Music For Film And Theatre
The long awaited second volume of soundtrack works by German pop and avant-garde futurist, Felix Kubin, following 2008's Music For Theatre And Radio Play. Some of Kubin's most adventurous and far-reaching music stems from his commissioned works for films, theatre and radio plays. Freed from conventional song formats and genre stereotypes he effortlessly combines musique concrète noises, splashes of haunted virtual orchestras, Gameboy music minuets and voice collage, interspersed with tons of sus…
Magnetic Systems
From the same vibrant cinematic landscape of '70s studio supergroups as Goblin, The Pawnshop, The Feedback, and The Braen's Machine comes the Magnetic System, the Italian incognito dream-team composed of Milano prog keyboardist Vince Tempera, Cinevox sibling Franco Bixio, and video nasty maestro Fabio Frizzi (whose career it launched). Bridging giallo jazz-bass-driven prog and the arrival of home studios and synthesizers, the film music of the Magnetic System marked a sea change in Italian gen…
Sexophonie
Highly inventive library kraut / psych album related to Eulenspygel. Originally released in 1975, “Sexphonie” offers a mix of acid-rock, hard-psych, polit-rock and progressive / folky sounds with some eastern influences. Great studio production and outstanding guitar playing courtesy of Teflon Fonfara (who once blew up Camel’s PA system with his tape and delay guitar effects!). Tyll was formed when Teflon was approached by Kerston Records with the intention of releasing a krautrock album. …
The Forest of My Mind
Arranged by Mike Theodore and prolific guitarist Dennis Coffey—who later worked together on Rodriguez's Cold Fact—1968's The Forest of My Mind is a dose of soul-soothing mellow filled with captivating pastoral odes which try on a variety of period styles in craftsman-like perfection.
The album is a unique synthesis of pop, folk and psychedelic sounds flecked with a touch of Donovan Leitch-like whimsy which is steered into righteous and refined waters by future Motown staff producer Clay McMurra…
Crossroads of Time
UK psychedelia moved into prog rock with spices of hard rock in the late sixties, some even coined a new label to describe the strong textures resulting of the mixture of rockier blues sounds, jazz, revolutionized freakbeat and the hardest side of popsike - ‘heavy psych’. Amongst the best works of the era were the two splendid LPs recorded by Welsh band Eyes Of Blue.The Eyes Of Blue where formed in 1966 and soon won the Melody Maker Beat Contest, a fact that secured them a recording deal with De…
Haackula
Telephone Explosion reissues for the first time on vinyl ever Bruce Haack's cult masterpiece Haackula. This legendary dark electronic work from 1978 partner to 'The Electric Lucifer' (1970) finally sees light of day on vinyl thanks to Canada's Telephone Explosion.Deemed to be too dark and offensive for release when it was recorded in 1978 and bootlegged ever since, this is the first official release of Haackula. Haack's anger with society is palpable as he hisses and cusses his way over elas…
Big Deal! (Weinberger Funk Library UK 1975-79)
Killer Library compilation full of highlights from the music archives of Josef Weinberger Ltd. in London, pulled from the most famous library albums on labels like JW (Josef Weinberger/ Theme Music), IA (Impress) or PM (Programme Music). First selection of 16 lost tracks by Toni Campo, Midas Touch, Trevor Bastow, Sidney Dale or Vick Flick, oscillating between jazz-funk, soul music, proto techno and eastern-tinged disco, with open drum breaks, fat bass lines and plenty of horns/ wah wah/ or…
Musica per Commenti Sonori
Amleto Armando Roelens, also known under the moniker of Puccio, had a musical career almost entirely devoted to jazz; he was one of the first in Italy to play jazz music with his orchestra at the end of World War II, a genre that at the time was regarded as a vulgar import from the states. After some collaborations with RAI, the Italian national public broadcasting company, the fortunate encounter with the composer Armando Sciascia led him to write arrangements for many albums released by Vedett…
Musica per Commenti Sonori
*2022 stock* “Musica per commenti sonori” is a cult series within the diverse world of Italian library music. In the late sixties and seventies, the small record label Costanza Records has published several releases precisely focusing on ‘background music’, including works of great composers such as Peppino De Luca, Roberto Pregadio, Franco Micalizzi, Vito Thomas, Giancarlo Thomas, Puccio Roelens, Riccardo Luciani, and by the protagonists of this long-time due reissue: Sandro Brugnolini and Stef…
Inchiesta Sul Mondo
Inchiesta Sul Mondo is a double experimental concept album, mainly electronic, on topical problems of the period in which it was released, the middle 1970’s. The two records have two different arguments: Stati d'animo and Diagnosei Ecologica. Maestro Luciani is a well-known artist in the library music scene. His very personal style is the result of musical studies from childhood that allowed him to achieve a diploma in composition, choral music, choral conducting, and more. The avant-garde and c…
