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** 2021 Stock. In process of stocking ** Craftman Records presents Fine and Mellow by Shigeko Toya. Recorded May 17, 18, and 24, 1973. Acoustic Guitar, Electric Guitar – Masayuki Takayanagi, Alto Saxophone – Akitoshi Igarashi, Art Direction – Ben Nishizawa, Bass – Takashi Mizuhashi, Drums – Tetsujiro Obara, Engineer [Recording] – Yoshihiko Kannari, Piano – Masaru Imada, Producer – Takeshi Fujii, Vocals, Piano – Shigeko Toya.
** 2021 Stock. In process of stocking ** Craftman Records presents Concierto de Aranjuez by Hideto Kanai Quintet. Recorded November 2, 1978. Alto Saxophone, Tenor Saxophone, Soprano Saxophone – Mikinori Fujiwara, Bass – Hideto Kanai, Drums – Michael Reznikoff, Piano – Yoshito Osawa, Tenor Saxophone, Soprano Saxophone – Toshihiko Inoue.
** 2021 Stock. In process of stocking ** Craftman Records presents All Right! by Isao Suzuki Quartet. Recorded November 18 and 19, 1974. Bass – Osamu Kawakami, Drums – Shinji Mori, Electric Bass – Akira Okazawa, Electric Guitar, Acoustic Guitar – Kazumi Watanabe, Electric Piano, Cello, Bass, Organ [Hammond], Drums, Vocals, Vibraphone [Vibraharp] – Isao Suzuki.
** 2021 Stock. In process of stocking ** Craftman Records presents Touch by Isao Suzuki & His Fellows. Recorded November 20 and 26, 1975. Art Direction – Ben Nishizawa, Bass – Isao Suzuki, Congas – Yoichi Ogawa, Drums – Tetsujiro Obara, Engineer [Recording Engineer] – Yoshihiko Kannari, Guitar – Kazumi Watanabe, Masayuki Ise, Liner Notes – いソノてルヲ, Piano – Kunihiko Sugano, Producer – Isao Suzuki, Takeshi Fujii.
** 2021 Stock. In process of stocking ** ** 2021 Stock. In process of stocking ** Unicorn was bassist Teruo Nakamura's first date as a leader. Recorded and issued in Japan on the legendary Three Blind Mice imprint in 1973, Nakamura had been working in New York since 1964. Bass – Teruo Nakamura (tracks: A2, A3, B2, B3), Bass [Electric] – Teruo Nakamura (tracks: A1, B1), Congas – Alvern Bunn (tracks: A1, B2, B3), Drums – Alphonse Mouzon (tracks: A2, A3, B1), Lenny White (tracks: A1, B2, B3), Elect…
** 2021 Stock. In process of stocking ** Craftman Records presents Scandinavian Suite 三木敏悟 / Reissue album from Bingo Miki, Tatsuya Takahashi & The Tokyo Union. Originally released by Three Blind Mice in 1977. Recorded May, 15 and 22, 1977.
** 2021 Stock. In process of stocking ** Craftman Records presents Blues For Tee by Tsuyoshi Yamamoto Trio. Recorded live in concert on December 25, 1974. Art Direction – Ben Nishizawa, Bass – Akira Daiyoshi, Drums – Toshio Osumi, Mixed By – Yoshihiko Kannari, Photography By – Akira Aimi, Piano – Tsuyoshi Yamamoto, Producer – Takeshi Fujii.
** 2021 Stock. In process of stocking ** Craftman Records presents Live At The Misty by Tsuyoshi Yamamoto Trio. Recorded live on December 25, 1974. Tsuyoshi Yamamoto: Grand Piano, Akira Daiyoshi: Ac-Bass, Toshio Osumi: Drums, Koji Moriyama: Congas.
