Jazz & Improvisation / All styles

** 2021 Stock ** Alice Coltrane Turiyasangitananda self-released four brilliant cassette albums. These contained music, inpired by the gospel music of the Deroit Churches she grew up in, and the Indian devotional music of her religious practice. Originally available only throughh her ashram, they are her most obscure body of work. Turiyasangitananda’s devotion to spirituality was the central purpose of the final four decades of her life, an often-overlooked awakening that largely took shape duri…

First ever international reissue of one of the most sought-after albums from the Black Fire catalogue, Lon Moshe & Southern Freedom Arkestra’s life-affirming ‘Love Is Where The Spirit Lies’ from 1977. “Lon was creating his own path in his music life at this time,” remembers Black Fire’s Plunky Branch. “We had met in San Francisco and he had become an original member of JuJu during the early ‘70s. He then wanted to pursue his own music, primarily in jazz; he was an avant-gardist and loved Tribe, …

** 2021 Stock ** Solo is a solo album by American jazz saxophonist Roscoe Mitchell which was recorded in 2003 and released on Mutable Music as a three CD set. Disc one, titled "Tech Ritter and the Megabytes," is the most varied and interesting of the set. Released by itself, it would have a claim as Mitchell's best solo effort ... This CD offers a compelling balance between composition and improvisation, long and short, abstract and melodic. The second disc, titled "Solar Flares," is entirely de…

Taco Bells has been playing their own music since 2006 and mostly with various friends as addition to the trio. Also the previous LP Vadelma / Hawaii (Ikuisuus 2009) came up from the first meeting of the Finnish master Pekko Käppi and Taco Bells in Helsinki 2007. Taco Bells doesn't play too much at private rehearsal places for themselves. Usually there's always at least tiny audience following the situation. Galleries, tours, weddings, bars, cellars… Recordings of Vinterströssel were made in a t…

** 2021 Stock ** BGO presents Phase III and Live by The Don Rendell Ian Carr Quintet. CD 1: Phase III: Recorded in London, February 23, 1967. CD 2: Live: Recorded in London, March 18, 1968. The Don Rendell - Ian Carr quintet, created in 1963, was,a small Brit jazz group that took the country by storm and was well received in Europe and in limited circles in the United States. The band developed a unique sound that came out of hard bop and moved through many different phases, developing a unique …

If musical accomplishment is anything to go by, the members of the Ohio Penitentiary 511 Jazz Ensemble would immediately be given their pardon. Their privately-pressed LP from 1971 is a legend in obscurity, and a master class in what can be achieved in the most trying of circumstances. The 511 Jazz Ensemble was made up entirely of serving prisoners in the Ohio State Penitentiary. It was founded in 1971 to give those prisoners with a musical aptitude an opportunity to be productive and creative. …

CD Edition. Jazzman presents the definitive anthology of pioneering ethno-musicologist, mystical adventurer and real life jazz guru Dr Lloyd Miller. This album tells the fascinating life story of one man and his journey through Europe and the Middle East, living off nothing but his wits, talent and an open-minded attitude towards music and jazz.Master of dozens of languages and hundreds of instruments, Miller has spent fifty years immersed in the music of Europe, Asia and the Middle East.Featuri…

After releasing their Warner Bros. debut, the Herbie Hancock Sextet underwent a major transformation in the early '70s. Over the course of a year, every member was replaced (except Herbie Hancock himself and bassist Buster Williams) and each adopted Swahili names. (Williams even led the group in occasional sessions of Buddhist chanting.) Hancock chose the moniker Mwandishi (meaning 'composer'), and the Sextet became unofficially known as the Mwandishi Band. The lineup's first album -- simply tit…

A live performance recorded on February 25, 1968 at the Affro-Arts Theater, a cultural center in Chicago operated by Philip Cohran from 1967-1970. This concert was a tribute to the late Malcolm X in the form of a suite of 4 tracks, each capturing a period of his life, 'Malcolm Little,' 'Detroit Red,' 'Malcolm X,' and 'El Hajj Malik El Shabazz.' The personnel and instrumentation are almost identical to Cohran's 'On the Beach' session. This historic and mesmerizing concert was originally an LP iss…

Yet another masterpiece from the archives of Phil Cohran. Armageddon was conceived in 1958 and written down in 1963. After performing with Sun Ra and benefiting from the teachings of the Honorable Elijah Muhammad, Phil Cohran's compositions changed decidedly, and he began to focus on cosmology and culture. This particular performance was recorded live at the Afro Arts Theater at 3900 S. Drexel in Chicago on February 11th, 1968. It has never been released and practically unheard in over 40 years.…

