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"Kizaki Ondo" is a folk song from Nitta Kizaki town in Gunma, north of Tokyo. Played annually by local performers at the Bon-Odori traditional summer dance festival, it features unabashed lyrics about prostitution along with a rhythmic drive sure to appeal to fans of contemporary electronic genres as well as aficionados of traditional musics. The first track is a wildly echoing vocal version recorded in 1980, redolent of humid summer nights; the second track, recorded in 1981, is an instrumental…
TAKAAT (pronounced tuh-cot), meaning “noise” in the Tuareg language Tamashek, is the trio of Ahmoudou Madassane, Mikey Coltun, and Souleymane Ibrahim, also known as the rhythm section of Mdou Moctar. TAKAAT is sonic chaos, improvisation, freedom of exploration, and the punk styles of bands such as Fugazi and Unwound, all mixed together with the guitar music from the Sahel.
TAKAAT started during soundchecks while on the road with Mdou Moctar when the trio indulged their shared love for amps crank…
40girls by Ya Tosiba: Rooted in folk music’s storytelling spirit the album introduces a dynamic conversation between generational memory and progressive innovation. It is crafting a soundscape that feels feminine, elusive and powerfully transformative. The album opens with delicate samples of the Şüştər and Rahab makams with its soft and ethereal textures intertwining with subtle, noisy experimentation. Kita Koun Kan by Sabou-Gnouman De Kita: Kita, a small town in the West of Mali was once consi…
From the makers of Hillbillies In Hell... Private Press Prophets and Vanity Vinyl Visionaries.
Presented here for the very first time are 20 timeless slices of Luciferian Gospel, End-Times Prophecy and Doomsday Sermons from the Surreal Sacred Songbook. Armageddon Rockabilly collides with Kindergarten Sulphur and Brimstone diatribes. Backwoods Demonic Disco confronts Beastly Predictions and Southern Fried Incubus Funk. All excavated from deep within the forgotten margins of Homespun and Private …
From the makers of Hillbillies In Hell...A Celebration of Spiritual Triumph over Terrestrial Adversity. Originally cut on Homespun, Private-Press and Vanity labels across the 1960s, 1970s and early 1980s, this collection features voices almost never heard in the professional entertainment industry. The Dis-abled, the Less-abled, the Blind, Cancer survivors, those confined to a Wheelchair, those born with Dwarfism, those born without Limbs and some with many other challenges. Here, they shine and…
Two of the most exciting visionaries in contemporary guitar music, Bill MacKay and Ryley Walker, announce the reissue of their seminal debut album, "Land Of Plenty." Originally released in August 2015, this instrumental masterpiece will be available again on vinyl on September 26th via Drag City, giving new listeners and longtime fans alike a fresh opportunity to experience a milestone in the modern guitar canon.
Recorded live over a month-long residency at The Whistler in Chicago, "Land Of Plen…
"The Begena is one of those rare musical instruments of the world that has survived for more than 5800 years. What is fascinating about it is not only its age but the fact that both its manufacture and the purpose for which it is being played have never changed during all these years. It is still made of wood and animal products, such as the intestine of the sheep for the strings, the leather that covers the sound box. It is used for praying, for praising God and for meditation, just as it was i…
Julian Kytasty is celebrated around the world as a master of the bandura. This plucked-string instrument has become a symbol of Ukraine through its association with the deep tradition of the kobzari. On Songs of Truth: Music and Song from the Kobzar Tradition of Ukraine, he brings expressive clarity and vibrancy to this centuries-old repertoire of these blind bards through skillfully retold historical epics, timeless philosophical songs, biting satire, and joyful dance tunes.
"Shinshunfu" exists at a crossroads, a form both distinctly Japanese and distinctly "other", a complex blend of folk strains that is deep with emotional resonance and hard to place even for aficionados of Japanese traditional music.
"Of "Shinshunfu", only the drone of the shō and the occasional taiko hit appear in plain view. The exploration sits comfortably in the idiosyncratic sound world that Ken has been prolifically constructing for himself in the last few years (what he has come to call "…
A one-sided 7" single! A great and rare song, never before reissued, an early 80s electric molam classic produced by Surin Phaksiri. This release celebrates "Classic Productions by Surin Phaksiri 2: Molam Gems from the 1960s-80s", an upcoming EM Records compilation spotlighting this legendary producer; however, this song will not be available on the compilation, so get the vinyl or DL, and don't miss this groovily swaying paean to the pick-up truck share taxi, performed by Chabaphrai Namwai and …
"This was traditional, transformative music, and music that made so much sense coming from EM's epicenter."― Matt Werth
Printed on special paper embossed with matte silver aluminium foil. Please consider the jacket illustration as an image as the texture of the original cannot be reproduced graphically. The disc is a translucent coloured disc with the image of the Okinawa sun.
