Folk /
Strings
Fourteen outstanding performances from the four corners of the world played on stringed instruments and recorded and released on 78rpm records circa 1920-1950. This vinyl LP features fiddles, shamisen, charango, Paraguyan harp, Indian vina, Lebanese oud, Persian violin, Vietnamese moon guitar, and more. Compiled by Jonathan Ward, all tracks are previously unreissued, carefully transferred and mastered and presented with detailed liner notes. Vinyl-only release,
The Cloud of Unknowing
For fans of acoustic guitar music, James Blackshaw's The Cloud of Unknowing is a gift that's long overdue. Blackshaw's fourth album gracefully glides over the same sonic ground that his contemporaries generally tread with reverential obedience or dilettante tactics. Growing into his prodigious own at the relatively young age of 25, Blackshaw has finessed his 12-string acoustic guitar into a veritable solo symphony that's as schooled in uncommon beauty as it is in complex 20th century composition…
People Take Warning! Murder Ballads & Songs of Disaster 1913-193
“In the late 1920’s and early 1930’s, the Depression gripped the Nation. It was a time when songs were tools for living. A whole community would turn out to mourn the loss of a member and to sow their songs like seeds. This collection is a wild garden grown from those seeds.” – Tom Waits, from the Introduction Songs of death, destruction and disaster, recorded by black and white performers from the dawn of American roots recording are here, assembled together for the first time. Whether they doc…
Lost Prayers
Originally released in a tiny pressing of just 200 CD-Rs by Digitalis Industries, this early James Blackshaw release is brought back in print by the Tompkins Square label, who on the back of last year's 'Cloud Of Unknowing' are intent upon reintroducing the guitarist' back-catalogue to his growing legion of fans (of whom there is almost certainly more than 200). 'Lost Prayers And Motionless Dances' is a single thirty-five minute composition, opening with droning harmonium passages and only…
Sunshrine
With a mindblowing track gracing this weeks phenomenal ‘Gold Leaf Branches’ compilation, James Blackshaw's brilliant "Sunshrine" album is finally being made available on cd. At only 23 years of age, Blackshaw has already mustered up enough talent on the guitar to put many more renowned acts to shame. His gorgeous finger picked melodies on 12-string guitar are incredibly affecting and a stark contrast to the ragas and ragtimes of peer Jack Rose. Instead of concentrating on replicating a sp…
Celeste
Another Tompkins Square reissue of early James Blackshaw material, and this is about as early as it gets: Celeste originally surfaced on Celebrate Psi Phenomenon a full five years ago and set the blueprint fr just about every solo recording he's made since. While the first part of the album finds Blackshaw in solo 12-string mode, the second deviates from the well-trodden Takoma-styled path and heads into an effects-laden drone composition. This sort of style-melding approach would come to…
Litany Of Echoes
It was once easy to think of James Blackshaw as an inheritor of the Takoma tradition, a school of searching acoustic guitar playing pioneered by John Fahey, Robbie Basho, Leo Kottke, and others in the 1960s. But listening to the English guitarist's new album, it's clear it's not that simple. While echoes of those three and some of their contemporaries are still present in Blackshaw's music, these days you can hear just as much Terry Riley and Philip Glass in his work. His synthesis of acoustic e…
Three-Lane Blacktop
"Limited to 300 copies LP that bundles a bunch of great performances from the first Charalambides trio line-up featuring Tom and Christina Carter alongside Jason Bill (later of Migrantes). Two full sets that catch the group breaking out from their early Texas-psych sound into a whole new free/folk mutant, with Christina’s jubilant, spooked vocals over rattlesnake guitar and a wash of F/X. Still one of the most important – if relatively unsung – underground rock groups of the past decade p…
How Low Can You Go?: Anthology of the String Bass 1925-1941
The first anthology ever of the string bass; A 3CD box set in a cardboard box; 96-page book. Original recordings from 1925-1941, from the legendary archival label Dust-To-Digital (that previously brought the world the beyond-elaborate Goodbye, Babylon and Fonotone Records boxsets). "Not so long ago, the string bass stood tall and proud -- roughly the length and breadth of a poor man's pine coffin -- in every musical aggregation throughout the land from Bangor to Buenos Aires, from the hi…
E Pluribus Unum
a pure mantra: blending North African and Middle Eastern textures within a western context into our experience, regrettably the experience of a small few, but hopefully a wider community of listeners to come. Not only important historically, but musically: a wide range of music genres over the last couple of decades have worked with drone-note principles and it is an increasingly common device, but Sandy Bull was/is a superlative master of utilising the drone sounds;understated but effect…
