Did they ? Did I
Did They? Did I?, by Bologna-based Valerio Tricoli, whose only released work prior to this was an untitled cassette outing with Ielasi on Freedom From, is a fascinating if enigmatic piece that, like its cover photography, plays with the idea of inside / outside. Or rather, foreground / background - Tricoli explores the idea of distance and depth (real, in the form of sounds occurring far from the mics - a distant police car siren - or illusory - sporadic and intentionally heavy of use of reverb)…
s/t
Oreledigneur is the duo of Giuseppe Ielasi and Renato Rinaldi. Their collaboration started in 1998 with the release of the cd "may 15th" (Fringes) with Domenico Sciajno and Gino Robair, followed by the first Oreledigneur LP (co-released by Fringes and Fusetron), in collaboration with Alessandro Bosetti. On this cd, they are credited as playing 'big and small objects and instruments'. We can hear guitars (motorized, activated, and even conventionally played and filtered via tapeloops), field reco…
Aestethics of the machine
Lest you be in any doubt about the label's radical credentials, Elio Martusciello's Aesthetics Of The Machine comes with the following warning: "These recordings are very, very loud. They are dangerous to the ears and for hi-fi systems. Listen with caution. Moderate the volume control." All right! The last album that came with a health warning was Zorn's Kristallnacht, and this one's even more fun. Working with ultrasounds (up to 20,000Hz) and infrasounds (down to 16Hz), all that we perceive, wr…
Gelbe tupfen
This is another of Ralph Wehowsky's collaborative project based on recycling recorded material. In fact it's the "Christmas Carol" wheeze mentioned in Dan Warburton's interview with Wehowsky in The Wire 259. Gelbe Tupfen is a split album: Domenico Sciajno's "i.Dk.Sk." occupies the first half hour, followed by Wehowsky's own "Mneme Gelb", a 22 minute electroacustic suite. Sciajno is a bassist and software wrangler originally from Turin, now based in Sicily. Deploying extreme high and low frequenc…
The d&b album
Unless you're living in some parallel universe where ruffneck glitch anthems pack Dalston dancefloors, Sciajno and Prins do not by any stretch of the immagination create the drun 'n' bass suggested by the album title, although their work allude to more populist forms. There's plenty to enjoy over the album's five tracks. Prins's homemade electronics and Sciajno's fidgety computer processing create an extraordinary assymetric momentum, arhythmic yet somehow pulsing and direct, particularly on "Ca…