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I’d Rather Be Lucky Than Good is a new recording collaboration of Sam Ashley and Werner Durand. Sam Ashley’s mystic parables imbued with benevolent humor are drawn from a lifelong pursuit of a present-day shamanism. Werner Durand’s wind work on invented and traditional instruments stems from the minimalist tradition, routed through his unique study of obscure world musics. The two artists first met in Berlin in 1984 while Sam was touring Atalanta with Robert Ashley’s opera company, with whom he …
Liri SM is a word play between ‘liri’, the Albanian form for ‘freedom’, and ‘SM’, the widely used short form for ‘sadomasochism’ (which is a paradox of freedom). They melt together in the form of ‘lyricism’ (lirismo in Italian). Yet the first letters of ‘SM’ also hint at the Italian form ‘senza male’ (without harm, innocuous). The idea is to explore the concept of freedom as something that sometimes scares, or rather terrorizes, petrifies people. Our daily freedoms are often a form of content, a…
Edition of 100. Magneto Mori is an exploration of tape recording as a form of memory storage. In this iteration the location is the Irish mountain town of Kilfinane. Using a portable reel to reel tape recorder sounds from around the town were recorded onto the first side of the tape over a two day period – dripping rain, creaky gates, car mechanics, drainpipes, shops, church bells, refrigerator cabinets, wind blowing through the trees, passing traffic, etc. were just some of the sounds encounter…
Edition of 40. In 1992 the Italian sound artist Francesco Michi curated a project for the Volterra Teatro Festival, called “I Popoli Virtuali” (Virtual Populations). The original idea was to create and show the evidences of the existence of these virtual populations. Michi arranged a series of installations, performances and an exhibition. He himself created the Eugrughi Population, with their own poetics and rituals. “Poesie Eugrughe” is the representation of a supposed Eugrughian poets recital…
Points sans surface is a composition by Jean-Luc Guionnet for the Un Ensemble, a large ensemble created in 2012 under the direction of David Chiesa. The piece includes a sound system for 25 musicians and 8 speakers. It is also a visual experience generated by light. The general device consists of an acoustic and electroacoustic spatialization of sound. The audience is surrounded by musicians and speakers. Each instrumentalist is picked up by a microphone connected to a mixing console offering th…
Original 1963 copies of this legendary reference monograph, with the musical piece Spatiodynamisme by Pierre Henry on a 45RPM vinyl record. English edition. Based on 1954 recordings of a Nicolas Schöffer‘s sculpture, this music was elaborated in Pierre Henry‘s first private studio APSOM, active around 1954-58, while Henry was still a member of Pierre Schaeffer’s Groupe de Recherche de Musique Concrète. The music was intended as the soundtrack to the first Tour Spatiodynamique Cybernétique et Son…
Last Copies ** Edition of 200** Turva Lingua is the long-awaited, incredible debut album by mysterious Portuguese actor and performance artist Nu No. But who really is Nu No? Nuno Marques Pinto has been a relevant presence in the Portuguese Punk scene since the 80s. Cutting his teeth in the world of underground theatre through the 90s and early 2000s, he eventually started working with sounds in recent years, focusing on the (de)construction of language and the manipulation of pre-recorded spoke…
Double LP version. Gatefold sleeve, embossed; Includes four-page booklet. The Noise Of Art: Works for Intonarumori contains seven compositions, created by the Opening Performance Orchestra, Blixa Bargeld, Luciano Chessa, and Fred Möpert.
