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This album is for the downward gaze. Taken from leftover piano sounds of simple sound sequences which Aki Takahashi had recorded for him. There were these irregular noises to be found which makes the connection from ear to eye. At the exhibition the piece was played back under a sheet of glass. Over which black pigment was sprinkled through a sieve. whereas a simple. Open loudspeaker was installed underneath the glass... Rolf Julius' works are always catalyzers for increasing attention to the th…
Fourth issue of the contemporary art journal about sound: Mark Leckey, Ruth Ewan, Tom Marion and the sonic explorations in San Francisco Bay, notes on Robert Morris' 21.3, interview with Pierre Henry, the Louie Louie project, special interventions by Dora García and Hannah Rickards, etc. This fourth issue of Volume comes under the aegis of the double. Somewhere between duality and dialogue, the praxis of certain artists is illustrated as much by way of music as through the visual art…
Kye is proud to present in association with Penultimate Press the fully authorized reissue of Henning Christiansen's Kreuzmusik FLUXID BEHANDLUNG Op 189. Kreuzmusik FLUXID BEHANDLUNG Op 189 was commissioned by the Bonner Kunstverein Gallery, Kunstfond, Germany in August 1989, for inclusion in their Taking Fluxus Around for a Drive happening, (also featuring performances by Dieter Daniels, George Maciunas, Allan Kaprow, Al Hansen, Joe Jones and others) and originally issued on cassette in …
“Strings” documents the long awaited first encounter of David Maranha and Stephan Mathieu, taking place in the Tennis Court of the Parque de Serralves, in Porto, on a sun-drenched yet gusty late-afternoon in July 2011. Having discussed in advance which instruments, tuning and notes to use, the piece was accomplished as an improvisation on the violin, shruti-box and virginals, reflecting both players love for classic minimalism, but also their ability to transform this language and make it their …
Three years ago we suggested to Mattin the possibility of publishing a book containing all his texts to date. Mattin was a little reluctant since much of the material was already available online in one form or another. However, at that stage this material was both distributed and disorganised. With the help of Anthony Iles this material has been revised, edited, and is presented here alongside newly commissioned materials. This book contains texts, interviews and responses to performance…
Two short sides of sound collage from Tokyo's masterful sample artist Otomo Yoshihide. These pieces are made up of short sound samples of almost any instrument imaginable: saxophone blasts, cello strokes, short metallic chord bursts, single plucks of the guitar as well as the noises made by hand movements all set to a metronomic sampled drumbeat. Quite interesting, but not a fully realized work. If Otomo chooses to continue this process, it could potentially have wonderful results.
**Limited edition of 300 including two inserts** The first release on Ricerca Sonora is a new album by the important American Avant-Garde figure Philip Corner. A contemporary of John Cage, Corner studied composition with Henry Cowell and Otto Luening and musical analysis with Oliver Messaiaen. He was a founding member of the Fluxus movement, founder (with James Tenney and Malcolm Goldstein) of the Tone Roads Ensemble, the resident musician and composer for the Judson dance theatre, and co-founde…
Old Apparatus are a four-piece audio/visual collective transmitting from East London that have been releasing bass-oriented electronic dance music on Mala's underground label Deep Medi Musik. This edition for The Tapeworm is an improvised instrumental piece using guitar, piano, violin and found sound ambiences recorded entirely in the front room of the house they share together. Given that most forms of electronic music are bound by linearity and grid-based digital audio workstations, Old Appara…
Philip Corner (b. 1933) is an American composer, musician and visual artist. His teachers include Henry Cowell and Olivier Messiaen. While on military duty in Korea in 1960-1961, he studied calligraphy with Ki-sung Kim and many of his works have calligraphic scores. A founding member of Fluxus, Corner has performed with George Maciunas, Dick Higgins, Yoko Ono and Nam June Paik. From 1967 to 1970 he taught the course in Experimental Composition at the New School for Social Research, which John Ca…
