Jazz & Improvisation / All styles

This is the second incredible album which the Brazilian bossa combo did in the US for A&M Records, during the brief time when they were expanded to a quartet from the original Tamba Trio lineup. This album can be considered a masterpiece that combines their original style with American sophistication. The set is completely sublime. A wonderful mix of the group's trademark harmony vocals and crackling bossa rhythms, with the warmly flowing CTI production style of the time – not funky like the CTI…

** 20220 ** Available on vinyl for the first time in 40 years, Outernational Sounds is proud to present a masterpiece from the Los Angeles jazz underground – Horace Tapscott’s burning, spiritualised 1978 set, The Call. One of the unsung giants of jazz music, the composer, bandleader, arranger, pianist and community activist Horace Tapscott was the undisputed keystone in the grassroots Los Angeles jazz scene. Throughout the 1960s and 1970s, his radical community arts and music formations the UGMA…

"The meaning of "cadenza del crepuscolo" ("dusk cadenza") can be interpreted in a variety of ways. The most profound is the one corresponding with the implicitly slow flux of thoughts and reflections that emerge as we sense the day fading away, possibly in a moment of somewhat regretful oscillation between an unknown tomorrow, what we have already experienced and now miss, and the unexpressed potential of what we long for, but have not yet achieved (and perhaps never will). The sympathetic music…

For Anyone That Knows You, an album of mostly piano solos by Josiah Steinbrick, was recorded not for smoothness or posterity but to emphasize the piano as object, the person playing it, and the moment it sounds. On three of the pieces, the saxophone of Sam Gendel hovers over the piano like a faint change in the light, adding resonance and gentle reinforcement rather than counterpoint. Three others are delicate renditions: “Green Glass” interprets an untitled recording by Quechuan folk musicians …

Recorded in 1957 when Lee Morgan was only 19, and released on Blue Note in 1958, "Candy" sees the young trumpet genius as leader of a marvelous quartet featuring the infectious rhythm section of Sonny Clark on piano, Doug Watkins on bass and Art Taylor on drums. Being Morgan the only horn he has plenty of space for showing his innate sense of swing and melody. The whole quartet shines throughout a repertoire based entirely on standards including both up tempo numbers and ballads.

*2024 stock. 300 copies limited edition*  the music on Lines and Dots is subtle yet tough, sinewy and risky in all the right ways. Splitting the difference between free jazz and post bop, Ahlén and his crew manage to sound distinctive...these fellows play like cagey, seasoned veterans; necessarily because of the way Ahlén's music balances composition and free improvisation...Filled with fresh, fascinating sounds, Lines and Dots is an impressive debut!”4.5 stars out of 5 /Dave Wayne, Allaboutjazz…

2024 restock **300 copies** Great live set with a sextet featuring the cream of young jazz Sweden playing the music of South African jazz legends like Chris McGregor, Louis Moholo and Dudu Pukwana. Nice spiritual / cape jazz vibes through all four sides, listen to The Bride and Khanya Apho Ukhona. With Sebastian Bergström, Elin Forkelid, Konrad Agnas, Ville Bromander, Niklas Barnö and Anna Högberg. Comes in beatiful gatefold cover, with insert and bonus CD."The group Oya Sextett plays Chris McGr…

*2024 stock. 300 copies limited edition* "Startling, fresh, and risky, the music of Brända Broar is yet another pleasant reminder that jazz is youthful, alive and well, all over the world." - Dave Wayne

2024 stock. 300 copies limited edition With roots in the '60s free jazz and contemporary improvised music, the initiative is a non-hierarchical and norm-critical collective. The music is characterised by the joy of playing and the free improvisations, placed in long-composed suite forms. Hard swing, wild improvisations and lyrical melodies melt together in unexpected combinations and give each other new colours and spiritual depth.  "The Initiative brilliant music do nod to past masters, especia…

The combination of Espen Eriksen Trio and UK saxophone giant Andy Sheppard is truly a match made in jazz heaven, and in the words of Andy: "I knew from the first time I heard the trio play that I would fit right in. I loved the melodic sense and vibe and was thrilled when I was invited to guest with the trio in London in 2016." The common conclusion drawn in reviews of their first album Perfectly Unhappy was simply "more, please," and now Rune Grammofon is delighted to introduce As Good As It Ge…