* Featuring contributions from the queen of afrofuturism, June Tyson. Includes a bonus cut from the same sessions, not available on the original LP. * True studio albums of Ra with the Arkestra are rare on this planet or beyond. This studio saucer is an interplanetary interpreter, here to convert even the faintest of heart to the sounds of Sun Ra. Recorded with Arkestra veterans at the same NY studio that hosted countless Sun Ra sessions since the late 60s, this first ever reissue of Celestial L…

First-ever American CD edition of this lost classic, recorded "live" during ESP's 1966 New York State College Tour. The "piano harp" credit is Burton Greene's way of noting that he plays inside the piano, directly on the strings – the first jazz pianist to do so on record, taking a page from avant-gardist Henry Cowell's book. In his notes to the original LP, included complete in this reissue, Greene writes, "The tour found people largely unexposed to this music. They were often shaken up. Some w…

"Tools Of Imagination is one of the newest albums, recently released by Fundacja Sluchaj. The music was recorded by great duo – Evan Parker (tenor saxophone) and Eddie Prevost (drums, percussion). Both musicians are great famous jazz masters. Their improvisations always are played with passion and have expressive, live and bright musical language. The music is based on avant-garde jazz and free improvisations. Musicians like to improvise spontaneously – they are the masters of creative, colorful…

We don't need to explain anything. Pianist Agusti Fernandez and bass player Barry Guy, probably two most important and creative masters of their instrument and incredibly creative musician work together with great success from many years. Recently they invited to company a young Catalan saxophonist Don Malfon, one of the most promising voice on the scene. Result? Fully improvised cycle of seven miniatures recorded live on Kultur-Schranne in Dachau (Germany) that portray these marvelous artists i…

Fundacja Słuchaj! presents Room of the Present by Guillermo Gregorio, Damon Smith and Jerome Bryerton. Recorded by Todd Carter, Experimental Sound Studio, Chicago 2007 & 2008. Mixed & mastered by Ryan Edwards. "Madipiece 1," "Madipiece 2," "Coplanar 1+2," "Moholy 2," and "Otra Musica 4b." by Guillermo Gregroio, Copyright Guillermo Gregorio "Cards" by Roscoe Mitchell Art Ensemble Of Chicago Publishing Co. Ascap. This album is structured around two performances of Guillermo Gregorio’s graphic scor…

Fundacja Słuchaj! ‎presents Known / Unknown by Paul Lytton and Nate Wooley.  Recorded January 2018 in Dusseldorf, Germany. Engineered and Mixed/Mastered by Bojan Vuletic. Special Thanks to Bojan and Maciej. All Music by Paul Lytton (GEMA) and Nate Wooley (fourwordseamusic BMI). Paul Lytton photo by Gerald Schauder. Nate Wooley photo Frank Schneeman. Graphic Design: Małgorzata Lipińska. Executive Producer: Maciej Karłowski. It had been awhile since we'd made a real studio recording in which I cou…

Fundacja Słuchaj! presents Scratching Fork by Marek Malinowski, Robert Rychlicki-Gąsowski and Wojciech Zadrużyński. Recorded at A/V Studio in Bydgoszcz, 11-12.11.2017. Recorded, mixed by Artur Maćkowiak. Mastered by Marcin Bociński. All compositions by Marek Malinowski. Photos by Wojciech Woźniak. Liner Notes: Robert Rychlicki. Graphic Design: Zuza Ustjan. Executive Producer: Maciej Karłowski. Special thanks to Tomasz Łuczak.  A place between structure and fluctuation where planning and spontane…

Astral Spirits presents The Ritual and the Dance by Roscoe Mitchell & Mike Reed. Recorded by Michael Huon at the Oorstof concert series. Zuiderpershuis, Antwerp, Belgium, October 22, 2015. Live concert produced by Sound in Motion. Art Ensemble of Chicago Publishing Company, ASCAP. Mastered by Dave Zuchowski. Original album artwork by Roscoe Mitchell entitled Welcome. Photo by Geert Vandepoele. Layout by Nick LaRoche. Roscoe Mitchell: reedsMike Reed: drums, electronics

Originally issued by the seminal imprint Saravah in 1972, and among the most uncategorizable and sought after artefacts of the French avant-garde, Barney Wilen’s Moshi is nothing short of a masterpiece - long holding a coveted spot in the hearts of adventurous listeners and record collectors alike. A wild unkept cultural collage. A series of sonic experiments. A spiritual, psychedelic pilgrimage into the unknown - darting from one continent to the next, each of its tangents building toward a mor…

** Two LPs (Border Crossing + Marcel's Muse) on one CD, in a six-panel digisleeve ** Reissue (from 2004) of the two Mike Osborne albums released by Ogun on LP format now together on CD: 'Border Crossing', featuring the renowned Trio with Louis Moholo and Harry Miller, recorded live at the famous Peanuts Club in Bishopsgate, London, in 1974, and 'Marcel's Muse' recorded in 1977. "Uneven and raw, but full of unflinching magic and flinty beauty." - John Fordham, The Guardian

