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"The cold December day freezes the atmosphere, making it eternal. Birds pass by. A construction site. The sound of the shijou opens the zazen. Humble gestures and wooden marbles. Steps across the hallway. The floor creaks break the audience’s breathless silence. Air flows between the maple branches. Frogs, water, and forest remind us of the transient beauty of nature. The organ’s mechanical imperfection and resonant glass tubes echo, warming the space. Raw tones, distant spaces, sound molecules …
Israeli-born, Montreal-based sound artist, performer and composer Adam Basanta returns to 901 Editions after his contribution to the Quark: How Does the Invisible Sound? project in 2016, with a delicate and sublime album summarising his feedback works between 2014–2016."The following are recordings of sound installations created solely using live feedback techniques, varying choreographies between microphones, speakers, kinetic system, physical spaces, and custom software. These works exist - ta…
Edition of 300. Comes with 16pp booklet. The work presented here for the very first time is the full documentation of Japanese sound artist and instruments builder Akio Suzuki’s solo works performed as part of ‘Resonant Spaces’, a tour with UK saxophonist John Butcher arranged in 2006 by the Arika organisation. ‘Resonant Spaces’ allowed people to experience sound in some of the remotest regions of Scotland for a series of site-specific performances in natural, prehistoric, manmade and industria…
Edition of 200. American interdisciplinary artist and composer Yann Novak returns to 901 Editions with his 4th edition for the label following ‘Blue.Hour' (2013), ‘Undefined' (with Richard Chartier, 2013), and ‘Liminality' (with Fabio Perletta, 2014). His new venture takes the form of a book and CD documenting the history of his series of works ‘Stillness' (2010–2017) through essays, photographs, and an audio CD. Stillness takes its inspiration from the two climates Novak has inhabited: Subtropi…
Edition of 200. Japanese-born and London-based sound artist Ken Ikeda has previously appeared on the label’s project “Quark: How Does Invisible Sound?” (Q06). He now teams up with Rie Nakajima and Makoto Oshiro for a series of collaborations included in this CD alongside his solo opening track. The album title is borrowed from the 1959’s movie by Yasujirō Ozu called Ukikusa (Japanese word for Floating Weeds). Motors, sound objects, automated gestures, mixed materials as opposed to synthesizer-ge…
Edition of 200. This is the last release in the series of Nicolas Bernier’s worldwide
acclaimed and Prix Ars Electronica Golden Nica awarded project
“frequencies”. The piece frequencies (a / archives) is a composition based on sounds
from the scientific archives of Rennes 1 University (France). This
impressive collection of antique scientific apparatus includes one of
the few remaining "Grand Diapason" built by Rudolph Koenig circa 1880.
The two gigantic forks of the Grand diapason can gen…
Undefined is the first collaboration between artists Richard Chartier and Yann Novak. For this piece the artists chose to collaborate in a way that was less about concept and more about the act of listening. The piece began with Chartier creating an unfinished work and sending it to Novak with no explanation, just the instructions to add to it, subtract from it, or a combination in order to finish the piece. Novak was then to send the recording back to Chartier for a simple approval or rejection…
Yann Novak Blue.Hour explores the high contrast colors created in the landscape during “l’heure bleue,” the period of twilight each evening when there is neither full daylight nor complete darkness. Directly following the ‘Golden Hour,’ know for its diffused yet powerful light, the Blue Hour retains the diffusion but lacks the strong light source giving this period of the day an especially melancholic and meditative atmosphere. Blue.Hour is presented here in stereo with some compositional elemen…