The Twin Plays: Port-au-Prince & Adams County Illinois (Book)
** 2021 Stock ** This pamphlet is comprised of a pair of structurally identical plays, each composed by means of chance operations around the time of the editing and publication of An Anthology of Chance Operations by Mac Low with La Monte Young. Each play is made up of five partially improvised conversations in which the dialogue is derived from a highly restricted lexicon: the first uses words made from the letters that spell out the word “Port-au-Prince” to construct nonsensical “pseudo-sente…
Berlin and Phenomena (Book)
** 2021 Stock ** This pamphlet records Vostell’s two titular large-scale performance pieces “Berlin” and “Phenomena,” both carried out in mid-60s Berlin alongside a host of accomplices. “Berlin” consisted of 100 timed events—performed in both public and private—over a seven hour period, with equal weight given to utterly mundane actions like “looking for a parking place,” and more spectacular actions like “following the second hand of a watch with a welding torch.” “Phenomena” was a Happening se…
Ritual: A Book of Primitive Rites and Events (Book)
** 2021 Stock ** This collection of event scores and descriptions adapted from a range of ethnographic sources also implicitly functions as an examination of the Happenings movement in an expanded historical and anthropological context. Rothenberg’s translations, along with the restriction of information on his sources in the table of contents, leave ample room for cultural and historical ambiguity, giving each event a strong foothold in the here and now. Ritual stands as a direct predecessor to…
Incomplete Requiem for W. C. Fields (Book)
** 2021 Stock ** Though the title indicates an “incomplete” piece, this pamphlet presents the complete poem originally performed by Al Hansen in New York in 1958, at the intersection of the “backwash from the San Francisco Poetry Revolution” and the dawn of Happenings. Hansen read the poem aloud while a hand-spliced assemblage of W.C. Fields’ films was projected onto his chest. The pamphlet’s introduction, written by Hansen in 1966, consists of recollections of the New York art and poetry scenes…
Injun & Other Histories -1960 (Book)
** 2021 Stock ** This breezy and acerbic collection of early writings and illustrations by Oldenburg presents gnomic visions of an earlier America. Claes Oldenburg’s hand shines through in the loose, vivid prose and in the overall presentation. The pamphlet includes “Two Scenarios from an Incomplete Pageant of America,” a pair of excerpts from the longer, unfinished narrative “Faustina,” and a postscript.
Originally published by Something Else Press between 1965 and 1967, the Great Bear Pamphlet…
A Book About Love & War & Death: Canto One (Book)
** 2021 Stock ** This first section of Higgins’ major work, A Book About Love & War & Death, a sprawling prose poem meant to be read aloud. The text evolves modally, cycling through language games and experiments, oblique autobiography, and vocabulary drawn from an Indonesian dictionary, with a use of a chance method that is both elaborate and informal. The guiding principle of the work is, above all, what Higgins saw as a density of conceptual imagery—a density to be unraveled somewhat in what …
By Alison Knowles
** 2021 Stock ** This collection of scores presents a comprehensive overview of Knowles’ seminal early performance/event pieces from 1961 to 1965. These scores range from well-known directives (“Make a salad” and “Tie up the audience”) to more elaborate orchestrations, including pieces conceived for Nam June Paik and George Brecht and several relating to Knowles’ work as a printer.
Originally published by Something Else Press between 1965 and 1967, the Great Bear Pamphlet series was envisioned b…
Women in Concrete Poetry: 1959-1979
Women in Concrete Poetry: 1959-1979 is expansive anthology focused on concrete poetry written by women in the groundbreaking movement’s early history. It features 50 writers and artists from Europe, Japan, Latin America, and the United States selected by editors Alex Balgiu and Mónica de la Torre. Women in Concrete Poetry: 1959-1979 takes as its point of departure Materializzazione del linguaggio—the groundbreaking exhibition of visual and concrete poetry by women curated by Italian feminist art…
Cover to Cover
For years an out-of-print rarity, Michael Snow’s classic artist book Cover to Cover is available once again, in a facsimile edition from Light Industry and Primary Information. Never bound by discipline, Snow has remarked that his sculptures were made by a musician, his films by a painter. Flipping through Cover to Cover, which is composed entirely of photographs in narrative sequence, one might describe it as a book made by a filmmaker. Snow himself has called the piece “a quasi-movie,” structu…
The Devil's Cradle: The Story of Finnish Black Metal
Heavy hardcover book, approx. 500 pages. “The Devil’s Cradle: The Story of Finnish Black Metal” by Helsinki-based journalist Tero Ikäheimonen is a definite history of one of the most uncompromising and brutal music scenes in the world: the Finnish Black Metal. Based on over 50 interviews, the book unravels the story from late 80’s to modern days featuring such bands as: Beherit, Impaled Nazarene, Barathrum, Archgoat, Azazel, Diaboli, Darkwoods My Betrothed, Horna, Vornat, Thy Serpent, Wanderer…
Shame Space
Shame Space is an artist book that explores the possibilities of narrative and identity. The book collects a selection of journal writings by Syms from 2015-2017 in which she attempts to capture her shadow self alongside a selection of image stills from the recent video project Ugly Plymouths (2020). The diaristic commentary in Shame Space is gathered into fifteen chapters that stage narrative as a process of being in the making.
