We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Sound Art /

Second Hand Reading
* Limited edition of 300 copies * An art edition of this release including an original drawing by William Kentridge hand-signed by the artist is also available, exclusively from VF. Second-Hand Reading is composed of hundreds of drawings superimposed on pages from the Shorter Oxford English Dictionary and other lexicons and encyclopedias. Like figures on a stage, drawings of the artist, scenes from nature, geometric shapes and phrases dance to music by Neo Muyanga across a backdrop of definition…
Thanx 4 Nothing
In celebration of The Infinite Mix, The Vinyl Factory release the soundtrack to ‘Thanx 4 Nothing’ by John Giorno. Ugo Rondinone’s immersive video installation features legendary beat poet John Giorno performing THANX 4 NOTHING. In this poem written on his 70th birthday, Giorno looks back at his life – and the people and events that shaped it – with humour and compassion. Performing in a tuxedo and bare feet on an empty stage in the Palais des Glaces theatre in Paris, as well as in a brightly-lit…
Liminals
Artist and film-maker Jeremy Shaw’s 2017 work Liminals is presented by The Store x The Vinyl Factory in partnership with König Galerie at Store Studios from October 5 to December 10 2017.. Originally premiered at this year’s Venice Biennale, the 20-minute film is set against a 1970s cinema vérité aesthetic, and draws parallels between the experimental spiritual gatherings of the ’70s and the effect-laden release of contemporary hedonistic subcultures. It follows a group of 8 dancers as they enac…
Music For Percussion
Ryoji Ikeda - Japan’s leading electronic composer and visual artist Ryoji Ikeda focuses on the essential characteristics of sound itself and that of visuals as light by means of both mathematical precision and mathematical aesthetics. Ikeda has gained a reputation as one of the few international artists working convincingly across both visual and sonic media. He elaborately orchestrates sound, visuals, materials, physical phenomena and mathematical notions into immersive live performances and in…
Tiger Balm / Amazonia Dreaming / Immersion
Black Truffle presents a new issue of Annea Lockwood's classic 1970 tape piece "Tiger Balm", unavailable on vinyl for over thirty years, accompanied by two exquisite unreleased works for percussion and voice. "Created while Lockwood was living in the UK, the side-long 'Tiger Balm' is a singular work within the cannon of tape music. Inspired by research into the ritual function of music, the piece explores the possibility of evoking ancient communal memories through sound. Breaking entirely with …
Mantra / Ur Sonate
**edition of 200, numbered*Two new vocal based recordings by the conceptual, and ever challenging artist John Duncan. "Mantra" is a piece by himself and is a choral drone that is highly capturing and transcendent. "Ur Sonate" is a classic sound poem by dadaist Kurt Schwitters composed between 1922-1932. The piece was banned from being recorded for many years (by the Kurt und Ernst Schwitters Stiftung). This album is something new for Duncan, but also in a way connected to his "Bitter Earth…
Musique Hydromantique
LP version. Reverse board-printed inner and outer sleeve; Edition of 500. Musique Hydromantique is the second solo album by Tomoko Sauvage archiving many years of her performance-based practice on the waterbowls -- the natural synthesizer of her invention, composed with porcelain bowls filled with water and amplified via hydrophones (underwater microphones). While her first album Ombrophilia (2009) was studio-recorded/composed work, Musique Hydromantique is about experimentation and improvisatio…
Movement Building Vol.3
Shelter Press has present the third and final volume of Gabriel Saloman's Movement Building series. For fans of Saloman's post-Yellow Swans work -- an already dense catalog of darkly cinematic compositions mostly conceived as accompaniment to some of Vancouver's edgier contemporary dance companies -- Movement Building Vol. III is not only a much anticipated conclusion to this trilogy, it is the most fully realized album in years. Whereas Movement Building Vol. I (SHELTER 051LP, 2014) and Vol. …
Hand In Hand
Re-press! Black Vinyl Edition housed in reverse board-printed inners and double-width spine jacket. Félicia Atkinson's new full-length album, Hand In Hand follows the highly-acclaimed A Readymade Ceremony, and her collaboration with Jefre Cantu-Ledesma, Comme Un Seul Narcisse. Composed over 2016 at EMS and at home in Brittany, Hand In Hand could be considered as the most ambitious body of work recorded by the French musician and artist. Strident modular sounds tear apart minimal beats and drones…
Quintets: Berlin, San Diego
In recent years, guitarist Taku Sugimoto has been active as a composer, providing works to musicians inside and outside Japan, and also as an improvisational musician. He often works with composers and musicians in the sphere of the Wandelweiser school, and gives many performances overseas. Sugimoto is also a member of the Suidobashi Chamber Ensemble, which is made up of five Japanese musicians.This CD, Sugimoto’s first release since Septet (on Meenna) in 2015, is made up of two versions, both a…
