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One of the leading lights of contemporary creative saxophone music, Jon Irabagon (b. 1978) hails from Chicago, made his name in New York, and has returned to the Windy City with decisive ferocity, joining the city's bustling scene as an active participant and bandleader. Known for many of his groups, including Mostly Other People Do The Killing and PlainsPeak, as well as membership in ensembles led by Mary Halvorson, Dave Douglas, and Barry Altschul, Irabagon is a ceaselessly inventive horn play…
A special discounted bundle gathering Marion Brown's two finest reissues of the season. Three For Shepp (Elemental Music, 1966), the Georgia-born saxophonist's Impulse! debut and a cornerstone document of the late-60s New York avant-garde - recorded with an all-star band of Dave Burrell, Stanley Cowell, Grachan Moncur III, Sirone, Beaver Harris, and Bobby Capp, splitting its program between Brown originals and Archie Shepp compositions in a conscious echo of Shepp's own 1964 homage to Coltrane, …
On Fragments: The Complete 1969 Salle Pleyel Concerts, The Cecil Taylor Unit detonates across two uncut Paris sets: a newly unearthed, vividly mastered document of Taylor, Sam Rivers, Jimmy Lyons and Andrew Cyrille stretching free jazz into an overwhelming, architectural storm of sound.
On The Bagatelles Vol. 8, John Zorn hands nine knotty miniatures from his 300‑tune book to the John Medeski Trio, who turn organ, guitar and drums into a shape‑shifting engine of groove, skronk and sly lyricism that makes each Bagatelle feel like a tiny, exploding suite.
On The Bagatelles Vol. 7, John Zorn hands a batch of his razor‑cut miniatures to pianist Brian Marsella, who turns thirteen terse themes into a 46‑minute solo suite where classical poise, jazz volatility and downtown mischief share the same set of keys.
On Alea Iacta Est, John Zorn hurls the piano concerto into a maelstrom: Brian Marsella, Jorge Roeder, Ches Smith and Sae Hashimoto navigate four years of volatile writing where ferocious counterpoint, free‑jazz impact and sudden lyric calm collide with game‑like inevitability.
On Three for Shepp, Marion Brown leads a blazing American free‑jazz ensemble with Dave Burrell, Norris “Sirone” Jones and Grachan Moncur III, unleashing high‑energy fire music that shows the Impulse! era at full boil yet still somehow under‑sung.
On Buttercorn Lady, Art Blakey leads a brief but blazing mid‑60s Jazz Messengers lineup at The Lighthouse, launching a young Keith Jarrett and Chuck Mangione in a hard‑bop set that feels both like a proving ground and a joyous passing of the torch.
Using the crème de la crème of sound engineers and the unsurpassed production quality of Quality Record Pressings, the Acoustic Sounds series is mastered from the original tapes, pressed on 180-gram vinyl and packaged in high-quality gatefold covers produced by Stoughton Printing Co., where — as was customary on records of the era — the printed paper sheet is applied to the cardboard (so the cardboard itself is not directly inked). All this is overseen by Chad Kassem, CEO of Acoustic Sounds, the…
*2026 repress* "With the reissue of the Miles Davis' Birth of the Cool sessions, accompanied by recordings of this seminal nonet’s slightly earlier live dates at New York City’s Royal Roost, we now have as complete as possible an account of this still fresh sounding and beautiful music. The array of talent alone is startling: Miles Davis in transition between his earlier bebop stylings, and his later gorgeous tone and sparer choice of notes; Lee Konitz on alto sax playing startling melodic inven…
*2026 repress!* This is Dorothy Ashby's debut album, originally released in 1957 by the Regent label. Recognized as the woman who gave the harp a jazz voice, here Ashby is at the head of a highly distinctive combo featuring Frank Wess on flute, Eddie Jones or Wendell Marshall on bass and master Ed Thigpen on drums. The Jazz Harpist is an unprecedented mix of evocative classic sounds and jazz soul, awarded by Allmusic as her first and best album, period!
*2026 repress!* Born in Detroit in 1932 Dorothy Ashby can be easily recognized as the woman who gave the harp a Jazz voice. In her hands, the harp, an originally classical instrument which seemed to just scare people, became a highly versatile swinging voice able to drive a whole jazz rhythm section. Recorded in 1958 by master Rudy Van Gelder and originally released on the Prestige label, Hip Harp is a perfect example of Ashby’s artistry. At the head of a fine quartet featuring the great Frank …
Mana is the International Anthem debut by composer, trombonist and vocalist Kalia Vandever. This new full length carries on the expansive and dazed spirit of their first solo album, We Fell In Turn, while entering a new landscape of spacious songwriting. Vandever’s music has quickly and widely gained traction in the last few years despite the fact that their style has been consistently difficult to pin down, boasting a compositional scope ranging from the cinematic modern jazz of their quartet w…
Pianist Jonas Cambien, bassist Magnus Skavhaug Nergaard and drummer Dag Erik Knedal Andersen have been indispensable to followers of the eclectic creative music scene in Oslo for years; among others with bands such as The Handover, Reôlo, Maca Conu, Delish, Cortex and Sulida. Until now, only lucky concertgoers have been able to experience their excellent improvising trio, but fortunately Motvind Records are doing something about that! "The Ear Behind the Airport" is a multifaceted being. Between…
Henriette Eilertsen's solo debut from 2021, "Poems for flute", is regarded by many as one of the classics in the Motvind Records catalogue. Since then, many concertgoers have also been thrilled by the flautists fresh trio, with Joel Ring (cello & electronics) and Øystein Aarnes Vik (drums). Finally, we are all approaching the opportunity to dive deep into this warm, mysterious and alluring sonic bath. Henriette Eilertsen Trio's debut album "Moder" is characterized by captivating compositions, an…
Norwegian clarinetist Andreas Røysum and the legendary Chicago-based poet / artist Marvin Tate met in 2023, when both were performing at Berlin Jazzfest. “Andreas Røysum Ensemble with Marvin Tate” is the fourth album by the ensemble, and contains the first recorded fruits of this meeting of visionaries. The new-found collaborators bring out the best in each other, reaching new levels of expression and purpose.
Dig into richly evocative and multi-layered poetry, expansive long form compositions a…
*2026 stock* Motvind Records stalwarts Miman mark their 10th year as a working band with “X-IV”, their first release since 2021. Including four very different albums, it gives both old and new listeners the opportunity to get to know some of the different musical landscapes in which Miman are right at home. «It doesn’t make much sense to apply a lot of the usual metrics to both the music created by the Scandinavian trio Miman or the way the group operates. Its members possess deep curiosity and …
On Concert A Prades Le Lez, Intercommunal Free Dance Music Orchestra turns Tusques’ radical internationalism into exuberant sound: a border‑smashing live suite where New Orleans, Brittany and North Africa collide in dance‑charged, militant joy.
A late and welcome arrival from the Matchless vaults. Phlegm captures AMM in their classic trio configuration, Eddie Prévost on percussion, Keith Rowe on tabletop electronics, John Tilbury on piano, recorded live at the Huddersfield Contemporary Music Festival, November 2015. One continuous hour-long piece, a setting closely aligned with the group's longstanding commitment to electroacoustic improvisation and one of the final documented performances of the trio.
By this stage AMM's language had …
A raw, groove-driven selection of previously overlooked 1990s recordings by legendary Turkish jazz impresario Okay Temiz, compiled here for the first time.