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"Her first classic album originally released in 1969 on John Peel's legendary Dandelion Records. A wholly acoustic, almost wholly solo folk affair like a female Nick Drake or Nico recording a folk album. A calm, beautiful and somewhat melancholic batch of songs sung in that sunny low register always associated with Bridget make up this beautiful but criminally forgotten debut album. John Martyn adds second guitar and backing vocals while John Peel serves as producer. A magnificent sound p…
Subtitled: 12 String Meditations For Jack Rose. "Limited to 1000 copies. Solo, untreated, 12-string compositions in tribute to one of the greats. An album of instrumentals in requiem."
Revenants, Prodigies And The Restless Dead is pressed on high quality virgin vinyl at RTI in a hand-numbered edition of 500 copies for the world. Included is a free MP3 download coupon and insert.Immune is proud to present a deluxe and limited edition vinyl version of the brand new album from British guitarist C Joynes. This is the second widely available album from Joynes (after last year’s God Feeds The Ravens) and is being released simultaneously on CD by Bo’Weavil Recordings.C Joynes is a mu…
One track, Ten minutes. Latest Latitudes session from Mira Billotte and Doug Shaw’s Psychedelic folk combo.- New Egypt follows White Magic's hugely successful Dark Stars EP (Drag City, 2007).- This track was created specially for the Latitudes series and recorded during White Magic's 2007 European tour.- As usual this Latitudes release is in super fancy art cardstock packaging with gold foil blocking, limited to 1000 only!When i saw White Magic play for the first time I walked away charmed and e…
"For this new Latitudes release All Tomorrow's Parties mainstay Alexander Tucker joins forces with Dean Garwood, resulting in three terrific stretched out jams. Perhaps it's got something to do with the fusion of prog influences with jazz and psychedelia, but stretches of this bring to mind the Canterbury scene of the '60s and '70s from which Robert Wyatt and Soft Machine came to prominence. 'Golden Dome' slips into a bluesy cello riff (if that's not too much of a contradiction in terms) that lo…
"The beautiful debut album by Steve Tilston was originally released by The Village Thing in 1971. Housed in a beautiful sleeve, it contained ten wonderful songs, mostly played on just acoustic guitar (plus voice, of course), which showed the great talent of a young Tilston that must have been listening to a lot of stuff by Bert Jansch, Nick Drake, or Davy Graham. Occasionally he is also accompanied by Dave Evans (guitar & vocals), Keith Warmington (harmonica & vocal), John Turner (string …
"Ton Vlasman recorded this amazing piece of acid Euro folk back in 1970, making it sound like an outer space freaked out Bob Dylan with the help of Frans Schoonen (organ, flute and harmonica) and Leo van Vugt (chincha tumba and tambourine). The seven original compositions are stunning, drug inspired psychedelic pieces of acid folk that mix acid folk with Indian ragas and even add some Pink Floyd overtones, yet from an acoustic rather than electric point of view. And the album contains als…
"Second chapter on the Bröselmaschine saga after a four-year hiatus. The band's second incarnation came to life in 1975, when Peter Bursch reformed the group together with old member Willi Kissmer and new recruit, Klaus Dapper (flute, sax, tuba). Helped by such honorable guests as Mani Neumeier and Roland Schaeffer (from Guru Guru) or Jan Fride from Kraan, their 1976 album was a solid session of progressive folk, very different than its predecessor but also with an atypically hypnotic and…
“The Absence is a 7” single, a collaboration between Rainier Lericolais and Sylvain Chauveau, released on February 2011 for Abstracks, Rainier's exhibition at Le Confort Moderne (Poitiers, France). The two tracks on The Absence were built from Sylvain vocal recording sessions for his album Singular Forms (Sometimes Repeated) (Type / 2010), Rainier added his delicate arrangements of piano, xylophone, cello and weird electronics, in a similar vein to his previous single, Intangible (Sordide Sentim…
"Originally released in 1971 on Dandelion Records this was Bridget St. John's second and, arguably, best album. Produced and scored by Pink Floyd collaborator Ron Geesin, Songs For The Gentle Man was recorded at Sound Techniques in Chelsea (where everybody from Fairport Convention to Nick Drake had made albums) and is a far more sophisticated work than its predecessor. Organized around a small chamber orchestra, Songs For The Gentle Man is a set of cool, pastel songs that simultaneously h…
"Around the turn of the century there seemed to be a wave of guitarists versed in experimental and electronic musics who sought out ways of drawing new sounds from their instrument of choice; the likes of Fennesz, Tim Hecker, Keith Fullerton Whitman (on his still-superb Playthroughs album), Sebastien Roux and Christopher Willits were among the most notable artists in this movement, and now, at the start of a new decade, this excellent album strives to highlight the work of five emerging guitaris…
"Portland, Oregon's Grails are another new band that fall into the developed post-everything niche sparked off by the likes of Godspeed at the end of the last millenium. Made up with members of Jacki-o-Motherf*cker and Holy Sons, their sound takes in the quiet/loud formula but peppers it with dense layers of Violin, Piano and twilight instrumentation. The band have already sparked off the interest of the Swans' Michael Gira and Neurosis guitarist/vocalist and label co-owner Steve Von Till - thou…
"I don't know about you lot but we're absolutely crazy about Grails here at Boomkat HQ, last year's incredible 'Black Tar Prophecies' album on Important blew us away so it's great to see 'The Burden of Hope', the band's 2003 debut, back in press on vinyl finally. At this time the band were working under the messy banner of 'post-rock' and lumped in with the whole Godspeed You! Black Emperor/Constellation scene; they were using violins, letting themselves succumb to the influence of dusty America…
35 years have passed since Bill’s last new slab of vinyl was released. We bring you this set of gems from ‘78–’81. It’s bursting with a couple new tracks (with a few traded out from the ‘05 CD), a new sequence, new art, and expanded liner notes by the man himself.
"For this new Latitudes release All Tomorrow's Parties mainstay Alexander Tucker joins forces with Dean Garwood, resulting in three terrific stretched out jams. Perhaps it's got something to do with the fusion of prog influences with jazz and psychedelia, but stretches of this bring to mind the Canterbury scene of the '60s and '70s from which Robert Wyatt and Soft Machine came to prominence. 'Golden Dome' slips into a bluesy cello riff (if that's not too much of a contradiction in terms) that lo…
"brad rose is an artist who is notoriously hard to pigeonhole. he might spend his days running the esteemed digitalis imprint (sidelining the wonderful foxy digitalis webzine) but his nights are wiled away chiselling at the petrified corpse of experimental music. donating sounds to ajilvsga, altar eagle, sea zombies and ossining (among many others) he has somehow found time to fashion a new solo work for type and it could hardly be further removed from his last outing. 'bloodlines' is an album r…
"JAMES JACKSON TOTH, aka WOODEN WAND, is your fearless friend, the stumbling guy who gets himself into incredibly fucked up situations but comes out shining and lives to tell about it, entertaining you safely and immensely. You should be grateful. In my view, he's a great American songwriter in full bloom. Most likely you'll think that's a preposterous claim, and I won't blame you, but you'll be totally, completely, and unforgivably wrong not to agree. To me, it's obvious Toth is animated with t…