BOX edition: Psychedelic drone sounds, experimental electro-acoustics, minimal music and deep listening from the years 2000 - 2007 by Ilya Monosov, who is a member of the Frogpeak artist collective and one-half of the psychedelic noise group The Shining Path and the improv duo Monosov/Swirnoff. Ilya Monosov has collaborated with Bob Cobbing, Charles Curtis, Duane Pitre, Marc Schulz (in Ben Patterson's installation at the 40th Anniversary of Fluxus), Larry Polansky, Andrew Deutsch (with Pau…
Alessandro Bosetti provides voice and electronics on words & text from a variety of writers, as performed in a trio with drummer Ches Smith and fretless guitarist Kenta Nagai; fascinating and perplexing expression. Alessandro Bosetti: voice, electronics. Kenta Nagai: fretless guitar. Ches Smith: drums. Music and texts by Alessandro Bosetti. Dead Bird text by Alessandro Bosetti on words by Alasdair Campbell. Istruzioni text by Alessandro Bosetti on words by Jerry Mandel, George Dippel, Howard…
Chris Mann says of his work, 'The Art of the Diff,' 'language is the mechanism whereby you understand what i'm thinking better than i do (where i is defined by those changes for which i is required).' Written and performed by Chris Mann. Recorded in July, 2010. Video editing by Eve Essex. Produced by Alex Waterman. Stencil printed by Knust (Holland)
Lovely Artist Record, A side: "B" (for Bartleby) is written by Alex Waterman. Recorded at The 7th Regiment Part Avenue Armory Building, New York City, 23 March, 2008, performed by Peter Evans (trumpet), Marina Rosenfeld (phonographs), Hrabba Attladottir (stroh violin), and Alex Waterman (violincello); (2) The Kitchen, New York City, 25 November 2008, solo; and (3) The ICA, London, 30 May 2009, solo. Mixed by Alex Waterman in Brooklyn.Side B is written and performed by Dan Fox. Recorded and mixed…
A Ballad of Accounting' (2009). Composition for cello and Brooklyn Queens Expressway by Alex Waterman with a 16-millimeter film by Elizabeth Wendelbo. Recorded live under the Brooklyn Queens Expressway, June 2009. Recording engineer and editor: Chris Tabron
This double DVD release presents for the first time a selection of the cathodic experimental works from the seminal Italo-american artist Aldo Tambellini, a selection of classic documents of one of the first pioneers of video art and audiovisual experimentation from New York east side scene of the 60s and 70s. Unreleased and classic works available for the first time. Curated by Pia Bolognesi e Giulio Bursi. This is the first release of the Classic series by Von Archives.
Features Kevin Pink Reason, Loy Chinese Restaurants and Billy Bao. "What makes this record an exquisite corpse? Margarida, Kevin and Loy were given the lyrics to these ten "songs" only two days before the recording, and each of them recorded separately - consecutively - without hearing or even seeing each other. They were only given one chance to record their parts for each song, so what you hear on this record consists entirely of first takes. This way, as with all improvisation, there w…
Lovely 2CD Box + Book consisting of samples of fieldrecordings of Christian Jendreiko’s actions that have been performed at Wesleyan University (2007), Kunstverein Düsseldorf (2007) and Kunstverein Nürnberg/Albrecht Dürer Gesellschaft (2009) as well as a 74page booklet with an extended artist text and a photographic essay on the art of Jendreiko's actions. “Observing myself playing the guitar from a sculptural perspective brought me to the idea to concentrate on shaping the motoric aspect…
Awesome reissue of the vinyl-lp originally released 1983 by Multhipla (Cramps) and focused on his de-collage tecnique: much of Wolf Vostell's work deals with the idea of de-collage just as it sounds, rendering the whole into parts. He put this into practice with video and with sound, with his sound contributions being of interest here. Real-life events, dialogues, and existing recorded materials are spliced apart, ragged at the ends. From liner notes: "Some years ago I asked Giuseppe Chiari 'Wha…
This release documents the music Masselys made for the commisioned audio-visual piece, Jimmy Polaris, by visual artist Christopher Nielsen, animator Matt Willis-Jones and Masselys.Nielsen and Willis-Jones worked together on Norway’s most expensive animation film; Slipp Jimmy Fri from 2006. For Jimmy Polaris they used early raw animation snippets from the film’s preproduction phase. Nielsen and Willis-Jones then real-time manipulated these sketches into a psychedelic visual overload, which Massel…
EyEar presents for the first time the visual experimentations of legendary percussionist and musician Z´EV, part of live events series using percussion and rhythm to alter visual pattern waves, this DVD release is as hypnotic as it gets. An inner journey of Primitive Industrial Psychedelia.