We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Jazz /

Above the Clouds
Chicago producer and composer Will Miller’s Resavoir has established a strong following at the intersection of jazz, electronic music, and beat-driven production, with more than 9,000 vinyl records sold and 82M+ streams across the project’s first three albums. Resavoir’s 2019 self-titled debut received an 8.2 from Pitchfork alongside broad international critical acclaim, with ongoing support from Gilles Peterson, Lefto, Anthony Valadez, Somewhere Soul, Andrew Jervis and Lovie, plus airplay on BB…
In The Know
In 2022 drummer Tollef Østvang enlisted veteran English improvisers Trevor Watts and John Edwards, to form a new trio, as a commission from the Motvind festival. From the get-go, the three unleashed a remarkably unified onslaught of blissful intensity. Luckily the band felt just as excited as the audience, and since their initial offering in the middle of the Norwegian woods, the group has since embarked on several European tours; further sharpening their razor-sharp interplay. Their debut relea…
The Walls Of The Temple Are Made Of Sound
On March 19th, 1999, legendary soprano saxophonist Steve Lacy played with his working trio at The Velvet Lounge at 2128 ½ S. Indiana Avenue in Chicago. Owned and operated by tenor saxophonist Fred Anderson, The Velvet Lounge was the central hub for adventurous jazz music in Chicago from 1993 until Fred passed in 2010.  Music critic and journalist Peter Margasak previewed the concert in the alternative weekly Chicago Reader, and someone blew up a xeroxed copy of it that Lacy inscribed across the …
Untitled (2)
Untitled (2) reunites guitarist Sandy Ewen, double bassist Damon Smith and percussionist Weasel Walter, recorded at Bird Cloud in November 2025. Tri-fold digipak with art by Ewen and liner notes by Henry Kaiser.
First Meditations on John Coltrane
CD version. This album is a tribute to the person and spirit of John Coltrane. It was produced by musicians who not only admire Coltrane but embody similar values.While it’s always a good time to honor Coltrane’s memory, this particular moment seems to carry an increased urgency of remembering his message and mission.Since some owners of this amazing record may be unfamiliar with Coltrane’s character, it’s worthwhile to briefly state a few biographical details.First, Coltrane was a compassionate…
Automatic
Following the critical acclaim of her 2022 breakout solo debut, Sweet Tooth, and her rock project Deerlady, which was named a Stereogum Band To Watch, the eight-track album was born out of years of listening to repatriated recordings that came back to Obomsawin’s community in 2023. Coincidentally, the ethnological language recordings that were recovered by Odanak from Dartmouth College came just after the release of her debut album. Obomsawin blends these with her own field recordings. Through t…
Grass Is Greener
*100 copies limited edition* New York City ensemble Part-Time Samurai introduces Grass Is Greener, its debut album for 577 Records: a collection of music shaped by movement, uncertainty, memory, and the gradual recognition that a life in transition can also be a life taking shape. Led by saxophonist, vocalist, composer, and bandleader Noah Galbreath, Part-Time Samurai brings together trumpet, trombone, saxophone, vocals, keyboards, guitar, bass, and drums in music that moves freely between intri…
O
On their new EP titled “O” we experience the evolution of the multifarious musical journey of drummer/composer Frank Rosaly and multi-instrumentalist Ibelisse Guardia Ferragutti. O finds center in loose polyrhythm, pulse, trance, and longevity, interweaving contemplation of their Latinx backgrounds and vast sonic textures with deft craftsmanship. Fascinated by prodigious sonic spaces that unfold over time, Ferragutti and Rosaly make way for storytelling and rumination. Both authors are adept in …
Jazz Dari Angkasapuri
Jazz recordings by the Malaysian trumpeter and composer Johari Salleh from the 1970s: modal grooves and jazz funk with Malay folk themes, until now available only on a few dozen locally pressed copies.
Tiga Trombone
First release on Audible Beauty, Habibi Funk's sister label: eleven jazz pieces by the Malaysian pianist and arranger Alfonso Soliano, recorded for Radio Television Malaysia and pressed in only a few dozen copies.
