Jazz /
Space Is the Place: The Lives and Times of Sun Ra
The book explains who Sun Ra was and what he was doing. This is no mean feat. Sun Ra was a man of many interests and beliefs, of whom many misconceptions exist. Even most of his fans will probably learn much and gain tremendous perspective on him from this book. The book's story is one of a man with artistic genius within him, who probably could have been a millionaire and musical "star" - who chose to do other things instead. Here is the unusual story of what he did and why he did it. There is …
Concert for the Comet Kohoutek
Recorded on December 22, 1973 in New York City at the famous Town Hall, this eclectic ESPDisk-sponsored celebration of the Comet Kohoutek featured a fire eater, talking drums, and dancers in platform shoes, in addition to Sun Ra's Arkestra. After taking the stage ninety minutes late, the band expertly navigates its way through cosmic free playing, big-band romps, and didactic vocal numbers. Compared to the original pressing, this re-issue is digitally remastered by Joe Phillips and includes brie…
Nothing Is...
Recorded during the 1966 tour of New York State colleges by celebrated classical engineer David Jones, this version of Nothing Is... contains over 20 minutes of newly-discovered material from the same date as the original album. Live set recorded during what many consider to be Sun Ra's most interesting period.
The Night of the Purple Moon
The second deluxe Ra reissue in the new o-card format from the UMS, released in conjunction with El Saturn Records is here: Sun Ra rocks out on his ultra-rare 'Roksichord' record, a small group outing from 1970 with an alternate take PLUS three mind-bending, never issued Wurlitzer solos from '64. Long-awaited & available on CD for the first time!" "The Night of the Purple Moon is Sun Ra's great 'Roksichord record.' It's also one of his most delightful, upbeat, and accessible outings -- full of b…
Abstractions of the Industrial North
Soundtrack to a film that doesn't exist, recorded in 1966! Reissued for the first time. The complete album Abstractions Of The Industrial North is on this recording, and we have added a selection of recordings from other rare Kirchin, Jack Nathan and John Coleman productions, including 'The Wild One', 'Don't Lose Your Cool', 'Town Beat' and finally 'Mind On The Run'. These are all ten inch De Wolfe releases, are exceptionally rare and includes some incredible session musicians, including Jimmy P…
Trio & Triangle
John Stevens (percussion, cornet, voice), Nigel Coombes (violin), Roger Smith (guitar). The 1981 London concert features two of John Stevens didactic pieces performed by nine or ten Musicians, plus a Trio improvisation. Another (previously unissued) Trio set can also be heard - the excitement of the music overcomes the imperfections of the recording on this half hour from 1978. Reissue of SFA LP 092 with extra Trio material.
"Sometime in 1976 the SME became a trio made up of John Stevens, Nigel …
Unlocked
Veryan Weston (piano), Hannah Marshall (cello) & Satoko Fukuda (violin). A leading member of the London improvising scene teams up with two very talented newer members, both of whom come from 'classical' backgrounds. The result is improvised chamber music of the highest order, with no sign of any uncertainty. Recorded March 13th, 2007.
