Password for Entheogenic Expirience
A never ending drone of intense meditative music, with trated acoustic sounds and loops. Alio Die explore somewhere else places finding a sound support for psychoactive journeys. A long, beautiful track (64 min.) of floating ambient music from this popular Italian electronic artist.
Osci
'Osci' is a two long tracks album (remixed by Gianluca Becuzzi/Kinetix) of ambient drone music, field recordings and experimental melancholic soundcapes... Using processed folk music parts (taken during folkloristic festivals, typical of the Apulian folk tradition), Fabio creates a dreaming atmosphere crossing between balls and bellows, silence and spirituality, everyday life: at home, in a church, in the countryside, at the small-town feast. All these sounds mixed and processed through digital …
Leaves Under Trees (Portayed Window)
Limited ART Edition of 100 copies only, for this one-sided vinyl LP, coming in a silk-screened folded cover, including an exclusive hand-made painting made by Texan artist Niwi (alias Vanessa Rossetto - www.pervertedlogic.com/niwi/). Every single artwork is an original card-panel of cm. 28 x cm. 21,50, signed and numbered by the artist and completely different by any other!
Praxinoscope
Praxinoscope is a new project which sees the duo Roberto Opalio (one-half of My Cat Is An Alien) and Ramona Ponzini (close collaborator of the Italian space-brothers). While in the debut album as Painting Petals On Planet Ghost (out in early September 2005 on Time-Lag Records) Ramona will focus on her Japanese vocals alongside both brothers' acoustic tunes, here she plays little Japanese percussions and wind chimes, creating a resonant texture over Roberto's alien wordless vocals and space elect…
Memory Makes Noise
With this release by Small Voices, Gianluca Becuzzi (ex-Limbo), for the first time, presents his work under his birth name, confining the aka Kinetix as an extension of his name. "Memory Makes Noise" is an important passage in the long carreer of our Tuscan sound-artist, projecting him to the achievement of his own creative dimension. Left the cold digital aesthetic, Gianluca Becuzzi, is focusing his re-search on electro-acoustic sounds, livening "Memory Makes Noise" with throbbing concrete rumo…
Arkaeo Planum
After the "A M.B. Iehn Tale" release (CD - SmallVoices 2005) for the first time Maurizio Bianchi meets TH26, historical Italian project in dark electronics. After their first official release ("La Haine" CD - SmallVoices 2002) they are now back with this amazing cooperation. For this release TH26 leaves their usual rhythmical attitude, in perfect symbiosis with Maurizio Bianchi, the "father" of Italian industrial music. This work presents deep obscure minimal soundscapes, moving in the fields of…
White Rooms
Since 1999, KINETIX is Gianluca Becuzzi, electronic composer and sound artist active since the first half of the 80’s. He writes: “The artistic production of KINETIX is characterised by a strong experimental imprint, by the interest into the expressive possibilities offered by the digital technologies and by a clear aesthetic inclination towards minimalist forms and micro noises/sounds.” (from the website) Really, the music sounds like a study about a representational work of minimal art. The fi…
Tagliare
Veterans of the Italian experimental scene, Le Forbici di Manitu celebrate in their own peculiar way twenty years of underground activism through an album recorded live in their cellar, offering new arrangements, essential and direct, of (nearly) all the songs in their back repertory, appeared from 1983 until today on a dozen of different releases (cds, compilations, rare cassettes and singles). Laying aside for this time conceptual electronics, noise-oriented audiogames and imaginary soundtrack…
Cool Crap
"Cool crap" is an impressive, highly infectious, catchy and totally twisted electroclash debut album from JUDAH: cold and analogue minimal electronics plus really toxic and vicious vocal parts!!! An incredible collision between the savage electronic world of early SUICIDE and obscure industrial music à la NOVEMBER NOVELET...!!! Exciting, savage, wild... With a disturbing werewolf artcover.
