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A stunning set of 11 rare and unreleased-before cues of library gold; jazz, abstracted oddness, killer percussion tunes from the legendary Cometa library music vaults, made by names such as Sandro Brugnolini, Armando Trovaioli, Ennio Morricone, Luigi Zito, Alessandro Alessandroni, Massimo Guantini, Teimar, Berto Pisano, Giovanni Tommaso, Tito Schipa. These cues were all recorded in the late 1960s and in mid 1970s, and all have been used in the sound commentaries of newsreels, films, TV and docum…
Mohammad are back!! With their name compressed into MMMD deliver their most lyrical work to date on the original soundtrack for Lukas Feigelfeld's slow-burning gothic horror movie “Hagazussa – A heathen's curse”. The music is absorbing, emotional and powerful as ever and bears MMMD's familiar idiosyncratic universe galvanized in their previous releases, while open to new sonic territories that reflect the film's constant state of dread as well as key elements such as trauma, isolation, anxiety a…
The five-album solo project One Man Sessions by Massimo Martellotta, continues after the synthesizers of One Man Sessions Volume 1: Sintesi (2018) and the mellow prepared piano and drum grooves of One Man Sessions Volume 2: Unprepared Piano (CNMM 002LP, 2018). With One Man Session Volume 3: One Man Orchestra, there is another change; it is indeed a full-fledged orchestral album, conceived with the film music composers of the 1950s in mind, Bernard Hermann et al. One Man Session Volume 3: One Man…
Cinedelic Records present a reissue of Fred Bongusto's soundtrack for Conviene Far Bene L'Amore, originally released by Fonit Cetra International in 1975. In the future, the world's oil supply has finally been exhausted, causing a massive energy crisis. In a search for alternative sources of energy, a scientist invents a machine that can harness the energy expended during sexual intercourse and transfer it into electrical power. Conviene Far Bene L'Amore is a 1975 film written and directed by Pa…
Wewantsounds present a reissue of Serge Gainsbourg's cult score for the 1968 French film Le Pacha. These tracks were composed by Serge Gainsbourg at the height of his '60s cool when he was briefly going out with Brigitte Bardot and the couple was on the verge of recording the infamous first version of Je T'aime... Moi Non Plus (1969). All the tracks here are arranged by famed arranger Michel Colombier, who had been responsible for some of Gainsbourg's best songs (Bonnie & Clyde and Harley Davids…
Known by a select few as one of Canada's most intriguing cult artists, Bruce Haack always strived for mainstream acceptance. But Haack's true ambition may have been fully realized when it was discovered that he left behind a whopping 213 reels of recordings after his death in 1988. Preservation Tapes confusingly collects just ten of these tracks, with the majority coming from a session recorded for American Christian label, Sparrow Records, during his creative peak in the early '70s. In 2016, af…
**Laser-etched B-side ** At nightfall, two men enter the underground crypt of an isolated castle to deposit metal drums containing radioactive waste. Having learned that the chatelaine, recently dead, rests in a nearby vault with all her jewels, the two intruders decide to desecrate her grave. While they have just opened the coffin of Catherine Valmont, daughter of the chatelaine, an earthquake shakes the crypt, releasing the gases and waste stored in the barrels. The body of the girl is perfect…
A legendary soundtrack for a cult bizarre movie from the far Japan, by Asei Kobayashi and Micky Yoshino, performed by the group Godiego. For those who haven't seen the film, the music is stylistically varied with a general emphasis on '70s piano-pop, grooves and experimental passages. It's quite clear from the stellar performances and recording that a lot of love was invested in the making of this soundtrack. The main theme that plays throughout the movie is here, of course, as is the theme for …
A rare soundtrack session from Japanese jazz legend Hideo Shiraki; Also with pianist Takeshi Inomata and saxophonist Hidehiko "Sleepy" Matsumoto "Inomata and saxophonist Hidehiko "Sleepy" Matsumoto as well! The cover's somewhat unassuming, but the music inside is quite vivid and rich – jazz tracks used as a film score, often with a quality that's like the best jazz soundtracks coming out of French and Italian cinema at the end of the 50s – with a very different vibe than some of Shiraki's later …
A great Japanese jazz soundtrack from the late 60s by Toshiro Mayuzumi and Masao Yagi– as full of feeling
and creative inspiration as some of the best French jazz scores of the
New Wave! The tunes here mostly stand out as strong jazz numbers on
their own – although there are a few shorter, more introspective or
scene-setting passages – and although the players and notes are all in
Japanese, we can tell you that the music's mostly in a small combo mode,
