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CD version. Transversales Disques presents Kshatrya (The Eye Of The Bird), a never released before recording by French avant-garde electronic composer Igor Wakhevitch. Wakhevitch composed a bunch of major experimental albums in the '70s, such as Logos (1970), Docteur Faust (1971), Hathor (1972), Les Fous D'or (1975), Nagual (1977), and Let's Start (1979). During this 10-year period, Wakhevitch was close to Jean-Michel Jarre, Pink Floyd, Soft Machine, and legendary choreographer Maurice Bejart ha…
Hallelujah Mystic Garden Part Two contains a new deep-pocket groove disco version of fan favorite "Pink Lady Lemonade". Side two is a slick kosmiche-electro-disco number that unfurls over a period of 20 minutes and is periodically punctuated by Makoto Kawabata's unruly soloing. Recorded at Acid Mothers Temple, June 2016-March 2017; produced and mixed by Kawabata Makoto. Personnel: Cotton Casino - voice, astral mama; Kawabata Makoto - guitar, fretless bass, bouzouki, organ, rhythm machine, electr…
On Limited Edition Translucent Gold Vinyl!The original overview/collection from the legendary band. On Sundazed compact disc and 180gm vinyl, from the original masters.Originally released as part of MGM's "Golden Archive Series," this 1970 album (simply referred to as Velvet Underground) is a terrific sin-and-salvation selection from the first three VU albums, just the kind of thing to take along to a desert island or to the end of the world. It's essentially their earliest greatest hits collect…
Between May and October 1969, the Velvet Underground:Lou Reed, Sterling Morrison, Moe Tucker and Doug Yule recorded fourteen songs at the Record Plant in New York City for what would have been the band's fourth album for MGM/Verve Records. But when the Velvets left the label soon after, the recordings were shelved, and would not be heard by the public for a decade and a half. These songs, from those long-lost sessions, capture the Velvet Underground at a fascinating transitional point between th…
An awe-inspiring three CD set! We’ve emptied the Columbia vaults of material by these late-‘60s Curt Boettcher-led groups, whose dazzling soundscapes and choral arrangements created a perfect hybrid of sunshine pop and psychedelia. Produced with the bands’ full participation, Magic Time is the definitive compendium of Millennium/Ballroom material, including the entire Begin and Ballroom albums and an additional wealth of unheard songs and alternate versions, plus interviews and rare photos! Magi…
Silence present a vinyl reissue of Ragnarök's self-titled debut
album, originally released on the same label in 1976. Some music never
becomes dated and this debut record by Ragnarök from Kalmar in Sweden is
just filled with that kind of music. Many listeners have tried to
describe the music they have carried in their hearts throughout a whole
life or just discovered. They all say it does not sound like anything
else they have heard, some say it sounds like looking at water, others
that i…
Esoteric Recordings is proud to announce the release of a new expanded and re-mastered 2 CD edition of the classic album “Alchemy" by Third Ear Band. One of the first releases on EMI’s progressive rock label, Harvest in July 1969, “Alchemy” was the debut album by the band. Formed in 1968 around a nucleus of Glen Sweeney (percussion), Paul Minns (Oboe), Richard Coff (Violin, Viola) and Ursula Smith (Cello), the Third Ear Band were unique in their exploration of exotic baroque music fused with exp…
New Re-mastered & Expanded Release with four previously unreleased bonus tracks. Esoteric Recordings are pleased to announce the release of a new
re-mastered and expanded edition of the classic 1972 soundtrack album to
Roman Polanski’s gritty film of Shakespeare’s “Macbeth”. Originally released on EMI’s Harvest label in March 1972, the album
featured a new line-up of Third Ear Band featuring Paul Minns (oboe and
recorder), Glen Sweeney (drums), Paul Buckmaster (cello and bass
guitar), Simon…
Their debut, pensive and relaxed. A masterpiece, originally released on Vertigo. A vinyl re-release of the debut-album by legendary krautrock avant garde band Agitation Free. "Not willing to compromise, and heavily into the avant-garde (many members studied with the influential Thomas Kessler) it took a long while until Agitation Free got an album out. By that time they had developed a cosmic styled rock with a strong ethnic element. Although in the spirit of Ash Ra Tempel and Pink Floyd, they h…