Text entries in Shame Space have formed the voiceover of Mythiccbe…
A Documentary HerStory of Women Artists in Revolution
First published in 1971, A Documentary HerStory of Women Artists in Revolution documents the efforts of a group of women artists, filmmakers, writers, critics, and cultural workers organized around advancing women in the art world.
Women Artists in Revolution (W.A.R.) was founded as the women’s caucus of the Art Workers’ Coalition and was active from 1969 to 1971. This publication gathers manifestos, statements, and declarations by W.A.R. members; articles and reports about gendered and racializ…
The Matrix Poems: 1960-1970
The Matrix by Norman H. Pritchard (1939–1996) gathers a selection of the Concrete and Black Arts poet’s work from 1960 to 1970. The seventy-one poems collected here might be regarded, as Charles Bernstein has written, as “sound” poems, being tethered not only to the literature of the Black Arts Movement but also to jazz culture and urban life in New York. Drawing as much from the visual arts and concrete poetry as from sound-based experimentation and music, Pritchard utilized the simple tools of…
The Unexpected Subject. 1978 Art and Feminism in Italy
"The Unexpected Subject. 1978 Art and Feminism in Italy" exhibition recounts the Seventies as a key phase in the history of Italian art of the 20th century, during which the spread of feminist thinking stimulates a new critical awareness that encourages many female artists, curators and art historians to rethink their role in society, life and art. Starting from a symbolic date, 1978, the year in which Mirella Bentivoglio presents more than 80 female artists at the exhibition "Materializzazione…
Martellate. Scritti Fighi 1990-2019
Martellate. Scritti Fighi 1990-2019 is a collection of the writings, in the form of slogans, which have accompanied Marcello Maloberti in almost thirty years of poetics introducing themes he finds meaningful. Published by Flash Art in collaboration with ASPESI, a sequence of thoughts which, written in black felt-tip pen, burst onto the white page like the urgency of a title, as if it was a book of titles. Like a collection of impulsive fragments, each page looks like a world itself. It ranges fr…
Left / Right
**2021 Stock** Catalog for Left / Right, an exhibition held at Corbett vs. Dempsey. July 27 – August 17, 2013. Includes an essay by Jim Dempsey. Design by Sonnenzimmer.
Microgroove: Forays Into Other Music
* 2021 Stock * A collection of more than 50 essays, interviews, and profiles featuring such musicians as Michael Hurley, P.J. Harvey, Helmut Lachenmann, Steve Lacy, Misha Mengelberg, Milford Graves, Ornette Coleman, Roscoe Mitchell, Koko Taylor, Jaap Blonk, Joe Harriott, and Joe McPhee, poets Nathaniel Mackey and Clark Coolidge, and artists Christopher Wool and Albert Oehlen. There's also an essay written together with Terri Kapsalis about the use of female orgasm sounds in popular music. And in…
You Should Have Heard Just What I Seen
Throughout the heady years of New York's 1960s and 70s music scenes, James Hamilton was on hand to observe and photograph some of the most significant bands, musicians and performances of the twentieth century. Serving as staff photographer for the Village Voice and Crawdaddy!, Hamilton photographed such musicians as James Brown, Captain Beefheart, Ornette Coleman, Creedence Clearwater Revival, Crosby, Stills, Nash and Young, the Grateful Dead, John Fahey, Mick Jagger, Jethro Tull, Elvin Jones, …
Shotgun Architecture
** 2022 Stock ** The sound of a gunshot doesn’t usually lead to quietude, while the tragedy associated with the sound seems to demand this. The bang excludes all surrounding factors and attracts all the attention. In a social way the bang is more of an implosion than an explosion. In this is project, Justin Bennett maps space by the sounds generated though shotgun blasts. A gunshot is extremely banal. The bang that is released when pulling the trigger is, in its explosivity, a direct metaphor fo…
Can You Hear Me? Music Labels by Visual Artists
** 2021 Stock ** Can You Hear Me? Music Labels by Visual Artists is the first survey on the obscure and fascinating phenomenon of record labels founded and run by visual artists. It reflects on the way these extra-artistic activities contribute to redefining the role of the contemporary artist as a catalyst of intellectual energies and producer of cultural processes at large. Moreover, it tries to understand if and how these activities challenged the art world's static and modern perception of a…