★Fire Records
Thank Christ For The Bomb
Gatefold sleeve. Red slipcase, Poppy Download card, Poster, Ration book liner notes. Celebrating its 50th Anniversary, Groundhogs' Thank Christ For The Bomb (Major Edition) is reissued on double vinyl with gatefold sleeve - complete with ration book, poppy card and bonus tracks. A hugely influential album cited as the embryo for punk, grunge and beyond. Featuring epic 1970 concepts from this far reaching trio much praised by Underworld’s Karl Hyde, Captain Sensible, Stephen Malkmus and a host of…
Split
The ground breaking album by the ultimate power trio who morphed blues into hard rock and spawned punk. A much-loved opus with a side-long concept piece. A bona fide inspirational rock classic. The second side delivers the mighty Cherry Red, McPhee’s take on The Beatles’ A Day In the Life, a sideswipe at junk foodand a glorious interpretation of John Lee Hooker’s Groundhogs Blues.
Scratching The Surface
50th anniversary, remastered, limited edition 180g vinyl LP. Entering its 50th year since it's release, ‘Scratching The Surface’ is The Groundhogs extraordinary debut album. A landmark in the British blues movement in the 60s, the record released in 1968 includes their fierce reworking of Muddy Waters’ ‘Still A Fool’. Limited edition and newly remastered for vinyl. 1000 copies.
Reveries
Reveries is Zach Frizzell, Marc Ertel and Damien Duque’s first album for over three years, and follows the success of their debut Liberamente. Together, the trio craft delicately textured and slowly unfurling sonic vistas, occupying a unique aural domain that lies between guitar-driven drone music and modern classical compositions. With their individual projects they are incredibly prolific, but Dawn Chorus releases are few and far between and Reveries represents a refined evolution, leaning mor…
The Age of Immunology
*300 copies limited edition* Vanishing Twin is songwriter, singer and multi-instrumentalist Cathy Lucas, drummer Valentina Magaletti, bassist Susumu Mukai, synth/guitar player Phil MFU and visual artist/film maker Elliott Arndt on flute and percussion; and on this album they have made their first artistic statement for the ages. Some of its great power comes from liberation. The album was produced by Lucas in a number of non-standard, non-studio settings. ‘KRK (At Home In Strange Places)’ summon…
Gut Buster
On Gut Buster, Yosa Peit spawns fleshy sonic escapades, a swarm of vigorously processed vocals and soulful bass, set to a backdrop of visceral percussive structures. Full of roguish curiosity, the record is cast with an air of lo-fi experimentation, but with a platinum glint of pop sensibility. Peit’s second album grapples with the destructive force of modern consumption, Gut Buster is an anti-capitalist battle cry that syntheses intimacy and hostility; a surrealist-punk affirmation and a testam…
The Silver Globe
Like all good parables Jane Weaver’s sixth solo album, a concept album called The Silver Globe, is as multifaceted as it is beguiling. Part coming of age/part cautionary tale and part romantic peon, this synth ridden post-apocalyptic prog pop opus is based on tightly embroidered, non-linear recurring themes and inspired by esoteric stories, cosmic imagery and refiltered past experiences. Written from the optimistic vantage of a long-standing female independent artist, in an desperately evolving …
Ookii Gekkou
There’s a mystery to Vanishing Twin – from their name to the multitude of sounds that inhabit their music. They don’t sound like many but they hint at plenty. ‘Ookii Gekkou’ (Japanese for Big Moonlight) is the sound of ordinary life under a different set of rules, a record conceived and created in dark times – a sort of dream catcher for all the madness of the past year. Vanishing Twin explore new ground on ‘Ookii Gekkou’ incorporating elements of afrofunk, outer jazz and avant-garde, all while …
A Pink Sunset for No One
With each successive release, the self-sustaining universe that is Sarah Lipstate’s output as Noveller pushes outward. Her instrumental sound—built from guitar loops run through pedals—has evolved well past its drone-anchored early incarnation. That relied on layers of distortion to create meditative spaces that enveloped the listener; more recently, synths and percussion have entered her sprawling compositions. A Pink Sunset for No One is ruled by a newly epic sense of scale and narrative. For …