Live recordings from cosmic-jazz-grandmaster Sun Ra's Arkestra tour in Egypt during the 1970s. 'Dark Myth Equation Visitation', also known as 'Live In Egypt Vol. 1' or 'Nature’s God', was recorded in 1971. Side one of the LP features a recording of a TV performance, including an interview, and side two fronts tracks recorded during a concert in Heliopolis near Cairo. The impact and significance of these few weeks upon Sun Ra can be measured by the growth and development of his output over the ne…

Recorded in ’73 and rejected by tin-eared major label execs in ’75, Crystal Spears (or “Crystal Clear” as it appears on the tape box) subsumes a cathartic brawl between Minimoog and Yamaha combo organ, with percussionists providing tonal textures, and plaintive oboe colliding with roaring electronic keyboards over waves of rollicking marimba, devilishly chattering below the fray. Crystal Spears is Sun Ra’s once lost aural cinematheque! Includes a quad-ra-color Sun Ra poster!Crystal Spears, inten…

The title of Horace Tapscott's debut release is apt, if not self-referential, for indeed a giant of West Coast jazz had awakened with this, the pianist / composer / bandleader's 1969 album for the Flying Dutchman label. Tapscott went on to form two groups crucial to the flowering of modern jazz in the Los Angeles area, the Pan Afrikan Peoples Arkestra (or P.A.P.A.; the name is an homage to Tapscott's predecessor and peer, Sun Ra), which eventually became part of a larger umbrella organization, U…

Legendary British saxsophoneist Evan Parker, and two great improvisers from Denamark Lotte Anker and Torben Snekkestad. Three reed's masters from different generations in beautiful perfomance where logic, philosopy and emotions build astonishing space. Recorded live at “KoncertKirken – Blågårds Plads” in Copenhagen, 24th Of September, 2016 By John Fomsgaard. Mixed And Mastered By John Fomsgaard at Karmacrew. Cover Design: Małgorzata Lipińska. Executive Producer: Maciej Karłowski.

In a time before jazz music went free and ‘avant-garde’ there were a couple of inspired souls who put an emphasize on extended jams and improvised yet melodic parts based on a rather repetitive rhythm background. The result in turning away from the rather artistic and complicated bebop was the modal jazz that came up in the second half of the 1950s and lasted as the leading style until the mid to late 60s when bands either became free avant garde or discovered rock music to boost up their sound.…

For over forty years, the Apostles of Aba have stood as the jewel in the crown of the music scene in Eastern Nigeria. Since their formation in 1973, the band has turned out memorable performances in a variety of styles including rock, soul, funk, pop and reggae. Even today, the Apostles continue to thrill audiences in their hometown of Aba with dazzling shows. Cultures of Soul is proud to present one of the Apostles’ more obscure—yet relentlessly funky recordings: Banko Woman, originally release…

Pat Thomas and Ebo Taylor are the Jagger and Richards of Nigerian Highlife. Drawn together by a mutual love of the genre – and an equally intense desire to stop it becoming moribund and bereft of ideas – Ghana’s two most progressive musicians added a western twist to this traditional form of African music and gave it relevance again. It was by no means a continuous process. Pat Thomas and Ebo Taylor first came together in 1966. Over the decades they’d venture off to play in different bands and e…

The Mighty Flames were a crack bunch of Cameroonian musicians, drawn to Nigeria by the heavy funk sounds booming across the border like musical moths. For a short time in the late sentries they ‘owned’ Port Harcourt, destroying dancefloors with an incendiary sound that burned so heavily that it was phosphorescent. Metalik Funk Band is the band at their most deadly. Willy ‘Pazz’ Nfor is on bass, Nfrackie ‘Jazz’ Song on synth, Didi Lead on lead guitar, Emma ‘Wah Wah’ Baloka on rhythm and Stormy ‘B…

There was a time in the 1970s when the best band in the Nigeria was actually from Cameroon. Rock Town Express, formed out of the ashes of Wrinkar Experience by Yaoundé boys Edjo'o Jacques Racine and Ginger Forcha, hit it hard, hit it loud and hit it funky. Racine and Forcha had been recruited from Cameroon by Dan Ian and after only six months, left them stranded in Nigeria's troubled east. Their first album as Rock Town Express was released on Ginger Baker's ARC label in 1974. This, their second…

By the mid 1970’s in Nigeria, the Biafran War was a distant memory and the music scene in the eastern city of Aba was booming again. Bands like The Funkees, The Wings and The Apostles grabbed the headlines, but the more interesting stuff was coming from smaller groups like the Friimen. The Friimen, or the Friimen Muzik Company to use their official name, were influenced as much by pre-Saturday Night Fever Bee Gees as Jimi Hendrix and James Brown. In Beni Tudumey they had the best keyboardist in …

