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**First 200 on Red Splatter Vinyl** The dark jazz masterpiece by Piero Piccioni written for the film directed by Paolo Heusch in 1962, played by Franco Citti and taken from the novel under the same title written by Pier Paolo Pasolini. Produced and made by CAM on a rare and sophisticated LP, the music of Piero Piccioni for this film embraces the jazz big band's frantic pulsations, directed by the Master - who sits on the piano - with symphonism and the best popular Italian melodic tradition bras…
**First 200 on Pink Marbled Vinyl**A definite killer from the great Gianni Ferrio – one of his grooviest soundtracks ever, and a set that's filled with lots of mod 60s touches! There's a bit of electric sitar, psychedelia, cool bubbling Hammond, and even some jazzy horn parts that make for nice flourishes over the top – all changing up in cool and different ways from track to track. A 1969 co-production between Cinevic and Rai TV for a mini television series that was aired in 3 parts - April 17 …
Original soundtrack to the movie Matkormano (centered around the alchemist Mage de Marsal or "Matkormano") produced by 529 Dragons and directed by Julien Louvet & Fabien. A beautiful, dark and foggy piece of music that we recommend you to listen especially at night, when the spirits are free to roam the endless roads of our soul-searching minds. Two longform interlinked titles of drone ambient. The movie, , was produced by 529 Dragons and directed by Julien Louvet & Fabien Rennet. "For fans of:…
«... The Azmari are singers and musicians wandering through the territory of Ethiopia. They carry the stories of different worlds, the sagas of cold lands with wispering winds, of flying islands, of ancient dances on the top of red mountains, of the demoted Ethiopian Princes and their doubles ... " by chronicler Tekle - Ēzānā (1698) Vespero, the southern Russian wonder band formed in Astrakhan, time and time again refining their means of expression from a intricate blend of space- and retro-pro…
If Patrick Cowley, Tangerine Dream and Prince recorded the soundtrack to an educational documentary on the homoeroticism of wind sailing, it might well have sounded something like this... “Tradewinds” The Wavesailing Film is the new LP of unreeled rot yok on Spencer Clarke’s outrageous Pacific City Sound Visions. This is a masterclass in sub-sub-genre study, chuffed up on so much positivity and salty bliss that it’s hard not to charmed by its blazing white toothed grin. Read on for an equally ma…
Dark Entries and Honey Soundsystem Records have teamed up once more to release the final volume of gay porn soundtracks by San Francisco-based musician and producer, Patrick Cowley. One of the most revolutionary and influential figures in the canon of disco, Cowley created his own brand of Hi-NRG dance music, “The San Francisco Sound.” Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco in 1971 to study at the City College of San Francisco. He founded the Electronic Music Lab…
John Carpenter has inspired countless musicians since his earliest minimal, synth-based film scores. The themes to his features like Assault on Precinct 13, Halloween, and Escape from New York have remained instantly recognizable since he penned them nearly four decades ago. In February 2015, Sacred Bones released his first solo record of non-soundtrack music, Lost Themes, to overwhelming critical success. The Horror Master proved that not only could he perfectly score his own films — he could a…
On Halloween 2014, the director and composer John Carpenter introduced the world to the next phase of his career with “Vortex,” the first single from Lost Themes, his first-ever solo record. In the months that followed, Lost Themes rightfully returned Carpenter to the forefront of the discussion of music and film’s crucial intersection. Carpenter’s foundational primacy and lasting influence on genre score work was both rediscovered and reaffirmed. So widespread was the acclaim for Lost Th…
Death Waltz Recording Company is proud to present a much needed re-press of this legendary soundtrack, featuring updated and expanded artwork by Luke Insect. Jorge Grau directed this classic zombie film in 1974, predating Dario Argento’s Suspiria by three years; you can’t help but think Goblin was inspired by Giuliano Sorgini’s score to Manchester Morgue when recording the Argento classic. Giuliano Sorgini fills his score with psych driven breaks, lush strings, pulsing electronics and ter…
Fabio Frizzi’s score to the 1980 Lucio Fulci thriller Contraband is surely one on the Maestro’s funkiest excursions record for Lucio Fulco. The main theme is a wonderful melody that is reprised throughout the score with a suitable touch of melodrama. Frizzi’s talent for catchy tunes is always apparent, whether it includes the stereotypical wah-wah pedal effects or some grooving slap bass.Kept modern by mixing traditional orchestral elements with electric guitar and a wailing sax, there’s …
