★Krayon Recordings
New Sky Dragon
Top flight three man cosmic research team further investigations on galactic flux and refraction with two transmissions of synesthetic mind-fold. Lift off with skyward string stasis cutting through buffeted drum-clouds and synthesiser atmosphere, cosmic forever vision peaks at warp-speed rocket drone, anti-gravity percussion accents and star scraping rainbow universes. Saturating feedback zones spread webs of dimension amidst asteroid belt orbits, where two-way trips initiate zero g shimm…
Blue eyes are my reward
Jawdropping new collection of crop circles etched in sonic candy-floss by New Zealand’s beardsmith / noise-farmer Campbell Kneale. Rated by the horses mouth as the best thing he ever made, EVER, ‘Blue Eyes Are My Reward’ shimmers like an icicle-clad forest resplendent in its own crystalline magnificence. Snakecharming groove, dublike boomph, and bleary eyed strum blast the path out of a decidedly greying world of so-so metalized myspace drone, into a miniaturized drone-prairie of superpow…
split 7"
Wheezing skyward born machine groans and gasped tremolo root to a kinetic pulse, while distant melody zones ascend to circulate around the bass flex on this face chewer by Neil Campbell. On the flip is the first vinyl cut by Glockenspiel, flocculent tones weave with tom rub and bowed metal harmonics, drifting on the back of a drum dub to the heart of a snow-blind haze of feedback, amplified string scrape and analogue electronics. Spin at 45. Art by Noah Campbell.
Baptised By Intuition / Get It?
Vibracathedral drop straight into a heads down fully tranced narco-dust trail, with guitar-born fireflies leading the way through a never-changing backdrop heat haze of low-lying smoke-mist and earth-veined throb. Fx tweets and rattlesnake percussion shakes as mystic keyboard spirits blow in a weightless drift.The first cut from Infinite Light is a section lifted from a show featuring Barry Dean on guitar, Mick Flower on guitar and organ and Pete Nolan jamming the traps, and its a full, free-roc…
Live At CAC 7.21.08
2 sides of bent frown jazz from the hardcore supergroup of Lorenz, Yeh and Jewell. Side a comes on all fifth dimension hard think: violin scrunch and squeal, hard tom rub and dense harmonic blowing pushed right to the front of your brain box, jams a frantic fanfare with locked horn and strings before giving in with a wheeze and a tinkle. Side b's call and answer shies away as fragments fragment into bowed skin, seesaw string microtone and rasped mouthpiece until spunk rock free jizz looseness ex…
split 7"
Campbell Kneale moves ever closer to the glistening, levitation altar, with backwards bliss-shimmer, spooked chant and analogue squawk and squeal, kaleidoscoping around triumphant snare punctuation. Bark Haze (Thurston Moore & Gown duo) hit back with focused power-drone guitar duelling from the heart of the bong, smoking out into tunnel-visoned, crumbled-amp chunder. Artwork by Campbell Kneale/Kim Gordon.