In 1977 Jake Sollo returned to Nigeria to record his first solo album, Coming Home. His long-term band, The Funkees, had imploded in London. And his big break with the Afro super band, Osibisa, was cut short when he went on strike with Kiki Gyan and promptly got sacked. Rather than sit at a bar and feel sorry for himself, Jake returned to Nigeria and got his mates together – including the aforementioned Mr. Gyan – and headed into the EMI studios in Lagos. The result was Coming Home, a triumphant…

Set up by producer Ben Okonkwo in 1973, the BEN label, and its offshoot Clover Sounds, broke some of the biggest bands outside of Lagos. The Apostles, Akwassa, The Doves, Mary Afi Usuah and Aktion all got their start in the cramped studio in the commercial heart of Aba. The least known – and arguably one of the best bands on the label – was The Visitors. For a short, sweet time between 1975 and 1978, The Visitors were creating the most righteous sounds in the East. We’re talking deep afro-funk w…

First official reissue ever! Nigeria had an utterly strong popular music scene in the 1970s, “Afro Beat” and “Afro Funk” were the hottest musical creations of the day and garage rock oriented bands like Ofege or funky monsters Akwassa were at the forefront of the movement. I deliberately call it their second album despite three albums that were released under the monicker Heads Funk Band with exactly the same line up as Akwassa from 1975 to 1978. However, the main difference between “In the groo…

Before he was Nigeria's self-proclaimed Mr Lover Boy, Felix Lebarty was an upcoming musician in the country's Edo-Delta region. His big brother, Aigbe, was a legendary Highlife bandleader, but Felix paid his dues playing guitar with Thony Shorby Nwenyi and the Collection of Stars, along with fellow 'star' Mighty Flames bassist, Willy Nfor. Perversely, Girls For Sale was released after Lover Boy, the slick disco album that cemented his place in Nigerian music history. It is a collection of tracks…

The eastern Nigerian city of Calabar in Cross River State was colloquially known as Canaan City – a place of lush landscapes, alluring women and delicious cooking. When the Biafra War ended it became a land of milk and honey for bands as well, with jumping venues like the Taj Mahal and Luna Nite Club and a label called Clover, set up local entrepreneur Ben Okonkwo, releasing albums by bands like The Doves, The Visitors, Aktion and The Apostles. The youngest band on the Clover roster was Mansion,…

OFO The Rock Company (originally known as OFO The Back Company) were Nigeria’s first acid-rock band. Blending Hendrix and Deep Purple with shamanism and a pro-black philosophy, they cut their teeth at Fela Kuti’s Afrika Shrine, developing a fearsome live reputation that intimidated every other band in Lagos. No one wanted to follow the guys from OFO, not even Fela himself. Lead by the charismatic Larry Ifedioranma, OFO The Rock Company considered themselves a musical cult. Their live shows were …

Segun Bucknor fell in love with American soul music as a student at New York’s Columbia University. Otis Redding, Wilson Pickett, Sam Cooke and Ray Charles hadn’t made much of a splash in Africa at the time and when Bucknor returned to Nigeria in 1968, he was determined to bring the sound to a wider audience. The result was brand of Afro-Soul that in turn became a proto-type of Afrobeat. With his bands, The Assembly and The Revolution, he released a few politically charged tracks, but even with …

After starting his musical carrer back in 1968, the Nigerian artist, drummer, singer, multi-instrumentalist and producer Steve Black released his fantastic and unique album "Village Boogie!" in 1979. "Village Boogie!" really deserves the status of a legendary rarity and holy grail for fans of afro funk music. The original album is incredibly rare today and fetches prices of 800,00 and more USD! On this unique album Steve Black presents a new version of the smasher "Brand new wayo“, originally pl…

It’s no exaggeration to say that Geraldo Pino and his band the Heartbeats kickstarted the whole soul/funk/afrobeat scene in West Africa. Mixing highlife, funk and jazz, and using the latest equipment, they laid waste to all before them. In 1966 Fela Kuti was a jobbing musician, eeking out a living with highlife bands. When Gerlado Pino came to town, it changed his life. “Pino tore up the scene,” he recalls in an interview with Carlos Moore. “I knew I had to get my shit together. And fast!”. Prod…

The Apostles were disciples of a heavy kind of psychedelic soul/rock fusion. After The Funkees left for London, they stepped into the breach to become the champions of East Nigeria’s flourishing post-war music scene. Based in Aba, and led by guitarist and charismatic chancer Walton Arungwa, they laid down a couple of singles with the city’s newly-formed BEN label. EMI liked what they heard and in 1976 whisked the band to Lagos to record The Apostles with the legendary Emmanual Odenusi at the con…