Right after "High Crime "(La Polizia Incrimina, la Legge Assolve), the magic duo of Guido and Maurizio De Angelis conceive yet another highlight of the genre - the groovy, melancholic score of The Violent Professionals (Italian: Milano trema: la polizia vuole giustizia), which perfectly sets the tone of metropolitan violence presented on the screen. A dramatic sound, which preludes the acid- prog and gloomy music created for Il Grande Racket just three years later, with lots of flutes, clav…
First ever LP reissue of this timeless masterpiece by Philippe Sarde, the most versatile and talented french film composer. Les choses de la vie, an outstanding score which offers both the wonderful « Chanson d'Hélène » and most of the musical features which appeared later in Philippe Sarde's musical career : Nostalgia, melancholy, experiment and sound discord. Les choses de la vie is the film which confirms Sautet as a genuine author and Philippe Sarde as a rising composer. This is also the st…
First in a series of 4 late-summer 2009 blasters from Mr. P.C. C.P. - a reproduction of this über-obscure 1969 Italian Leo-label library R@ER - in Mono, no less - from Giuliano Sorgini. If you already have Sorgini’s name on your radar, most likely you’re either :: (1) a collector of Italian library-music LPs, of which he has many under his belt as "Raskovich" or (2) an avid fan of Spanish director Jorge Grau’s 1975 film “Non Si Seve Profanare il Sonno dei Morti” - aka “The Living Dead at…
Long in the works, here’s a replica of Oskar Sala’s 1970 “Debut” album (actually ; he did make his recorded debut on the 1961 “Electronics • Five Improvisations on Magnetic Tape” LP alongside Remi Gassmann’s score to a George Balanchine ballet production, but this the first full-length recording of his work) - a Selected Sound Library showcasing (showboating?) his “Electronic Virtuosity,” intended for “Radio Television Film Advertising Backgrounds.”In some ways the early-electronic equivalent of…
The soundtrack to a seldom-seen 1974 art film by Mort Hellig - featuring a total cast of 3, playing "Creation," "Humanity," and "Destruction," respectively - Israeli Composer Aminadav Aloni's peculiar, minimal Electronic Music cues come from a more compositional bent than much of the era's Synthetic dabblings. Over the course of 8 song-length segments of hand-played melodic refrain, a certain mood is established of laissez-faire, devil-may-care-ish-ness that is, frankly, quite welcome - s…
When you think of the BBC Radiophonic Workshop, we’d wager most of the time it’s in context of their seminal ‘60s and ’70-s output. However, The Soundhouse (1983) proves there was much to marvel at in their early ‘80s catalogue, too, summing up the great advances in technology between their Radiophonic Workshop - 21 collection and their acquisition of a Fairlight CMI - the first digital sampling synth - which is thoroughly, imaginatively demonstrated throughout. Horses for courses and all that b…
Yet another follow-up; actually in this case a precursor to a prior Creel Pone, Ruth White’s “7 Trumps from the Tarot Cards • Pinions” (LS 86066) - originally released just eight notches before her “Flowers of Evil” (LS 86058) in the discography of the now-legendary Mercury Limelight series - in between, Pierre Henry’s “Mass for Today • The Green Queen” (LS 86065), the Percussion of Strasborg’s “Signals” (LS 86064) , Fifty Foot Hose’s “Cauldron” (LS 86062), “Response: Electronic Music from Norwa…
With his score to Bernardo Bertolucci's 1976 historical epic Novecento, Ennio Morricone delivered one of the richest efforts of his legendary career. A sweeping and impressively variegated work, it manages to capture the period detail required to complement Bertoluccio's onscreen narrative, yet boasts a timelessness that's the hallmark of all the composer's masterpieces. Morricone's mastery of mood and texture reaches new zeniths here. Novecento communicates a vast emotional palette that extends…
**ltd 100 on Red vinyl** Demonic sounds, but surprisingly sweet as well – done with this easy-flowing style that's really wonderful – and much more similar to the seductive sound library work of Alessandro Alessandroni, than to some of the starker, darker horror of the time! There's definitely some spooky passages, but they're almost always warmed up in really nice ways – both with keyboards, and with these wordless vocals from the lovely Giulia De Mutiis, who drifts through the record like some…
**ltd 400 on black vinyl** One of the coolest 70s soundtracks from the great Stelvio Cipriani – served up here with a huge amount of bonus tracks too! The music here was scored for a Mario Bava horror film, but it often has a quality that's more lean and lovely overall – that current of sex that we always love in Ciprani's best work, and which made him a key force for transforming the Italian bossa and jazz soundtrack style of the 60s into something completely new for the 70s! There's a …