Human Music
"This 1969 avant-garde collaboration between trumpeter Don Cherry and electronics pioneer Jon Appleton was originally released on legendary jazz producer Bob Thiele's Flying Dutchman label. Consisting of four compositions with the titles 'Boa,' 'Oba,' 'Abo,' and 'Bao,' Human Music finds Cherry stretching out on various flutes and African percussion instruments in addition to pocket trumpet. Original artwork. Detailed liner notes." Includes two bonus tracks, "Don" and "Jon".At the dawn of the 197…
Cobra
Above all, COBRA is a musical experience. Words cannot convey. Listen, just listen, and you're liable to find yourself lost in the magic of the game, and the music. Cobra is an unpublished but recorded and frequently performed musical composition by John Zorn that was conceived as a loosely structured system, or game piece, for a group of musical improvisors and a prompter.Zorn completed Cobra on October 9, 1984. The composition consists of a set of cues notated on cards, and rules corresponding…
Porosità
an AWESOME album by A Sprirale, consistin in Massimo Spezzaferro (drums) Maurizio Argenziano (guitars) Mario Gabola (alto, ten.) Tonino Taiuti (voice, objects) The entire album moves forward in a complicated, constantly mutating web of stylistic references to musical precedents within jazz and twentieth century music, overlapped in a restless search for new textures, moods, dramatic interludes, and possible resolutions
The Incandescent Gramophone
The Los Angeles Free Music Society (LAFMS), Poo-Bah Records, and The Pasadena Arts & Culture Commission brings you an homage and exploration of the 78RPM vinyl medium in true 78 phonic quality. The proposal was to make a mysterious object out its time -- a conundrum. Something technologically obsolete, by the most standards. It is an homage to the beginnings of recording technology by combining current methodologies with older mediums of sound reproduction. The compositions derive its sounds fro…
Whirl of Nothingness
Saxophonist Paul Flaherty is New England's purveyor of the ecstatic jazz pulse. Even before his 1978 debut, Flaherty remained unshakable in the pursuit of soul healing and demon dashing through freedom music. Whirl of Nothingness, Flaherty's second solo album, is eight pieces of alto and soprano saxophone steeped in the theme of loss channeled through blasting improvisations that showcase his fabulous wailing and inferno of sound to stark bluesy melodies. Even without drum buddies Chris Corsano …
The New York Composers Orchestra: First Program in Standard Time
Acoustic jazz recording featuring Holcomb's eleven-minute title-track, Lenny Pickett's ten-minute Dance Music for Composer Orchestra, Elliott Sharp's eight-minute Skew and Horvitz's nine-minute Paper Money and an eleven-minute composition by Anthony Braxton.
the geometry of sentiment
John Butcher is up there with the Parkers, the Rothenbergs, the Zorns and the Harths, yet his style is inimitable; he has arrived at the top at last, and dominates in a world of bent overtones and multiple subdivisions of a single note. THE GEOMETRY OF SENTIMENT - which I perceive as his masterpiece - presents seven tracks recorded at various places between 2004 and 2006, each one with a different kind of resonant space forced by our man to respond in a unique way, at the same time exploring tha…
Phonometak Series #2
The first chapter of this vinyl series opened with Zu duelling with Iceburn, the follow up is a face to face that puts Mats Gustafsson in front of Paolo Angeli. Talking about the swedish saxophonist (here he plays also alto fluteophone) what should I add you don't know already?...personally I've loved his combined effort together with “Rome's only” Zu (withTakemure more then ever in full blossoming), by the way what we have here is an acoustic improvised performance not so far from many releases…
Phonometak Series #1
PhonoMetak Series is a collaboration with PhonoMetak Labs, the discographic division of the music store SoundMetak di Xabier Iriondo. This series is strictly in 10" vinyls, as the early century 78 rpm.
s/t
A very nice production coming from Italy, that can be defined as a perfect meeting point for the experimental and explorative tensions of different musicians, whose background range from classical music to contemporary, from jazz to the extreme boundaries of rock" EAQuartett fall in the realm of Supersilent with an obvious appreciation towards the kraut and free jazz scenes of the late '60s and '70s. A fellow RYMer described this album along the lines of being the perfect exploration of the luci…
Over shadows
Rhodri Davies solo recording for harp and ebows. Recorded January 2004 at the Old School, Bracon Ash, Norfolk. Digipack. "Over shadows" - title courtesy Redell Olsen's "Secure portable space" book - is a single track, 36 minutes long, for harp and eBow. The chief reference name in this composition would obviously appear to be Alvin Lucier, as Davies' subtle juxtaposition of resonant overtones elicits the typical effects of beating between frequencies on the one hand, of marvellous saturati…
Solo in Berlin 1975
Recorded a year after his acclaimed masterpiece, The gentle harm of the bourgeoisie, these three festival sets are at least as good. They find Rutherford at his most original and inventive, making wild music by enhancing his trombone with his voice, with mutes and other objects, as well as using his awesome speed and stunning range. No-one else has made the trombone sound like this, before or since. Five minutes originally on an FMP sampler - the rest is previously unissued."
machine gun
rare original copy of this landmark record. Recorded with a whiff of revolution in the air back in May '68, this landmark Brotzmann LP taps into the spirit of its time with a robust garage rock sensibility, lending a considerable urgency to the session, with the highest volume passages taking up far more airspace than the Lila Eule club in Bremen (where the original recordings took place) could accommodate. clean condition, unplayedPeter Brötzmann - tenor-/bariton saxPeter Kowald - bassSven Ake …