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Jazz /

Synesthesia
*250 copies limited edition* The quartet of Ivo Perelman, Matthew Shipp, William Parker and Bobby Kapp returns with Synesthesia, a new recording that captures their deep connection and evolving voice in contemporary free jazz. Following the acclaimed Ineffable Joy and Heptagon, the group continues to explore spontaneous composition, open form, and strong collective interplay. This time, the music leans further into a modern jazz language, with sharper focus, clearer shapes, and a refined sense o…
Five Nights in the Midwest
*100 copies limited edition* Five Nights in the Midwest is a new three-CD release from the improvising trio of bass clarinetist Jason Stein, double bassist Damon Smith, and drummer Adam Shead. Recorded during a December 2025 tour across the American Midwest, the album presents seven extended performances exactly as they occurred—without edits or cuts—allowing listeners to experience the full arc of the tour as it unfolded night by night. The December 2025 run marked the trio’s first tour since 2…
Many Roads
*200 copies limited edition* On Many Roads, their second full-length album, microplastique expands its playful yet rigorous commitment to instant composition, deepening an ethos that treats sound itself as both material and meeting ground. Recorded live across the ensemble’s 15-concert June 2025 U.S. tour, the album functions less as a polished artifact than as a document of encounter—capturing how place, audience, and momentary circumstance all shape what this quartet becomes onstage. Seven tra…
Onjo
*2005 release. 2026 stock* Kahimi Karie and Mariko Hamada guest as two vocalists on this orchestral work, which marks a dramatic advance from ONJQ. Its many scenes—sometimes hushed, sometimes intense—integrate (and disperse) every sonic possibility—jazz, ambient, rock, voice, noise, etc.—bringing new discoveries to every listener’s ear. Delicate sounds that can be heard if you listen closely. Even accidental onstage noises are intentionally included (you can hear them if you listen carefully), p…
Bluffs II
*2006 release, 2026 stock* This is a work that proves the worth of the trio that kept the group alive for 16 years, and at the same time captures a miraculous performance that’s hard to believe was entirely improvised — they went into the studio with no plan and made everything on the spot. Of course there were no overdubs or edits. It might convey the nuance better to call it composition while playing rather than pure improvisation. A series of acoustic treatments by ZAK fully preserves the stu…
Adena Quartet
*2026 stock* Very special quartet of Kazuhisa Uchihashi, Keisuke Ohta, Shinobu Kawai, Akira Sotoyama. This is real free music from Japan.
Meteor Driver
*2026 stock* The first duo work by Koichi Makigami and Masataka Fujikake. It contains 9 songs recorded live, all improvised. An improvised sound scroll made up of titles full of mysterious sounds with fantastical and unique ideas. The title song, "Meteor Driver", begins with a reading of a poem from Koichi Makigami's poetry collection "Suprematism" (2019).
Henry And The Ghosts Songbook
On his new album, Micha Acher opens his „Songbook“ under the alias Henry and the Ghost – with compositions for bands such as Tied & Tickled Trio and Ms. John Soda from previous years.
Canto de Olho
German saxophonist Luise Volkmann and Brazilian guitarist / vocalist Kiko Dinucci return with intimate, devotional new album Canto de Olho.
