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The fourth Warrington-Runcorn New Town Development Plan album, The Nation's Most Central Location, sees Gordon Chapman-Fox explore the north-south divide and reflect on 40 years of broken 'levelling up' promises. With eight tracks across 40 minutes, the album offers Gordon's usual mix of mournful remorse and upbeat optimism. Gordon has now added an underlying anger that burns through on tracks such as London's Moving Our Way and A Brighter And More Prosperous Future.
Gordon says, “When I was a c…
*300 copies* Lone Bison / Nick Bonell lives by the sea in Ramsgate. Mainly a guitar player and pedal freak, Nick bought a used Korg MS20 and fell in love with synths. As one half Stuntmen, Nick released the sample-heavy single 'You're the Beat Find' on the very groovy Tummy Touch label. An album, 'Transistor Memory' and single 'Drugs' were released on Dom Martin's Polytechnic Youth records in 2021.
Lone Bison's music is influenced by Krautrock, electronica, post-punk, soundtracks and post-rock.
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"The inspiration for Winter Resort Music is derived from a childhood passion for winter sports. It's all about the spooky synths, mainlining radiophonic electronics, subconscious TV memories and an awe about what these athletes could do on the slopes when you were living in the suburbs. Can anyone forget the glowing figure-skaters, dancing into the public consciousness? The perfect beauty that melted girl's and boy's hearts around the world. Sunday afternoons spent watching guys flying on long j…
A brand new vinyl cut on 180g yellow/black vinyl in a fully redesigned gatefold sleeve. Includes a bonus 7" pressed on yellow vinyl featuring two contemporaneous tracks which have been reworked by GCF exclusively for this edition.
Mat Handley’s shimmeringly beautiful ‘Cotswold Stone’ is the debut long player from Mat's Pulselovers project, which was first released in 2019 and is driven by warm analogue sounds effortlessly conveying a feeling of being somewhere beautiful, out in the country.
*2023 stock* Patrick R. Pärk delivers the first new Kösmonaut material since 2017. "Transgressive Transmissions" is a powerful set of deep Berlin School jams with all the multi layered kosmische air trails that you would expect from this multi-faceted producer.
"This collection of tracks came about during a period of transition for me, from changing the way I wanted to make music to a method that was more intuitive and free-flowing. I spent a lot of time experimenting with sequencing and different bits of hardware I'd acquired. I was also playing around with an old four track cassette recorder, which was loads of fun. I think the end result feels a little broader in sound and composition as all but one of these tracks were the result of recording a liv…
Tip! *300 coipes limited edition* Northern Minimalism 3, the latest album from Mat Handley performing as Pulselovers, is a deeply personal “love letter to South Yorkshire, or at least to Doncaster and Sheffield”, not just the urban environment but the region’s post-punk and electronic-pop legacies. Inspired by the concept of spreading a project over multiple formats taken from Virgin Prunes’ ‘A New Form of Beauty’, this is the first full album in Pulselovers’ on-going ‘Northern Minimalism’ serie…
"Remains" is the debut album from composer and sound artist Will Gardner. Will has worked extensively behind the scenes as an arranger, orchestrator and pianist in both Berlin and London, arranging strings for alt-J, Daughter, Låpsley and Madness. This debut solo work explores the experience of caring for his father through the final stages of Parkinson’s dementia. The album is both an aural imagining of the dementia experience (it’s memory slippages, disturbances, delusions and paranoias) and a…
"This album features just one synthesizer - a Buchla 208C Easel Command, processed with various effects pedals. It enabled a minimalist approach, focusing purely on tone and atmosphere. Something about the raw sound of this amazing instrument led to thoughts of moons in our solar system: there's something utterly otherworldly and yet oddly familiar about the sound of the Easel - it often sounds more organic than electronic and is simultanously beautiful and mysterious, huge and delicate. Working…
The collection of songs that make up ‘Detached Engagement’ are our most personal and emotionally revealing tracks. Recorded over a period of emotional turbulence where we lost loved ones and uncertainty seemed the only constant. Our studio became a hide away, a place of refuge where we could direct our energies into a creative act of understanding and hope. We reconfigured our subversive pop to fit our present situation, the distortion was dialled back, the gauzy tape worn ambiguity was replaced…
*2023 stock* Ali O’May and Frazer Brown met in early 2018 while performing with their respective bands at an Electronic Music Open Mic (EMOM) gig in Edinburgh. With obvious common interests, further discussions lead a few months later to Ali passing Frazer a USB drive filled with stems recorded directly from Ali’s vast modular system. Across August and September 2019, Frazer used about a dozen of those stems as the foundation for a set of tracks, building them into fully realised pieces across a…
"My favourite memories are the odd ones. Sharing Larry Grayson’s old dressing room, author Lawrence Norfolk telling a journalist that the Mount Vernon Arts Lab was one of his go to bands when writing, organising the first concert of electronic music in a nuclear command bunker in 1998, playing shows with Silver Apples, Add N to (x), Stereolab, Broadcast, Sonic Boom, Project D.A.R.K.
