Folk /
For The Sake Of The Song
Originally released in 1968 For The Sake Of The Song is a re-issue of Townes' well known debut album. Produced by Jack Clement (Charley Pride, Chet Atkins, U2 etc.) and featuring original liner notes by Mickey Newbury, Townes Van Zandt went on to cement his status as a cult icon among gifted song writers.
Delta Momma Blues
One of four new CD reissues of the early albums of renowned songwriter Townes Van Zandt. Recorded between 1969 and 1978, these albums are the heart of any serious consideration of Van Zandt's brilliant career. Features some of the most iconic cover art in album history, each designed by Milton Glaser.
Be Here To Love Me
Be Here to Love Me is the official soundtrack from a docmentary film by Margaret Brown about Townes Van Zandt. The music on these two discs is largely taken from Van Zandt's catalog on Tomato, but there are a couple of live cuts and alternate versions of previously released cuts contributed by his longtime manager Harold F. Eggers These include "Nothin'," "Black Crow Blues," and "To Live's to Fly." There are a few bits of movie audio offered by Brown. In sum, this is a two-disc compilation that …
Dr Ragtime & Pals / Self Titled
Domestic version of Jack Rose's new full length, Dr. Ragtime And His Pals, coupled with a reissue of last year's self-titled CD/LP housed in a custom designed and fabricated off-set printed card cover with j-card style obi (there is also a jewel case version on the UK label Beautiful Happiness). Limited edition of 1000.
In My Own Time
First time on CD, first vinyl reissue. Remastered from the Original Master Tapes. Liner notes by Lenny Kaye (Nuggets, Patti Smith), Devendra Banhart, and Nick Cave. The late Karen Dalton has been the muse for countless folk rock geniuses, from Bob Dylan to Devendra Banhart, from Lucinda Williams to Joanna Newsom. Legendary singer Lacy J. Dalton actually adopted her hero's surname as her own when she started her career in country music.
Karen Dalton had that affect on people -- her timeless, achi…
The Yellow Princess
Originally released in either 1968 or 1969 depending on your sources, The Yellow Princess saw a post-philosophy degree, subculture-aware Fahey branching out from his earlier, more traditional work. He earned his name back in 1959 at the age of 20, with his Blind Joe Death debut album. Following that album Fahey engaged in a wide stylistic range, from Appalachian-style fingerpicking to delta blues, but this album and its partner Requia, both for the Vanguard label, took Fahey to places for which,…
Providence
New Zealand based Stefan Neville is Pumice. My first contact with his music was 'Pumiceraft' (Last Visible Dog, 2004), one of the best record of the last 10 years if you ask me. This new single ep, offers 4 songs recorded in US in 2006, during his residence at AS 220, Providence, RI. And it's supposed to be the new Pumice classic! Tracks sound like a beautiful mix of psyche-pop songs and near-droning rock, all mixed in a lo-fi punk style! Have a listen to the most fragile approach to pop music e…
Best Of Fahey V2 1964-83
this now deleted compilation concentrates on Fahey’s best work from his later years(1964-83) at Takoma, presenting many tracks new to CD. Also included are three tunes from his long-lost and unreleased Takoma album, "Azalea City Memories", as well as a long work, ‘The Fahey Sampler’, rare and unheard for many years
The Best Of John Fahey: 1959-1977
long deleted album by John Fahey, simply one of the most original & expressive guitarists ever, created the "American Primitive Guitar" genre w/his 1st Takoma Records release in 1959. This new comp concentrates on his best work from his later yrs at Takoma, much never available on CD. Also included are 3 tunes from his long-lost & unreleased album "Azalea City Memories," as well as a long work "They Fahey Sampler" rare & unheard for many yrs
From The Bottom of an Old Grandfather Clock
Subtitled: A Collection of Demos and Outtakes, 1966-70. Described by Mojo magazine as 'Britain's pop Salinger,' the reclusive Bill Fay cut the classic 'Screams In The Ears'/'Some Good Advice' single in 1967 before making two dark singer-songwriter albums for Decca, at which point he opted for public silence. This CD features 25 stunning, previously-unreleased late '60s demos. Baroque '60s pop at its finest, this important release includes new quotes from Bill. 2004 release.