No-Instrument Air Noise
As a sax player, Junji Hirose has been a prominent figure on the free jazz/improvised music scene since the late 1970s. But he has another side: he performs on non-electronic noise instruments called SSI (self-made sound instruments), which he creates by putting together odds and ends and everyday objects. Hirose has released (on the Hitorri label) the CDs SSI-4, SSI-5 and SSI-6, which respectively document performances on the instruments of the same names. No-Instrument Air Noise, compris…
Illuminated by the Moon (4LP + Cd+ Book) box
**Very last copies, sold out at source **Epic release by Alvin Lucier, with a load of previously unreleased material compiled in one incredible box set. 4 x LP (180 grams), 1x CD and an extensive 120 pages lavish book plenty of previously unseen images. Safe to say that this one’s aimed at the Lucier aficionados, but it’s a real eye-opener for anyone into the far reaches of experimental music and the sonic art. Given the cost and scale of the project it's unlikely these will ever get a re-press.…
Untitled Noise
For the last hundred years, the line dividing music from visual art has grown increasingly obscure. Music has provided inspiration for countless artists, while art has offered the conceptual terms for music to break its own rules. Particularly within the contexts of punk, and experimental music, art schools have fed the ranks -- gifting countless rebellious and visionary minds. These are open worlds, between which positions and ideas freely meet and speak. Within it all, there lies an oft…
Valentina plays the batterie fragile
On March 2017, on the occasion of the Festival Super Flux (Tours, FR), co-organised by Le Temps Machine and Le Petit Faucheux, the French artist Yves Chaudouët has been invited to exhibit his Batterie Fragile, a drum-kit made of porcelain, in the museum des Beaux Arts de Tours while Valentina Magaletti, drummer for Tomaga, The Oscillation, Vanishing Twin, Helm… has been invited for a gig of duet Tomaga in le Petit Faucheux.Three ten minutes long improvisations resulted of the meeting between the…
Listen (Hear) Look (See)
Another "surprise" box especially conceived and made for our "sound-related" series. The reflection made by If, Bwana/Al Margolis (as the two faces of the same artist) are upon the concept of communication in art. What is the role of the artist and what is the role of the spectator? Is any interpretation of art valid? Is it possible to have a direct communication between the act of creation and the act of seeing/listening?Each boxset in this series of 50 is absolutely unique, containing differen…
Rodhaette/Ruinmusik
Two previously unreleased works from the late Danish composer, musician, publisher, artist, and Fluxus actionist Henning Christiansen. "Rødhætte" (1985) is a rendition of Little Red Riding Hood featuring Ursula Reuter Christiansen as narrator. All the hallmarks of Henning's unique approach to music/sound appear as the tale goes deeper into the depths of animalistic frenzy. "Ruinmusic" (1984) inhabits the last breath off the piano housed within the former Marienborg Manor. Prior to the destru…
Op.192 Umwalzung
Op.192 Umwälzung - Fluxorum Organum 1990 Eurasienstab Ist Immernoch Angelpunkt is a previously unissued work by Henning Christiansen from 1990. Around the formation of the European Union, Henning approached his original Eurasienstab organ recordings from 1968 as a platform to remold a vast amount of audio he made over the subsequent years This special two-CD release comprises two different mixes of Umwälzung that were made for Werner Durand in 1990 to be used as backing tapes for a performanc…
Klaar
Black Truffle present the first ever vinyl reissue of legendary performance and sound artist John Duncan's forgotten gem Klaar, originally released by Extreme in 1991 and partly created in collaboration with Andrew McKenzie (The Hafler Trio). Duncan is perhaps most well-known for his notorious early performances pieces, which explored violence, self-denial, and the establishment of extreme psychological and physical states in both artist and audience. Alongside these transgressive experiments, D…
Unfolding the margins
"The main purpose of this work is to explore the context in which freelance artists are working today while addressing the growing importance of the economic aspect within the artistic field, the imperative for freelance artists to become self-entrepreneurs and the mechanisms of their subjectivation. Furthermore, this text tries to investigate the possibility of alternatives and the different forms of ambivalence resulting from it. The work will tackle these topics by trying to realise a …
The Notebooks
In the archive of the Janacek memorial in Brno, lies a somehow odd treasure: a series of very tiny notebooks where composer Leoš Janáček used to annotate scraps of spoken language he would hear during his daily life in musical notation. Each one of those speech-melodies, as we call them today, taken roughly from 1904 till 1928, is a small sound photograph of a mundane and ephemeral situation, a fragment that let us blink into an acoustic reality long gone. Janacek practice and obsession re…