Aco Dei De Madrugada (One Morning I Waked Up Very Early)
Paris, 1969: Grachan Moncur III's second album for BYG, cut with a Brazilian rhythm section and bassist Beb Guerin. Samba sway meets American creative jazz, with Fernando Martins' wordless vocals on the title track.
Plays For Trane Vol. 2
Follow up to 2020's Plays For Trane, this is Plays For Trane Vol. 2. The band dives further into John Coltrane's catalog, turning it inside out, bending it, holding it with care. Forkelid, together with Mattias Ståhl, David Stackenäs, Vilhelm Bromander and Jon Fält, revisit the jazz giant in a celebrated transformation, reimagining the sounds of John Coltrane.
MG and The Echoes of Swing
The world knows Muriel Grossmann as a bandleader, saxophonist, and composer of highly individual and original music. Her work has become closely associated with a modern revival of spiritual jazz, reflected in albums such as Golden Rule, Universal Code, and Quiet Earth, and in performances across Europe with herlong-standing quartet. That is one side of the story. In Ibiza, where Grossmann has lived and worked for over two decades, another side of the artist reveals itself. Locals know her not o…
Oppression Is Nine Tenths of the Law
Gustav Horneij’s Organic Pulse Ensemble blends jazz tradition with modern groove, inspiring unity & protest, uplifting listeners in the fight for freedom and justice for all.
Sunshine Man
Two days in May 1971, produced by Bob Thiele for Flying Dutchman. Harold Alexander on flute and soprano over Neal Creque's electric piano, Richard Davis's bass, Pretty Purdie's drums and Richard Landrum's congas. Contains Mama Soul, the scat-flute track that got him into DJ sets decades later.
Katcharpari
Milan, January 1973. Enrico Rava's second record as a leader, with John Abercrombie on guitar, Bruce Johnson on bass and Chip White on drums, released by MPS/BASF. Rava has called it his breakthrough: the album that got Manfred Eicher's attention. Seven tracks, from Trial N. 5 to the Don Cherry tribute Cheerin' Cherry.
Triloque
Berlin Jazz Days, 6 November 1976. Albert Mangelsdorff's trombone, alone at the front, with Jaco Pastorius on electric bass and Alphonse Mouzon on drums, a year after Pastorius's debut. Five long pieces, recorded live, released by MPS in 1977. The trombone multiphonics against a fusion rhythm section.
The Wide Point
Walldorf Studio, near Frankfurt, 1 and 2 May 1975. Albert Mangelsdorff on trombone, Palle Danielsson on bass, Elvin Jones on drums. Seven pieces, thirty-nine minutes, released by MPS the same year. Mangelsdorff had recorded with Jones once before, on the 1968 duet album Albert Mangelsdorff and His Friends. The Wide Point is the first of his trombone-bass-drums trio records, the format that would produce Trilogue with Pastorius and Mouzon the following year and the Montreux album in 1980. The ban…
Total Space
Cologne, Cornet Studios, January 1975. Rolf Kühn on clarinet with a band that reads like a German jazz roll call: his brother Joachim Kühn on piano and electric piano, Philip Catherine on guitar, Gerd Dudek on tenor and soprano, Albert Mangelsdorff on trombone, Bo Stief on bass, and two drummers, Daniel Humair and Kasper Winding. Kühn chose not to record in the MPS studio in the Black Forest and brought in the engineer Wolfgang Hirschmann instead. In his own account, quoted in MPS's reissue note…
Moon Child
Paris, Studio Davout, 12 and 23 October 1989. Pharoah Sanders with William Henderson on piano, Stafford James on bass, Eddie Moore on drums and Cheikh Tidiane Fall on percussion. Produced by Wim Wigt for Timeless, released in 1990. The Penguin Guide called it the straightest jazz album Sanders had made for years, and heard what he was after: a hypnotic groove that lets the horn float almost at will. Steve Loewy at AllMusic writes that the results may have disappointed some fans at the time, but …