A charming set of double transformations on this 7 inch. "Kajyadhi Fu Bushi" is a traditional Ryukyu minyo (Okinawa fol…
"Deep session! It is rare to hear folk music from Japan in such beautiful fidelity and incredible dynamics. This recording is intensely gorgeous and hauntingly disarming. This should open up a whole new world of adventurous listening for folks outside (and inside!) Japan."―Brian Shimkovitz
"Sounds absolutely great! Super interesting and engaging."―Ben UFO
"Just Give Me That Old Time Religion, It's Good Enough For Me."―Japan Blues
A hotline to the gods! Kagura is a thousand-year-old form of Japa…
This collection of 12 luk thung (*1) songs from the 1960s-70s, all produced by Surin Phaksiri, is a superb showcase of cross-genre/multi-national fertilization, with Latin, jazz, western pop, Indian and Japanese music seamlessly melding with the musical culture of Isan (northeast Thailand), which is strongly rooted in Laotian culture; indeed, the Isan language, as featured in these songs, is a form of Laotian. Esteemed producer Surin Phaksiri, an Isan icon, always strove to drive Thai music forw…
Michael George Henry (aka Ras Michael and, for this lone release, Dadawah) was born in 1943 in Saint Mary Parish, in northeastern Jamaica. Henry was raised in a Rastafari community when the religious movement was still in its infancy and marginalized within Jamaica. It was there that he began performing Nyahbinghi, the Rastafarian devotional music that combines the influences of African drumming and Black gospel. Henry found himself in Kingston in the late 1950s where he worked for Coxsone Dodd …
Tip! The Sahaja Veena is a stunning stringed instrument with a unique and beautiful design reminiscent of the Vichitra Veena and Chitra Veena. With a wider range than the traditional Indian veena and a deep, warm sound, the instrument can produce compelling melodies and delicate ornamentation, often evoking deep emotions, and is therefore also known as the “Sagar” (‘Sagar’ meaning “sea” in Hindi). “(Sagar means ”ocean" in Hindi).
Noor Zehra Kazim is the world's only Sagar Vina player. Her father…
Black Truffle is thrilled to present the first ever solo Donso n’goni recording from octogenarian Swedish multi-instrumentalist Christer Bothén. Active in the Swedish jazz and improvisation scene since the 1970s, often heard on bass clarinet, Bothén travelled to Mali in 1971, eventually making his way to the Wassoulou region in the country’s south where he encountered the Donso n’goni, the sacred harp of the hunter caste of Wassoulou society. Though playing the instrument has traditionally been …
2009 release ** Limited edition of 500 hand-numbered copies in oversized cardboard sleeve. "Italian flautist Bardini and French noisemeister Jolif have united to celebrate the music and culture of the Breton nation. With few exceptions, most of the lyrics are taken from traditional songs, but set to their own music. It need not be said that this is largely in the Breton tongue. The downbeat tune is envisioned through the prism of post-industrial, with light effects alongside the primary backbone…
Nyahh Records is proud and excited to announce this compilation of singers, which has been on the back boiler for some time!! Inspired by the song collecting of Alan Lomax, this compilation brings together two generations of singers from all across the island of Ireland. Some of the songs previously appear on albums, but the rest were recorded by the singer themselves on their phones to give the song a real and raw effect that brings an authentic feel and immediacy to the songs.
A long standing …
The second album from Stenhjärta follows up Gryning Kommer Röd (Grapefruit Records, 2024) and very much continues in the same vein while approaching a rather damn catchy pop song format at times. Fear not, Stenhjärta is still a group heavily rooted in the Swedish prog/folk tradition of the 70's, the 13 songs here just showcases a somewhat wider scope, the duo taking things a notch further with more elaborate songwriting and a whole slew of wonderful A-sides along the often damaged ride. Lyricall…
Blue Lake reveals his most ambitious album yet, which finds its visionary creator Jason Dungan harnessing the collective alchemy of his band, with ten spirited tracks that resonate with a powerful directness, evoking an ecological connection to the wider world.