It´s not often a "jazz" band take the big step from the club scene to a 1300 capacity rock venue like Oslo´s Rockefeller. But then again, Elephant9 is not your ordinary jazz band, often being named as Norway´s best live band - surely quite rare for an instrumental band - they are equally popular in jazz and rock circles. Here Elephant9 once again join forces with Reine Fiske - who brings another dimension to the band - for an epic slice of mindblowing modern rock´n´jazz prog psychedelia. The cor…

The lesser-spotted jazz atoms that formed the fusion of Futurist Flanders! It might sound like an ambitious claim but having been a firm fixture at the top of many European jazz collector want lists over the past decade Finders Keepers wouldn't be alone when proclaiming this extremely rare, lesser-known two-track 7" from 1969 as one of the best jazz 45s of all time! Alongside Polish pianist Krzysztof Komeda's soundtrack 7" for the film Cul-De-Sac and ranking closely with François Tusques' commem…

Skylla is the debut solo recording of Italian-born and London-based composer, bassist, and vocalist Ruth Goller. This album of otherworldly detuned bass harmonics and dense vocal arrangements was initially released in 2021 by longtime collaborator Bex Burch’s Vula Viel Records, and quickly went out of print. Since then Goller’s notoriety has only grown, and her follow-up record, Skyllumina, was released by International Anthem in early 2024 and met with high praise. Skylla is the genesis of her …

Temporary Super Offer! As one of the three inaugural 1976 releases to ignite the mythical Mustevic Music catalogue, David Wertman's elusive Kara Suite LP was the first record to turn jazz drummer Steve Reid's vanity imprint into an bona fide cooperative record label with a multi-artist repertoire. Entrusting his own bass player with the limelight, Reid's unlikely A&R decision would typify his oblique strategies and challenge the common perception of a soloist within jazz's shifting landscape. Dr…

2024 lucky restock. A mind blowing archival double cd centred around Laurie Scott Baker, who has been involved in experimental music since he was a teenager. A pioneer of live electronics and graphic scores back in the 60s, a member of the Scratch Orchestra & Peoples Liberation Music with Cornelius Cardew, played many first performances of new music. Gracility comes out of the development of free improvisation & groups such as Scratch Orchestra etc. & the general questioning of the music establi…

“When foraging for mushrooms, you never know what the forest has to offer that day – who you will meet, what will make you stop in your tracks. But with an open attitude, you will always find something interesting.” It was this mindset this album was recorded with. The Hämeenlinna-based band consists of Victor “Pascal” Tokpanou on percussion, Tuure “Baya” Tammi on keys and trumpet, Ville-Pekka “Ray” Järvinen on bass and, Juha “Murray” Sarkkola on drums. They have played together for a long time …

**English/German edition. Hardcover**  With Watching with my Ears, the Wuppertal artist Jorgo Schäfer presents the works he has made over 20 years during the Vision Festival in New York. The Vision Festival is an annual world festival of free jazz (free improvised music, avant-garde jazz, etc.), where other arts such as dance, poetry, spoken word and visual arts also play an important role.  „When the Wuppertal bassist Peter Kowald invited me to the Vision Festival in New York in the summer of 2…

Super Tip! * English version. 400+ pages, large-format book, very heavy * This book is dedicated to the history of the music label Free Music Production (FMP), which from 1968 to 2010 achieved incomparable things as a Berlin platform for the production, presentation and documentation of music. Based on many conversations from over thirty years with key protagonists such as Peter Brötzmann or Jost Gebers, Markus Müller tells the success story of a musicians‘ initiative that emerged in the context…

No music swung as erratically between extremes as his: folk song, march or acoustic apocalypse – anything was possible in the cosmos of Albert Ayler’s soundscapes. With his furious instrumental glossolalia and his pathos-laden ballads, the musician from Cleveland, Ohio quickly became the most radical of the Sixties free jazz expressionists. In his hands the saxophone became a different instrument and even John Coltrane’s late work was unmistakably shaped by the influence of his younger colleague…

The 14th Darmstadt Jazzforum held in October 2015 focused on different aspects of identity in jazz. The participants talked about the perception of female instrumentalists, about „male“ or „female“ sound, about homosexuality, about references to the body as well as about the denial of the erotic element in music, about Jutta Hipp, Ivy Benson, Clare Fischer, Sun Ra and others. The conference participants looked at jazz history, but they self-confidently also looked at the jazz scene of today. The…

