We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
LP version. Alexander von Schlippenbach: piano; Aki Takase: piano; DJ Illvibe: turntables; Paul Lovens: drums. Recorded by Rainer Robben at AudioCue, Berlin. Lovens joins the Lok 03 trio of Schlippenbach, Takase, and DJ Illvibe for the follow-up to their 2005 debut. Mastered by Beat Halberschmidt. Artwork by Philip Hillers. Liner notes by Yoko Tawada.
In October 2015, a three-day was held at Porgy & Bess in Vienna for the 50th birthday of Mats Gustafsson, saxophone player extraordinaire in contemporary (free) jazz with The Thing, Fire!, and various duo/trio/ensemble formations. Many collaborators of Gustafsson's were invited to join in various formations. The first three discs of the four-CD set were recorded October 26-28, 2014 at Porgy & Bess in Vienna byMikael Werliin. The fouth disc was recorded October 26-28th, 2014 at "Strenge Kammer," …
Akira Sakata, a legendary Japanese jazz musician active since the early '70s (Yosuke Yamashita Trio,Akira Sakata Trio) and a marine biologist, has toured and recorded with The Thing, Jim O'Rourke, Bill Laswell, Merzbow, Chikamorachi, et al. The Tale of the Heike is an intense solo performance originally released on CD in 2011, and now available on vinyl for the first time. This edition is expanded to include four pieces from the 2013 DVD release of a live ensemble performance of the piece. Akira…
Massimo Pupillo, of Italian jazz-noise monsters ZU, and Chris Corsano, drummer of Rangda (with Sir Richard Bishop), Chikamorachi (withAkira Sakata & Darin Gray), and in kicking projects with Joe McPhee,Evan Parker, Okkyung Lee, Bill Orcutt, team up for an overwhelming heavy drum and bass improv studio-session. Chris Corsano: drums and percussion. Massimo Pupillo: electric bass. Recorded, mixed and mastered by Bruno Germano on April 2015 at Vacuum Studio, Bologna, Italy. Artwork by Lasse Marhaug.
Ears Are Filled With Wonder, the debut release from the duo of pedal steel player Heather Leigh and reedist Peter Brötzmann, blows the old adage about improvised music somehow not being best appreciated via the recordings to beautiful pieces. This is a music that demands re-visiting, that seems to alter, slightly, every time it is played, with new details emerging, new relationships of tone and style, new romance, even. Recorded during a mammoth stint in Kraków, Poland, where Brötzmann and…
With all the projects Peter Brötzmann is currently working on, Full Blast -- with the precise and dynamic Swiss rhythm section of Marino Pliakas and Michael Wertmüller -- is the most consistent and the longest-running. Their fifth album finds the band in a studio again, with time and the desire to try something new. Seven compositions in the distinctive, strong Full Blast nature get an exciting electronic treatment by Michael Wertmüller (with electronics by Gerd Rische, recorded months before hi…
First release on the Dutch Hidden Charms Records label. This LP merely brings together a group of damn fine jazz and blues recordings that make for a musically diverse and interesting listening experience. The 14 superb songs presented were recorded between 1927-1933 and feature the cream of the crop of Barrelhouse Piano, Country Blues, Jug Bands, Hokum Groups, Hot Jazz Orchestras and Medicine Show Songsters. Yes people, all the good stuff!!! Many of the more obscure tracks featured are hard to …
Beautiful work from Joe Haider – a lesser-known pianist on these shores, but an important force in the German scene – best remembered for some wonderful music on the Ego Records label! This set captures Joe in a very similar setting – working on both acoustic piano and Fender Rhodes – in a trio with Allen Blairman on drums, and the mighty Isla Eckinger on bass. If you don't know Eckinger, you're really in for a treat – as he's a tremendous talent who has this way of shaping notes and rhythms tha…
** restocked** Kye is proud to present The Paris Concert, the second installment in our Joe McPhee archival series, following 2015's To Be Continued. Recorded May 13th 2015 The Paris Concert documents a historical private performance held in a 5th floor Paris apartment to an invited audience of 15 people. '40 years after a chance meeting in 1975 at The American Center in Paris, Raymond Boni (guitar), Jean Marc Foussat (synthesizer) and Joe McPhee (tenor/pocket trumpet) reunite with an improm…
Live broadcast recording on December 19, 1978, at Columbia University Radio WKCR-FM, NYC. Originally issued on LP, edited and in slightly different order, as Livin’ Right on Kuhn’s Big City Records (LPK 225).
