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The great age of the American march can be bounded by the years 1876 and 1926. This record gives a representative sampling of the American march during those halcyon years with a deliberate emphasis on some of the period's lesser-known and hard-to-find gems. While Sousa's preeminence is beyond dispute, many of his contemporaries wrote memorable marches, and that is the justification for this disc and its title. In addition, all the marches in this collection enjoyed great popularity and thus ind…
Life in 19th-Century Cincinnati
The Harmoneion Singers; John Miner, conductor; Peter Basquin, piano and harmonium; Clifford Jackson, baritone; John Aler, tenor
Where Home Is is an anthology of traditional songs of family and religious life coupled with contrasting songs by abolitionists, frontiersmen, and blackfaced minstrels. The explosive mixture of peoples and cultures found in nineteenth-century Cincinnati resulted in the widely disparate musical views represented here by wholesome choral …
Music of the San Juan Pueblo, Seneca, Northern Arapaho, Northern Plains, Creek, Yurok, Navajo, Cherokee, and Southern Plains Indians
The importance of American Indian music is found not in its impact on modern scholarship and composition but in the traditions and values it expresses to and for the Indian people. This oral tradition has survived solely because the music was too important to be allowed to die. The emphasis in this recording is on musical value: the music of the first Americans ca…
This superb anthology of old ballads and other folk-song types comprises pre-war commercial and field recordings made in the rural Southeast, the part of the United States that most closely met the textbook definition of a "folk culture," in which culture was relatively homogeneous and customs were shared across class and ethnic lines. For this reason, this album focuses on the rural Southeast as a rich source of American folk life, ranging roughly from Virginia and Kentucky south to Alabama and…
This album is a loosely structured survey of different types of vocal styles and resources found in rural Anglo-American lower- and middle-class communities. Some of the modes of performance, such as hollering and solo ballad singing, have almost died out; others, such as Sacred Harp singing, formal duet singing, and square-dance calling, continue to flourish. The album is divided into three major sections: a survey of nonstandard vocal effects that shows how much music infuses the everyday comm…
This recording is a collection of American songs and hymns published mostly during the 1860s and 1870s that deal generally with angels, heaven, and death. Considering the rather morbid subject matter of these songs, they are surprisingly pleasant and refreshing. Death and its associated aspects were a major topic in fiction, poetry, art, and music during much of the nineteenth century in Victorian America. Consequently, the songwriters aimed at a broad popular audience because the subjects were …
The Civil War, one of the most deeply felt episodes in America's history, has left a heritage of music that reflects those feelings in the most vivid way. Indeed, this music was so intimately involved with events of the time that it became part of those events. These songs were sung in homes, North and South, at rallies, political gatherings and mass meetings, and on the very battlefields. This selection comprises several of the most popular songs of the era. First recordings from original editi…
2008 release ** "Based in Jyväskylä, Finland, Keijo Virtanen (1951-2022) was somewhat of a legend in the whole finnish psych scene (on the same level as Pekka Airaksinen - in fact the two have collaborated before). He’s been working on music for ages but his work has only been starting to get attention during the last few years. This artist’s music is unlike any other, it is often based in ambient and drone and incorporates weird traditional folk instruments from around the world just as much as…
Ironhand Records is proud to present another magnum opus of East and West music: "Chettini and the Turkish Trio - Oriental Soul", first released in 1972. Çetin Bükey, credited as Chettini, was a musician who, during his unique career in Turkey and the UK, has truly engaged in eastern, western and hybrid musical experiments with an adventurous and nomadic soul. Bükey has played along with Turkish music masterpieces and composed film scores with his brother, Metin Bükey. He also accompanied the ic…
