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Started around a decade ago, "Overcloseness" has been a long time coming. It is Colorist's debut album on paper, but already has a magnum opus feel to it. The beginnings of Colorist lay in the Cologne music community. Being small, it was always influenced by the art and the film scene. (In fact, the label Magazine originates from the same crossing point.) The large cast of guest appearances underlines how much Antonio de Luca and Caroline Kox are in the center of that Cologne community. On "Over…
Tip! *200 copies limited edition* This project, entitled Transmissions From The Radio Midnight, started around 2006, when I acquired a Sony TCM F59 — an AM/FM radio and cassette recorder combined in a slim, handheld body. Since then, whenever I went on a trip, I would throw it into my suitcase and take it around with me. No matter which country I was in, upon returning to the hotel room I made a habit of listening to the radio into the late hours of the night. As soon as I would snuggle into bed…
Edition of 300 copies. Giovanni Di Domenico has now achieved a personal and unmistakable style within contemporary minimalism. His music always expresses a state of concentration, of recollection and contemplation toward a focal node. Repetition is experienced as alchemical state, as truth contained in the small nuances of change, in a crescendo that never reaches a climax. The atmosphere is intuition and is made up of a few compositional touches. To compose is to make synthesis, to unearth puri…
‘Musik für animierte Tonspurfilm’, the twelfth album by Die Anarchistische Abendunterhaltung (or DAAU, as they are commonly known), is the soundtrack to a series of short, abstract animation films by Rudy Trouvé, who also acted as a creative director during the recording process. The music originates from acoustic improvisation sessions by accordionist Roel Van Camp, clarinetist Han Stubbe, double bass player Hannes d'Hoine and percussionist Jeroen Stevens. These took place according to concep…
*100 copies limited edition* Tip! Brooklyn pianist and composer Richard Sears debuts on Shahzad Ismaily’s Figureight records with the hypnotic Appear to Fade, a gentle, melancholic, semi-improvised expression for piano and experimental tape loops, recorded in a single day.
Appear to Fade unveils a realm where the boundaries between jazz and ambient music blur, guided by the skilled hands of Richard Sears on piano and Una Corda. This recording weaves between improvisation and composition, brought…
*2023 stock. 300 copies limited edition* Box set with two 12" picture discs, first record in a white sleeve, second in a black one. CD of the same recording and booklet with lyrics (in swedish) are included in the set.
*75 copies limited edition* From the label: "On the occasion of Eric Thielemans' japanese tour, we have published 75 numbered cassettes with which Eric will go on tour."
"Tom Boogizm pulls deeper into his thing on a new double album of scuzzed blooz and late night drifters, his second Rat Heart album this year, deployed in highly personalised formations recalling the arcane wonders of Arthur Russell, Labradford and Vini Reilly, shot thru a haze of smoke.We’ve said it countless times, but if you ain’t paying attention to Tom Boogizm’s output, you really should be. Most of you know the deal by now; he ain’t married to a style, or sound, or era, equally at home pla…
Having each followed their own distinct trajectory of exploration for decades - interweaving rigorous experimentalism with transcultural conversations - and building upon roughly 20 years working as a duo, Jessika Kenney and Eyvind Kang return with Azure, their third full-length with Ideologic Organ. Among their most riveting outings to date, comprising five new compositions recorded in Seattle during the spring of 2022, this remarkable body of sonority culminates in a singular gesture of contem…
A single saxophone, a glockenspiel, two microphones, a zoom recorder. These are the materials Patrick Shiroishi brought down with him late one night into the cavernous parking structure below a hot pot restaurant in Monterey Park. It was around 1:30AM; the spot was not too far from where Shiroishi grew up, a blank slate shown to him by his dear friend, Noah Klein. A vacant space for a new kind of collaboration—between saxophone and silence, between noise and reverberation, between negative space…
"Wewantsounds is delighted to reissue Brion Gysin's cult avant funk album produced in Paris by Ramuntcho Matta in the early '80s. The hugely influential Brion Gysin who, with his friend William Burroughs, was revered by the likes of David Bowie, Brian Jones, Laurie Anderson, Genesis P-Orridge, is accompanied here by Matta and French post punk stalwarts Yann Le Ker on bass (from the group Modern Guy) and Frederic Cousseau on drums (from Suicide Romeo) plus special guests including Don Cherry, Ell…
On 'Der Ferne', Phil Struck intricately weaves an abstract tapestry of textures, incorporating elements reminiscent of Hassellian-like sounds and multi-textured dubby soundscapes, a testament to the musician's getaways from urban life, journeying in the heart of nature. The music's warm and concise amalgamation of audio fragments lends it an ineffable quality, evoking hazy, sun-drenched memories, while the radiating reminiscences of the natural world invite contemplation of its true essence, rem…
"Here we have two discs, received in the same parcel and which share a love for electronics and saxophones. I am never too fond of lumping things together, but it, in this case, is hard to avoid. Duncan Pinhas was born in 1979 and is a guitarist (any elation to Richard Pinhas is not mentioned), while Yerri-Gaspar Hummel (1982) plays the saxophone. Both musicians have a background in serious (read: composed) music and met "around the composer La Monte Young", as the bio says. I found the opening …
Tip! “… extreme existentialism, an act of pure and unadulterated audio commentaries about old age, the transformation of libido and the irreversible path to death … naked and raw as spilled guts, while sophisticated as a post-sociology tome, an exercise in psychology dissection… deadly / funnily serious and fully unpredictable… voices explodes like dying worms and howling monsters, noises like falling stars and sudden earthquakes, frequencies like injected poisons and rumbling cascades… words in…
*2023 stock. 300 copies limited release* Composed and played during summer 2020. Recorded at NGHE (Brussels) between september '20 and march '21. Mix by Valentin Noiret with acurate advices from SSM. Mastering by Manuel Duval. Artwork by Fanny D. Touchemoulin. Layout by Todesangst
Alto & Baritone saxophone solo in circular breathing • ArtworK, Music composed and performed by Yohan Dumas • Recorded and mixed by Bertrand Fraysse at La Mami • 2022 • Mastering by Matt Tche • With the help and support of the labels Scolopendre & la Loutre par les cornes • «Fuite» recorded with Maelys Rebuttini for the World bike speed records on snow by Eric Barone • To my grandmothers, my mother, Laure, and the baby marmots
New project by Apolline Schöser (half of Nina Harker) & Thomas Coquelet. Apolline & Thomas have been performing since 2022 under the Kou guise with 24 electronic harmoniums. Producing dense layers of tones & overtones. On their debut album Kou steers in another direction. The harmonium appears occasionally, but more prominent are delicate guitar pluckings, distant vocal effects, synths, flutes, piano strokes, a touch of musical magic and Apolline’s jazz not jazz vocals. As soon as the needle dro…
Tip! LP release by Fougère honcho Kévin Orliange. Repetitive music made with tape loops, which tell the bad weather and deep industrial forest of the place where he lives called Le Plateau de Millevaches (who inspired Deuleuze and Guattari's Mille Plateaux).