2011 release. Originally released in 1978, in a private pressing of 200 copies. Canterbury style UK fragile folk with psych leanings. UK album recorded by a group of students at the Ingestre Hall Residential Arts Centre. The name of the band was actually a joke based on newspaper advertisements for musicians to join bands, which would sometimes end with "No time wasters"! So Greg Holt, the band's founder, called them "Time Wasters Only" and the generic name for any of the musicians in the group …
Underappreciated during their lifetime, the Los Angeles group Acetone are finally receiving some of the attention that they have long deserved via this fantastic compilation on the venerable Light in the Attic label. They recorded for the Vernon Yard label and put out an EP and four albums, but their tenure was cut tragically short when singer Richie Lee took his own life in 2001. Counting their early years in the scuzz-rock band Spinout, whose sole
self-titled release came out in 1991 on Delic…
New Jersey's Omnibus formed from the ashes of garage bands from the New Milford area: The Cliffhangers, The Forerunners and The Vandals. Original members came from these three local bands and consisted of Jay Polt, Al Raimondi, Bob Wegrzyn, Bobby Marcinczack and Jerry Garino. They soon hit the local scene and got in touch with brothers Steve and Eric Nathanson who would become their managers and finance their first recordings. A United Artists recording deal was the next step, through wich the b…
**2019 stock, reduced price** The Full Circle is very similar to the eponymous debut album by Forest, but does take things a little further. The music still hovers around the late 60s folk somewhere around Fairport Convention and Incredible String Band but almost without percussions. Forest were an English psychedelic-folk trio who formed in Grimsby, Lincolnshire, in 1966. They started out performing unaccompanied traditional folk music in a similar vein to contemporaries The Watersons and The Y…
Potemkine managed to blend in a very good way the basis of Zeuhl music with its prominent bass role and a lighthearted spirit of fusion with some 20th century contemporary music. They this deviate from the norm of “mainstream” Zeuhl, but they manage to deliver an original sound, making them unique in this scene. Potemkine was formed by three brothers from Toulouse – Charles (guitars, piano, vocals), Philippe (drums and percussions, piano) and Michel (piano, vocals) Goubin. They had taken other m…
Soft Machine formed in August 1966, although gigs under the name of Mister Head had been underway since May of that year. The band split up in December 1968, re-formed again in February 1969 and continued to perform throughout the 70’s. The original line-up (1966) consisted of Robert Wyatt on drums and vocals, Mike Ratledge on keyboards, Daevid Allen on guitar and Kevin Ayers on bass and vocals. For a brief time, American guitarist Larry Knowlin was also a member, but left after only a handful o…
Although the band never released an album during the years of their activity, Wilde Flowers is certainly to be counted among the foundation stones of the Canterbury scene of the mid-to-late Sixties. After their departure from the band, the members formed other two seminal groups of the Canterbury Sound: Soft Machine (Robert Wyatt, Kevin Ayers, and Hugh Hopper) and Caravan (David Sinclair, Richard Sinclair, Pye Hastings, and Richard Coughlan)
Straight to the Krankenhaus is the 4th full-length studio album by Danish progrock-jazz/ fusion act Secret Oyster. The album was composed and recorded simultaneously with Vidunderlige Kælling (1975) but was not released until late 1976/ early 1977. Many fans regard this album as the best work Secret Oyster ever did. And maybe they are right, because the brand of progrock jazz/ fusion on this album is very catchy and while there are plenty of soloing by sax and guitar the songs never drag or drow…
Vidunderlige Kælling is the third full-length studio album by Danish progrock jazz/ fusion act Secret Oyster. The album was made specifically and on request for a ballet of the same name starring one of the greatest Danish female ballet dancers at the time Vivi Flindt (it's Vivi posing naked on the cover of the album). The music on this album was composed simultaneously with the tracks that would make up the 4th full-length studio album by Secret Oyster called 'Straight To The Krankenhaus', whic…
This is Secret Oysters second step to stardom. When Secret Oysters first album (LHC 216) was a monumental debut, 'Sea Son' is a monster of an album type slightly psychedelic progjazz rock with clever use of electric piano and moog synthesisers along with a strong dose of melodic sax lines while Bohlings impressive guitar work really shines through and rules (listen to 9:16 long mind movie). A lot of furious solos and just a few soft ones mostly by guitar and sax, remarkable interplays between ke…