Bashovia
Drawing his name from a Japanese poet, his musical style from eastern raga sounds and his sartorial style from American Indians, Robbie Basho was eclectic and eccentric. He was also one of the most gifted and original acoustic guitarists that the John Fahey/Leo Kottke/William Ackerman axis produced. Recording for Fahey's Takoma Records, and being cited by Ackerman as a principal influence on the founding of Windam Hill Records, never produced the kind of fame and acclaim that Basho's prodigious …
The Transfiguration of Blind Joe Death
Another of Fahey’s most highly regarded records, ‘The Transfiguration of Blind Joe Death’ was recorded in 1965 and shows Fahey on absolutely blistering form. The guitarist Leo Kottke has named this record as his favourite in Faheys 35 album back catalogue, so there must be something quite special about it right? Well there certainly is, this is his finest blues album, moulding the sound to his taste, fitting in ragtime and Indian classical music in there somewhere to come out with a breathtaking…
Live in Tasmania
The only legally issued live recording by John Fahey came about through an unusual set of circumstances in 1980. Allegedly Fahey was touring Australia and decided on the spur of an inebriated moment that he wanted to play in Tasmania. A hall was booked at Hobart University, an audience rounded up, and the resulting show was recorded. There was no sound check and a large part of the concert was performed for the first time or improvised on the spot. It is quite possible that the audience had prob…
Death Chants, Breakdowns & Military Waltzes
Opening with the incredible 'Sunflower River Blues' (covered recently by Jack Rose) this is easily one my favourite of Fahey's albums. It's by no means the best, or the most technically accomplished, but as an enjoyable piece of music from beginning to end, this just does it for me. This particular cd collects tracks from both the 1963 session and the 1967 session of the album, and it's interesting to hear the differences between the recordings. In four years Fahey's outlook changed a lot, so ra…
Days Have Gone By
Every decade John Fahey's work creates a wave of followers all trying to fuse acoustic blues with the Indian and Western classical traditions. What most of them miss when studying their hero's albums is his knack for crafting wonderfully infectious tunes. Sure, Fahey is totally avant garde, as he descends into esoteric tunings and maze-like picking. But that never prevents an album like 1967's Days Have Gone By from making listeners hum, clap and whistle along. This is folk music, after all.
God Damn Religion
This film is a diabolical experiment in hypnotic mind control-a phantasmagoric presentation of demonic & divine imagery, meticulously assembled & designed to put the viewer into an altered state of darkened awareness. First edition comes w/ bonus audio CD of the quasi soundtrack Elektronika Demonika. Official dvd release of Richard Bishop's cracked movie God Damn Religion. First edition comes with a bonus audio cd of the quasi soundtrack Elektronika Demonika. For centuries, man has used organize…
While My Guitar Violently Bleeds
Violently Bleeds" This is an essential document by one of America's most original & inventive unaccompanied guitarists working today. It's a splendid three piece gem in which the good Sir branches out & nods to points west, east & otherworldly. Classic spaghetti western tinged spidery fretwork, Fushitsusha style feedback drenched psych decay & a brilliant lengthy raga epic round out the proceedings by the SUN CITY GIRLS master musician“Bishop displays a virtuosity that borders on the flabbergast…
Some Things Just Stick In Your Mind (1964-1967)
The accidental matriarch at the head of the recent folk revival, Vashti Bunyan had been championed by everyone from Devendra Banhart, Joanna Newsom and Adem as one of folk music's great lost voices. After the reissue of her 1970 LP Just Another Diamond Day, Vashti was coaxed out of retirement to record the Max Richter-produced Lookaftering, an album which featured guest appearances from many of the nu-folk crowd's movers and shakers and formally reintroduced her to the contemporary music scene. …
Give Me Love: Songs of the Brokenhearted: Baghdad, 1925-1929
In the mid-1920s, The Gramophone Company sent representatives into Iraq to investigate the indigenous music found in its record stores and performance halls. Their research laid the foundation for sessions that produced almost 1,000 recordings. The selections on this disc, restored from their original 78s, present a compelling multicultural portrait of Iraq that is all but forgotten today.Rural Arab folk singers, Kurdish violinists, professional Jewish musicians, and prostitutes share equal bill…
Tan-Tan Therapy
This is the seventh release for Tenniscoats, the Tokyo area-based husband and wife team of Saya and Takashi Ueno, and their first for the Häpna label. They are also members of the Japanese music collective Maher Shalal Hash Baz. On Tan-Tan Therapy, they distill the experiences of the last two years, when Tenniscoats and Tape (Andreas and Johan Berthling, Tomas Hallonsten) have socialized, toured together and exchanged musical ideas. The album gives a slightly new picture of Tenniscoats. Found he…