★+3db Records
'Blow job
Blowjob’ is an album stripped of glamour, fancy artistry and advanced studio techniques. This is one man, one saxophone and the musical intentions of a modern musician. The second album in +3DBs series Music for ONE opens up a different view on improv than that of Michael Duch (Edges - +3DB009.) With Møster, an experimental attitude is mixed with an underlying sense for the history of jazz. This is not jazz anymore though, but a contemporary art form with a solid memory. Upholding a music…
Aigéan
First solo album from bass player extraordinaire Michael Francis Duch, exploring 1960’s experimental works as vehicles for contemporary improvisation. Duch is a highly generous musician and improvisor. This is equally audible as he moves in the outskirts of reductionism, flirts with noise, engages in the domain of contemporary composition or happily endulges in the joys of free jazz. Mixing a keen and exploring sense of sound with firm and insisting formal thinking, he approaches his bass …
Hammond Pops
After hard and insisting work to revitalise the art of instrument bashing Golden Serenades has turned towards newer hunting grounds: the Organ. The queen of instruments - or more specifically the instrument as it sounds in the hands of organ master Sigbjørn Apeland - is the starting point for GS´s sonic experiments on "Hammond Pops". The result is a drone piece of highest quality. Slowly deveolping, massive sound breaking in and out of the source material from the organ. Always moving tow…
Aigéan
Lemur presents their latest position in the quest for a new improvised chamber music: Acoustic sound-oriented music from four highly original players. ”Aigéan” is Lemur’s awaited follow-up of the acclaimed debut ”IIIIIIII” from two years ago. Continuing their work to develop an improvised chamber music with an emphasis on sonic experimentation and ensemble character, the ensemble delivers a darker and more fragile album. More open to explore the particulars in each piece, the ensemble see…
Cardew works 1960-70
2024 stock. Cornelius Cardew's music of the Sixties is arguably from his most creative and experimental period as a composer, beginning with Autumn 60 and ending with the last paragraphs of The Great Learning in 1970. This decade can be divided into two parts, where the first half focuses on indeterminate music and the latter sees a growing emphasis on improvisation. Treatise functions as a bridge between these two periods, as it contains elements of both. This recording is a document of this du…