modus operandi that Jos Smolders brings to his work. Recently, Smolders releases have focused around self-similar sequences, loose narratives, or some kind of overarching central theme that ties the pieces together. Harking back to his early working methods here (Freebasing A Is For Me) and simply homing in on the sounds themselves with apparently diffuse and disconnected themes, Smolders brings us into a world of shape-s…
Non-Collaboration began as a collaboration between Heribert Friedl and Will Montgomery in spring 2006. Will began by processing some of Heribert's Hackbrett improvisations and adding his own sounds. Over time, it became clear that the two strands of sound Ð Heribert's acoustic and Will's electronic - weren't working well together. So Will absorbed Heribert's material into his own. The Hackbrett and the pace and shape of Heribert's improvisations have left their mark on these pieces. However, thi…
Recorded at Newsonic Studios Brooklyn, New Yok february 2005. Brian Chase (Yeah, Yeah, Yeahs- drums) in duet with Seth Misterka (Dynasty Electric Duo-saxophone).
Dinosaurs with Horns was formed in 1982 by Joseph Hammer and Rick Potts who had collaborated on several projects both individually and as members of the loosely formed collective, the Los Angeles Free Music Society (LAFMS). In the early 90's they began performing and recording extensively with ex-Monitor, Steve Thomsen, as the trio Solid Eye including a month-long tour of Japan in 2002. Over the years Potts and Hammer have each collaborated with an impressive array of noise/sound musicians. Some…
In June 2006 North of the North explored the sounds in a small area of North Norway. On the islands Skjervy and Arny at 70¡N they collected sounds from meetings with local fishermen, staff at a ferry, a flock of reindeer, arctic birdlife and more. These recordings are phonographies - sound pictures - used in an improvisational electro acoustic dialogue with the other instruments in the group. The sounds from Skjerv¿y and Arn¿y are part of an artificial sound world when the musicians present thei…
DVD Audio with Surround and Stereo version of Studie 18. In Studie 18, Neukom takes a natural and mathematical phenomenon, the golden ratio, as the basis for the patterns in his thirteen studies, all 3.19 minutes in length. The golden ratio, a mathematical constant, is at the centre of many aspects of beauty and regularity in nature, science, art and architecture, as well as being a core component of the minimalism, preciseness and refined aesthetics of Neukom's compositions. The golden ratio ha…