III
Picking up the threads with ease, Espers III was intended to be an aural reversal of the layered sound of II. The goal was to record fewer tracks in order to achieve a stronger, more oxygenated sonic presence. Where II was almost claustrophobic in its density and darkness, III was envisaged as being somehow lighter, effervescent; perhaps even of a cheery disposition at times (whoa there! Don't go not breaking our heart, Espers). Under these auspices, recording started in late 2008 and spi…
Our Bed Is Green
With ethics that even Igor Stravinsky would be proud of, 'Our Bed is Green' was originally released by the Charalambides on cassette way back yonder in 1992 before it made it onto CD then vinyl and now back onto double CD as part of Kranky's reissue series. Comprised of heavy-psych veteran Tom Carter and Christina Madonia, Charalambides are an aural vulture that picks through disperate genres and styles to find the sound that best matches that in their heads. Opening with the overt fragili…
Likeness
Likeness is the newest release from the duo of Tom and Christina Carter. Recorded over a period of several weeks during the Spring of 2006, the album is a return to the spontaneous composition of previous Charalambides records such as Houston and Union. With the exception of "The Good Life", which appeared in a primitive version on the Wholly Other CDR Home, all of the tracks on this release sprung forth after 'record' was pressed, and were fleshed out via overdubs, editing, and a malfu…
Joy Shapes
To say that the words "unique" and "singular" are over-used in describing music is to state the obvious. To apply these words to the sounds created by the various duo/trio configurations of the Texas group Charalambides over the last decade plus would be understatement. To be sure there are numerous antecedents to their music; to deny this of any artist's work would be akin to saying that they are deaf. But they have surely broken new ground in the primitive/folk/mystic/improv/psych valley in …
Have One On Me
Destined to be one of the top album of the year, finally Joanna Newsom releases her first album since late 2006's Ys, making up for lost time with a disc for 2008, one for 2009 and one for today. Featuring Ryan Francesconi and Neal Morgan from Joanna's Ys Street Band, Have One On Me is an extravagantly packaged (and extravagantly nicely-priced) collection of fantastic new Joanna Newsom songs -- her most colorful record to date.
Luck In The Valley
LP version, presented in an old-style tip-on jacket with a hand-pasted letterpressed cover, limited edition...Like all pre-war recordings and all of Rose's releases, this album was recorded live. It was not created using overdubs but rather by recording a few 'takes' and selecting the best performance out of those. Rose stated, 'I wanted the songs to have an immediacy and spontaneity as they were being recorded. All the musicians chosen for the record know how to play the songs withou…
A Scholar And A Gentleman: The Best Of Davy Graham Decca
TOP REISSUE "My favourite Davy Graham story was told to me by a poet who gave a recital backed by the guitarist at the Edinburgh Festival in 1967. They were part of a group driving northwards in a van up the M1 motorway. Suddenly he looked at the seat next to him and, in a panic, saw that Graham had disappeared. Where to? The question was soon answered by the appearance of a pair of boot heels resting on the windscreen. Graham, who had somehow managed to climb out onto the roof of the van…
Smoke Song
Third in a trio of limited edition new LP’s from the ever mysterious Vibracathedral crew, returning from another relatively quiet period with an uncompromising set of outre’ jams. Slightly reorganized around a lineup of stalwarts Mick Flower and Adam Davenport with frequent collaborators John Godbert (Total) and John Moloney (Sunburned Hand of the Man), the band here stretches way, way out over these six sides, taking in several different styles while maintaining “that” sound all the way through…
The Secret Base
Second in a trio of limited edition new LP’s from the ever mysterious Vibracathedral crew, returning from another relatively quiet period with an uncompromising set of outre’ jams. Slightly reorganized around a lineup of stalwarts Mick Flower and Adam Davenport with frequent collaborators John Godbert (Total) and John Moloney (Sunburned Hand of the Man), the band here stretches way, way out over these six sides, taking in several different styles while maintaining “that” sound all the way throug…
Joka Baya
First in a trio of limited edition new LP’s from the ever mysterious Vibracathedral crew, returning from another relatively quiet period with an uncompromising set of outre’ jams. Slightly reorganized around a lineup of stalwarts Mick Flower and Adam Davenport with frequent collaborators John Godbert (Total) and John Moloney (Sunburned Hand of the Man), the band here stretches way, way out over these six sides, taking in several different styles while maintaining “that” sound all the way through…