MGQ Live Im King Georg, K​ö​ln
*2026 stock. 200 copies limited edition* As the title of the album suggests, the new album by spiritual jazz legend Muriel Grossmann, MGQ live im King Georg, Köln, is a live recording of a concert at King Georg Jazz Club in Cologne. Recorded on November 11, 2022, the symbolic start of the Cologne carnival season, the album will be released three years later, at the end of the carnival season on Ash Wednesday, March 5. 2025. If by chance a concert in Cologne takes place on the November 11, it's o…
Sky And Future
*2026 stock* This is the Big Band version by Otomo Yoshihide Special Big Band (OSBB) of the 48-minute suite "Sora to Mirai to," written entirely for this performance. "Sora to Mirai to" was originally composed at the request of conductor Yutaka Sado and premiered by the Hyogo Performing Arts Center Orchestra on January 17, 2025, the 30th anniversary of the Great Hanshin-Awaji Earthquake. Although it is an orchestral work, it includes elements of improvisation; soon after its premiere, Otomo imme…
Live At Cafe OTO 2024
*2026 stock* A precious documentary capturing Otomo Yoshihide Special Big Band’s (OSBB) first European tour. It’s their first live release in ten years. Formed in 2013, OSBB has performed concerts and live shows, contributed scores for productions including Ama-chan and Idaten, and taken part in many unique and demanding projects—most notably the Bon Odori that began in Fukushima. For this tour they undertook 12 performances across seven European countries. Prior to the tour, the band changed th…
Ramune And The Power Plant
"Ramune and the Power Plant" is the first duo album by Otomo Yoshihide and Ruike Shinpei, who have performed together many times in groups such as ONJQ. This recording captures almost the entire completely improvised live set held in October 2024 at the café-music gallery Kakululu in Ikebukuro. In this project Otomo primarily uses turntables as his main instrument and, on some tracks, electric guitar; Ruike plays trumpet as his primary instrument and employs electronics on certain pieces. Record…
Hokuriku
*2026 stock* The third album of the quartet "Akira Sakata x Triple Edge," in which Masayasu Tsuboguchi, Takeharu Hayakawa, and Masataka Fujikake gather to create a rare improvised world with dynamism as if diverse organisms were wriggling under Akira Sakata, a giant tree several thousand years old.
Tippin' On Through
Tippin' On Through, by tenor saxophonist Curtis Amy, stands as a defining statement from one of West Coast jazz’s most eloquent voices. Recorded and released in 1965, the album pairs Amy’s warm, hard‑bop tenor with soulful grooves, crisp arrangements, and sympathetic ensemble interplay, creating a record that is both accessible and richly musical. Tippin' On Through showcases Amy’s robust tone, lyrical phrasing, and rhythmic agility. Across the program he moves effortlessly between blues‑inflect…
Components
Components documents vibraphonist Bobby Hutcherson’s early emergence as a vital voice in modern jazz. Recorded and issued in 1965, the album presents Hutcherson’s distinctive mallet work and original compositions that bridge post‑bop lyricism and mid‑60s harmonic exploration. Components balances melodic clarity with adventurous harmony, moving between contemplative ballads, driving post‑bop pieces, and modal excursions that highlight the vibraphone’s textural range within a small‑combo setting. …
Be-Bop '82
*2026 stock* The title says it: a deliberate, joyful return to bebop fundamentals from the Kenji Mori quintet, recorded at a moment when the language could already feel like a stylistic choice rather than a default. By 1982 the Japanese jazz scene had moved through its modal, free and fusion phases, and Be-Bop '82 is in part a record about choosing to stand somewhere: a claim that the bebop vocabulary still had real things to say. Mori plays with the kind of warmth and confidence that comes from…
Gallery
*2026 stock* Toshiyuki Miyama led The New Herd for decades, one of the most important and most adventurous Japanese big bands of the post-war period, and the working ensemble through which a remarkable number of Japanese composers and arrangers found a sympathetic home. Gallery shows the band in mature form, working through a programme that uses the full resources of the ensemble: brass-heavy passages giving way to chamber-sized features, dense ensemble writing setting up patches of open improvi…
Sunday Thing
*2026 stock* Another date from Toshiyuki Miyama's New Herd for Three Blind Mice, and a strong candidate for the band's most accessible single record. Sunday Thing leans into the warmer, more groove-conscious end of the New Herd's repertoire: there are still the harmonic ambitions and ensemble dynamics that made the band more than a swing-era throwback, but the rhythmic feel runs closer to the soul-jazz and groove-oriented big-band writing that was current at the time. Long-form arrangements give…
Mari Nakamoto III
*2026 stock* The third album from singer Mari Nakamoto for Three Blind Mice, and the one that pushes hardest at the conventions of mainstream vocal jazz. The line-up is the giveaway: alongside Nakamoto's voice, the record places bassist Isao Suzuki at the centre of the rhythm section and brings in Kazumi Watanabe on guitar, the same Watanabe who would shortly become one of the major figures in Japanese fusion and progressive jazz. The result is a vocal record where the accompaniment is unmistaka…