Judah
The second full-length from Judah who have been described as the Italian Suicide. Indeed, cold and analogue minimal electronics with really toxic and vicious vocal parts. An incredible collision between the rock'n'roll mood of the sixties and the savage punk electronic world of early Suicide.
Fallen Camellias
Second full-lenght album from Italy's Painting Petals On Planet Ghost, aka brothers Maurizio & Roberto Opalio (My Cat Is An Alien) and vocalist Ramona Ponzini (also involved in the duo Praxinoscope, as well as a new project with Z'EV). 'Fallen Camellias' is a tribute to one of the greatest poetess ever, Japanese Yosano Akiko, whose work in literature in the early 1900's is considered as manifesto of the Japanese Romanticism. Imagine a Vashti Bunyan or a early Marianne Faithful singing sweet melo…
We Could For Hours
We Could For Hours is instability. It represents the will to open the gates of unknown. It is the dark, whispered sounds and hidden truths. Chaos. And now here it starts, everything takes form, sensations rise, objects acquire colours, distorted vision but still a vision of reality. Everything dances and follows the rhythm of music, an unknown tribal dance. Silence. Sounds follow themselves but always hidden in a veil of mistery, words are mute, everything is listening attentively to the enchant…
The First Born
The First Born is (quite aptly) the first collaboration between Fabio Orsi (more than a recurring name in the In A Silent Place catalogue) and Mamuthones - better known to friends and family as Alessio Gastaldello and founding member and drummer of Jennifer Gentle, the Italian psych band signed to Sub Pop Records. After six years with the Jennifers, Alessio split amicably in late 2006 and reinvented himself as Mamuthones, a one-man project delving into primitive percussive jamming and equally pr…
Sound Postcards
Sound Postcards is a sound representation of determinated time-space, of its moods and atmospheres, it's a sort of soundpostcard in which the artists portray a familiar and hypothetical landscape. The listener is induced to ''identify'' the represented subjects through interpretative processes which directly compare sound suggestions with subjective/collective imagination. A semanthic game of mirrors reflecting forms in perpetual transition between auditive dimension and symbolic/mnemonic one. "…
The Wild Light Of The Moon
The new Fabio Orsi's "The Wild Light of the Moon" is really good album--one continuous 35-minute piece that ebbs and flows nicely.
Audio For Lovers
Fabio Orsi (collaborator on last year's 'Wildflower's under the sofa') returns with a double disc effort that is at once a highly satisfying 2 hour entry in the ambient genre. Although LVD's catalog often leans toward noiser, less melodic works, Audio for lovers shows both the same modernistic and minimal sensibilities that we've heard from Fabio in the past, while also drawing on the earlier, atmospheric work by Eno, which is to say that the album does precisely what most of us would like out o…
Fula Fula Fular
Wow! The brand new album by R.U.N.I. out in January 2008, 10" vynil version only, with a free CDr inside with same music as the 10" and videos. We've been waiting for 4 years for a new exploit of their crazy odd electronic rock'n'roll nowave funky dance whatever. Here it is
miastenia
And so it is that Ovo's debut for Load records is no less obtuse. While not earth-shatteringly so, it's comfortably alien in a way that the first time you heard the Residents. If anything, the duo slog bubbling servings of noise-rock that vacillate from what's often more "metal" than most metal proper, to what sounds like freer, open-field improv that somehow never loses sight of the underlying song. The caustic grind of "Anime Morte" and "Coco" recall first-album Carcass, only played with a jus…
From the Desert Came Saltwater
Italian-born multi-instrumentalist and architect, Nicola Ratti, presents his debut for Anticipate. Nicola's music can best be described as warm, subtractive rock, whereby he reduces guitar figures and piano passages into quiet explorations of the hidden corners of an otherwise familiar sound. Guitars twang with slight and spacious percussion and softly hushed (occasional) vocals and atmospheric twinkles congeal into a carefully-composed re-imagining of music. In terms of situating this album in …
