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In the year 2000, when Bologna was European Capital of Culture, AngelicA Festival, then in its tenth edition, invited Cecil Taylor to hold a concert at the Teatro Comunale - Opera House of Bologna: solo, with his piano (and his dance and his poetry readings) he opened an evening that ended with a rendition of the luminous piece Coptic Light by Morton Feldman performed by the Orchestra del Teatro Comunale di Bologna, conducted by Jurjen Hempel.
This unusual juxtaposition (not in the history of th…
On October 14th 1989, Horace Tapscott, founder of the Pan Afrikan Peoples Arkestra, performed alongside his close friend and musical partner Michael Session at the Théâtre du Chêne Noir in Avignon, France. This was during a tour in which they traveled across Europe. The duo presented compositions by Leimert Park musicians Jesse Sharps, Nate Morgan and Tapscott himself.
The stark instrumentation of this concert led to minimal arrangements of compositions typically performed by much larger ensembl…
Dale Gorfinkel is a multi-instrumentalist, improvisor, instrument creator, installation artist, educator, and community builder. His work aims to reflect an awareness of the dynamic nature of culture & the value of listening as a mode of knowing people & places. He is interested in finding fresh ways of presenting and making music, bringing creative communities together & shifting perceived boundaries of scenes, styles & artforms.
His first solo release reflects this diversity of interest…
The International Nothing is the Berlin-based duo of clarinet players Kai Fagaschinski and Michael Thieke. The two have been working together since 2000, refining a highly personal language focused on introspective, microtonal textures through stasis, patiently investigating timbre, multiphonics and extended techniques, with a commanding intensity spiced with a dry sense of humor (reflected also in the cover art by Japanese Masae Tanabe). This duo has released three albums on the Japanes…
Killer 1973 Solo album from the percussionist of kraut band Can. A boiling cauldron of polyrhythmic grooves and jazz improvisations with a strong early 70ies prog touch, haunting Exotica jazz passages with “jungle” feel. For fans of Osibisa, Fela, Ginger Baker Airforce, Miles Davis… all around 1969 to 1973 This is the 1973 solo album by Ghanaian percussionist Anthony Kwaku Bah, who was given the nickname „Reebop“ by American jazz legend Dizzie Gillespie. He passed away early at the age of 39 in…
The dramatic act of this performance draws a deamhulatory line colouring each phase in the sound of the required instrument; large discursive logic intensity in the atmosphere appropriate to each segment. After his entry "City of Lyon"which sets the happening hic et nunc, the second piece "Art Dance"on alto clarinet is heard as a twirling questioning with changes of mood from anger to melancholy: bal(l)ade autumnal de Dakka Du Boo Yu", again on the clarinet,"Music is Sound, Sound is Music"thunde…
Vinyl edition of this joyous improvised music drawing on South African roots and European free jazz from Chris McGregor and a group including Evan Parker, Louis Moholo, Barre Philllips, &c. This album only had a few test pressings at the time of recording and this is therefore the first vinyl release of this classic work. In 1969 the Chris McGregor Group were riding high on the London jazz scene, playing and hanging out with all the rising stars of British free jazz. Sessions for the previously…
"Moon Piano" is the second in Laraaji's trilogy of piano albums, and follows the spiritual "Sun Piano", released earlier this summer. The piano was the first instrument the esteemed ambient idol learned, and his return to the keys feels generous and open-hearted. Laraaji's focus here is more melancholy and contemplative than on the album's predecessor, and while the same process was used - “I’d sit down, touch the piano and through free association, also blending it with my prepared mental state…
The immaculate mess of Blunder originates from a three-piece impro group consisting of Mads Forby (drums), Kristian Poulsen (guitar) and Lars Greve (saxophones and clarinets). Their debut album Blunder presents a music that's hazy and patient, struck by a disarming sense of attentiveness. It's a slow dance around a malformed energetic forcefield, it's the pull of the vortex, sucking the listener into an elastic sound world of repetitive rhythmic structures and shamanistic summoning.