London-based experimentalists Kinkajous have announced their new studio album, Nothing Will Disappear, set for release on October 18th via Nottingham's Running Circle label. Maximalism at its most subtle and tender – ambient music at its most rejuvenated. There are echoes of Sam Shepherd's collaborative work with Pharoah Sanders as Floating Points, and the subtle timbre shifts of Jon Hopkins and James Holden more so than their capital-"J" jazz contemporaries. A marked step-up from their previous…

Biggest Tip! Limited Edition LP. Deluxe 180-Gram Reissue. Special Gatefold Edition Including Original Artwork. Again, we have the reissue of a true holy grail in our hands (yeah, we know holy grail gets thrown around a lot these days, but, if ever there was one, this is it) - Pharoah Sanders's absolutely astounding “Love In Us All”. Raw and emotive, soulful and thoughtful to points of profound depth, and entirely liberated and free, as well as one of the hardest, rarest Pharoah Sanders albums to…

Big Tip! Rapid Light is the inaugural quartet in Lauritz Heitmann Skeidsvoll's personal repertoire, established during the winter of 2023. The quartet recorded this album in February 2024 in Studio Paradiso, Oslo, Norway - Collaborating with the talented sound engineer Christian Engfelt. Rapid Light is born out of a desire to cultivate a vibrant, dynamic, and inclusive musical environment where musicians can flourish and collaborate. The melodies in orchestral film music have always captivated t…

A fantastic addition to the Barney Kessel catalog of the 50s – a never-heard live set that has the guitarist in form that's every bit as strong as his famous albums for Contemporary Records! In fact, the strength of the recording may well capture Kessel at a level that beats those sessions – as Barney's playing live, with a bit more bite – and really grabs us with the strong tone on his solos – and the sense of energy he gets in a quartet that also includes a young Pete Jolly on piano! The recor…

Jobim is the eighth studio album by Antônio Carlos Jobim recorded on December 1972 at New York City. Though this is one of the more obscure Jobim albums, it did introduce what some believe is Jobim's masterpiece, the hypnotically revolving song "Aguas de Março" (heard here in Portuguese and English versions).

Brûlez les meubles is a dual-headed jazz project led primarily by Éric Normand (Rimouski) and Louis Beaudoin de la Sablonnière (Montreal). Born from their mutual passion for each other’s eccentric musical worlds, this duo is known for collaborating with experimental improvisers and renowned artists. Their music is abstract and meditative, both modern and simple, drawing inspiration from jazz guitar legends such as Jim Hall, Bill Frisell, René Thomas, and Brandon Ross. Their fifth album, Folio #5…

Together Chris Corsano and Paul Flaherty have re-written the concept of modern free-jazz with their post-hardcore punk style approach of euphoric togetherness. Ferocious, spontaneous, explosive and aggressively lyrical, they've established their groundbreaking duo with loads of shows and a host of tremendous recordings. When tales of C. Spencer Yeh's Burning Star Core project reached Corsano/Flaherty, the duo were eager to see him jam. Fortunately, fate brought them together at the DeStijl/Freed…

Silent, Listening is a major addition to ECM’s distinguished line of solo piano recordings, featuring one of the outstanding improvising pianists and jazz masters of our time: Fred Hersch. The album features seven original creations and a handful of well-chosen standards, including Billy Strayhorn’s “Star-Crossed Lovers”, Sigmund Romberg’s “Softly, As In A Morning Sunrise”, Alec Wilder’s “Winter Of My Discontent” and Russ Freeman’s “The Wind”, all played with the focus, sensitivity and gracefuln…

With “daring and visionary spirit”, to quote a Downbeat review from the year of this album’s release, master improvisers John Abercrombie, Dave Holland and Jack DeJohnette forged a unique vision of trio interplay on their first joint effort under the Gateway moniker. The trio tackles Dave Holland and Jack DeJohnette originals with a visionary idea of what three-way conversations in jazz could sound like. As The Observer remarked in an article of the time, “the telepathic ensemble playing and per…

Charismatic trumpeter Avishai Cohen launched his exuberant, home-grown band Big Vicious six years ago, after relocating from the US to his native Israel, rounding up players to shape the music from the ground up, and co-authoring much of its newest material together with them.  The group is an association of old friends. “We’re all coming from jazz, but some of us left it earlier”, Avishai says, summing up the stylistic reach of his cohorts. “Everyone’s bringing in their backgrounds, and that be…