All the pieces relate to the theme of futurism and employ intonarumori,
instruments invented and used more than a century ago by the Italian
Futurists in their noise compositions. CD version includes 16-page
booklet. "In antiquity, life was nothing but silen…
Achim Zepezauer collects 158 45-second recordings from artists as diverse as Rhodri Davies and Simon Whetham, Jerome Noetinger, John Chantler, Jaap Blonk and many more and runs them through a Slotmachine. This is about as weird as it gets, a further expansion of Gruenrekorder, designed for the disorientation of Las Vegas‘ neon light. a new way of interactive composition technique introduced by Achim Zepezauer and his Kuhzunft project which results in this 10″ to be released on the Gruenrekorder-…
In his poem De Rerum Natura (On the Nature of Things) the Roman
poet/philosopher Lucretius (c. 99 – c. 55 BCE) explores Epicurean
physics and philosophy through richly poetic language and metaphors, as
he presents an entire cosmology: based on the principles of atomism,
Lucretius tries to explain the nature of the mind and soul, and the
development of the world. While some of his ideas have been proven
scientifically wrong, some of his thoughts seem strikingly reasonable
even for the cont…
Original late 80s copies from the legendary (and high quality) Edition Michael Frauenlob Bauer LPs, covering some of the Dieter Schnebel best extended voices compositions from 1981-1985. Laut Gesten Laute is a seminal piece of experimental 'theater' that ranks alongside Schnebel's later collection Zeichen-Sprache (recall Poem for One Jumper) as examples of Schnebel's “visible music.” These two works help define Schnebel as a formative voice in this genre for voices and gestures. “Redeübungen für…
Edition of 250 copies, historical recordings from 1975 and 1980. Giuseppe Chiari was one of the leading names associated first with Fluxus (being the only Italian member of the interdisciplinary art group since 1962) and later with Conceptual and Performance Art as well as Sound art. Coming from a background of different disciplines, he established new theoretical and practical standpoints in relation to music and art: his approach was always irreverent, walking the tightrope between to do or no…
Edition of 200 copies, with printed inner sleeve. Great sound performance held at with an introduction by Charles Amirkhanian. Enzo Minarelli is one of the most significant sound poets of our time. First and foremost, he is a distinguished, important, even profound creative artist. His body of work, which he most appropriately terms "poly-poetry", includes not only conventional sound poetry, but also embraces inter-media sound poetry (his performances frequently include slide projections, musiqu…
Shelter Press and INA GRM join forces for the first in a new series of annual publications focused on music theory and thinking covering a wide spectrum of ideas. The first volume features articles written by Félicia Atkinson, François Bayle, François J. Bonnet, Drew Daniel, Brunhild Ferrari, Beatriz Ferreyra, Stephen O’Malley, Jim O’Rourke, Eliane Radigue, Régis Renouard Larivière, Espen Sommer Eide, Daniel Teruggi and Chris Watson… "This book has been conceived as both a prism and a manual. F…
Songbook #7 is the new volume of Mattin's Songbook series, one of the most interesting works in the current experimental, improv and noise field. Songbook #7 features Farahnaz Hatam, Colin Hacklander, Lucio Capece, Moor Mother, Cathleen Schuster, and Marcel Dickhage and was recorded in November 2017 at Digging the Global South Festival in Cologne, while Europe was (still is) slowly going down. Layers of avant-garde tradition culminate into a set of songs that go beyond themselves. In times of in…
The Manifesto Of Futurism by Italian poet Filippo Marinetti, published in 1909, still has an intoxicating force. "We want to glorify war . . . to destroy museums, libraries, and academies of all kinds," wrote Marinetti. "We shall sing to the great crowds excited by work, pleasure or rioting, the multicoloured, many-voiced tides of revolution in modern capitals." Color was as important as force to the movement, and it was a search for new sound colors that fired the ambitions of artist and instru…
Two long tracks from reknowned sculptor Walter De Maria featuring a tribal drumming pattern and the sounds of nature. The two pieces included were originally recorded in 1964 and 1968. Produced by Estate of Walter De Maria in association with Gagosian Gallery in 2016. In the case of Walter De Maria, a seminal figure in the history of environmental art, these recordings from the 1960s signal the role of sound in his early practice. Cricket Music (1963) and Ocean Music (1968), were made during an …
Artists on Hanne Darboven is the first installment in a series culled from Dia Art Foundation’s Artists on Artists lectures, focused on German conceptual artist Hanne Darboven. Established in 2001, the lecture series highlights the work of modern and contemporary artists from the perspective of their colleagues and peers. The inaugural Artists on Artists title is published in conjunction with the opening of Darboven’s 1980–83 installation Kulturgeschichte 1880–1983 (Cultural History 1880–1983, 1…
Artists on Walter De Maria is the second installment in a series culled from Dia Art Foundation’s Artists on Artists lectures, focused on the work of artist Walter De Maria. Established in 2001, the lecture series highlights the work of modern and contemporary artists from the perspective of their colleagues and peers. This Artists on Artists title marks the fortieth anniversary of De Maria’s The Lightning Field, The New York Earth Room, and The Vertical Earth Kilometer. It features contribution…
This video and book are based on Dan Graham’s Rooftop Urban Park Project,
which opened as an extended exhibition at Dia Center for the Arts in
1991. Re-released as a DVD and packaged with the original 1992
publication, this title includes an essay by the artist and a 20-minute
video.