**2020 repress** Born Alice McLeod into a musical Detroit family, Alice Coltrane began playing piano at age seven and later studied with Bud Powell in Paris. Upon returning to the States, she joined vibraphonist Terry Gibbs' group and eventually shared a bill with the John Coltrane Quartet. In 1965 the two wed in Juárez, Mexico, and played alongside one another until her husband's last performance in May, 1967.A Monastic Trio, created in the year following her husband's passing, is Alice Coltran…
**2CD version** «My favorite albums have always been the ones that take the listener on a journey. I aim to do that, to create worlds with my albums - universes. I wanted The Other Side of Time to unfold like a story and I've continued that process with The Shadows and The Light. I'm influenced by so many different styles of creative music and I like to try and bring all those influences into harmony on these records. There is long-form and short-form composition. You have groove and you have fr…
The latest chapter in the unfolding musical story of Bill Wells finds the Scottish jazz outsider’s compositions played by a trio of tuba players with contributions from young brass players from his adopted hometown of Glasgow. The results, The Viaduct Tuba Trio Plays The Music Of Bill Wells, are alternately ruminative, playful and profound, ranging from the cyclical opener Fanfare For Three Tubas to a mischievous interpretation of The Midges, a comic tribute to the entomological scourge of the …
Recorded, mixed and mastered by Marc Schots in January 10th 2018 at Splendor, Amsterdam. Performed by Hupata! : Ada Rave - tenor saxophone, clarinet, Marta Warelis - piano, Yung-tuan Ku - percussion + objects, preparations, voices; featuring Marc Schots on track no.8.
All compositions by Marta Warelis, Ada Rave, Yung-Tuan Ku. Special thanks to: Michael Moore.
Recorded at Static Age Records in Asheville, NC, June 10, 2018 by Dylan Jordan. Performed by Tatsuya Nakatani - percussion, Shane Parish - nylon string guitar, Zach Rowden - double bass. Mixed by Tatsuya Nakatani in Truth or Consequences, New Mexico, Summer 2019.
Icepick is the super-power trio of some of the busiest musicians on this planet – American, Brooklyn-based trumpeter Nate Wooley, Norwegian, Austin-based bass player Ingebrigt Håker Flaten, and American, Upstate New York-based drummer Chris Corsano. «Hellraiser» is already the third album of this trio and was recorded live in February 2018, on the occasion of a gathering supporting the Option series at Experimental Sound Studios (ESS) in Chicago. Originally, this performance was slated for anoth…
"Back in 2018, I was invited by Dave Rempis to participate in the Exposure Series at Elastic Arts in Chicago. The Series was for me a shining example of artist-lead organizing of different yet connected communities around the Music. From my standpoint, it is yet another in the continuum of such actions, specifically in Chicago, and has been a major inspiration for my work as an artist and for the material on this recording.
The ensemble was assembled by Mr. Rempis, and was the first time the gro…
After "Divertimento for tenor saxophone and small ensemble" (Alien Transistor) and "The Anatomy Of Melancholy" (Disko B) the two members of the Tied & Tickled Trio, Johannes Enders and Carl Oesterhelt, now publish their third collaboration Heart Of Darkness (Themes and Variations). 16 compositions, variations / improvisations for duo or chamber music ensemble;
"Extremely interesting blend of jazz and non-jazz; Great ad hoc jazz improvisations on jazz-informed patterns " - Thomas Meinecke
Distinguished Los Angeles-based jazz pianist Horace Tapscott is probably best-known as the founder of the Pan-Afrikan People’s Orchestra of PAPA, also known as The Ark, though he began his career as a trombonist, working with Lionel Hampton and others during the late 1950s. The 1978 solo album, Songs Of The Unsung, released in small number on pianist Toshiya Taenaka’s Interplay label, features Tapscott alone on piano, delivering a superb set of freely interpreted jazz tunes, including an unfette…
Superb performance recorded in Paris, March 1967, and broadcast on French radio station ORTF.From the very beginning, Los Angeles-raised Don Cherry (1936) displayed an anti-virtuoso attitude that contrasted with the ruling dogmas of jazz music. Cherry shunned both acrobatic exhibitions and radical experiments in favor of humility and pathos (thus appealing more to the rock crowd than to the jazz crowd). His style focused on the idiosyncratic timbres of his pocket trumpet and on languid phrases t…