Free-jazz woodwind specialist Peter Kuhn’s road to San Diego has been long and harrowing. Born in the San Fernando Valley and raised in L.A., Kuhn’s career flourished in the Bay Area and eventually led him to New York at the invitation of Anthony Braxton in the mid-’70s, where he played wit…
** restocked, very last copies ** 180-gram exact repro reissue, originally released in 1972. Hyper-afro spiritual jazz teetering between avant-garde inventiveness and free jazz madness. "This album is a mean motherfucker. It’s an amazing document of the pure fire of Black Nationalist Free-Jazz. I discovered it during a period when I was picking at the outer reaches of Leroy Jenkins’ discography (he’s a member of this ensemble). At the time I had exhausted his output as a band leader and as a mem…
Recorded at NHK-604-Studio on Nov & Dec 1991 Musicians: Akira Sakata,Tamai Toyooka,Asuka Kaneko, Kyoko Kuroda,Hiroshi Yoshino,Yu Fujii Kiyohiko Semba,Atuy,Fusae Doi, Mishio Ogawa,Shigeri Kitsu,Norihiko Yamanuki.
Reedist Peter Brötzmann, a grand old master of European free jazz, has created a body of music that is considered among the most influential and pioneering of the 20th and early 21st centuries, from Machine Gun (1968) to Full Blast (TROST 107CD/LP, 2011) with Michael Wertmüller and Marino Pliakas. Brötzmann's recording presented here, a 72-minute document made in collaboration with the Munich ICI Ensemble, consciously alternates between the intimacy of contemporary chamber music and virtuosic br…
BE! JAZZ is happy to come up with a limited edition (500 copies) of a true “holy” modern/free jazz gems of the late 1960s. The original double LP was issued by Meno Liechtenstein’s CB Records – he was also the organizer of the “International Holy Hill Jazz Meeting” in Heidelberg/Germany. The sound quality on the original album was not really bad – but it certainly was not really good as well. We spent a lot of work on a proper restoration of the live tapes. The result is truly amazing – after al…
Landmark work from the Finnish scene of the 60s – one of those ultra-rare European jazz records that collectors have dug for decades! The set's got a stark, modern sort of feel – but also a nice soulful swing, too – a balance that few of the other Scandinavians hit so well at the time – as they were either hanging between farther-out progressions, or more inside, tightly arranged jazz! Drummer Christian Schwindt's vision here is exceptional – full of rich feeling, deep tone, and careful…
Considered to be one of Australia’s most iconic modern recordings, Eastern Horizons is the result of several jazz workshop sessions recorded in the mid 1960s Sydney. A pioneering exploration of eastern influenced modern jazz that represents one of earliest prototypes of the genre, arguably predating other more widely acknowledged international eastern influenced and indo jazz recordings of the late 60s and early 70s. Following in the footsteps of early 60s Coltrane and the exotic jazz of Yusef L…
Outstanding!!! A huge document of this incredible year in jazz in Germany – a time when free styles were breaking out all over, alongside some of the groovier styles of the MPS scene as well! This beautiful box documents the 12th German Jazz Festival in three different concerts – amazing music that really shows the transformation that was taking place at the time – and which is still revolutionary all these many years later – making for a listening experience that makes us feel like we're hearin…
Recorded live at the cave at Balve, West Germany, July 27/28, 1974 and May 31/June 1, 1975. Box Set with 11 CDs featuring the best of the New Jazz Scene from Europe and the USA in 1974/75. 32-page booklet with concert pictures, posters, flyers and newspaper clippings (in German and English). Includes complete performances and improvisations by Peter Brötzmann, Jasper van’t Hof, John Surman (with the legendary Trio Surman-Osborne-Skidmore) Misha Mengelberg, Han Bennink and many more!
RECORDED li…
Sebastian Smolyn, e-trombone. Artur Smolyn, electronics. Oliver Steidle, drums. Peter Brötzmann, reeds.Sebastian Smolyn (trombone) and Artur Smolyn (electronics) are Defibrillator. They have committed themselves to improvised music and do enthralling performances full of energy and love of adventure. They have been educated in classical music in conservatories in Germany, France and Switzerland. They have played in numerous well-known orchestras and ensembles. Their experience is the matrix for …
Swedish drummer Peeter Uuskyla performs all alone on this double-LP. The opening track ”The Dream” features two takes of drumkit mixed with one take of his piano-playing. The triptych ”Nerves I-III” presents Peeter Uuskyla´s everyday rituals as a drumkit-concerto. His primal, natural, basic, archaic music is illustrated by Johannes Brander´s cover art.
Peeter Uuskyla has played many years with legendary saxophonist Bengt Frippe Nordströms group in Sweden. He has worked and toured internationall…