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HobbyHouse is the self-titled debut album by the Berlin-based duo featuring Mia Dyberg (DK) on saxophone and Axel Filip (ARG) on drums. Rooted in avant-garde improvised jazz, HobbyHouse explores diverse musical structures and sonic playgrounds, crafting spontaneous compositions with a strong focus on timbral nuance and authenticity. The duo weaves these elements into vivid, evolving sound narratives that reflect their commitment to exploratory expression and creative immediacy.
"Whether Camila Nebbia is freely improvising or playing originals that toggle between poetic rumination and fiery blowing, she is all in. With "A reflection distorts over water" she’s formed one of the most febrile, elastic ensembles in a very prolific career, uniting with two of the strongest improvisers in the US: veteran pianist Marilyn Crispell and rising percussionist Lesley Mok.
The new trio set up at Nevessa Studio without any prior rehearsal. They played Mok’s composition “Longing” while…
This live jazz album, recorded on June 15, 1968, at the Montreux Jazz Festival in Switzerland, showcases the extraordinary artistry of Bill Evans on piano, accompanied by Eddie Gómez on bass and Jack DeJohnette on drums. Capturing the trio at a peak of creative interplay, the album presents a captivating blend of original compositions and classic standards.
The repertoire features Evans originals such as “One for Helen” and “Nardis”, alongside his masterful interpretations of timeless pieces lik…
The Unseen Pact marks the first recorded encounter between percussionist Sofia Borges and saxophonist Ada Rave—a meeting shaped by fierce yet lyrical energy, and a shared commitment to spontaneous storytelling through sound. Borges and Rave move like co-conspirators in a ritual of fire and ether, navigating the space between control and surrender. Rave masterfully weaves narratives that evoke characters and shifting personalities—stories that unfold as she plays. Borges, in turn, bends time and …
Believe’s debut album ‘Spirits of the Dead are Watching’ is a potent statement from four of Australia’s most experienced and dedicated improvisers. A powerhouse unit of rare intimacy, flexibility and passion, Believe connects the spectrum of contemporary creative sound making with the fluid, anything is possible momentum of free jazz.
Asked to create a solo album, Adia started looking for a creative way to re-invent her solo saxophone music. Her new improvisations are inventive pieces which take advantage of the full range of her instrument and different playing techniques, but also the sounds of her surroundings in the unusual locations where she recorded – the echo of a silo, the clucking of a chicken coop, or passing cars. These sounds inspired the music, creating a dialogue with the environment.
Unchained—a name which at the project’s inception or on earlier recordings spoke perhaps to the ecstatic saturation of high gain guitar—has over the past three albums (N.D. Visitor, Pic, and Gabbeh) come to represent more and more an acknowledgement of and sensitive remove from a crashing world. An excuse of oneself from trend towards a siloed artistic development. On Frontalier, Nate Davis crosses further into this patient personal lexicon of guitar composition, presenting a new set of richly …
Hikmah is the astonishing new solo piano work from Pat Thomas - virtuosic sound scientist, deep and compassionate thinker, and UK-based musical treasure. A singular album in his now substantial body of work, it marks his first release for TAO Forms. Born in Oxford to Antiguan parents on July 27, 1960, Thomas belongs to a remarkable generation of piano masters. Just over four months separate his birth from that of Matthew Shipp (December 7, 1960) - whose The Piano Equation inaugurated the TAO For…
This 2-CD box is comprised of two albums originally intended for release on ABC's Impulse Records but never issued. After Impulse abruptly ended a licensing agreement with Sun Ra's El Saturn label, the two unreleased album masters were boxed up and returned to Saturn, where they languished in obscurity for the next 27 years. Evidence has remixed the original four-track tapes down to two-track stereo. Former Impulse Records head Ed Michel wrote the notes, which chronicle the short, strange histor…
NYC free jazz cooperative TEST was literally an underground favorite -- as part of the Music Under New York program in the 1990s, TEST was out on the street and subway platforms year-round, playing long-form unadulterated free jazz with an energy and creativity rarely encountered. Even on a scene known for strong personalities, these guys were renegade cats. Eremite heard and recorded TEST many, many times over a ten-year period; Always Coming from the Love Side, a two-CD set from TEST's 1999 US…
Ultra-positive consciousness from Afro-Caribbean London, circa 1979. Members of the legendary 20th Century Steel Band (one of Grand Master Flash's favourites) sailing Trinidad-wise over gratifyingly intricate African ritual rhythms. Strong vocals compliment reggae, funk, disco and soul influences to form a relentless groove machine.
Steel an' Skin, a unit composed of young nightclub musicians born in Ghana, Nigeria, St. Kitts, Trinidad and the U.K., who once performed with Ginger Johnson's Afrik…
Recorded in Italy in 1985, this is a valuable record of a unique trio playing at the very top of their game. Larry Stabbins, after years of playing with many of the greatest improvising musicians of the 60s and 70s (John Stevens, Chris McGregor, Keith Tippett, Mike Westbrook, Tony Oxley etc) had recently exploded onto the pop world with the bands Weekend and Working Week and was quite famous in Italy. Not to be outdone, Louis Moholo-Moholo turned up to this gig in full ‘warpaint’ and all three p…
Christoph Gallio unveils his latest album, Yet Dish, a compelling journey through sonic textures and emotional landscapes. This record showcases Gallio’s ability to fuse experimental soundscapes with intricate rhythms, crafting an immersive listening experience that defies genre boundaries.
The album beautifully balances elemental rawness with refined compositions, inviting listeners to explore themes of transformation, fragility, and resilience. Each track offers a distinct narrative, woven tog…
"In times like ours, such an absence of the ordinary, of the real, may not exactly be a political statement. But as a social concept, this kind of music might be a beginning—a step toward a different, perhaps better, perception of the world around us. And that’s precisely what “The Art of Sound(s)“ is: Because as soon as the molecules start dancing in this chamber of reflections, art is becoming a true and selfless act of existentialism." - Rudolf Amstutz
*2025 repress* Universal Consciousness is the fifth solo album by Alice Coltrane, released in 1971 on Impulse! Records. Universal Consciousness builds nicely on albums that came before it. It grows out of the unbridled celebration of her late husband's life on A Monastic Trio and the soulful wanderings of her most well-known record, Journey in Satchadananda.In The Wire's "100 Records That Set the World on Fire," David Toop writes, "[Universal Consciousness] clearly connects to other dyspeptic ja…
"Although alto saxophonist Noah Howard never quite managed to garner the reputation that several of his more well-known playing partners did, to those 'in the know', he was every bit as essential and extraordinary as Archie Shepp and Albert Ayler. A player and composer of direct and emotionally charged music, Howard's career saw him bear witness to some of the most tumultuous periods in jazz, giving voice to the cry for freedom – both musical and political – that characterised the late 1960s and…
In times of infobesity and doomscrolling, maintaining a sense of wonder can be hard - especially for those who depend on it for their work. For all those involved in the arts, but also for anyone else who likes to be inspired by previously unimagined combinations of ideas, here is the perfect album: a sung conversation between artists, a voyage through the sonic multiverse, a musical invitation to re-widen those eyes.
On ‘Holding on to Wonder’, contemporary jazz corresponds with 70s cop show sou…