Jazz /
No Sound Is Innocent
Written by one of the founding members of AMM, the book is divided into three sections: AMM and the practice of self-invention; Meta-musical narratives; and Essays. The book is a bringing together of connected and unconnected writings on a wide range of parameters that have a bearing on the making of music and particularly those issues that come into play in (and sometimes before and after) improvisation. Prévost points out that 'The meta-musical narratives were constructed, as an act of writing…
jazzin the black forest
fantastico documentario sulla storia della label discografica MPS > A brief history of a pioneering jazz label MPS (for Musik- Produktion Schwarzwald) is known as the German „Blue Note“. The label was established by producer and music enthusiast Hans Georg Brunner-Schwer (also named HGBS) from 1968 in Villingen. After he left the SABA enterprise, he made high class jazz productions in a wide variety. Till the 1980s, over 600 jazz vinyls were released in the whole spectrum from traditional Jazz t…
Evidences Vol.1 - Final Industrial Music 1980
Limited edition of 600 numbered copies. The 5-Lp-Box contains all officially unreleased material on Vinyl.The tracks are re-mastered and digitally transferred from the following tapes: Mectpyo/Blut 1 & Mectpyo Blut 2 (1979/80) Atomique/Murder (1980) Gene-P (1980) Nervo/Hydra (1980) Technology 2 (1980)
Bits, bots and signs
Ever since Otomo got into his minimal misuse of stereo equipment phase, a collaboration with Swiss toaster torturers Voice Crack was on the cards. Although Otomo's refraction of high end sinewaves around cranial interiors may not seem like an ideal partner for Norbert Mšslang and Andy Guhl's usual industrial clang, attempts have obviously been made to find a common ground. There's an intense focus upon the fine detail of the unfolding electronic fields, with the Swiss duo providing a constantly …
Alle Neune : Rheinländer Partie
Martin Küchen: prepared and non prepared alto saxophone. David Stackens: guitar, low-budget electronics. Recorded at Fylkingen, Stockholm by Andreas Berthling, 16th of May 2004. Mastered by Andreas Berthling, David Stackens and Martin Küchen.
Tre pezzi per percussione
Wolfgang Schliemann's Tre Pezzi per Percussione (Three Pieces for Percussion) is subtitled "Spesso Usate in Maniera non Convenzionale": often used in not conventional ways. Most of the time, Schliemann's approach is closer to sound art than, say, jazz or contemporary classical. This German CD contains three pieces, all improvised, all solo percussion. In "Presque Vu (En Suite)" ("Almost Seen [In a Suite]"), sparse sound events unfold through nine parts over a total of 44 minutes. Most sounds can…
UNDECIDED
Compilation containing six lengthy solo tracks by some of the most fascinating improvising musicians currently active in Japan. The CD documents a series of lecture-concerts, exploring the meanings, methods and implications of free music, which took place between September 2003 and February 2004 at Mesar Haus in Tokyo.
Mottomo Otomo – Unlimited XIII
The legendary Unlimited Festival in Wels, Austria in 1999 was curated by Otomo Yoshihide (Ground Zero). We are happy to release this sampler that captures the great musicians, bands and projects: Otomo Yoshihide solo, Radian, Incapacitants, Kaffe Matthews / Neumann / Krebs, Tetreault / Labrosse, Nagata Kazunao, Novo Tono, Keith Rowe / Taku / Otomo, Poire_Z, O.Y. New Jazz Quintet (their first performance ever!!), Hoahio, O.Y. solo (finale).
FREE ZONE APPLEBY 2003
Duos, quartets and quintets of FREE improvisations by Tony Coe (clarinet), John Edwards (bass), Alan Hacker (clarinet), Sylvia Hallett (violin, voice, sarangi), Marcio Mattos (cello), Evan Parker (tenor saxophone), Philipp Wachsmann (violin, electronics), Kenny Wheeler (flugelhorn).
