Jazz /
Tracks
Frode Gjerstad, Alexander von Schlippenbach, and Dag Magnus Narvesen's first trio recording is powerful convergence of avant-garde improvisation and deep jazz sensibilities. Gjerstad’s fearless saxophone work, Schlippenbach’s adventurous piano explorations and Narvesen’s dynamic drumming create spontaneous compositions that betray a deep mutual respect.
Remember Still
“Looking back I remember still” is a graffito I saw on an electrical box near my house and as I prepared for this recording I reflected on my time living in New York and my involvement in the improvised music scene there. My decision to include the standard tune Just Friends is part of looking forward with the hope of highlighting the connections between the practice of free improvisation and the creative tradition of “Great Black Music” sometimes called jazz.
Exhaust
The music of Exhaust unfolds through real-time exploration, where quick reflexes and deep listening shape each performance. Nebbia’s powerful saxophone voice drives the ensemble with intensity, while Downes reveals a side of his playing that leans into raw immediacy and unrestrained expression. Lisle acts as both a catalyst and anchor, crafting fluid rhythmic structures that support and propel the trio’s intricate interplay. Their album moves through a vast spectrum of sound, shifting between me…
Shamanism
This is free improvised music with two saxophones and two drum sets. The theme of the music is about identity that is linked to the region and culture, especially a specific folksy and indigenous characteristic in the Korean peninsula from long ago. The whole album describes a ceremony and its atmosphere and each track follows each step that is named by an ideogram.
Hyperboreal Trio
Hyperboreal Trio’s debut album unites the distinct voices of Signe Emmeluth, Ingebrigt Håker Flaten, and Axel Filip—three seasoned improvisers bridging the musical extremes of the north and south through raw, yet meticulously crafted pieces.
Réimsí Géara
Listening closely to the duo of Elliott Sharp and Scott Fields one can hear a compact history of modern composition and improvisation. Although the duo has a sound all its own, under the surface you can sense traces of “New Music,” minimalism, free jazz, and blues.
Poiēsis
In a spontaneous studio session, alto saxophonist Tim Berne met fellow saxophonist Masayo Koketsu and percussionist Nava Dunkelman for the first time, setting the stage for an improvisational encounter full of contrasts and surprising cohesion. Berne’s rich, dynamic tone, provided a grounded foundation, while Koketsu's innovative use of extended techniques and breathy, ethereal sounds—challenged the space with a more experimental edge.
Dunkelman, with her textural percussion, wove between the tw…
A Willing Passenger
Saxophonist Paul Flaherty is New England's purveyor of the ecstatic jazz pulse. Through the years, Flaherty remained unshakable in the pursuit of soul healing and demon dashing through freedom music. Six pieces of alto and tenor saxophone steeped in the theme of loss and channeled through blasting improvisations that showcase his fabulous wailing and inferno of sound to stark bluesy melodies.
"January 20, 2005 was a cold night in Washington D.C. A dozen bands would perform at the Black Cat venue…
El Infierno Musical II
By inevitable coincidence, a street vendor in Buenos Aires became an instrument of providence, when he compelled attention of Christof Kurzmann, sitting outside a coffeehouse. His merchandise were small books of Hispanic writers, and the chosen one that ended up in the buyer’s pocket some eighteen years ago was a collection of poems by Argentinean poet Alejandra Pizarnik. Her works abound with music and sounds or absence of it, appreciating silence. For Kurzmann, this served as a sufficient reas…
Natuitive Speakers
This album was recorded in Brno, Czech Republic when these five masterful musicians were invited to perform together at a festival. Quentin Rollet started playing the alto saxophone at the age of 11 and the sopranino saxophone at 37. After a few years spent unlearning the teaching of the conservatory, he devoted himself to free improvisation. This led him to find himself on record or on stage with groups as varied as Nurse With Wound, Prohibition or The Red Krayola. Sylvia Bruckner is an interna…
SINN/ist
The Valentin Duit Quartett consists of Robert Unterköfler on saxophones, Tobias Meissl on vibraphone, Ivar Roban Križić on double bass and Valentin Duit on drums. The quartet interprets pieces by Valentin Duit which offer space for collective and solo improvisation in different ways. It emerged from the Tobias Meissl Trio in 2023 and has existed as a collective exploratory ensemble ever since.