** 2021 Stock. In process of stocking ** A live recording of 1974 released by Hokkaido-born bassist Takashi Mizuhashi from [Three Blind Mice] in his own group after working for Masaru Imada and Isao Suzuki. Seiichi Nakamura (TS) and Shigeharu Mukai (T) participated in the quartet of Yoshio Otomo (AS), Fumio Karashima (P), and Hideo Sekine (D) only for B1 "Sugar". Includes the hit song A1 "When A Man Loves A Woman" sung by Percy Sledge in 1966, and A2 "So What", a thrilling performance of Miles D…
** 2021 Stock. In process of stocking ** Craftman Records presents Blue City by Isao Suzuki Quartet. Art Direction, Cover – Ben Nishizawa, Bass, Cello – Isao Suzuki, Drums – Tetsujiro Obara, Engineer [Recording], Mixed By – Yoshihiko Kannari, Executive-Producer – A. Fukutomi, K. Saga, Y. Uozu, Guitar – Kazumi Wanatabe, Liner Notes – Osamu Uchida, Teruo Isono, Photography By [Cover] – Isao Suzuki, Piano – Kunihiko Sugano, Producer – Takeshi Fujii.
** 2021 Stock. In process of stocking ** Craftman Records presents Debut by Takao Uematsu Quartet/Quintet. Art Direction – Ben Nishizawa, Bass – Yoshio Suzuki, Drums – George Ohtsuka, Electric Piano [Fender Piano] – Sadayasu Fujii, Engineer [Recording Engineer] – Yoshihiko Kannari, Producer – Takeshi Fujii, Tenor Saxophone – Takao Uematsu, Trombone – Takashi Imai.
Craftman presents a live concert by New Direction. The album includes 2 tracks performed by Masayuki Takayanagi - Guitar, and Kaoru Abe - Alto Saxophone. The first album track: Thursday / Gradually Projection, was recorded on June 18, 1970 at Tokyo. The second one: Jha / Mass Projection was recorded on May or June, 1970 at Tokyo.
Masayuki 'Jojo' Takayanagi was a Japanese jazz / free improvisational musician. He was active in the Japanese jazz scene from the late 1950s. Was one of the earliest no…
In process of stocking. Craftman presents a live concert by New Direction recorded at Jazzbed, Tokyo on September 27, 1970. The album includes 2 tracks performed by Masayuki Takayanagi - Guitar, Kaoru Abe - Alto Saxophone, Bass Clarinet, Performer, and Hiroshi Yamazaki - Drums, Percussion.
Masayuki 'Jojo' Takayanagi was a Japanese jazz / free improvisational musician. He was active in the Japanese jazz scene from the late 1950s. Was one of the earliest noise guitar improvisers, and the first (wi…
One of the wonderfully creative 70s sets from Japanese stringman Isao Suzuki – an artist who also plays bass, but who works here on jazz cello – for a very unusual approach! The set has Suzuki's work on the light strings matched in a combo with lead guitar from Kazumi Watanabe – who's nicely restrained here, and falls in with Isao's strings at a level that's quite different than his own material of the time. Watanabe's lead is augmented by further rhythm guitar work by Kazumasa Akiyama, and the …
*2022 stock* Few, if any, international audiophile jazz recordings have maintained the kind of deep and profound influence over techniques and even entire label repretoire as Three Blind Mice's Blow Up, Midnight Sugar and Misty. Originally recorded in Tokyo in 1974, this Piano Trio release from TBM features Tsuyoshi Yamamoto on piano, Isoo Fukui on bass and Tetsujiro Obara on drums. The of-the-moment realism of Yoshihiko Kannari's recordings and production aesthetic of producer and label head Ta…
Now! by Masaru Imada was the second album released by the fledgling Three Blind Mice label and the pianist's first leader album for the label. All four tunes are Imada's original compositions. The two slow numbers – "Nostalgia" and "The Shadow of the Castle" show his lyrical, "quiet but emotional," qualities. "Alter" is an adventurous tune whose focus is on free improvisation while "Gehi Dorian" is a modal composition as the title suggests.