Free Jazz
Originally pressed in 1972 in Italy by Le Monde (a label which has in its catalog only 6 titles released in few copies for Radio and TV) is an insanely rare Library Music masterpiece. Absolute the hottest, weirdest, psych-jazz album of the era. Maria Teresa Luciani is the sister of Maestro Riccardo A. Luciani. The only known members of the session is the great Gino Marinacci on flute, here on his most obscure recording session, and Riccardo A. Luciani on all piano, fender rhodes and treated keyb…
Musica Amore
"Musica amore" is an extraordinary album (1972) by Maestro Piccioni which includes songs from various soundtracks showing his many facets. He utilizes the gorgeous voice of Shawn Robinson in "Right Or Wrong" and "Once and Again" (from giallo thriller “...Dopo di che, uccide il maschio e lo divora” aka "Marta” e "La Volpe Dalla Coda Di Velluto” aka "Eye Of The Hurricane”), the choir I Cantori Moderni di Alessandro Alessandroni, the band of I Marc 4 (M. Majorana, A. Vannucchi, R. Podium, C. Pes) a…
Quel Pomeriggio Maledetto
A tough, funky ‘70s instrumental score that perfectly fits the insane violence of this seldom-seen Lee Van Cleef hitman film! Quel Pomeriggio Maledetto (aka The Perfect Killer) is one of the wildest, sleaziest Eurocrime movies ever made; it ultimately got made with Lee Van Cleef as the star and featuring such sexualized violence as a female getting shot in her nether regions, a straight-razor fight with trans women and some rapes that make you feel more uneasy than do most. But no rundown of the…
L'Amica
L'amica (1969) is an intriguing Alberto Lattuada film starring Lisa Gastoni (portrayed in the cover photo of the LP), Gabriele Ferzetti, Elsa Martinelli, Ray Lovelock, Jean Sorel and Frank Wolff. The music is by one of the greatest pianists, composers, conductors and arrangers in the world of soundtracks, the Argentine naturalized Italian Luis Enríquez Bacalov, author of music for countless high-level films including “La Seduzione" "Quién sabe", "Django", "Roma Bene", “Milano Calibro 9" and winn…
The Mike Cotton Sound
Michael Edward "Mike" Cotton hit the UK professional jazz circuit with his trad jazz outfit The Mike Cotton Jazzmen in the 1950s. The Mike Cotton Jazzmen recorded three singles and one EP for Columbia between 1961 and 1963, prior to moving from jazz to a more pop / R&B oriented style and a band name change to The Mike Cotton Sound. They were regulars in the London R&B / Mod club circuit of the early sixties and in 1964 they released one single and their eponymous LP on Columbia, plus one single …
Le Due Stagioni della Vita
More than a halo of mystery surrounds "Le due stagioni della vita" (The two seasons of life), a film virtually impossible to find in any format, that we hardly know the names of its actors and director. The latter, Samy Pavel, of Belgian nationality but born in Egypt in 1944, debuted in 1972 precisely with this film, which was presented at the Venice International Film Festival in the same year.
The author of the soundtrack is Ennio Morricone, who was already a World famous composer in t…
Vergogna Schifosi
A great little soundtrack from Ennio Morricone with an overall dreamy feel to the best numbers on the set! "Vergogna schifosi" is a 1969 movie directed by Mauro Severino, a "Generation '68" film whose aim is to depict a social protest against the middle-class youth of the time, with the deserted - as empty as the protagonists - city of Milan in the background; everything is tied together by a mysterious murder that occurred years before, resurfaced by a mysterious individual.
The soundtr…
I'm Gonna Live Anyhow Until I Die
"I'm Gonna Live Anyhow Until I Die" is the 4th soundtrack from Stockholm-based visual artist Johanna Billing. The underlying 15-minute film installation is playing in Ostia, Rome, and formulates the utopia of free access to informal learning environments.
A group of young children is leaving the parental dinner party in a restaurant and starts to explore Ostia: ancient ruins, beaches, streets, green backyards and parks. The runaways gain access to an elementary school and discover a storage spac…
I Gres Vol. II
Never before commercially released library breaks monster recorded in 1975. A really must-have for any Library Breaks DJ vinyl collector. This is Silvano Chimenti and Romano Rizzati (alias Walter Rizzati) and a loose assemblage of primo Italian library session-players, I Gres recorded three blistering albums of funky library music.
A sublime selection of work from this legendary sound library ensemble – an Italian group who were so cool, so groovy, they were virtually a genre unto themselves…
Dracula
There is not much to say about the music composed by James Bernard for the Dracula Hammer Films. Everyone knows what we are talking about here. And this version is probably the definitive edition. The new revised artwork includes a rare picture of the late Maestro, taken from his estate's private collection. The complete recordings remastered from the original analog tapes. Master and sound restoring done by Roberto Zamori at Film Music Art Studio.