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Be With Records have raided the KPM archives to reissue another favorites from the KPM 1000 series, John Cameron's Jazzrock,
originally released in 1972. A dramatic suite of themes, montage,
sequences, and generics -- an enormously influential and heavy KPM set
of timeless, killer funk breaks from 1972 by the mighty John Cameron. Jazzrock
is an aggressive, percussion-heavy album with an energy that leaves
jaws on the floor. Breaks and beats for days with electric piano, bass
loops, and po…
Be With Records have raided the KPM archives to reissue another favorite from the KPM 1000 series, Alan Parker and John Cameron's Afro Rock, originally released in 1973. Hard Afro pop featuring large percussive rhythm section and front line. One of the best-loved of all the KPM LPs. Afro Rock was recorded at Morgan Studios by John Cameron and Alan Parker in London in 1973 as a collection of stripped-down African rhythms, virtuoso jazz instrumentation, fuzzed-up wah wah guitars, and spaced-out li…
Be With Records have raided the KPM archives to reissue another favorite from the KPM 1000 series, Alan Hawkshaw and Keith Mansfield's Beat Incidental, originally released in 1969. Underscore moods and links, contemporary beat music idiom -- Includes some of the most sublime, sub-ten second, tracks you're ever likely to hear, alongside more adequately sized library funk heat. The dream team of Alan Hawkshaw and Keith Mansfield are here at the helm of one of the most legendary of the legendary KP…
All the eleven new Kpm groundbreaking LPs in bundle! Be With Records have worked with the hallowed KPM to re-issue ten of our favourites from across the KPM 1000 Series and the Themes International Music catalogue, currently under KPM stewardship. Whether it’s killer soul-funk, sweet jazz-samba, skuzzed-up guitars or accidental Balearic beauty, these records include some of the most innovative work from some of the most talented composers and musicians of the 20th century. These records were nev…
When Alan Parker recorded the killer library soul-funk LP The Voice of Soul with session vocalist Madeline Bell in 1976, some bright spark at Themes decided to also release all of the backing tracks as a separate, and equally innocuously title LP called The Sound of Soul. Thank goodness for bright sparks. Released as a collection of “unobtrusive musical backings in various rhythmic styles”, the LP’s original description dryly explains “these tracks have been issued without melody and are therefo…
Veteran library musician Alan Parker recorded with session vocalist Madeline Bell for his Themes International Music label and the result was 1976’s The Voice of Soul. The sensational uptempo dancer That’s What Friends Are For is probably the most well known track on the record, and is a big hit on the rare groove scene, but it is by no means an anomaly. The Voice of Soul is essentially a perfect, sophisticated soul album with heaps of swagger and sass from beginning to end. Its once generic-sou…
James Clarke’s Mystery Movie was released in 1974 as “modern, small group compositions in various moods. Ideally suited to the new Americanised style of T.V. and cinema film where music is used to create the mood and carry the action”. So this collection covers a lot of bases, but it does so brilliantly and has absolutely no right to be such a fantastic listen from start to finish. Mystery Movie is best known for the slick drum breaks underpinning the top-notch jazz-funk chase theme Car Patrol, …
Alan Hawkshaw (piano/Hammond) and Shadow’s drummer Brian Bennett are responsible for some of the slickest, funkiest and most sought-after library records ever made in the UK, particularly ones recorded on the legendary KPM label. Their work has now become the go-to place for sampling in music today. Artists such as Dilla, Nas, and the xx, right through to the billion selling Kanye & Drake have taken Hawkshaw’s and Bennett’s immaculate beat-driven soundscapes for their own usage.Their new album, …
Released in the same year as Synthesis over on KPM, 1974’s Synthesizer and Percussion is its essential companion piece. “This record features the many distinctive sounds of the ARP Synthesizer plus percussion in various moods and tempos” is the even more underwhelming than usual library record sales pitch for Alan Hawkshaw and Brian Bennett’s second collection of what is basically minimal G-funk, with overtones of primitive acid house. This is ridiculously good. This is one of Hawkshaw and Benne…
Hot Wax is an assured KPM masterclass from a dream team line-up of Brian Bennett, Alan Hawkshaw and John Fiddy. Here we’re treated to what happens when all three decide to explore “the latest trends in production music”. The latest as of 1976, of course. John Fiddy’s numbers are sumptuous, string-led and light. Floaty soft-psych underpinned by a solid groove, particularly on Taste For Living and Fresh Start. If you're into Koushik and those early Manitoba/Caribou records - and you should be - yo…
The “vivid contemporary sounds for a fresh visual image” make up the now canonised Synthesis from Alan Hawkshaw and Brian Bennett. These two greats go deeper than usual on this collection, and the end result is a synth concept record of sorts. Released in 1974, it’s an essential companion piece to their Synthesizer and Percussion LP, released on Themes International Music in the same year.Like most of our favourite library records, Synthesis has that gloriously funky, “weird electronic music” vi…
Piano Viberations’ “small group jazz featuring piano and vibes with rhythm” makes for a gorgeous Francis Coppieters showcase, surely one of Belgium’s best-kept musical secrets. Released in 1975, and arguably the most low-key of the KPM and Themes records we’re re-issuing, this is easily our current favourite. The Open Highway is the appropriately-named opener, and immediately demonstrates Coppieters’ dexterous interplay between piano and vibes in assured, joyous fashion. The shuffling bossa of S…
The two sides of 1973’s Big Business / Wind of Change are mainly the work of the great Keith Mansfield but there’s a killer cameo each from Alan Hawkshaw and David Snell to help deliver “a thematic suite, diverse in mood, applicable to dramatic and environmental situations”. A Be With favourite and truly one for the heads. The Big Business of side A is all the work of Keith Mansfield. It’s heavy on the suspense and features the vital Hot Property, an insistent groove so good that Madlib sampled …
Voices In Harmony was released in 1973 as “a selection of contemporary pop titles featuring voices, brass and rhythm”. We choose to describe this collection of works by Keith Mansfield and John Cameron as “a string-laced, harmony-drenched KPM classic”.From the bright, lilting harmonies of Liquid Sunshine to the melting flutes of Loving Touch and Gentle Persuasion, this is warm, effervescent soul music for dreamy, idyllic moods. The supreme Husky Birdsong is so, so smooth, with its unrelenting bo…
Released in 1976, Distinctive Themes / Race To Achievement is legendary arranger Nick Ingman exploring the two distinct ideas of “impressive themes varying in style from Basie to Elgar” and “a study in the pressure and rewards of achievement”.Distinctive Themes is a veritable indulgence of variously-tempoed, full orchestra, big band workouts, from relaxed swing to more propulsive themes. The progressively building Expanding Markets is a true highlight, with its rolling pianos, contemplative elec…
Ahmad Jamal is a jazz giant and The Awakening is his iconic masterpiece. The landmark deep trio session - recorded in NYC and released on Impulse! in 1970 - is an essential album and perennially sought-after on vinyl, so Be With Records are delighted to make it available again. As a “Zen master of jazz piano” and one of its greatest innovators, Jamal evolved his elegant sound with this adventurous record. The Awakening showcased his fast, richly melodic chops in remarkable variation. A consummat…