with strong solos on tenor, trumpet,…
A tense crime soundtrack from Japan by the legendary Toshiro Mayuzumi a Japanese composer known for his implementation of avant-garde instrumentation alongside traditional Japanese musical techniques. His works drew inspiration from a variety of sources ranging from jazz to Balinese music, and he was considered a pioneer in the realm of musique concrète and electronic music – served up in a host of shorter tracks with a really evocative feel! There's a definite jazz bent to some of the music, bu…
A totally cool little Japanese soundtrack from the 60s – done for a film
that features a bunch of younger teens who head out the beach – and
which is scored with music that perfectly fits the mood! There's a
really great range of 60s film modes going on here – as some tunes
feature wordless vocal scatting, others feature a bit of surf guitar,
bossa melodies, or even a few more playful themes – mostly served up in
short takes, and interspersed in a way that's nicely vivid and very
groovy!…
A very cool mix of music by the legendary Toshiro Mayuzumi a Japanese composer known for his implementation of avant-garde instrumentation alongside traditional Japanese musical techniques. His works drew inspiration from a variety of sources ranging from jazz to Balinese music, and he was considered a pioneer in the realm of musique concrète and electronic music– served up here on a soundtrack that's almost
like having an audio version of a movie! The songs are all relatively
short, and are …
A marvelous jazz session from 1966 : Sadao Watanabe (alto sax) Terumasa Hino, Masahiko Togashi (drums) Masanaga Harada (bass), Masao Yagi (piano), Hozan Yamamoto (bamboo flute). "A totally cool Japanese soundtrack from the 60s – one that's as much of a
jazz album as it is a film score! The group features saxes from Sadao
Watanabe and trumpet from Terumasa Hino – part of a lineup that would
already make the music sound great on paper, although it's even better
on record! The tracks all have…
For the first time on LP, Maestro Morricone’s full score for the erotico-giallo « Grazie Zia », directed in 1968 by Savatore Samperi and starring italian actress Lisa Gastoni. On this unique soundtrack, the genius composer has created a magical and suspenseful atmosphere based on the recurrent use of the boy’s choir of Renata Cortiglioni including the killer theme «Guerra e pace, Pollo e Brace» with its funny rhyme and ferocious drums. The movie was “a strange horror tale, tinged with madness, a…
Temporary Super Offer! New 2018 edition. Second of two sleeve designs based on the original theatrical posters. 2018 marks ten years since Finders Keepers Records first liberated Lubos Fiser's immaculate soundtrack music for Valerie And Her Week Of Wonders ("Valerie A Týden Divu") from the vaults of the Barrandov Studio in Prague. As the inaugural release of an ongoing discography of previously unreleased scores from the hugely creative "Film Miracle" that occurred during and after the Czech New…
New 2018 edition. 2018 marks ten years since Finders Keepers Records first liberated Lubos Fiser's immaculate soundtrack music for Valerie And Her Week Of Wonders
("Valerie A Týden Divu") from the vaults of the Barrandov Studio in
Prague. As the inaugural release of an ongoing discography of previously
unreleased scores from the hugely creative "Film Miracle" that occurred
during and after the Czech New Wave (CNW), this score will always
retain a special place in the heart of the label. Hav…
It comes as no surprise that Andrei Tarkovsky, master of Soviet cinema, turned to composer Eduard Artemiev to score his two lyrical and haunting films, The Mirror (1975) and Stalker (1979), as he had done for Solaris (also available on Superior Viaduct). Artemiev’s magnificent soundtrack to The Mirror is the natural follow-up to Solaris. Dense, slow-moving, and often disorienting mood pieces with Baroque sensibilities resonate beyond the film’s dream-like images. For Stalker—Tarkovsky’s other sc…
CD version. Includes liner notes (French and English). Wrwtfww Records announce the release of two never-released-before soundtracks by French award-winning composer, audio experimenter, electroacoustic, and musique concrète magician, and all-around sound visionary Bernard Parmegiani, sourced from the original reels, and with English and French liner notes. Les Soleils De l'Île De Pâques (1972), by French director Pierre Kast, is a sci-fi feature which secured itself a well-deserved place in the…
Double LP version. Comes in thick, magazine-style format. 32-page booklet. Paul Page -- poet, pagan, and playboy of Polynesian pop and Hapa Haole exotica. The music on this unusual exotic album, takes you right to the ocean's edge, mingles you with jungle drums and animals, the booming surf, seagulls, and ocean liners in a coral kaleidoscope of sounds. This is the real deal authentic tiki bar soundtrack. Paul Page and his Paradise Music entertained in Polynesian themed restaurants all over South…