Valentin Duit is a Vienna-based drummer who plays with various ensembles mainly in the fields of jazz a…
Monster
A sensational quartet that was created by Free Music Forum in Austria. Joe McPhee is a multi-instrumentalist, composer, improviser, conceptualist and theoretician. He is currently the member of Trio X, Survival Unit III and has collaborated with Pauline Oliveros, Peter Brötzmann, Evan Parker, Raymond Boni, The Thing, Trespass Trio, and Universal Indians among many others. With a career spanning nearly 50 years and over 100 recordings, he continues to tour internationally, forge new connections a…
Unclassified Affections
Unclassified Affections is the entrancing new release from drummer and composer Dan Weiss that features the convergence of some of the most intriguing musicians on the scene: Peter Evans on trumpet, Patricia Brennan on vibraphone, and Miles Okazaki on guitar. The new compositions, which were written by Weiss specifically for these musicians, range from deep, meditative moments to intense, high-energy peaks, while every track unveils a new layer of exploration.
Brennan’s sonorous mallet work co…
Milestones
Milestones is an album that needs no introduction. Often overshadowed by its younger sibling Kind of Blue in the rankings of greatest jazz records, it nonetheless holds a pivotal place in the history of modern jazz. Critics and devoted listeners alike recognize its importance: an early – and outstanding – example of modal jazz, recorded by Miles Davis’ so-called “first great quintet” (actually sextet, this time), featuring legends like John Coltrane, Red Garland, Paul Chambers, Philly Joe Jones,…
Béke
**2nd pressing, screen printed cover, risoprinted obi edition of 250** “Peace is not the word to play” rapped Large Professor on Main Source’s 1991 debut album. His plea to stop abusing the word “peace” simply for rhetoric flair sounds just as valid in today’s genocidal world as it did in the streets of New York over 30 years ago. For Oiro Pena to name this album Béke, meaning peace in Hungarian – or white people in French Caribbean creole – it seems like they finally have something to say. With…
Izba
This time we are presenting another great collaborator that has been a part of our community for many years. Marina Džukljev, pianist from Novi Sad, Serbia. She joined the trio TiTiTi a few years ago as a guest, on their debut record Štafelaj out on Zavod Sploh, and then later she performed with them on many occasions including the Jazz Festival in Cerkno, Ring Ring Festival etc. TiTiTi started as a trio of the Slovenian most prominent brotherly connection, a fiery free rhythm section – Vid and …
Trio of Bloom
A new voice in contemporary improvisation emerges with the Trio of Bloom, uniting three visionary artists at the forefront of modern music: Craig Taborn (piano, electronics), Nels Cline (guitar, effects), and Marcus Gilmore (drums, percussion).
This ensemble is less a meeting of individual virtuosos than the flowering of a shared soundworld—an immersive space where texture, rhythm, and resonance intertwine in real time. Each musician brings a singular language: Taborn’s kaleidoscopic harmonic …
Bone Bells
Sylvie Courvoisier & Mary Halvorson Present Bone Bells on Pyroclastic Records. Two visionary voices of contemporary music explore new dimensions of resonance, texture, and interplay.
Purposing the Air
"I grew up in a literary household with parents who paid close attention to the written word. My father was a Goethe scholar, and my mother often read to us, pointing out the beauty of the sound of words. I have always felt an affinity for poetry. I appreciate its emotional power to move us and to make us think less literally. Miles Davis stressed the importance of knowing the lyrics to standards, and I’ve always believed that understanding the meaning of the words provides an added dimension wh…
Of The Near And Far
"I’ve always been captivated by the night sky, endlessly wondering about what lies beyond. Amidst the vast expanse of stars, there is a sense of balance and symmetry that fascinates me—an order within the chaos. The innate patterns of the constellations sparked my curiosity, prompting me to explore how these celestial forms might be translated musically.
In the summer of 2024, I developed a process that allowed me to collect pitch and numerical data from constellations. I overlaid the shapes of …