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Edgar Valcárcel (Puno, 1932-Lima, 2010) was one of the most important composers in Peru. He belonged to a crucial generation centered around the 1950s, which also included César Bolaños, Leopoldo La Rosa, Celso Garrido-Lecca, Enrique Pinilla, and Francisco Pulgar Vidal. These musicians were responsible for introducing locally the new languages of the international musical avant-garde, in a meeting with the legacies of Peruvian native music, where the folkloric material was used under very free a…
Second release in Buh's "Sounds Essentials Collection," documenting the history of Experimental Music in Peru. Miguel Flores is, alongside musicians such as Arturo Ruiz del Pozo, Luis David Aguilar or Manongo Mujica, one of the most important representatives of that period that spans from mid 70s to mid 80s, when experimenting musically in Peru united modern composing techniques of avant garde music and the search of the sounds of mother land. Miguel Flores’ Primitivo is as mind-blowing as they …
Subtitled "Music for Native Peruvian Instruments and Magnetophonic Tape (1978)" this is a wonderful collection of pieces composed between 1976 & 1978 at the Royal College's EMS by Peruvian composer Arturo Ruiz del Pozo. Ranging from extended tape-loop meditations to application of mystical folk instrumentation & enharmonic percussion sonorities, this is an incredibly eye-opening survey of the work of a composer of whose work I was completely unfamiliar prior to this issue.Like many countries in …
In the bulletin 103 of the Casa de las Americas, published in the second semester of 1984, there is an article by Peruvian composer and musicologist Aurelio Tello, offering a full-scale view of what by then was the last generation of Peruvian composers: the generation of the 70s, nicknamed by Celso Garrido-Lecca as “The Superstars”. Making a recap of the musical production of those composers, Tello indicates: “Signs of the conditions under which we work can be seen at first sight: the red…
Fusión is the forth production released by Distorsion Desequilibrada, Alvaro Portales’s industrial noise project. He is one of the most important representatives of industrial noise produced in Lima between 1990 and 1995. Portales by then began his work as a graphic designer and comic artist and he was always present at the hardcore punk underground rock and metal circuits. The radicalism of grindcore and its derivatives, grindnoise and noisecore rooted themselves locally and allowed for …
In the mid ’80s a hardcore punk movement burst in Lima under the Movida de Rock Subterráneo moniker, meaning Underground Rock Movement. By the end of said decade the movement had diversified its musical options toward post punk, fusion, techno and noise. The political and social ecosystem in which that movement had developed was determined by a deep economical crises and a violent environment which had sunk the country into an insecure and chaotic condition as terrorist groups and the mil…
Published in 1984 independently as a cassette. It was the result of extensive research by Manongo Mujica and Douglas Tarnawiecki on Peruvian sounds. Throughout one year they traveled from the desert of Paracas to the Jungle visiting marketplaces and the heavily used avenues of Lima, recording the sounds of the sea, the wind, the rumor of streets and radio emissions. With all of this recorded archives they composed a soundtrack at Sandro LiRosi’s sound studio and on it they added a diversi…
Finally reissued on CD by Buh Records in a limited edition of 300 copies. This CD is part of the Sounds Essentials Collection, a rescue project of several fundamental works of Peruvian Avantgarde music, which will be published periodically.
David Aguilar Carvajal about the soundtrack: "Men of Wind (Hombres de viento) was the shared realization that José Antonio Portugal and myself created through our thoughts on audiovisual production. This was our first collaboration. Minutes into our first co…