Jazz /
Freedom Of The City 2001 - Small Groups
Highlights from small group recordings from the 2001 Freedom of the City festival featuring artists such as Steve Beresford (electronics), John Butcher (saxes), Lol Coxhill (sax), Paul Rutherford (trombone), Phil Minton, and more in various arrangements.
s/t
Solo, duo, trio, quartet & octet improvisations by John Edwards (double bass), Sylvia Hallett (violin, voice, sarangi), Marcio Mattos (cello), Neil Metcalfe (flute), Evan Parker (soprano saxophone), John Rangecroft (clarinet), Mark Sanders (percussion), Philipp Wachsmann (violin, electronics). 152 minutes - previously unissued.
The ins and outs
This is a studio recording, and thus somewhat different in approach and tone to the group's continuous live sets; an example can be heard on a compilation from the 2003 Freedom of the City festival. Here the emphasis is more on developing specific ideas with a consistent logic than on modulating between passages of tension and climax. On the longest track, the 13-minute Absolute Xero, the logic is sure and compelling; Skzypce is more playful, with Wilkinson vocalising through his reed and Noble,…
Prints - Snapshots, Postcards, Messages And Miniatures 1987-2001
The short story: Prints is Fred Frith's first album of songs in 20 years. The long story: it is actually a collection of compilation tracks and unreleased studio sessions recorded between 1987 and 2001. No matter if you already own a few of these, a pop album by this man is a rarity -- and that is truly a shame. Of course, as a respected improviser, serious composer, and educator, anything lighter from this pillar of modern music will meet with severe criticism from people who take themse…
Abu Tarek
Franz Hautzinger: trumpet. Mazen Kerbaj: trumpet. All music improvised, no cuts no overdubbing. Recorded on august 26 2003 at Khalifesh studio lebanon by Raymond Khalifeh. Mix by Mazen Kerbaj and Raymond Khalifeh.
Slow blind avalanche
Snow blind avalanche is a completely different album than A Rock In The Snow also being released on Important though the two records were made during the same sessions. This vinyl only release is limited to 1000 copies with the first 200 on snow-white vinyl. Artwork by C. Spencer Yeh. Liner notes from Wolf Eyes bro John Olson aka Johnny Coors. The Flaherty-Corsano-Yeh power trio have emerged on album with a dual format dual release for Important. Snow blind avalanche finds the Flaherty-Corsano-Y…
A Rock In The Snow
Together Chris Corsano and Paul Flaherty have re-written the concept of modern free-jazz with their post-hardcore punk style approach of euphoric togetherness. Ferocious, spontaneous, explosive and aggressively lyrical, they've established their groundbreaking duo with loads of shows and a host of tremendous recordings.
When tales of C. Spencer Yeh's Burning Star Core project reached Corsano/Flaherty, the duo were eager to see him jam. Fortunately, fate brought them together at the DeStijl/Freed…
A cavall entre dos cavalls
Ferran Fages, electric guitar. Self-tought musician, started playing guitar in the rock scene, but in 1998 stoped for re-thinking the instrument and the music made with it. In 2002 starts from zero, a process where music allows harmony to circulate without being dependent of itself, where time is the reason for exposed materials, always as compositions, never closed, where space is enough for permanent changes, everytime it is played. 'a cavall entre dos cavalls' is a exemple of that. The record…
Imponderable evidence
Matchless Recordings presents a live concert by Eddie Prévost and Evan Parker recorded at Gateway Studios, Kingston-upon-Thames, London, on November 10th, 2003. The album includes five tracks performed by Evan Parker - tenor saxophone and Eddie Prévost - drums.
Collective calls (urban) (two microphones)
The first published recordings of the duo of saxophonist Evan Parker and drummer Paul Lytton, recorded in London, 1927. Evan Parker, soprano and tenor saxophones, home made instruments, cassette recorder; Paul Lytton, percussion, live electronics, sound effects and noise.
From saxophone & trombone
Originally issued on LP in 1980, From Saxophone & Trombone ought to offer fans of trombonist George Lewis and saxophonist Evan Parker quite a bit to get revved up about. No frills or hidden agendas to be found throughout these five improvisation based works. You name it—they cover it! The duo explores various harmonic twists and turns amid microtonal sounds and ethereal soundscapes. They dig deep from within while also displaying the utmost improvisational acumen, as most of us would come to exp…
Hook, drift & shuffle
Evan Parker (soprano & tenor saxophones), George Lewis (trombone, electronics), Barry Guy (double bass, electronics), Paul Lytton (percussion, electronics). A 1983 Brussels concert featuring three improvisations by this electro-acoustic quartet. Reissue of Incus LP 45.
23 Exposures
Awesome trio, Ernesto Rodrigues, violin, viola; José Oliveira, percussion, acoustic guitar; Marco Franco, soprano saxophone. Recorded on 6 November 2001 at Exit Studio, Lisbon.
Chaos club
eRikm and dieb13 are two of the most prominent and well-respected experimental turntablists in the world, both working in a wide range of contexts, from the classical world to club DJing. Over the last two years, they have begun frequently working as a duo, and chaos club marks their first duo recording together. eRikm, from Marseille, burst onto the scene in the mid-'90s as a virtuoso turntablist. Since then, he has gradually shifted his output into a more abstract vein, often abandoning the tu…
Feuchtify
A sequence of 13 improvised duets featuring Sharp on soprano sax, dobro, electric fretless guitar, 8-string guitarbass and computer, and Friedl playing inside piano and prepared piano. The results are more instrumental, less electronic than on their previous duo album -- Anostalgia on Grob. Recorded in March, 2001.
Touch
Matchless Recordings presents a live concert by the Eddie Prévost Trio recorded at Gateway Studio, Kingston, England on 9th March 1997. The album includes seven tracks performed by Eddie Prévost - Drums, Tom Chant - Soprano saxophone, and John Edwards - Double bass.
"This trio, quite intuitively (because I never spelt out what I hoped would happen) works in a subtle, attentive way: examining what the music is and where it is going all within the process of playing; feeling the sound to be comple…