Recording with Adrian from Portishead, Norman from Teenage Fanclub, Isobel Campbell, Coil, appearing on telly with…
“Outline of Nature” is the debut album by Twilight Sequence (aka Matthew J Saunders) following the release of a 12” EP and 7” single on Castles in Space, and an EP on his own Bandcamp page. “Outline of Nature” started as an experiment in building a modular synthesizer system and ended up as a voltage controlled outpouring of love for the natural world. Sylvan-born and pastoral-powered, sap-blooded and lightning-charged, this album grew out of the damp florescent corners of the woods, each note a…
Tip! Tip! Tip! Having successfully navigated the difficult second issue, Moonbuilding returns with a dazzling Issue 3. Edited by former Electronic Sound commissioning editor Neil Mason and published by Colin Morrison’s Castles In Space label the new (Spring Has) Sprung issue stars the unstoppable Warrington-Runcorn New Town Development Plan, who also provide an exclusive CD of previously unreleased tracks. As well as a truly bumper chat with Warrington-Runcorn big chief Gordon Chapman-Fox, we pr…
Tip! “Contagion Vapors” was recorded between May 2020 and March 2021, in tandem with “Transgressive Transmissions”. Both albums have been released by Castles in Space, however they feature completely different sonic energies. Caught up in the first wave of pandemic doom/gloom which resulted in a bizarre creative bloom for Patrick, both albums have unique sounds anchored in the immense Patrick R Pärk/Kösmonaut discographies. This one is definitely a Kösmonaut record, however. Patrick’s ”Contagion…
The fourth Warrington-Runcorn New Town Development Plan album, "The Nation's Most Central Location", sees Gordon Chapman-Fox (the man behind Warrington-Runcorn New Town Development Plan) explore the north-south divide and reflect on 40 years of broken 'levelling up' promises.
With eight tracks across 40 minutes, the album offers Gordon's usual mix of mournful remorse and upbeat optimism. By now, however, there’s an underlying anger which burns through tracks such as London's Moving Our Way and A…
This debut album is the work of London based producer, sound artist and composer, Paul Cousins. Paul works with meticulously maintained reel to reel tape machines to transform and alter his electronic compositions. His prepared tape loops form the basis of ‘Vanishing Artefacts’ 12 intricate compositions. The original ideas processed through 1/4” tape become a hazy facsimile of their former state as tape is manipulated and effected to mould something new.
Tip! Haunted Bedrooms established the Jilk sound with a clash of cascading chamber instruments meeting brittle electronics and experimental noise. Frequently quiet and emotional but also edged with spikes and sharp teeth. On Syrup House, however, the collective dig out a much smoother and sweeter sound. And while ‘expect the unexpected’ should still be your guiding principle, here you can dive deep into luscious droning textures and swelling orchestration which sits alongside the warmth of analo…