Hot on the heels of Old Friends, New Friends comes Old And New Dreams, an operation meant as a new flagship for Ornette Coleman, whose lack of enthusiasm for the project left a gap duly filled by Dewey Redman. The result is this delightful excursion into post-bop outlands that sounds as alive as ever. Two Coleman pieces comprise nearly half of its duration—which is saying much, for like many of ECM’s joints of the 70s, this one breezes by in under 50 minutes. The first Coleman piece, “Lonely Wom…

*2024 stock* Andy Sheppard’s quartet extends the musical explorations begun on the 2015 release Surrounded By Sea, an album praised by Télérama for its “poignant serenity.” In this new programme of compositions by Sheppard (plus the title track by Brazilian singer-songwriter Renato Teixeira), the drones and washes of Eivind Aarset’s guitar and electronics – aided by the generous acoustics of Lugano’s Auditorio Stelio Molo RSI – help to establish a climate in which improvisation can take place. T…

After critically-acclaimed ECM recordings with the Maciej Obara Quartet (Unloved, Three Crowns), Polish pianist Dominik Wania delivers a solo album recorded in November 2019 in Lugano. Wania’s sensitivity to touch, tone and texture is informed by his classical background. But he also has the in-the-moment instincts of a great improviser, acutely focused on the unfolding details of the music in the responsive interior of the Auditorio Stelio Molo studio. The balancing of influences from both disc…

Sounding as fresh today as it did in 1973, Seven Songs places the Gary Burton Quartet in an orchestral context, with compositions of Michael Gibbs – inspired by Messiaen and Charles Ives as well as Miles and Gil Evans – and exceptional soloing by Mick Goodrick, Steve Swallow and Burton himself. The production is exemplary: Seven Songs set a new standard for recordings of orchestral jazz. While there is still a handful of ECM titles from vibraphonist Gary Burton that remain unreleased on CD, perh…

The Great Sun Ra’s Magic Lives On in Debut Album from Old Friends Michael Sarian, Matthew Putman, Federico Ughi, and Newcomer Ledian Mola

"Sofa is delighted to announce the Italian musician and composer Andrea Giordano (b. 1995)’s Àlea, a suite for large mixed ensemble in which Giordano also performs as vocalist and multi-instrumentalist. Dedicated to Giordano’s friend and mentor, the Italian jazz musician and pedagogue Alessandra Giachero, who died unexpectedly in 2020, Àlea is at once a lament and testament to Giordano’s multifarious musicianship. In dense, rending orchestration, the artist shows us the multidimensionality of gr…

The Last Temple vol. 1 - vinyl 9" EP (Yes! 9 inch! lathe cut, cut in real time by Uncle Gusstaff in Witold Gombrowicz Studio in Zielona Góra, Poland). The Last Temple is a live recording of this extraordinary trio at the Alchemia in Krakow on 16.03.2024.The Trzaska, Haker Flaten, Nilsen Love trio played a concert tour in Poland in March 2024. A combination of one of the most famous sections of the world's intuitive jazz (e.g. The Thing) and one of the most famous representatives of the domestic …

Tip!  *300 copies limited edition* ‘L’album vert’ is a compilation of asynchronous steps for an imaginary dance foor. A strange but amusing place were eyes listen in and ears peek around. Glass breaks, someone stumbles, something always happens. The dancers inevitably hop to moments of tension of which they free themselves again and again. Almost always there is some kind of beat. Not the kind of beat that makes the hips wiggle, but rather the pulse of a crooked factory or a quirky steam engine …

** First ever standalone vinyl reissue. Carefully remastered. 4 page booklet with rare and unpublished photos. Heavyweight 180 gr. LP ** While he was working on the repertoire for the new version of his group Malagasy, with young Malagasy musicians he had met in Paris in 1972 (and who can be heard on the album "Malagasy At Newport-Paris"), Jef Gilson realised that two of his new discoveries, in addition to being established polyinstrumentalists (who both had sharpened their skills in the legenda…

Reissue, originally released in 1971. Solaire, Siegfried Kessler, that is the least you can say! Aged four: learns piano. Aged six: his first concert. After this: studies classical music like everyone else... until the jazz of Jack Diéval and Stan Kenton turned everything upside down. So, it was goodbye to Bach... And hello to Dexter Gordon, Joe Henderson, Ted Curson, and Archie Shepp (who he would accompany over a long period). In 1969, with Yochk'o Seffer, Didier Levallet, and Jean-My Truong, …