Ignita aura
Recentemente vi abbiamo presentato il nuovo lavoro di un gruppo aperto di improvvisatori, i DEK, giunti ad una apprezzata seconda produzione audio. Questa volta due dei molti musicisti impegnati in quel progetto ci propongono la loro personale visione musicale, in un lavoro ""di coppia"" (col violino di Deborah Penzo e le chitarre, synth, theremin ecc di Paolo Boschi) altrettanto riuscito. Si tratta ancora di improvvisazione, di matrice contemporanea (soprattutto per le linee molto ""chiare"" ed…
2
DEK (Die Entartene Kunst, cioè Arte Degenerata) è un gruppo di ""improvvisazione contemporanea"", intesa come Composizione Istantanea, nella migliore tradizione radicale europea e non (da Nuova Consonanza ad AMM, a Buthc Morris). L'ensemble, aperto, ospita numerosi musicisti, che di volta in vota si alternano. Il nucleo base è costituito da Massimo Daolio, Margaret Leitgeb, Davide Negrini, Andrea Bini, Paolo Boschi, Alessandro Verdecchia. In questo loro secondo CD troviamo 4 composizioni totalme…
Gateway To Vienna
This double CD pairs a studio recording from December 2003 (the Gateway part) with a May 2002 concert recording of two long improvisations (the Vienna part). When this trio released their previous Emanem CD Mercury Concert in 1999, Veryan Weston was described as "underrated and John Edwards and Mark Sanders were described as "younger, unacclaimed players who are regulars on the London improv circuit. In the intervening years, Edwards and Sanders have advanced in acclaim, to the point where they …
Mercury Concert
Digital concert recording Colchester (Mercury Theatre) - 1998 June 24 All of the music of the concert is included unedited, in the order of performance. All instruments were used without amplification or other electronics.
Pollen
Recorded on 20/21 December 2006 and 2 January 2007 at Studio Z, Berlin
do
A groundbreaking release from two youngish Japanese improvisers. Sachiko M plays sample-less sampler, and Nakamura uses the no-input mixing board--both instruments which conceptually produce no sound, yet these two conjure it out, somehow."Do" was recorded live in Europe and Tokyo last summer, and features three improvisations varying in length from just over two minutes to slightly under 40. While the shorter tracks are worthwhile and hold moments of greatness, it is the first, very long track …
Cloister
This is a soprano sax/acoustic guitar session recorded at Sehnaoui's apartment in Paris, which is near an old cloister. The record comprises three long improvisations whose grammar derives from an obstinate research for uncharted areas of intelligent needlework, thus fertilizing the ground for new contiguities between the percussive resonance of instruments. The results achieved by this duo through the application of extended techniques bring the whole thing to shine, and quite often. Cha…
Chemist
FINALLY RESTOCKED! "New studio work featuring three long pieces in classic Necks minimal/maximal style. Why waste words?" (label info)"Chemist is the 13th release from Australian maverick trio The Necks, now approaching their 20th Anniversary, and still occupying a genre-group of one. Their slow, gripping, development of a single idea over the length of a whole CD, while somehow obvious, has proved un-copyable, mostly because it so much depends on the unique musical personalities and extreme vir…
Mosquito/See trough
On the one hand, they seem to be releasing too many CDs - on the other, they are so different and so good you really need to have them. This time they offer two long pieces, both exquisite, of which Mosquito is, in my opinion, destined for greatness. Since the demo arrived in the office it's been on continuously. Minimal, with every sound perfectly imagined and perfectly placed, it achieves almost total timelessness. Essential. (label info)
The boys
Sound-track to the prize-winning movie. The Necks break with convention here and put several shorter pieces on one CD. All gems and all pared back to the reiterative imperfection that is the Necks' unique and glorious signature. This a band that seems to be coming into its golden age. Prodigious music and highly recommended.
Drive by
FINLLY RESTOCKED! For the last 40 years the Logos Foundation in Gent has featured, produced and supported a vast programme of experimental music. One of its most distinctive projects is the massive robot orchestra - a huge and growing array of invented instruments - all of them Goldbegeresque physical constructions that produce internally generated acoustic sound, programmed and played through computer driven mechanical processes... Here they have been programmed to play a broad concert o…