Following its highly sought-after Zamaan Ya Sukkar compilation, Souma Records once again presents a collection of 3 singles with inimitably groovy Egyptian and Lebanese exotica, unearthed from the hallowed vaults of Sono Cairo and Voix De L’Orient’s archives. These rare gems, born from a time of boundless musical experimentation in the Arab world, capture the vibrant, ever-evolving soundscapes of Cairo, Beirut, and beyond. Each track invites listeners onto a sonic voyage where the familiar and t…
Following its highly sought-after Zamaan Ya Sukkar compilation, Souma Records once again presents a collection of 3 singles with inimitably groovy Egyptian and Lebanese exotica, unearthed from the hallowed vaults of Sono Cairo and Voix De L’Orient’s archives. These rare gems, born from a time of boundless musical experimentation in the Arab world, capture the vibrant, ever-evolving soundscapes of Cairo, Beirut, and beyond. Each track invites listeners onto a sonic voyage where the familiar and t…
Following its highly sought-after Zamaan Ya Sukkar compilation, Souma Records once again presents a collection of inimitably groovy Egyptian and Lebanese exotica, unearthed from the hallowed vaults of Sono Cairo and Voix De L’Orient’s archives. These rare gems, born from a time of boundless musical experimentation in the Arab world, capture the vibrant, ever-evolving soundscapes of Cairo, Beirut, and beyond. Each track invites listeners onto a sonic voyage where the familiar and the avant-garde …
From Tsugaru, the birthplace of Kazuki Tomokawa and Kan Mikami, to Osorezan, Itako, Nebuta, Kesho Jizo... Mutsu's Orpheus (minstrel) Furukawa Mibu, who sings about a magical institution to connect this world to the next, left this superb work in 1978! Shocking analogue LP reissue!
Mibu, who is also a poet, deceives the dead in order to live the memory of his younger brother (Mibu), who died at the age of three. The song becomes a prayer and a cry, dancing wildly in this world and being sucked in…
Karen Dalton's 1969 debut is finally back in print. 2024 reissue features all-analogue mastering by Kevin Gray at Cohearent Audio, direct from the original analogue tapes. Housed in an expanded gatefold jacket with liner notes by Brian Barr
2025 stock Loaded is the fourth studio album by American rock band The Velvet Underground, released in November 1970 by Atlantic Records' subsidiary label Cotillion. It was the final album recorded featuring Lou Reed, who had left the band shortly before it's release. In 2003, Loaded was ranked 109 on Rolling Stone magazine's list of the 500 greatest albums of all time.
*300 copies limited edition* 'After the Bend is the second album from Louisville based Flanger Magazine, and the follow up to FM’s 2018 debut, Breslin. Whereas Breslin was the solo creation of Christopher Bush, an album noted for “an astute synthesis of ‘library music’ and solo acoustic guitar,” and “a seamless blend into the uncluttered and airier side of classic 1970’s giallo,” After the Bend is an ensemble affair. An ecosystem, a perfect mutualism bodies forth—of strings, outdoor recordings, …
Synod was a band that performed at concerts and dances, festivals, colleges, private parties, conferences and other venues from 1971 through 2013. They toured incessantly in the early years, traveling from Chicago in Illinois to New York, South Carolina, Georgia, Nebraska and seven other states. They performed at Chicagofest, Summerfest and everywhere they could find a stage. The recordings in this collection represent some of the 12 recording projects they did, primarily between 1972 and 1984.
A long-time best-seller of the MEG-AIMP collection and long out of print, this album of sanza music recorded among the Gbaya people of the Central African Republic by ethnomusicologist Vincent Dehoux was originally released on CD in 1993. It is now being reissued to coincide with the exhibition Afrosonica - Soundscapes. It features a selection of 'songs for thought': an intimate repertoire conducive to introspection, accompanied by the repetitive, meditative sound of lamellaphones.
This album bridges past and present through the voice and instruments of Maria Violenza and Luciano Turella, with the Irtumbranda project (formerly performing as the duo BrandaMaria), offering an intimate and visceral reinterpretation of Sicilian musical tradition. On Side A, the island’s ancient melodies come to life through an interpretation that enhances their raw and profoundly visceral character. Maria Violenza, who grew up listening to these songs in family gatherings and popular festivals…
CD reissue of the 1971 debut solo album from the former vocalist for the Zombies. One Year was co-produced by Blunstone's former Zombie colleagues Rod Argent and Chris White who also contributed three songs to the album. On the album, Blunstone is backed by Argent, led by Rod and featuring Russ Ballard, Jim Rodford and Robert Henrit.